The Infinite Desire

Editorial Reviews

All Music Guide - Richard S. Ginell
With the help of new generations of guitar synthesizers and samplers, The Infinite Desire finds a mature, lyrical, more expressive Al di Meola casting his lot with Telarc, which until the late '90s had concentrated its attentions upon aging acoustic jazzers. Indeed, he makes marvelously musical use of the new devices, creating sensuous, exotic layers of sound that lie easily upon the ear, without much of the usual harshness of digital instruments generated by those who haven't bothered to master them. "Shaking the Spirits" in particular is a fascinating piece, loaded with dazzling Middle Eastern and African colorations, and the sampled trumpet sound he gets on ...
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Editorial Reviews

All Music Guide - Richard S. Ginell
With the help of new generations of guitar synthesizers and samplers, The Infinite Desire finds a mature, lyrical, more expressive Al di Meola casting his lot with Telarc, which until the late '90s had concentrated its attentions upon aging acoustic jazzers. Indeed, he makes marvelously musical use of the new devices, creating sensuous, exotic layers of sound that lie easily upon the ear, without much of the usual harshness of digital instruments generated by those who haven't bothered to master them. "Shaking the Spirits" in particular is a fascinating piece, loaded with dazzling Middle Eastern and African colorations, and the sampled trumpet sound he gets on "Valentina" is astoundingly lifelike. Also, di Meola's playing became more unabashedly fluid in the '90s; on the closest thing to a straight-ahead track, "Invention of the Monsters," di Meola's electric guitar curls intricately and swingingly around the bass of Tom Kennedy, Ernie Adams' drums, and some synthesized brass. Di Meola's co-conspirators change from track to track, although two who figure a lot in the sound and package are keyboardist Rachel Z a former di Meola sidewoman and bassist John Patitucci. Also check out Herbie Hancock on acoustic grand and Peter Erskine's drums on "Istanbul," and di Meola's fairly good-natured duel with rock guitarist Steve Vai on "Race with Devil on Turkish Highway."
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Product Details

  • Release Date: 8/25/1998
  • Label: Telarc
  • UPC: 089408343322
  • Catalog Number: 83433
  • Sales rank: 41,013

Album Credits

Performance Credits
Al di Meola Primary Artist, Primary Artist, Organ, Acoustic Guitar, Percussion, Trumpet, Accordion, Cymbals, Electric Guitar, Vocals, Tamboura, Fretless Bass Guitar
Steve Vai Guitar, Electric Guitar
Peter Erskine Drums
Herbie Hancock Piano
John Patitucci Bass, Electric Bass, Acoustic Bass
Rachel Z Piano, Keyboards
Ernie Adams Drums
Tom Kennedy Acoustic Bass
Gumbi Ortiz Percussion, Conga
Mario Parmisano Keyboards
Abraham Wechter Guitar
Pino Daniele Vocals
Technical Credits
Rachel Z Programming, Sound Design
Al di Meola Arranger, Producer
Frank Filipetti Engineer
Goh Hotoda Engineer
Bob Ludwig Mastering
Hernan Romero Producer
Robert Woods Executive Producer
Bill Milkowski Liner Notes
Anilda Carrasquillo Art Direction
Spyros Poulos Programming, Engineer, Sound Design
Rich Tozzoli Digital Editing
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