The Inn at Lake Devine

( 11 )

Overview

It's 1962 and all across America barriers are collapsing. But when Natalie Marx's mother inquires about summer accommodations in Vermont, she gets the following reply: The Inn at Lake Devine is a family-owned resort, which has been in continuous operation since 1922. Our guests who feel most comfortable here, and return year after year, are Gentiles. For twelve-year-old Natalie, who has a stubborn sense of justice, the words are not a rebuff but an infuriating, irresistible ...

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Overview

It's 1962 and all across America barriers are collapsing. But when Natalie Marx's mother inquires about summer accommodations in Vermont, she gets the following reply: The Inn at Lake Devine is a family-owned resort, which has been in continuous operation since 1922. Our guests who feel most comfortable here, and return year after year, are Gentiles. For twelve-year-old Natalie, who has a stubborn sense of justice, the words are not a rebuff but an infuriating, irresistible challenge.

In this beguiling novel, Elinor Lipman charts her heroine's fixation with a small bastion of genteel anti-Semitism, a fixation that will have wildly unexpected consequences on her romantic life. As Natalie tries to enter the world that has excluded her—and succeeds through the sheerest of accidents—The Inn at Lake Devine becomes a delightful and provocative romantic comedy full of sparkling social mischief.  

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Editorial Reviews

From the Publisher
"A punchy little comedy of manners. . . . Think Jane Austen in the Catskills."  —Chicago Tribune

"A tale of delicious revenge."  —USA Today

"A funny, knowing novel about how love really does conquer all. . . . Thanks to Lipman's deft touch, the novel . . . rivals her own best work for its understanding of the way smart, opinionated people stumble toward happiness."  —Glamour

"Delightful. . . .  [A] witty romantic comedy." —The New York Times Book Review

New York Times
Lipman waltzes fearlessly through a minefield of loaded subjects — AntiSemitism, intermarriage, ethnic cuisine and Anne Frank — in this witty romantic comedy.
Baltimore Sun
Seamlessly written. . .resonates both intelligence and sweetness.
Library Journal
A story of Jews and Gentiles, this very funny novel begins with a segregated inn in Vermont and ends with all the characters getting their comeuppance. In its skewering of assimilation and cultural diversity, it is reminiscent of Gish Jen's Mona in the Promised Land (LJ 3/15/96), only here Lipman uses Christians, not Chinese, to tweak social consciousness.

Natalie Marx is shocked when, in response to an inquiry, her mother receives a note from the proprietor of the Inn at Lake Devine baldly stating that the guests who feel most comfortable there are Gentiles. Natalie inveigles an invitation from a friend to go to the inn and thereby sets off a lifelong fascination with breaking the rules. Both entertaining and thought-provoking, this delightful new work is highly recommended for all fiction collections.

--Molly Abramowitz, Silver Spring, MD

Library Journal
A story of Jews and Gentiles, this very funny novel begins with a segregated inn in Vermont and ends with all the characters getting their comeuppance. In its skewering of assimilation and cultural diversity, it is reminiscent of Gish Jen's Mona in the Promised Land (LJ 3/15/96), only here Lipman uses Christians, not Chinese, to tweak social consciousness.

Natalie Marx is shocked when, in response to an inquiry, her mother receives a note from the proprietor of the Inn at Lake Devine baldly stating that the guests who feel most comfortable there are Gentiles. Natalie inveigles an invitation from a friend to go to the inn and thereby sets off a lifelong fascination with breaking the rules. Both entertaining and thought-provoking, this delightful new work is highly recommended for all fiction collections.

--Molly Abramowitz, Silver Spring, MD

The New York Times
Lipman waltzes fearlessly through a minefield of loaded subjects -- AntiSemitism, intermarriage, ethnic cuisine and Anne Frank -- in this witty romantic comedy.
Baltimore Sun
Seamlessly written. . .resonates both intelligence and sweetness.
Magazine Glamour
A funny, knowing novel about how love really does conquer all.
Kirkus Reviews
Lipman (Isabel's Bed, 1995, etc.) again celebrates romance grounded in the real world as she wittily details love's rout of prejudice by two young couples.

