The Infinite (Harrow Academy Series #3)

The Infinite (Harrow Academy Series #3)

3.5 17
by Douglas Clegg

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The mansion is a place of tragedy and nightmares, evil and insanity. First it was a madman's fortress; then it became a school. Now it lies empty.

Ivy Martin is obsessed with the house and her dark memories of what it means to her.

And Jack Fleetwood, a ghost hunter, wants to find out what lurks within Harrow.

Together, they assemble the


The mansion is a place of tragedy and nightmares, evil and insanity. First it was a madman's fortress; then it became a school. Now it lies empty.

Ivy Martin is obsessed with the house and her dark memories of what it means to her.

And Jack Fleetwood, a ghost hunter, wants to find out what lurks within Harrow.

Together, they assemble the people who they believe can pierce Harrow's shadows ... Chet Dillinger, who experienced moments of telekinesis as a child; Cali Nytbird, who uses her psychic ability to aid in homicide investigations; and Frost Crane, a bestselling author of books on the Other Side, who desperately needs what Harrow has to offer. And somewhere, within Harrow itself, lies the doorway to the Infinite.

From Bram Stoker Award-winning author Douglas Clegg comes his most terrifying supernatural thriller yet: The Infinite.

Critical Acclaim For the Work of Douglas Clegg:

"This is horror at its finest." --Publisher's Weekly

"Clegg gets high marks on the terror scale." --Daily News (New York)

"Douglas Clegg is clearly and without any doubt one of the best horror writers in the business." --Cinescape

Editorial Reviews editor
Three strangers with unusual psychic abilities are hired to investigate a series of chilling events at a haunted boarding school. Prolific horror master Douglas Clegg puts a terrifying new spin on a time-honored genre with The Infinite, the concluding novel of his Harrow trilogy.
Publishers Weekly
The indefatigable Clegg concludes his trilogy of terror tales (after the e-serial Nightmare House and sequel Mischief) set at the haunted Harrow boarding school with a novel that once again shows his skill at using classic horror themes to explore the pathos of the human condition. Evoking works by Shirley Jackson and Richard Matheson, to which it will almost certainly be compared, the story builds around the formally engineered meeting of Chet Dillinger, Cali Nytbird and Frost Crane, all of whom are endowed with psychic proclivities that have been more curse than gift in their lives. Like Ivy Martin, wealthy patroness of the PSI Vista Foundation that has hired them to investigate a recent spate of eerie deaths linked to the academy, each is a spiritually scarred survivor who hopes their experiment will exorcise personal demons as well as the school's. Too late, they discover that Harrow's reputation as a charnel house stems from occult influences well-schooled in exploiting the vulnerabilities of unwitting human victims. The plot builds sluggishly, with affecting if lengthy profiles of the principal characters and a paucity of supernatural incidents once they descend on Harrow. But Clegg knows how to balance horror with human interest, and when all hell breaks loose in an electrifying finale, the narrative's supernatural and psychological landscapes carefully converge in a cavalcade of nightmares. Memorable for its evocative, disturbing imagery and haunting emotional insights, this novel adds a new chapter to horror's tradition of haunted house fiction. (Sept. 18) Copyright 2001 Cahners Business Information.

Product Details

Dorchester Publishing Company, Inc.
Publication date:
Harrow Academy Series , #3
Edition description:
Product dimensions:
4.36(w) x 6.96(h) x 1.06(d)

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Chapter One


    His biggest mistake had been picking up the hitchhiker in the rain.

    Mark Carpenter was not the kind of man to ordinarily pick up hitchhikers at all. He generally passed them by, and felt that the world would somehow care for them and they'd reach their destination. But he had always harbored a fear about hitchhikers, as well. He had seen a "Twilight Zone" episode once, in which a woman had picked up a hitchhiker only to find out that the hitchhiker was Mr. Death himself. He had heard more realistic stories about people picking up hitchers who went on to rob them ... or worse. He had fears, and had not been a fool in his life, even living in a small town. If he didn't know the person directly, he didn't pick that person up. What if the hitchhiker had a gun? A knife? What if the hitcher was an escapee from a prison or some kind of mental institution? He knew he was a bit crazy to think all these things, but it was what one thought when one saw a hitchhiker in the road on such a terrible night.

