The House Carpenter's Daughter

( 6 )

Editorial Reviews

Barnes & Noble - Steve Klinge
Given that The House Carpenter's Daughter marks Natalie Merchant's first foray into folk songs, both traditional and modern, it seems appropriate that she's bypassed the record industry and released the disc on her own Myth America label. Many of these songs arose outside of corporate structures, such as the old hymns "Weeping Pilgrim" and "Poor Wayfaring Stranger" or the murder ballad "Diver Boy" -- and the pro-union "Which Side Are You On?" is directly anti-corporate. With their gentle melodies and primarily acoustic accompaniment, these songs sound like they were meant to be sung at home or around a campfire, and Merchant's grave, tender voice perfectly suits the ...
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Editorial Reviews

Barnes & Noble - Steve Klinge
Given that The House Carpenter's Daughter marks Natalie Merchant's first foray into folk songs, both traditional and modern, it seems appropriate that she's bypassed the record industry and released the disc on her own Myth America label. Many of these songs arose outside of corporate structures, such as the old hymns "Weeping Pilgrim" and "Poor Wayfaring Stranger" or the murder ballad "Diver Boy" -- and the pro-union "Which Side Are You On?" is directly anti-corporate. With their gentle melodies and primarily acoustic accompaniment, these songs sound like they were meant to be sung at home or around a campfire, and Merchant's grave, tender voice perfectly suits the earnest material. Although she lightens up for the hoedown versions of "Down on Penny's Farm" and the Carter Family's "Bury Me Under the Weeping Willow" and digs into a bluesy groove for "Soldier, Soldier," most of The House Carpenter's Daughter features beautiful, melancholy ballads, backed by quiet guitar, banjo, or fiddle. During her tenure in 10,000 Maniacs and throughout her solo career, Merchant's roots have been in folk music, but she's never explored them so overtly; here she finds them in songs from Fairport Convention, the Horseflies, Harry Smith's Anthology of American Folk Music, and elsewhere.
All Music Guide - Tim DiGravina
Striving to preserve the kinds of songs that "teach us about what we know in our hearts," Natalie Merchant presents here 11 songs of traditional and contemporary folk music. Merchant's handpicked song choices run the gamut of the 20th century, with seven traditional tunes and four covers. The covers are an eclectic mix: the Waterboys-esque Horseflies song "Sally Ann" ex-Horseflies Judy Hyman and Richie Stearns provide violin and banjo throughout the album, Florence Reece's coalminer hymn "Which Side Are You On?," Fairport Convention's gothic parable "Crazy Man Michael," and the Carter Family's love-lost weeper "Bury Me Under the Weeping Willow." From the track listing, one would expect a somber blend of acoustic instruments and dreamy vocals, but Merchant and company kick out the folk jams more often than not, and Merchant's bright production and energetic arrangements keep the pace lively. As befits the preservational nature of the project, Merchant's annotated liner notes give rhyme and reason to each selection. Reading about the harrowing genesis of "Which Side Are You On?" adds a wealth of poignancy and power to its message. But that's not to suggest that The House Carpenter's Daughter is an overly academic work, as the material varies enough in theme, tone, and rhythm as much as any of Merchant's preceding solo endeavors. Indeed it's actually quite refreshing to hear Merchant's voice consistently wrapped around a bold pedal steel guitar, a weeping fiddle, a rolling banjo, and gentle accordion undertones. Those weary of the traditional nature of the album needn't worry much, as rock textures hover around many a corner, percolating violently on "Diver Boy" before exploding fully on the humorous jumping-rope song "Soldier, Soldier." At turns slow, hazy, and beautiful and at other turns bounding with folk hoedowns, The House Carpenter's Daughter is a delightful exploration of Merchant's folk inspirations. Whether a listener is a folk newcomer or a die-hard folkie, or even a Merchant fanatic or not, this is an album bursting with delights. It proves Merchant's liner-notes theories about the power of folk music again and again.
Rolling Stone - James Hunter
Merchant casts new and old spells.

Merchant casts new and old spells.
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Product Details

  • Release Date: 9/16/2003
  • Label: Myth America
  • UPC: 800314337423
  • Catalog Number: 1026

Tracks

Disc 1
  1. 1 Sally Ann
  2. 2 Which Side Are You On?
  3. 3 Crazy Man Michael
  4. 4 Diver Boy
  5. 5 Weeping Pilgrim
  6. 6 Soldier Soldier
  7. 7 Bury Me Under the Weeping Willow
  8. 8 House Carpenter
  9. 9 Owensboro
  10. 10 Down on Penny’s Farm
  11. 11 Poor Wayfaring Stranger
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Album Credits

Performance Credits
Natalie Merchant Primary Artist, Vocals
Judy Hyman Fiddle, Violin
Graham Maby Bass
Richie Stearns Banjo
Erik Della Penna Guitar, Lap Steel Guitar
Gabriel Gordon Guitar
Allison Miller Drums
Elizabeth Steen Organ, Piano, Accordion
Technical Credits
George Cowan Engineer
Natalie Merchant Arranger, Producer, Liner Notes, Collage
Todd Vos Engineer
Emily Lazar Mastering
Public Domain Composer
Tod Vos Engineer
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Customer Reviews

Average Rating 4.5
( 6 )
Rating Distribution

5 Star

(3)

4 Star

(2)

3 Star

(1)

2 Star

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Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Terrific Album!

    Once again, Natalie Merchant has produced an amazing CD that showcases her evolving vocal range, expressive style and producing skills. Every track on the album is so unique, perfectly arranged, and a real joy to listen to. I can think of no other artist who can pull this off successfully. Favorite Songs: 1. Owensboro 2. Which Side Are You On 3. Crazy Man Michael 4. Sally Ann

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 1, 2010

    Good; not what I expected, though

    I had high hopes for Natalie Merchant's new CD. For one, it's as though Natalie was born to make folk music. Since her days with 10,000 Maniacs, she's sung numerous folk songs as though they were her own. Because of her earlier success with folk music, I had a lot of hope for this CD, but I can't help but feel a little disappointed. The arrangements are all lush and perfectly done, but it's Natalie's singing that bothers me. I normally love her voice but here she sounds bored, not to mention you can hardly make out what she's singing. Natalie's new CD is a good collection of folk music, but one I think could have been better.

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  • Anonymous

    Posted October 1, 2010

    Another classic from Natalie Merchant

    With the music industry deteriorating quality,voracity for sex,violence and illiteracy,Miss Merchant is one of the few exceptions.Whether she revived,traditionaly arranged,or composed she always justified music to its deepest sense.Had written over 100,poetic,socially conscious,literate songs,standing tall for over 2 decades despite casual slander,vulture scandal critics that personally don't liked her music,but to her endearing fans,she will always be the humble star that conect them to a deeper meaning.

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  • Anonymous

    Posted April 18, 2010

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  • Anonymous

    Posted November 22, 2009

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  • Anonymous

    Posted October 25, 2008

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Sort by: Showing all of 6 Customer Reviews