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| Annie Humphrey | Primary Artist, Primary Artist, Acoustic Guitar, Piano, Vocals |
| John Trudell | Vocals |
| Jovino Santos Neto | Piano, Keyboards |
| Adrian Liberty | Percussion, Drums, Vocals |
| Gary Stroutsos | Flute |
| David Swenson | Acoustic Guitar, Electric Guitar |
| William Mitchell | Bass |
| Dale Heib | Percussion, Drums |
| John Owen Lardinios | Violin |
| Jon Nyborg | Guitar |
| John Scalia | Acoustic Guitar, Bass, Background Vocals |
| Brad Stockert | Percussion |
| John Trudell | Liner Notes |
| Stephanie Meisel | Art Direction |
| David Swenson | Producer, Engineer, Mastering |
| Annie Humphrey | Producer |
| Cherie Harms Harms | Administration |
| Jan Swenson | Administration |
Anonymous
Posted October 1, 2010
Annie Humphry's CD is great---full of melodic, acoustic offerings reflecting our people's past, present and future, yet strung together in way that please the ear of everyone, reguardless of race. My sister, mother and I play it constantly. I highly recomend it!!
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Editorial Reviews
All Music Guide - William Ruhlmann
Native American singer/songwriter Annie Humphrey has an appealing, somewhat throaty voice that sometimes recalls the phrasing of Stevie Nicks, and she writes attractive folk-rock music well suited to that voice. The weakness of her first nationally distributed album, however, is in the lyrics she sings, most of which were written by Carson Gardner. Gardner tends to write vague abstractions in repetitive structures, such that, even when you can figure out what he's getting at, you don't care. Humphrey does her best to freshen up the stale language, singing as though the lyrics were more compelling than they are, which tends to make The Heron Smiled the sort of album ...