    Of course, this one was a bit different, which may be why he had let down his guard.

    She was a pretty girl, from what he could see of her. She had a face that he would call heart-shaped, and maybe she had small eyes, but something about her whole demeanor gave off vibes. The needy kind, but not the clingy kind; that's what he would've said. She needed help. She was in need—that much was apparent. She needed him, and that made her prettier to him, in a way. It was his weakness—pretty girls. Pretty young women. Lost. Needy. She was like a breath of young love—that's what he thought, although it was the part of him that he kept buried most times.

    She was young love, this girl, in need of a ride home.

    Mark Carpenter felt bad for her. He'd been to visit his father in Kingston and had only come back in the middle of the night, in a storm no less, because he could not stand to sleep in the same house with that man and decided that enough was enough. He had not been in a good mood since leaving his father's house. After crossing over the bridge to the east side of the river, he'd taken an old familiar route back to his home in Watch Point. It had been nearly midnight when he'd somehow gotten lost—he blamed the storm and all the roiling thoughts about his father and some sense of failure he'd always had as a son—but then found his way back by way of the old route (they even called it the Old Road).

    He was nearly in town again when the hitchhiker ran into the road. Or was standing there. He couldn't remember, later.

    All right, for just a second, he could admit, he thought of something more than just helping someone. She was pretty. Maybe even sexy. Some part of his brain ran a fantasy, but he shut it down fast when he guessed her age. She was a bit young, although, in the rain, and from a distance, she had looked older. She had, he told himself, looked nineteen when he first saw her. In the headlights.

    She was no more than sixteen. Maybe fourteen. It was hard to tell with girls these days, he'd say later. The way they grew up fast. Her mascara ran down her face, and the top of her blouse was ripped back.

    She held the flap of torn garment up, for modesty.

    Something bad had happened. He was sure.

    On these muddy roads, this time of night—in a nearly freezing gale of a storm—she seemed to be a silver tear on the windshield as he pulled his Toyota Camry to the shoulder of the road.

    The trees whipped the air in a frenzy. He hesitated getting out of the car.

    She ran over to the passenger side, her form a blur in the downpour. He leaned over and unlocked the door for her.

    The first thing he said to her when she slid in beside him was, "Not a fit night for man nor beast," in his best W. C. Fields. He wondered if he'd said it wrong, because it didn't sound funny or reassuring at all.

    She was in tatters, from her stringy hair to the clothes on her back, but he tried not to look at her too much. He didn't want her to feel threatened by him. She seemed so scared already.

    "You all right?" he asked. Rain beat down hard on the windshield. A field of some sort lay beyond the trees—he saw it in flashes of lightning.

    "Something's after me," she said, desperation in her voice.

    "Someone hurt you?" Still, he didn't feel comfortable looking directly at her.

    All right, he could admit it to himself: He didn't want to be thought of as one of those men who pick up girls on the road. It didn't seem right. He had never picked up a hitchhiker before, but she had been standing there in the road, essentially in the middle of nowhere, close enough to the nearby town but far enough away—particularly in the storm—at it seemed wrong to leave her.

    He didn't like the whole situation, and considering that his wife already suspected that he chased women, this wouldn't look good. Not that his wife would find out. He just didn't need to make this known.

    "Where you going?"

    "Anywhere. Just drive," she said. Her voice was ragged, like her blouse. He noticed—out of the corner of his eye—that there were smudges on her face. Dirt?

    "Who hurt you?"

    "No one. No one hurt me. Just drive. Please."

    "All right. All right," he said. He pressed his foot on the accelerator, driving back onto the road.

    "Can I tell you something?" she asked, that desperation strong in her voice. That need. "Can I trust you?"

    It reminded him a bit of his daughter, this girl, and it bothered him that she might be in some unfortunate circumstance. Had someone hurt her? Had someone bothered her? He tried to push other, darker thoughts out of his head. "Yeah. Sure," he said.

