The Jayhawks (aka The Bunkhouse Album)

( 1 )

Editorial Reviews

All Music Guide - Mark Deming
The Jayhawks' 1986 debut album often called "The Bunkhouse Album" by fans for the label then-manager Charlie Pine founded to release it documented the group when they were still young and green, and though it captures some strong and confident performances from a fine band, it's clear they were still a few years away from finding the sound that would make The Blue Earth and Hollywood Town Hall some of the most memorable music to come from the first wave of alt-country. The Jayhawks sounds more like a proper country album than anything else in their catalog; the rockabilly and vintage C&W licks lead guitarist Gary Louris had learned in his earlier group, Safety Last, ...
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Editorial Reviews

All Music Guide - Mark Deming
The Jayhawks' 1986 debut album often called "The Bunkhouse Album" by fans for the label then-manager Charlie Pine founded to release it documented the group when they were still young and green, and though it captures some strong and confident performances from a fine band, it's clear they were still a few years away from finding the sound that would make The Blue Earth and Hollywood Town Hall some of the most memorable music to come from the first wave of alt-country. The Jayhawks sounds more like a proper country album than anything else in their catalog; the rockabilly and vintage C&W licks lead guitarist Gary Louris had learned in his earlier group, Safety Last, were still a major part of his arsenal especially on "Misery Tavern" and "Behind Bars", and Cal Hand's pedal steel is a key part of the arrangements on tunes such as "Falling Star," "The Liquor Store Came First," and "Six Pack on the Dashboard." The pace is surprisingly peppy compared to the contemplative rhythms of the Jayhawks' best work drummer Norm Rogers, who would later do a stylistic 180 and join Minneapolis noise-mongers the Cows, drives most of the tunes with a solid, uptempo shuffle, and though "Let the Critics Wonder" and "King of Kings" anticipate the sound of the band's classic era, most of the Bunkhouse album sounds like the work of a smart, lively country-rock band still looking for the approach that would truly set them apart. Mark Olson and Gary Louris' songwriting was skillful and literate, and the Jayhawks play with fire and imagination on their debut, but these 13 speedy numbers which spin by in less than 38 minutes mark a phase they were staring to outgrow even as they were recording this music; there's nothing here for anyone involved to be ashamed of, but The Jayhawks is still clearly juvenilia, enjoyable as it is.
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Product Details

  • Release Date: 5/18/2010
  • Label: Lost Highway
  • UPC: 602527384399
  • Catalog Number: 001427002

Album Credits

Performance Credits
The Jayhawks Primary Artist
Cal Hand Pedal Steel Guitar
Gary Louris Electric Guitar, Vocals
Mark Olson Guitar, Vocals
Marc Perlman Bass
Charlie Pine Piano
Norm Rogers Drums
Technical Credits
The Jayhawks Arranger
Craig Allen Reissue Design
Richard Dodd Remastering
Gary Louris Composer
Mark Olson Composer, Poetry
Roger Seibel Mastering
Jeff Bjork Engineer, Remixing
Charlie Pine Producer, Remixing
Dave Engdahl Engineer, Remixing
Katie Pelzer Cover Design
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    I Also Recommend:

    No Bunk In This House

    With the recent break-up of the alternative country band, The Jayhawks, it's good to see that Lost Highway Records finally released the band's first-ever album. Often nicknamed "The Bunkhouse Album", their indie record company only issued 2000 copies of their 1986 album and has never been available on CD until now. Listening to the album now, it's clear that The Jayhawks had a lot of energy in their early days before they focused more on the singer-songwriting abilities of their two founders, Mark Olson and Gary Louris. While the album is not perfect, it's clear that the Minneapolis band's influences are all over the place. The opening song, "Falling Star", channels a lot of The Beatles while "Let The Critics Wonder" has a Dylanesque whine to it. They even channel Merle Haggard's outlaw imagery with "Behind Bars" and "(I'm Not In) Prison". What's surprising is that on "The Bunkhouse Album", the band actually has a sense of humor, which is evident on songs like "The Liquor Store Came First". One almost wishes the band continued on that path. Although American Recordings is planning to re-release special editions of The Jayhawks' albums and they are worth checking out, just the same. But first, start with this one.

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Sort by: Showing 1 Customer Reviews