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Publishers WeeklyLawyer-turned-writer Conklin debuts with a braided novel of two intersecting tales separated by 150 years. In 2004, Lina Sparrow is a first-year associate at a prestigious New York law firm; in 1852, Josephine Bell is the titular "house girl," a slave on a Virginia farm. Assigned to work on a class-action suit involving slavery reparations, Lina searches out a suitable plaintiff for the case, hoping to find a descendant of slaves with an especially compelling story. Lina's father, an artist, suggests that Lina research the story of Josephine, speculated to be the real artist behind paintings attributed to Lu Anne Bell, her white master, and Lina embarks on a search that finds her retracing the footsteps of a runaway slave. The tragedy of Josephine leads Lina deeper into not only Josephine's history but her own, which helps her to make sense of her mother, a woman Lina never knew. Alternating between Lina and Josephine, this novel is unfortunately trite, predictable, and insensitive at its core: the lives of a 19th-century black slave and a 21st-century white lawyer are not simply comparable but mutually revealing, fodder for healing. Striving for affecting revelations, Conklin manages nothing more than unsatisfying platitudes and smugly pat realizations. Agent: Michelle Brower, Folio Literary Management.
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