    "I mean, something really important. Something that hurts to tell."

    "Yeah. Yes."

    "The rain's nearly stopping."

    "Is it?" he said, and wished he'd remained silent. Without realizing it, he'd slowed down.

    "Keep driving. Please."

    His hands tensed on the steering wheel. "You live in the village?"

    "If I tell you this, you have to promise. Promise not to tell. Anyone."

    "I'm Mark, by the way."

    "Promise me you can keep this secret."

    "All right," he said. He thought she was nuts, but there was such an ache in her voice that he believed her. He was a trusting sort. But he believed her, and knew that something was wrong. Something bad had happened to this child, and he wanted to help her.

    "Do you know the house outside town?"

    "Which one?"

    "The one that used to be a school."

    "Oh. Of course. The fire. Those kids."

    "I had a bet with my friends, and we went out to stay in it. Just for one night. Last night."

    "That's dangerous. It's condemned."

    "Are you going to listen?"


    "We went to stay in it. Three of us. We drank a little, and I was there with Nick. My boyfriend." She began whimpering like a puppy; she was sobbing. He glanced over at her, but the car slid in the road, and he had to return his gaze to the front.

    The windshield wipers slashed at the rain.

    "We stayed up late and wandered around. It was half ruins, but there's plenty still there. There's room after room. And everything was okay. Everything was okay."

    "Did someone hurt you?" he blurted.

    She ignored him. "Everything was okay. And then, sometime at night, I started feeling cold. Not just cold, but really cold. Like something was touching me with ice. I looked over for Nick, but he wasn't there. We had candles everywhere, and Joey—he was the other one who came along—was sitting in a corner of the room, shivering. When I asked him where Nick was, he said nothing. I felt ice all over my neck and down my back, and I got up. I nearly knocked a candle over, but I caught it in time. I was all wrapped up in a blanket. Joey kept shivering and wouldn't say anything. It was like he was somewhere else. And then I went looking for Nick, and I went out into the moonlight. This was last night. It was a full moon. A clear night. Nick was standing there, looking up at the moon, only he wouldn't look at me when I called to him. I kept saying, `Nick, Nicky, why'd you go?' but he wouldn't look at me. And then I touched him, only I couldn't. Something was wrong. It was like my hand went through him."

    Mark smirked. "Like he was a ghost," he said, and then wished he hadn't.

    "But this is the secret," she said, not missing a beat. "This is the secret."

    "All right, all right, calm down. I'm listening."

    He remembered it later—the hesitation. The beating of the rain, and the rhythm of the windshield wipers. The lightning that lit up the road, briefly.

    Finally, she whispered, "I am the ghost."

    Mike pressed his foot on the brakes. Enough of this tomfoolery. This was some kind of prank, some kind of Spring Break joke. "All right, all right," he said.

    But he was alone in the Toyota Camry.

    When he told the police in Watch Point about it, the first cop he spoke with laughed, and the second said, "That's Nicky Verona, he and Joey Willis. Bad kids. Really bad kids." He wanted to add: but only bad in the small-time way, the shoplifting, the lies, the loitering, the drinking-outside-the-convenience-stores kind of bad. The bad kids of a village the size of Watch Point.


    It probably would've ended there, but the second cop, named Elliot Brooks, decided to call the Verona household to see if Nicky was around. He was not. Had not been back since the night before. This wasn't unusual, Mrs. Verona said. Nicky was wild. Then Brooks called the Willises. He found out that Nicky and Joey went off on some camping trip for their first weekend of Spring Break.

    Brooks decided to check out Harrow, the property on the edge of town, the site of a terrible fire the previous year, a fire that had destroyed some of the property. A tragedy on the grounds had closed down the school that had operated there for decades.

    The body of the girl was found, in a small room with a leaky roof, surrounded by snuffed candles. Joey Willis still shivered in the corner, staring at the body, but Nicky Verona had already taken off for points unknown.

    The girl, identified as a local teenager named Quincy Allen, a resident of nearby Hyde Park, had been missing for several days from her family's home (supposedly at a week-long get-together at a friend's in Albany). Strangely enough, she'd had a heart attack, and someone on the scene noted that given her eyes and the position of her hands, it appeared as if she'd been frightened to death, if this were at all possible.

