The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and Liberators

The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and Liberators

by David Bindman
     
 

Slaves and Liberators looks at the political implications of the representation of Africans, from the morality of slavery, through abolitionism, to European imperialism in Africa. Popular imagery and great works, like Turner’s Slave Ship, cast light on widely differing European responses to Africans and their descendants.See more details below

Overview

Slaves and Liberators looks at the political implications of the representation of Africans, from the morality of slavery, through abolitionism, to European imperialism in Africa. Popular imagery and great works, like Turner’s Slave Ship, cast light on widely differing European responses to Africans and their descendants.

Editorial Reviews

Kwame Anthony Appiah
A fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes.
Paul Gilroy
In addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers.
New York Times - Holland Cotter
The Image of the Black in Western Art [is] a truly epic project...The series, scheduled for completion in 2014, is, so far, as eye-opening to view as it is to read and, one volume at a time, could be the answer to gift gifting for several years to come.

Product Details

ISBN-13:
9780674052598
Publisher:
Harvard
Publication date:
05/07/2012
Edition description:
New edition
Pages:
384
Sales rank:
1,456,629
Product dimensions:
9.90(w) x 11.20(h) x 1.30(d)

What People are saying about this

Kwame Anthony Appiah
A fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes.
Paul Gilroy
In addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers.
Paul Gilroy, author of The Black Atlantic: Modernity and Double Consciousness

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