Natalie Marx is the Jewish narrator of this good-humored tale of lovers of different faiths, who find happiness and even manage to be accepted by their initially not-so-happy parents. Natalie's family, who live in Massachusetts, summered each year in the 1960s either at the beach or on the lakes; one summer, in response to an inquiry her mother addressed to the Inn at Lake Devine in Vermont, a letter came from the proprietor, Ingrid Berry, saying that their guests were all Gentiles. Young Natalie was both angry and intrigued. She finessed a summer in her teens at the Inn by befriending WASP Robin Fife, whom she met at a summer camp, and then found both the Fife family and the Inn bland and boring. Now in 1970s Boston, Natalie, training to be a chef after college, runs into Robin, who asks her to come to her wedding at the Inn: She's marrying Nelson Berry, Ingrid's eldest son. Natalie goes, and cooks up a storm as the families grieve after Robin is killed on her way to Vermont, then falls for Kris, the younger Berry son. Neither the Marxes nor the Berrys are pleased. But their biases are nicely balanced when Linette Feldman, whose family owns a kosher hotel in the Catskills, falls for Nelson Berry, and her parents have also to be brought round. Love wins out, of course, thanks to perseverance and good sense.

An upbeat and amusing romp through what is usually a minefield, by a writer who deftly makes her points but never preaches.

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Product Details

  • ISBN-13: 9780375704857
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 4/28/1999
  • Series: Vintage Contemporaries Series
  • Pages: 272
  • Sales rank: 201,385
  • Product dimensions: 5.18 (w) x 8.00 (h) x 0.57 (d)

Meet the Author

Elinor Lipman

Elinor Lipman is the author of seven books: the novels The Pursuit of Alice Thrift, The Dearly Departed, The Ladies' Man, The Inn at Lake Devine, Isabel's BedThe Way Men Act, Then She Found Me, and a collection of stories, Into Love and Out Again. She has been called "the diva of dialogue" (People) and  "the last urbane romantic" (Chicago Tribune). Book Magazine said of The Pursuit of Alice Thrift,  "Like Jane Austen,  the past master of the genre, Lipman isn't only out for laughs. She serves up social satire, too, that's all the more  trenchant for being deftly drawn."
 
Her essays have appeared in the Boston Globe Magazine, Gourmet, Chicago Tribune, and The New York Times’ Writers on Writing series.  She received the New England Booksellers' 2001 fiction award for a body of work.

Biography

Elinor Lipman began writing fiction in her late 20s, when she enrolled in a creative writing workshop. Since then, she has written a string of bestselling novels, as well as short stories and book reviews. Her books are more than just romantic comedies; Lipman writes entertaining characters who enlighten the plot with their human idiosyncrasies.

Her first release was a collection of short stories, titled Into Love and Out Again (1986). This charismatic collection of stories contains early elements of the thing that would make Lipman a loved novelist: finely drawn characters and page-turning plot twists. The theme of these sixteen stories is the stuff of modern domestic life -- marriage, pregnancy, weight gain and true love.

When Lipman released Then She Found Me (1990), Publisher's Weekly called the debut "...an enchanting tale of love in assorted forms ... a first novel full of charm, humor and unsentimental wisdom." When 36-year-old April Epner suffers the death of both of her adoptive parents, she seeks solace in her quiet, academic life as a Latin teacher in a Boston high school. Bernice Graverman is April's opposite. She's a brash, gossipy talk show host who lives her life with all the tranquility of a stampede. She's also April's birth mother. Lipman's story of their mother and child reunion is unforgettable.

In The Way Men Act (1993), Melinda LeBlanc returns home to Massachusetts to work in the family business. She finds a friend in neighboring shop owner, Libby, and has a one-sided love infatuation with Dennis Vaughan, another small town shop owner. Lipman takes on small town values by portraying the story's interracial relationship with wit and intelligence.

Filled with surprising friendships, Isabel's Bed (1995) tells the story of Harriet Mahoney, a writer at the end of her rope. When Harriet's long-term lover leaves unexpectedly, she moves from Manhattan to Cape Cod for an unusual writing assignment. Harriet has agreed to write the life story of tabloid darling Isabel Krug, a vivacious woman who earned her fifteen minutes of fame for her role as the other woman in a high-profile murder case. Their unusual partnership is the basis for this twisting, hilarious comedy of friendship and trust.