    The only thing Joey Willis had said that made any sense to the local police was: "I told Nicky it was wrong to do it. I told him it was crazy to do it. But it wasn't him, was it? It was that place. They surrounded us. They made it happen."

    Mark Carpenter, who had picked up the hitchhiker, still did not believe any of this ghost business. He began drinking at night, and told his wife that he could not have imagined all of it. "She was there! I saw her. She sat next to me!"


    This was the tale that Ivy Martin heard at a party in Manhattan, when someone knew that she had a connection to the house.


    Those words, "She was there! I saw her. She sat next to me!" were the punch line to this story that made its rounds among people who had an interest in such legends. Ivy could practically still smell the annoying cigar smoke of the teller of the tale, and the awful scent of overly ginned breath. It was Fleetwood who stood by, looking—to Ivy, anyway—like Mr. Death with blue eyes and dark hair, waiting to grab another soul. She shot him a glance, then—you brought me here to hear this story, didn't you? And Fleetwood had smiled, nodding, as if he could read her mind. Which he could not, she was sure, because a few choice words were included in her thoughts at the moment as well, and none of them complimentary toward Jack Fleetwood.

    Jack had been annoying her with stories of Harrow ever since they'd met, ever since she'd mentioned her interest in psychic phenomena and her connection to the place itself.

    He had told her first about what he thought of Harrow, and the phrases that lingered with her were murderous intent, diseased land, haunting ground, and spirit portal.

    It was just before Easter, and her friend Jack Fleetwood was having his gathering, which he called Spring Fever, at his brownstone, with the strange people Jack often attracted in his role running PSI Vista Foundation, which Ivy had become more involved with over the past few months. The storyteller was drunk when he told the tale, and he wasn't specifically telling it to Ivy, but once she heard the name of the house, she wanted to hear the entire story. She could pull this moment out later—something that Fleetwood would term synchronicity—but which she considered serendipity more than anything. She was at a Foundation where stories of ghosts and the paranormal were the norm. She had used the Foundation's library to get hold of a copy of a book from the early twentieth century called The Infinite Ones by Isis Claviger, a moderately successful medium of the time. Claviger had written about a house in the Hudson Valley, which, as it turned out, was the house in the story that the drunken man in the tweedy jacket spilled across the guests near him. Then Fleetwood had asked her questions about the house, and she had come to his party.

    It felt arranged, but Ivy had begun to accept this kind of thing. The invisible thread, she thought of it—it connected people of like minds. It was always there, and she had found herself caught up in it in the recent past as well.

    An unbroken chain, that's what it was, Ivy told herself. It was what tied her to Stephen.

    Stephen Hook had been the young man she'd loved, several years previously, and he was dead, but he, too, had a connection to this house.

    Don't think of his face, don't bring him back in memory, please don't; she often lay in bed at night thinking these things. But her memories of him always returned, and more often than not she woke in the morning, her face still wet from tears cried in the night.

    Stephen and Harrow. Jim and Harrow. Jim was Stephen's younger brother, and he, too, was dead. Mr. Death was everywhere. Everywhere that I go, she thought. And it's all about that place.

    The house was called Harrow, and Ivy had already been thinking of the property long before she'd heard the story of the hitchhiker and of this man named Mark Carpenter. She knew that some kind of legend would spring from the house again. She knew that a place like that could not contain its mystery for very long—unless she was mistaken about it.

    Unless it was not the place she believed it to be (for she had read the history of it, brought to her attention by Fleetwood and his Foundation, brought to her attention because of her connection to the house. Harrow was a name she wished she had never heard. Harrow would somehow be her undoing, she was certain. And yet, she could not stop thinking about it).

    What this someone-at-the-party didn't know was that she had been dreaming of the house since October of the previous year.

