The Indian Chief as Tragic Hero: Native Resistance and the Literatures of America, from Moctezuma to Tecumseh
The leaders of anticolonial wars of resistance — Metacom, Pontiac, Tecumseh, and Cuauhtemoc — spread fear across the frontiers of North America. Yet once defeated, these men became iconic martyrs for postcolonial national identity in Canada, the United States, and Mexico. By the early 1800s a craze arose for Indian tragedy on the U.S. stage, such as John Augustus Stone’s Metamora, and for Indian biographies as national historiography, such as the writings of Benjamin Drake, Francis Parkman, and William Apess.

With chapters on seven major resistance struggles, including the Pueblo Revolt of 1680 and the Natchez Massacre of 1729, The Indian Chief as Tragic Hero offers an analysis of not only the tragedies and epics written about these leaders, but also their own speeches and strategies, as recorded in archival sources and narratives by adversaries including Hernán Cortés, Antoine-Simon Le Page du Pratz, Joseph Doddridge, Robert Rogers, and William Henry Harrison.

Sayre concludes that these tragedies and epics about Native resistance laid the foundation for revolutionary culture and historiography in the three modern nations of North America, and that, at odds with the trope of the complaisant “vanishing Indian,” these leaders presented colonizers with a cathartic reproof of past injustices.
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The Indian Chief as Tragic Hero: Native Resistance and the Literatures of America, from Moctezuma to Tecumseh
The leaders of anticolonial wars of resistance — Metacom, Pontiac, Tecumseh, and Cuauhtemoc — spread fear across the frontiers of North America. Yet once defeated, these men became iconic martyrs for postcolonial national identity in Canada, the United States, and Mexico. By the early 1800s a craze arose for Indian tragedy on the U.S. stage, such as John Augustus Stone’s Metamora, and for Indian biographies as national historiography, such as the writings of Benjamin Drake, Francis Parkman, and William Apess.

With chapters on seven major resistance struggles, including the Pueblo Revolt of 1680 and the Natchez Massacre of 1729, The Indian Chief as Tragic Hero offers an analysis of not only the tragedies and epics written about these leaders, but also their own speeches and strategies, as recorded in archival sources and narratives by adversaries including Hernán Cortés, Antoine-Simon Le Page du Pratz, Joseph Doddridge, Robert Rogers, and William Henry Harrison.

Sayre concludes that these tragedies and epics about Native resistance laid the foundation for revolutionary culture and historiography in the three modern nations of North America, and that, at odds with the trope of the complaisant “vanishing Indian,” these leaders presented colonizers with a cathartic reproof of past injustices.
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The Indian Chief as Tragic Hero: Native Resistance and the Literatures of America, from Moctezuma to Tecumseh

The Indian Chief as Tragic Hero: Native Resistance and the Literatures of America, from Moctezuma to Tecumseh

by Gordon M. Sayre
The Indian Chief as Tragic Hero: Native Resistance and the Literatures of America, from Moctezuma to Tecumseh

The Indian Chief as Tragic Hero: Native Resistance and the Literatures of America, from Moctezuma to Tecumseh

by Gordon M. Sayre

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Overview

The leaders of anticolonial wars of resistance — Metacom, Pontiac, Tecumseh, and Cuauhtemoc — spread fear across the frontiers of North America. Yet once defeated, these men became iconic martyrs for postcolonial national identity in Canada, the United States, and Mexico. By the early 1800s a craze arose for Indian tragedy on the U.S. stage, such as John Augustus Stone’s Metamora, and for Indian biographies as national historiography, such as the writings of Benjamin Drake, Francis Parkman, and William Apess.

With chapters on seven major resistance struggles, including the Pueblo Revolt of 1680 and the Natchez Massacre of 1729, The Indian Chief as Tragic Hero offers an analysis of not only the tragedies and epics written about these leaders, but also their own speeches and strategies, as recorded in archival sources and narratives by adversaries including Hernán Cortés, Antoine-Simon Le Page du Pratz, Joseph Doddridge, Robert Rogers, and William Henry Harrison.

Sayre concludes that these tragedies and epics about Native resistance laid the foundation for revolutionary culture and historiography in the three modern nations of North America, and that, at odds with the trope of the complaisant “vanishing Indian,” these leaders presented colonizers with a cathartic reproof of past injustices.

Product Details

ISBN-13: 9780807877012
Publisher: The University of North Carolina Press
Publication date: 05/18/2006
Sold by: Barnes & Noble
Format: eBook
Pages: 368
File size: 20 MB
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About the Author

Gordon M. Sayre is associate professor and director of graduate studies in English at the University of Oregon. He is author of Les Sauvages Américains: Representations of Native Americans in French and English Colonial Literature and editor of American Captivity Narratives.
Gordon M. Sayre is professor of English at the University of Oregon. He is author of Les Sauvages Américains: Representations of Native Americans in French and English Colonial Literature and editor of American Captivity Narratives.
Gordon M. Sayre is professor of English at the University of Oregon. He is author of Les Sauvages Americains: Representations of Native Americans in French and English Colonial Literature and editor of American Captivity Narratives.

What People are Saying About This

From the Publisher

“While thought provoking and satisfying to the expert in early American colonial studies, at the same time Sayre renders an approachable introductory survey for the newcomer. . . . An excellent study with wide-ranging implications, which will stimulate research for many years.” — Itinerario

“Sayre’s work is an important addition to assist in our understanding of how Indian leaders were portrayed in literature and of the wider cultural needs fulfilled by the writers of such literature. This book will be of particular interest to academicians of early American literature and historians of the same period.” — Louisiana History

“Extraordinarily rich in narrative detail and historical allusion. . . . [The Indian Chief as Tragic Hero] deserves the most serious attention not only for its breadth and depth of detail but for its historiographical argument about the value of literary study to historical understandings. . . . The book lays down a robust challenge to historians to pursue these questions further with comparable subtlety and learning.” — American Historical Review

“This interdisciplinary volume is a complex and richly dense, but Sayre’s very lucid style reveals the patterns within the complexities. The Indian Chief as Tragic Hero is a worthwhile addition to the literatures of a variety of academic fields.” — Journal of American History

“Sayre works deftly with his multitude of sources; his book is a triumphant example of the benefits of interdisciplinarity and the inclusive approach to evidence.” — Indiana Magazine of History

“A rich and suggestive study. . . . A reader will feel enriched by an enormous body of information about new and unfamiliar texts. . . . This book deserves a place on the growing shelf of work about the Atlantic world . . . it deals shrewdly and suggestively with the conflicts of European and Indian empires and nations in the New World.” — William and Mary Quarterly

“In The Indian Chief as Tragic Hero, Gordon Sayre explores the strange alchemy by which the same culture that exterminated Native Americans also glorified the accomplishments of particular Native leaders. In casting Moctezuma, Tecumseh, and others as 'tragic heroes,' nineteenth-century U.S. authors performed frighteningly important cultural work.” — Daniel K. Richter, McNeil Center for Early American Studies, University of Pennsylvania

“In a comparative study of Indian insurrections that moves nimbly across continents, empires, tribes, and languages, Sayre helps us understand much more about the nature of intercultural conflict, European colonialism, and the process by which the victors write and read history. He leads us to the threshold of theorizing and practicing a globalized American Studies.” — Edward Watts, Michigan State University

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