The Inn at Lake Devine (1998) is loosely based on a true story. The serious issue of anti-Semitism is treated with humor -- something Lipman is able to do so wonderfully in all her novels. When Natalie Marx's family is denied entry into the Inn at Lake Devine in Vermont, she plans revenge. But her plans are complicated by a friendship with Robin, fiancé to the son of the Inn's owners. Lipman's deft treatment of the play between discrimination and friendship creates a novel whose characters and setting may as well walk straight off the pages; and readers will find themselves laughing at the most serious of issues.

A committed spinster, Adele Dobbin is reunited with the man who left her at the altar thirty years earlier in The Ladies' Man (1999). Nash Harvey arrives, unannounced of course, on Adele's doorstep, and brings chaos into the lives of Adele and her sisters (also single, aging baby-boomers). In a rousing game of sexual politics, Nash unintentionally forces the sisters, particularly Adele, to examine their desires. Five distinct plot lines weave together seamlessly around Nash and his haphazard, womanizing lifestyle.

Sunny's homecoming in The Dearly Departed (2001) is equally life-altering. When her well-loved mother passes away, an entire small town mourns her departure. Back at the scene of her unhappy teenage years, Sunny dreads facing her former classmates, employers and so-called friends. What she finds is unsettling, but in a healthy way: the small town and its citizens are not nearly as malicious or clueless as she mythologized. Likewise, she realizes, neither was her mother. In a touching blend of social commentary, family drama and romantic impulses, Sunny learns that you can go home again.

The Pursuit of Alice Thrift (2003) is classic Lipman. Serious and shy, Alice aspires to be a philanthropic surgeon, using her skills for charity more than personal gain. That is, if she can make it through the rest of her medical internship. Alice is shaken (and confused) when she falls in love with an eccentric, foul-mouthed fudge salesman. But don't expect too much sentimentality here: Lipman gives away the ending in the first chapter, telling readers that the relationship was kaput, but the fun in reading this book is discovering why the two characters even glanced at each other in the first place. It's a great read -- Lipman places Alice on an unthinkable, yet totally believable path and we get to watch her find her way through.

Good To Know

In our interview with Lipman, she shared some fun facts about herself with us:

"I was nearly fired from my second job, which was writing press releases for Boston's public television station. I couldn't do anything right in the eyes of my newly promoted and therefore nervous boss. I quit after three months, one step ahead of the axe, feeling like an utter failure."

"Tom Hanks and his production company have optioned my fifth novel, The Ladies' Man. Robert Benton (Bonnie and Clyde, Kramer vs. Kramer, Nobody's Fool, Places in the Heart, Billy Bathgate, The Human Stain) is signed on as director and screenwriter."

"I was runner-up for the Best Actress award at Lowell High School in Lowell, Massachusetts, class of '68, after playing Gabrielle (the Bette Davis role) in The Petrified Forest and Elaine (the ingénue/niece) in Arsenic and Old Lace. And I was grievance chairman for the staff union when I worked for the Massachusetts Teachers Association in the late 1970s. Both of these inclinations come in handy to this day."

"I knit all the time."

"I wear a pedometer, aiming for five miles a day -- don't be too impressed; that includes walking around my house and food shopping. Sometimes I walk no farther than my own driveway because I can hear the phone ring -- 12 round-trips equals one mile."

"I cook quite seriously, which I think is an antidote to the writing -- i.e., I finish the project in an hour or two and get feedback immediately."

"I watch golf on television, although I don't golf -- except for visits to the driving range in spurts."

"I wake up at 6:00 a.m. no matter what time I go to bed."

"I was a roving guard on the Lowell Hebrew Community Center's girls' basketball team all through high school. My specialty was stealing the ball, but my only shot was a lay-up."