    Ivy Martin was a tall drink of water—as her father used to say, much to her annoyance—at five feet nine inches, a blonde with a passion for the mysterious and a knack for making coin no matter which way she turned. She felt she resembled a stork or a scrawny pony, but she knew that she was considered fashionable and stylish by Manhattan standards. Her sense of her own unattractiveness had been emphasized in her hometown, where she was more often than not called scrawny and tow-head. It was only as she got older that these became thin and blond. She never knew where her drive had come from—her mother told her that she got it from God or the Devil, but it was a burning desire to not be poor or uneducated or without security. She had read Ayn Rand at fifteen, and had determined that, like the heroes of the novels The Fountainhead and Atlas Shrugged, she would go on and become her own hero in life even if her mother and father could not be heroes themselves.

    She determined that she would become more than she was meant to be; and not being the ice goddess some of her boyfriends had claimed in her youth, she did what she could to temper this ambition with compassion and an understanding of how the heart needed tending as much as the fire she felt within. She excelled at academics but was mostly uninvolved in the more social activities of school—she worked baby-sitting until she was sixteen, at which point she began an unglamorous job at KMart that helped pay bills her father seemed unwilling to pay. Even with her minimum-wage income, she scraped together some savings and began investing in the stock market just based on an intuition. She had been raised poor, and had a small talent early on for business and finances; by the time she'd reached eighteen, graduating in the number-two slot in her high school class, she had already begun investing in the stock market and, more by accident than design, had happened to buy a little stock called Microsoft, a then-little-known company, before she turned nineteen—and within a few years the shares she bought had leaped and split and grown into a small fortune.

    If stocks and investments were her area of luck, love had not been. After her parents' deaths, the only man she had ever loved had died—and even so, she had felt her love for him was wrong. They had been too young—but she had been the older of the two and should've known better. And then her unborn child had died, within her body, the same night. Other deaths seemed to surround her to the point that she thought it best not to involve anyone too intimately in her life. She had set that part of her life aside to run some small businesses and follow her sense of the seriousness of life. Her money grew further, and she had more than she figured she would ever need. Now, nearly thirty years old, she felt the jigsaw puzzle mystery of her own existence might be coming together; and certainly the story of the hitchhiking ghost girl was one of the pieces.

    It was one of those stories that seemed almost an urban legend, although, in this case, it was very much a suburban legend: a friend of my sister knows this guy named Mark Carpenter, and he was from this town called Watch Point in the Hudson Valley, and one night, in the rain, he was driving down a lonesome road when he saw a hitchhiker in the middle of the road. She heard the story at one party, and then someone called her and told her about some ghost story in the Hudson Valley; and she knew that somehow fate was pointing her this way. When a third person told the story of the hitchhiker and Harrow, she knew she could no longer ignore it.

    It always ended with Mark Carpenter's verbal eruption of the truth of the story.

    That "Mark Carpenter" chose to drive a Toyota Camry could add to the factual way the legend would sound: it was a specific car, and the driver had a name: Mark Carpenter. Even the girl: Quincy Allen. Quincy was an unusual name (although, Ivy knew, no more unusual than "Ivy"), but for the small villages and burgs along the Hudson Valley, up beyond Cold Spring, it wasn't that out of place. It sounded right.

    Ivy had then called the police department at Watch Point and, indeed, there was an Officer Elliot Brooks. He seemed a young man with a deep, sonorous voice, who told her that he did not wish to discuss the death of Quincy Allen. So Ivy knew that the legend had some truth. She knew that it connected to Harrow. She researched it further and, after making some inquiries, discovered that Harrow could be had for a fairly modest price, in the condition it was in—less than half a million, although who ever bought it had to commit to renovating and repairing it within a year's time.


    One night she had a dream, and all she could remember from it was a white bird and the word Mercy; a giant spear of some kind—a three-pronged spear—covered in blood swept the air; and a voice that whispered, "Your flesh is my release," and then she saw him. But before she saw him, her eyes had begun filling with tears, as if she knew he was going to be there.


    As if he had never died. Beautiful, young, in love with her, and fighting everything within himself to keep from touching her in the dream. His sandy brown hair was swept across his forehead, and his nose was wrinkled slightly, the way it used to when he laughed too much, and he had that grin. It could win her over in an instant. He was alive, and there with her, and he wanted to hold her—she could see it in his intense gaze—and she ached to be held by him.

