The Iconic Page in Manuscript, Print, and Digital Culture

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Most readers think of a written work as producing its meaning through the words it contains. But what is the significance of the detailed and beautiful illuminations on a medieval manuscript? Of the deliberately chosen typefaces in a book of poems by Yeats? Of the design and layout of text in an electronic format? How does the material form of a work shape its understanding in a particular historical moment, in a particular culture?

The material features of texts as physical ...

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Overview


Most readers think of a written work as producing its meaning through the words it contains. But what is the significance of the detailed and beautiful illuminations on a medieval manuscript? Of the deliberately chosen typefaces in a book of poems by Yeats? Of the design and layout of text in an electronic format? How does the material form of a work shape its understanding in a particular historical moment, in a particular culture?

The material features of texts as physical artifacts--their "bibliographic codes" --have over the last decade excited increasing interest in a variety of disciplines. The Iconic Page in Manuscript, Print, and Digital Culture gathers essays by an extraordinarily distinguished group of scholars to offer the most comprehensive examination of these issues yet, drawing on examples from literature, history, the fine arts, and philosophy.

Fittingly, the volume contains over two dozen illustrations that display the iconic features of the works analyzed--from Alfred the Great's Boethius through medieval manuscripts to the philosophy of C. S. Peirce and the dustjackets on works by F. Scott Fitzgerald and William Styron.

The Iconic Page in Manuscript, Print, and Digital Culture will be groundbreaking reading for scholars in a wide range of fields.

George Bornstein is C. A. Patrides Professor of English, University of Michigan. Theresa Tinkle is Associate Professor of English, University of Michigan.

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Product Details

Table of Contents

List of Illustrations
Preface
Introduction 1
Alfred the Great's Burnt Boethius 7
Sensations of the Page: Imaging Technologies and Medieval Illuminated Manuscripts 33
The Wife of Bath's Textual/Sexual Lives 55
Icons among Iconoclasts in the Renaissance 89
The Peopled Page: Polemic, Confutation, and Foxe's Book of Martyrs 109
Rossetti's Iconic Page 123
The Faces of Victorian Fiction 141
Iconic Indeterminacy and Human Creativity in C. S. Peirce's Manuscripts 157
Corporealizations of Dickinson and Interpretive Machines 195
Yeats and Textual Reincarnation: "When You Are Old" and "September 1913" 223
The Open Space of the Draft Page: James Joyce and Modern Manuscripts 249
The Iconic Dust Jacket: Fitzgerald and Styron 269
Contributors 285
Index 287
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