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    1. Hometown:
      Northampton, Massachusetts, and New York, New York
    1. Date of Birth:
      October 16, 1950
    2. Place of Birth:
      Lowell, Massachusetts
    1. Education:
      A.B., Simmons College, 1972; Honorary Doctor of Letters, Simmons College, 2000

Read an Excerpt

It was not complicated, and, as my mother pointed out, not even personal: They had a hotel; they didn't want Jews; we were Jews.

We were nothing to them, a name on an envelope, when it began in 1962 as a response to a blind inquiry my mother had sent out in multiples. We'd been to Cape Cod and Cape Ann, to Old Orchard, Salisbury, and Hampton beaches, to Winnipesaukee and the Finger Lakes. That year she wrote to Vermont, which someone had told her was heaven. She found a lake on the map that was neither too big nor too small, and not too far north. The Vermont Chamber of Commerce listed some twenty accommodations on Lake Devine. She sent the same letter to a dozen cottage colonies and inns inquiring about rates and availability. The others answered with printed rate cards and cordial notes. But one reply was different, typed on textured white stationery below a green pointillist etching of a lakeside hotel. Croquet on the lawn, the Vermont vacation guide had said; rowboats, sundown concerts on Saturday nights; a lifeguard, a dock, a raft, a slide. The Inn's letter said, "Dear Mrs. Marx: Thank you for your inquiry. Our two-bedroom cabins rent at the weekly rate of sixty-five (U.S.) dollars. We do have a few openings during the period you requested. The Inn at Lake Devine is a family-owned resort, which has been in continuous operation since 1922. Our guests who feel most comfortable here, and return year after year, are Gentiles. Very truly yours, (Mrs.) Ingrid Berry, Reservations Manager."

I hadn't known up to that moment that I had a surname that was recognizably Jewish, or that people named Marx would be unwelcome somewhere in the United States because of it. I asked if these were Nazis. My mother sighed. I had been wed to the subject since reading, without her permission, The Diary of a Young Girl—specifically obsessed by where we, who had no attic, could hide that would be soundproof, and who among our Gentile acquaintances would bring us food under penalty of death.

My mother explained: There were people, unfortunately—for reasons it was hard to explain or understand—who weren't Nazis but didn't like Jews. Not that she wanted me to worry, because this was America, not Germany, not Amsterdam. We were safe here, remember? The letter was ignorant, and very bad manners. Someone should give this Mrs. Berry a piece of their mind.

I said, "Can we go?"

"You don't go where you're not wanted," my mother said. "Anyone who could write such a letter doesn't deserve our business." She took it back and stuffed it in its envelope with no particular archival care. Two days later, I removed it from the dining-room sideboard to a safer place—my sweater drawer. It fascinated me, the letter's marriage of good manners and anti-Semitism. Why bother to answer Jews at all if you don't want them at your hotel?

I tried to picture this Ingrid Berry who had signed neatly in blue ballpoint—the nerve of her insincere "Very truly yours." Was she old? Young? Married? Was Ingrid a German name? Did she get pleasure from insulting the people she banned from her hotel? And why didn't my parents respond to this slap in the face? "If you paid us a million dollars, we wouldn't come to your stupid hotel," I thought we should say. "If you had a baseball team, would you tell Sandy Koufax he couldn't pitch for you? Would you let Danny Kaye rent a room? Tony Curtis? Albert Einstein? Milton Berle? Jesus Christ?"

My mother didn't show the letter to my father, because she knew that he, like me, would want to jump in the truck and fix the problem. And so I produced it for him with the same flourish my mother had staged for me. "Good God!" he said, struggling with one hand to put on his reading glasses. I asked him if people who didn't rent rooms to Jews knew about the concentration camps.

"Everybody knows by now, honey."

I asked if he thought they had seen The Diary of Anne Frank.

"Probably not," he said. Then, "You know what I think we should do? Let's write back and tell her we want one of her stupid cabins."

I said, "I don't think they have cabins. It looks like a hotel."

He embroidered a little drama—not too seriously, but enough to get my mother's goat: We'd go as the Gentiles! Ed and Audrey Gentile. He'd known a man named Gentile in the navy from somewhere like Delaware or Pennsylvania. It was a real name. People truly had that for a name.

My mother said, "You'll have to drag me there."