    She woke up, sweat soaking into the white sheets, her skin tingling like pinpricks along her spine.

    She knew what to do.

    She had been dreaming of Harrow for several months, ever since she'd seen the news about the fire at the school. Ever since she'd had the connection to it that she wished she could shake.

    The rest fell into place. She made the calls. She argued with people. She checked with her financial planner. She decided to sell some stock.

    She went on a trip up to Harrow.

    Like the legend of Mark Carpenter and Quincy Allen, it was another rainy night, but spring was like that in New York.


    Coincidence abounds.

    That was Ivy Martin's first thought when she saw the street called Mercy, and then when she noticed that she wanted to stop in a town called Red Fork to ask directions, and in doing so, found herself sitting down—in the rain—at a small diner called the White Heron. Although there had been no heron in her dream, there had been a white bird, and that was enough. A white bird and even the word Mercy.

    She noticed the sign, too, just inside the White Heron Diner, just felt marker on white poster board: FORTUNE SMILES. TIME FLIES. LOVE GROWS. CUSTOMERS TIP.

    Coincidence abounds, she thought. How often does this happen, this déjà vu from dream to reality, from the subconscious flow of images in a completely illogical dream to the hard world of life with its benches and diner booths and signs? She didn't know, but she felt this all added up in some significant way.

    There had been a sign, too, in the recesses of her memory—the dream within a dream, the writing on the wall that said something about Fortune, only she couldn't quite remember what it was.

Excerpted from The INFINITE by DOUGLAS CLEGG. Copyright © 2001 by Douglas Clegg. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Meet the Author

Douglas Clegg is the New York Times bestselling author of dark fiction, including horror, gothic, fantasy, supernatural, and suspense thrillers. Clegg’s first novel, Goat Dance, launched his career as a novelist. He has seen more than 30 books published within a span of 25 years, as well as more than 40 short stories. His short fiction has won the Bram Stoker Award, the International Horror Guild Award and the Shocker Award, and it has also been included in several Years’ Best anthologies.

