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| Art Blakey & the Jazz Messengers | Primary Artist, Track Performer |
| Art Blakey | Indexed Contributor, Drums |
| Curtis Fuller | Trombone |
| Hank Mobley | Tenor Saxophone |
| Lee Morgan | Trumpet |
| Wayne Shorter | Tenor Saxophone |
| Horace Silver | Piano |
| Bobby Timmons | Piano |
| Doug Watkins | Bass |
| Jymie Merritt | Acoustic Bass |
| Donald Byrd | Trumpet |
| Hank Mobley | Composer |
| Steven Berkowitz | Reissue |
| Kenny Washington | Liner Notes |
| George Avakian | Producer, Liner Notes |
| Michael Cuscuna | Producer, Reissue Producer |
| Kevin Gore | Reissue |
| Bob Thiele | Producer |
| Seth Rothstein | Director |
| Howard Fritzson | Art Direction |
| Debra Parkinson | Mastering |
| Randall Martin | Reissue Design |
| Edward Redding | Composer |
| Tony Janick | Engineer |
Anonymous
Posted October 1, 2010
Just a great album. its fierce
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Editorial Reviews
All Music Guide - Michael G. Nastos
The very first edition of Art Blakey's Jazz Messengers was unfortunately short-lived, and as excellent as they were collectively, it was the beginning of a trend for the members of this group to come and go. Unbeknown to Blakey at the time, he would become a champion for bringing talent from the high minor leagues to full-blown jazz-star status, starting with this band featuring Detroit trumpeter Donald Byrd, East coast tenor saxophonist Hank Mobley, and pianist Horace Silver, a jazz legend ever after. It's evident that although there is much cohesion in the group, Byrd's star was on the rise the fastest, and he would leave in a short period, replaced briefly by ...