"You don't want to see what a place like this is like?"

"And lie for the whole time we're there?"

"About what?"

"Church," said my mother. "You can bet the whole place empties out to go to church on Sundays."

"The Gentile family doesn't go to church when they're on vacation," my father said. "We go regularly on the other fifty weeks, but we pray in the cabin when we're on vacation."

"People will know," she said.

He thought they wouldn't. He was tall, taller than most Christians I knew, while my mother was a redhead no bigger than Gidget. And his two daughters looked like any two little American girls. "Except," my father said, smiling broadly, "nicer and smarter."

"And how would you make your point? Announce as you leave that we were the Eddie Marx family? Jews?"

"We wouldn't even have to tell them," said my father. "We could come and go and just know we fooled them."

Of course we didn't go. My mother found a place to rent on the opposite shore of Lake Devine—not a resort, but a heated cottage on a dirt road of private camps, listed with the Chamber of Commerce. We went there for two summers and found it, if not heaven, then very nice. The air smelled like bayberry. Indian paintbrush, a wildflower we didn't have at home, dotted every field. We swam and fished from a rowboat without an anchor, caught only ugly black-horned pouts we couldn't eat, and took a day trip to Fort Ticonderoga. The best miniature-golf course I'd ever played was a five-minute car ride away. The local dairy, which offered not only milk but cheddar cheese, made home deliveries even to the summer population.

My older sister and I often rowed past the Inn at Lake Devine, and studied it as best we could from offshore. It had a very green lawn, broad and sloping to the water, a white flagpole, and a chalky string of buoys marking off its swimming area. Closer to us, a raft covered with teenagers floated on shiny black oil drums. My sister and I had only each other for company, and a dock with no wading area, but here there were kids our age from what had to be a dozen families, swimming and diving as well as if they were on teams.

The following winter, having studied it and envied its postcard perfection, I put a long-thought-out plan into effect as a thirteenth-birthday present to myself. With a deerskin purse full of coins, I went to a pay phone. I called the Inn at Lake Devine and asked for Mrs. Berry. Amazingly, the party said, "This is she."

I read from my notes: "I was wondering if you had a cottage available for the entire month of July?"

"With whom am I speaking?" she asked.

"Miss Edgerly," I said, having elected the name of a Massachusetts man recently tried for murdering his wife in a particularly hideous fashion.

Mrs. Berry asked the caller's age, and I said fifteen; yes, I knew I was young to be making inquiries about accommodations, but my mother was recently deceased and my father was spending long hours in court.

She said, "We do have two lovely cottages with sleeping porches."

"Are they really, really nice?" I asked.

"They're in great demand," she said. "Electric stove, baseboard heat, stall shower, picnic table—"

"Is it private? Because my father's kind of famous. He really needs an escape."

"We're quiet and peaceful here," said the Berry woman. "It's a perfect hideaway vacation."

"Can you save it for us?"

"Do you want to inquire about our rates first?"

I told her that my father, Mr. Edgerly, had instructed me to get the best accommodations available no matter what the cost.

"We require a deposit," said Mrs. Berry. "Do you have a pencil?"

I took my time, pretending to record every syllable. "My father will send you a cashier's check first thing tomorrow," I said, adopting the disbursement method repeated daily on The Millionaire.

"You are a very smart young lady," said Mrs. Berry.

The next morning on my way to school, I anonymously mailed Mrs. Berry an old Globe clipping, its three-column headline blaring, Edgerly trial enters 6th week; jury sees "gruesome" photos, to make the point vividly to Mrs. Berry that her system "rooms open to any Gentile who dials her number" was unfair. I enclosed another clipping from my archives (Liz and Eddie/say I do's/before Rabbi) "this one from Photoplay" which spoke respectfully, even warmly, about Liz Taylor's conversion. The wedding shot showed them under a chupa, the new Mrs. Fisher in a flowered headband and Eddie in a somber dark suit and white satin yarmulke. Honored guests included their best friends, famous and beautiful Hollywood Jews.