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The Infinite (Harrow Academy Series #3) 3.5 out of 5 based on 0 ratings. 17 reviews.
Guest More than 1 year ago
The Infinite by Douglas Clegg is one of the most wonderful novels of the psychology of a haunting I've read. Instead of writing a story about ghosts, Clegg has deftly written about the inner life of a group of people with unusual abilities as they come together to decipher what makes a haunted house tick. In the process, Clegg has produced an entertaining story that is not the usual haunted house fare. Readers who want cliches of the horror genre should look elsewhere. Some of the ghost hunting techniques in this book seem completely real. Chet, Cali, and Frost all have a psychic ability, some of it trained, some untrained. Chet seems to be the least trained. He is nearly 20, and has had occasion to experience unusual phenomena around him but hasn't understood what it means. Cali is a psychic who trades on her ability to aid in homicide cases, although it scares her. Frost is the dangerous one. In Harrow, Clegg has created a mirror of the fears these three psychicly charged people have. When the house itself kicks into action the games begin. The Infinite is a real page turner of a book, and for people who like horror to be as if it really could happen, in some deranged, hallucinogenic world.
Guest More than 1 year ago
This book is incredible. 377 pages. Smooth Introduction of the characters and their stories which made them the people they live like today. Once they enter Harrow, everything changes. A true page turner, it will make you try to guess what will happen next and what the characters may or may not do. Psychometry.....Opening doors and facing truths. Keep it coming Clegg
Guest More than 1 year ago
With 'The Infinite', Douglas Clegg has published his finest and most complex work. 'The Infinite' is the third book in a loosely related series that began with 'Nightmare House' (a serialized novel sent via email) and then continued with 'Mischief' (a paperback original). In 'Nightmare House', we were introduced to Harrow, a bizarre, twisting house that hid more than it revealed. In 'Mischief', Harrow has been converted into a boarding school, and one of the students unleashes a terrifying and hidden power trapped within the house. Now, with 'The Infinite', Ivy (a woman with some secrets of her own) decides to gather a number of strangers with paranormal powers under the ruse of investigating the house and the strange hauntings that have occurred within. Nothing is as it seems in Harrow, as the reader is soon caught up in Mr. Clegg's tight and breathless prose. A number of seemingly disparate plot lines are tightly woven together, leading to an ending that is truly frightening and memorable. Do yourself a favor this Halloween, and indulge yourself in one of the finest works of horror to hit the shelves this year. 'The Infinite' is a truly terrifying work sure to delight the fans of King, Straub, Barker, and Saul.
Guest More than 1 year ago
THE INFINITE by Douglas Clegg is the final novel that makes up the trilogy (THE NIGHTMARE HOUSE & MISCHIEF) of Harrow House. Think of this particular book as a tribute to Shirley Jackson¿s THE HAUNTING OF HILL HOUSE and Richard Matheson¿s HELL HOUSE. The newest in the series continues a year or so after the burning of Harrow Academy--where MISCHIEF left off. The house itself wasn¿t destroyed in the fire that took the lives of several students¿only the sections that had been built on to it to accommodate the student population when it was turned into an academy. Since the fire, Harrow House has claimed the life of a sixteen-year-old girl who died of a heart attack while she and her friends spent the night in it to see if the house was really haunted. Now, Ivy Martin (the former girlfriend of Jim Hook¿s late brother in MISCHIEF) has purchased Harrow House and has spent a large sum of money to renovate the place in an effort to get it back to its original condition. She has also hired a small team of psychics (Frost Crane, Chet Dillinger and Cali Nytbird), led by Jack Fleetwood, to investigate the powers of the house and hopefully to open a portal into the afterlife so that she can once again reunite with the person she loved so deeply. All three of the psychics have their own personal problems and dark secrets to deal with, and this will have a direct bearing on what happens to them inside Harrow House. Jack Fleetwood, who¿s in love with Ivy, is perhaps the most normal of the team¿certainly the nicest. Jack¿s albatross, however, is his teenage daughter, Mira, who has accompanied him to this mansion of darkness and death in order to get out of school for a week. This will definitely be a vacation she won¿t soon forget. Not one of these people suspects the danger that they¿re in as the house lures them into a state of complacency and then begins to gradually play upon their fears and weaknesses, until it¿s too late and the killing starts with a vengeance. Prepare yourself for a high body count! While not as tense and suspenseful as THE HAUNTING OF HILL HOUSE, nor as violent and sexual as HELL HOUSE, Douglas Clegg¿s novel is still an excellent addition to the ¿haunted house¿ genre. He creates a dark, morbid atmosphere within the confines of Harrow House, easing the reader forward to the evitable outcome of death and destruction. Each of the characters is written with detail to the nuances that make us human, if not very likable. Since the house is really the star of the novel, I wish Mr. Clegg hadn¿t spent the first 140 pages dealing with the history of the three psychics, but rather have started off the novel with their arrival at Harrow House and then filled in the background information as the story moved along. More time could therefore have been spent inside the house where all of the fun actually takes place. I loved the recorded history of Harrow House as presented in the diary of Estaban Palliser (a.k.a. Justin Gravesend) and in The Infinite Ones by Isis Claviger. I found myself drawn into these two writings more deeply than I would¿ve expected, wanting to learn in greater detail about the people mentioned (such as Matilde Gravesend and Aleister Crowley, as well as Crowley¿s wife, Rose Kelly, and his lover, Victor Neuburg). I hope Mr. Clegg will one day present the complete text of Isis Claviger¿s book. That would make a most intriguing story. With a beautiful wrap-around dust jack that has a terrific art design by Franco and a fabulous price, THE INFINITE by Douglas Clegg is a great buy and the perfect addition to your horror collection.
