The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of Africaby David Bindman (Editor), Henry Louis Gates Jr. (Editor), Dawn Ades (Contribution by), Petrine Archer-Shaw (Contribution by), Suzanne Preston Blier (Contribution by)
In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern times. Highlights from the image archive, accompanied by essays written by major scholars, appeared in three large-format volumes, consisting of one or more books, that
In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern times. Highlights from the image archive, accompanied by essays written by major scholars, appeared in three large-format volumes, consisting of one or more books, that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to have republished five of the original books and to present five completely new ones, extending the series into the twentieth century.
The Impact of Africa, the first of two books on the twentieth century, looks at changes in the Western perspective on African art and the representation of Africans, and the paradox of their interpretation as simultaneously "primitive" and "modern." The essays include topics such as the new medium of photography, African influences on Picasso and on Josephine Baker's impression of 1920s Paris, and the influential contribution of artists from the Caribbean and Latin American diasporas.
A major accomplishment of art history, the fifth volume of this seminal series moves into the 20th century. Founded by art patron Dominique Schlumberger de Menil in the 1960s, the collection and subsequent series of books are intended as a "subtle bulwark and living testimony against antiblack racism" through the exploration of representations of black people in Western art. This latest volume, edited by the influential scholars Bindman and Gates (The African American Century), looks broadly at the 20th-century shifts in representation of Africa and people of African heritage in Western visual art (most often by white artists), including the significant influence African art exerted on modernism. The essays by esteemed academics range in topic from photography in the 19th century to Josephine Baker in Paris and the Negritude French literary movement. Without exception, the texts twine together research, image, and insight in a gracefully readable exploration of a complex topic. The series on a whole is truly indispensable and this particular volume offers an incredibly dynamic tour through Western history, racial difference, and visual art, all informing one another in ways often invisible as we study those subjects. Color illus. (Feb.)
The latest volume in this now half-century-old continuing publication is the first of two on the art of the 20th century. Three themes—"Photography, Popular Imagery, Anthropology, and Racial Theory," "Europe and 'The Primitive,' " and "Beyond Europe: The Caribbean and Latin America"—structure essays by several international academic authors on specific media, topics, or geographic areas as well as particular artists, such as Pablo Picasso, and their encounters with and portrayals of Africans in their art. The writing is clear and accessible in this well-illustrated, scholarly volume that's also suitable for a broader audience. Much of the material covered here, particularly on photography and on non-European representations, will be new to most readers. VERDICT Both a reflection of its evolving times and an agent in their evolution, this title is appropriate for both academic and public library collections.—Jack Perry Brown, Art Inst. of Chicago Libs.
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Meet the Author
David Bindman is Emeritus Professor of the History of Art at University College London.
Henry Louis Gates, Jr., is Alphonse Fletcher University Professor and the Director of the W. E. B. Du Bois Research Institute at the Hutchins Center for African and African American Research at Harvard University.
Suzanne Preston Blier is Allen Whitehill Clowes Professor of Fine Arts and Professor of African and African American Studies at Harvard University.
Elizabeth Edwards is Research Professor in Photographic History and Director of the Photographic History Research Centre at De Montfort University in Leicester, England.
Vera Ingrid Grant is Director of the Ethelbert Cooper Gallery of African and African American Art at the Hutchins Center for African and African American Research, Harvard University.
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