In 1964, I would send Mrs. Berry a copy of the new Civil Rights Act. I wrote, "U.S. House of Representatives, Washington, D.C.," in the upper-left-hand corner of the envelope, and typed a letter that said, "Dear Hotel Owners, It isn't only Colored people who are helped by this law. Jewish people and others you have excluded in the recent past must now be welcome at your accommodations. It is the Law of the Land."

Who knew if I'd ever exchange another letter with a documented anti-Semite? Just in case no one ever insulted me again—in this land of religious freedom and ironclad civil rights—I employed the big gun I was saving for future transgressors: "P.S.,— I typed and underlined: "In spite of everything I still believe that people are really good at heart."

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Reading Group Guide

1. What fascinates Natalie most about the offensive note from Mrs. Berry is its "marriage of good manners and anti-Semitism" [p. 4]. Does Natalie show, later in the novel, what truly having "good manners" might mean?

2. What does Natalie mean when she mentions the "Gentile ambitions" [p. 65] that led her into a friendship with Robin Fife?

3. Although Eddie and Audrey Marx are both Jewish, they were originally drawn together because of their differences. For the spritelike Audrey, "there was something . . . about Eddie's jumbo presence, something like a bodyguard's or a football player's, that was normally off limits to a Jewish girl" [p. 19]. They were forced to marry when Audrey became pregnant at nineteen. Given the circumstances of their own history together, are Natalie's parents hypocritical in trying to stop Natalie from seeing Kris Berry?

4. Natalie says that her sister, Pamela, in marrying a Catholic (in a Catholic mass, no less), "used up our family's mixed-marriage chit, even our liberal-dating chit. It was up to me to bring home the perfect Jewish son-in-law" [p. 144]. Are Jewish parents more insistent than others about keeping their children from marrying outside their faith? If so, why?

5. The Inn at Lake Devine might be called a "revenge comedy." At the end the Berrys lose the Inn, and both of their sons take up with Jewish women. Is this a fitting comic closure for Ingrid Berry? What about the feckless but kind Mr. Berry, who loses his business because of carelessness in mushroom hunting? Should he have been more active in preventing his wife's exclusion of Jews from the hotel?

6. What are the social and class markers that Lipman uses to create a sense of realism at the Halseeyon and at the Inn at Lake Devine? How well do Kris and Nelson Berry respond to their weekend immersion in Jewish culture when they visit the Halseeyon with Natalie?

7. What role does food play in this novel? How do the significance and style of dining differ among social groups at Lake Devine and at the Halseeyon? Does food have more meaning for the Jews in the Catskills than it does for the WASPs in New England? What does the desire to be a chef reveal about Natalie's character?

8. At camp, Natalie first befriends Robin Fife in the hope of being invited by her family to the Inn at Lake Devine, but she is bored by the dull-witted Robin who, she notes, "couldn't take, make, or get a joke of any kind" [p. 41]. Her relationship with Robin at fourteen could be seen as mere opportunism; how does this change when they meet again ten years later?

9. Why do you suppose Elinor Lipman has chosen to leave out any details of Natalie's college years, including her experience of dating and sex?

10. The novel of the Jewish person coming of age in modern America—the most famous examples are Philip Roth's Portnoy's Complaint and Mordecai Richler's The Apprenticeship of Duddy Kravitz—is usually told from a young man's perspective. How does the shift to a female narrator in The Inn at Lake Devine challenge and transform this tradition?

11. Do some of the characters come across as more true to life than others? Which of the three families—Marx, Fife, or Berry—seems most realistically depicted? Does the role of surprise in the novel feel realistic? Does the unexpected always work? Does it add or detract from your enjoyment of the story?

12. This novel is based upon the reality of intermarriage and assimilation in American life, issues that are especially painful among the more observant Jewish communities. Lipman expertly draws the difference between the habits of Natalie's Reform family and those of her Orthodox friend Linette Feldman. Is it easier to feel good about the pairing of Natalie and Kris than that of Linette and Nelson? Do you feel that love rightly triumphs over religion in this novel?

13. One reviewer of this novel wrote, "Prejudice, in all its many disguises, is an unusually worthy but often ponderous subject; its very weightiness . . . often threatens to sink otherwise well-written and well-meaning tales."1 What aspects of Lipman's style allow her to avoid this pitfall?