Guest More than 1 year ago
Douglas Clegg completes his Terror Trilogy (Nightmare House, Mischief, and now The Infinite) with one of the most haunting novels of the year. Take Harrow; a recently renovated boarding school with an extensive history of suspense and evil. Add a cast of unforgettable characters - weave in a bit of suspense and throw in a dash of terror for good measure, let is simmer for 384 pages; and you have a page-turner that is guaranteed to hold on and not let go. At the heart, it is a page-turner filled with vivid imagery and believable characters. In a nutshell, it's hauntingly fun, and sure to send shivers up your spine. Superbly written - a modern masterpiece! As a reader, I am left with a sense of completion of the Terror Trilogy; but I yearn for more. I have to ask; is THE INFINATE the final chapter on Harrow? Or are there more chapters to come? Regardless, Clegg has left all of us with a hunting page turner for this Halloween season. When The Infinite leaves you thirsty for more, I also recommend Douglas Cleggs': The Nightmare Chronicles, You Come When I Call you, and Naomi.
Guest More than 1 year ago
Shirley Jackson, Peter Straub, and now Douglas Clegg. These are the three authors that have managed to take an over used and often mistreated sub-genre in the horror field and find something fresh, exciting, and most of all, scary. It's rare when I find a ghost story that thrills and surprises me at the same time as most of these seem to only re-hash the same tired premise over and over again. Not so with Mr. Clegg's newest novel, THE INFINITE. If you're looking for a well written and scary read to keep you up nights, check this one out.
Guest More than 1 year ago
Clegg's best yet. Harrow House is an abandoned mansion (or is it abandoned??). It belonged to a madman, then was a school, now only the ghosts live there. Ivy Martin wants to bring it back to life. Jack Fleetwood wants to know it's secrets. A nightmare of a story that won't let you go. I stayed up until I finished, and then coldn't sleep...'they' were still with me.
224perweek More than 1 year ago
This is the third book in the "Harrow House" trilogy and it is AWESOME!!!! This is a good old fashion haunted house story with your banging doors, ghosts, bloody walls, and all the other goodies that go along with it. Gave me a case of serious heebee jeebees.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I've purchased all four Harrow books in the series. Sadly, the last in the series, titled THE ABANDONED, is the only one I'd give five stars. THE INFINITE story line drags on and on for two thirds of the book. Lots of grammatical errors. I'd fire my editor and proof reader if I were the author. I didn't read the books in order, and the reader doesn't need to. What I DID like was the character development, the interaction between them, and the last third of the novel. I think I bought this for $2.99, so it was worth it. Try THE ABANDONED. It will keep your interest throughout. ~ DO
Anonymous More than 1 year ago
Guest More than 1 year ago
A great horror novel with a disturbing and thought-provoking ending...Every bit as good as authors; Anne Rice, John Saul , or Sherry A Mauro!
Guest More than 1 year ago
I had high hopes for this book, but it wasn't as good as I thought it would be. It is too short of a book for how some of the time is spent by the characters in it. It was good, just not great.
Guest More than 1 year ago
My first Douglas Clegg book and I was very very disappointed. The book literally dragged on for 300pages with the blandest of story lines and mondane conversations. I almost stopped reading but figured that I've gone this far let me see if anything ...anything slightly scary happens in this book. I can't understand why this was classified as a horror novel. I've heard alot of good things about Douglas Clegg , but not of it showed in this novel. I wonder if I should try another of his....?
Guest More than 1 year ago
This book boasts a colorful and thrilling story and does everything to prove the reader wrong of this. The writing was very elementary. The only thing remotly good about this book was that there was very interesting detail, but who wants to read 300 pages of bland detail.
Guest More than 1 year ago
I have read several writers of thrillers/horrors including D. Koontz, S. King, and J. Saul, so I have some credibility. It was actually a painful process to struggle through this book. I had to convince myself to open it up and read. Several times, I drifted off in a reverie because the prose and story dulled me to death. The most frightening aspect of the novel is that it ever made it through an editor's critique. NOTHING EVER HAPPENS, until the last few chapters. NOTHING! The dialogue is drab, and the characters are two-dimensional. It's almost as if the novel had to be written (in a rush) to secure a cash advance on a deadline, and not because of inspiration.
Guest More than 1 year ago
Nothing happens until the very end of the book. It drags on till the last couple of chapters. I was very disappointed.