14. What do you find most satisfying about the way that Lipman brings her plot to closure?

15. In a recent interview Elinor Lipman said, "I like novels that are funny, quirky, intelligent, and humane."2 How well, for you, does The Inn at Lake Devine fit this description?

1 Liesel Litzenburger, "No Room at the Inn." Chicago Tribune, 14 June 1998.
2 Online, Amazon.com, February 1999.

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Customer Reviews

Average Rating 4.5
( 11 )
Rating Distribution

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Sort by: Showing all of 11 Customer Reviews
  • Anonymous

    Posted August 17, 2008

    One of my all time favorites!

    I enjoyed this book immensely. The story is fun, the characters drawn beautifully. The whole Jewish resort was hysterically funny and so well drawn. I loved the conversations and the characters. This is my favorite Lipman novel.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 27, 2006

    WONDERFUL BOOK, GREAT WRITING

    Excellent writing and a very thought-provoking story. This book kept me entirely focused from the first page until the very end. If you're looking for a meaningful read, this is the one.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 7, 1999

    A 'kindly' written story of prejudice...

    Elinor's gifted storytelling grabs you from the start and makes for one interesting tale of love and life...between the narrow-minded and the rest of us. Love does conquer all. I especially enjoyed her acknowledgement. Thanks for the good read. Keep them coming!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 20, 2013

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 30, 2013

    Zoey

    Okay....

    0 out of 1 people found this review helpful.

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  • Posted July 21, 2010

    more from this reviewer

    The Inn at Lake Devine is the perfect summer read. The setting and the characters do not disappoint and it's surprisingly meaty given its summery feel.

    "It was not complicated, and, as my mother pointed out, not even personal. They had a hotel; they didn't want Jews; we were Jews."

    So begins the story of young Natalie Marx and her infatuation with the Inn at Lake Devine. Natalie's mother sends an inquiry to the Vermont hotel inquiring about summer accommodations for her and her family, and receives a polite, but firm note back indicating that the hotel does not do business with Jews. Shocked, but intrigued, Natalie wonders about the person who wrote the note and in her own way, stages a rebellion from afar.

    However, when Natalie discovers that a friend visits the Inn each summer, she realizes that it's a chance of a lifetime and manages to get the family to invite her to join them for the summer. Her parents, knowing how this establishment operates, doesn't want her to go, but her host family insists, so her adventure during that 1960's summer begins.

    I can't really call this a "coming of age" novel because Natalie has a very strong sense of self, even as a young girl, but as she matures, her sense of self deepens and she seems to understand, or perhaps appreciate her Jewish roots more. Natalie is a pleasure to know. She flounders a bit with her personal life, but she never seems the worse for it and her pragmatic way of dealing with life made for pleasurable reading.

    I've heard of Elinor Lipman before but have never read any of her books. The Inn at Lake Devine is my first experience with her writing. Her writing is very authentic with a touch of sarcasm thrown in. The writing is humorous, but not overly so. I especially enjoyed her depictions of "family" and the interactions between parent and child.

    I was also charmed by the setting. A lakeside hotel in Vermont? I'm so there. I could see the porch, the out-buildings and the shimmering lake. It all felt so genuine to me.

    As far as pace, I breezed through the book and read it in one sitting. There was one spot where it dragged a tad, and got a bit silly, but not enough to make me want to put it down. The first person narrative threw me off a couple of times. I don't read too many novels written in this narrative but it seemed to fit.

    An interesting tidbit.apparently such a letter existed. Lipman's mother remembered the wording of the letter she received one summer, and it became the inspiration for this story.

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  • Posted July 18, 2009

    more from this reviewer

    I Also Recommend:

    Doesn't live up to it's promise

    Started out great and then died on my. Love the premis and like the writing but it got silly really. These places still remain and will ever be a blight on our society but people are allowed to believe what they will. I wanted a different, more logical ending.

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  • Anonymous

    Posted September 11, 2013

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  • Anonymous

    Posted January 11, 2010

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  • Anonymous

    Posted March 6, 2011

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  • Anonymous

    Posted January 4, 2014

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