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The Keeper of Hands
     

The Keeper of Hands

by J. Sydney Jones
 

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Vienna, 1901. With the police seemingly indifferent to the murder of a 19-year-old prostitute known as Mitzi, brothel-keeper Frau Mutzenbacher turns to lawyer Karl Werthen to find out what happened and bring her killer to justice. Yet the more he discovers about the mysterious Mitzi, with her secret past and impressive roster of clients, the more questions

Overview

Vienna, 1901. With the police seemingly indifferent to the murder of a 19-year-old prostitute known as Mitzi, brothel-keeper Frau Mutzenbacher turns to lawyer Karl Werthen to find out what happened and bring her killer to justice. Yet the more he discovers about the mysterious Mitzi, with her secret past and impressive roster of clients, the more questions Werthen’s investigation throws up.

At the same time, Werthen undertakes a second commission: to find out who viciously assaulted playwright Arthur Schnitzler. Schnitzler believes his latest controversial play might have been the motive for the attack – but is there more to it than that?

As he navigates the highs and lows of Viennese society in dogged pursuit of the truth, Werthen finds himself drawn into a conspiracy of espionage and affairs of state.

Editorial Reviews

Publishers Weekly
The discovery of the nude and strangled corpse of a 19-year-old prostitute known as Mitzi propels Jones’s masterful fourth mystery set in early-20th-century Vienna (after 2011’s The Silence). Josephine Mutzenbacher, Mitzi’s madam, hires Hans Gross, the real-life pioneering criminologist, and Karl Werthen, a private enquiry agent and lawyer, to investigate. Werthen’s discovery of a letter that Mitzi wrote in code and hid in a Bible—specifically in the part of the Book of Joshua that refers to the harlot Rahab concealing Israelite spies—suggests that the victim may also have been involved in the world’s second-oldest profession. Another woman’s murder raises the stakes. Werthen and Gross’s inquiries come to the notice of Archduke Franz Ferdinand, whose revelations about conflict between the country’s different intelligence services add another dimension to the case. Top-notch detecting and characterizations bolster the intricate plot. Agent: John Talbot, Talbot Fortune Agency. (July)
From the Publisher
"Not as widely known as it ought to be, this series is well worth a look"
Booklist on The Keeper of Hands

“Top-notch detecting and characterizations bolster the intricate plot”
Publishers Weekly Starred Review of The Keeper of Hands

“Jones recreates the beau monde of vintage Vienna with verisimilitude and consummate style.”
Kirkus Reviews on The Keeper of Hands

Booklist
"Not as widely known as it ought to be, this series is well worth a look"
Library Journal
Two radically different cases challenge Viennese lawyer Karl Werthen in this intriguing historical series. It is the fourth case (after The Silence) for the fictional Werthen who consults with the real Dr. Hans Gross, considered to be the father of criminal investigation.
Kirkus Reviews
Police indifference and the surprising history of the victim entice a Vienna lawyer in his attempt to solve a murder. In turn-of-the-century Vienna, Advokat Karl Werthen gets a visit from theater critic Felix Salten, in the days before he wrote Bambi, with an unusual request. Acting as the intermediary for Frau Josephine Mutzenbacher, a successful madam whose memoirs he's penning, Salten asks Werthen to investigate the strangulation of Mitzi, a young prostitute who played the role of a young virgin at the brothel. The lawyer accepts the challenge, but because of the reluctance of everyone involved to speak openly and the need for discretion, his investigation proceeds slowly. Mitzi's past is a well-guarded secret, and Werthen gets little traction until he tracks down her parents, Herr and Frau Moos, who at first deny that they even know her. Between interviews, Werthen shares judiciously edited accounts of his work with his wife, Berthe, who's recently given him a beautiful daughter, Frieda. Even with so much to treasure at home, Werthen readily accepts another interesting assignment at the request of his former mentor, the criminologist Doktor Gross. Shortly after Werthen interviews Arthur Schnitzler in connection with Mitzi's killing, someone brutally attacks the physician and controversial playwright. Though Schnitzler assumes the attack was prompted by his most recent play, Werthen's not so sure. Just when he feels he's making headway, Frau Mutzenbacher wants to terminate the investigation. What next? In Werthen's fourth case (The Silence, 2011, etc.), Jones recreates the beau monde of vintage Vienna with verisimilitude and consummate style.

Product Details

ISBN-13:
9780727882691
Publisher:
Severn House Publishers
Publication date:
06/01/2013
Series:
A Viennese Series , #4
Pages:
256
Product dimensions:
5.70(w) x 8.60(h) x 0.70(d)

Related Subjects

Read an Excerpt

The Keeper of Hands

A Viennese Mysteries Novel


By J. Sydney Jones

Severn House Publishers Limited

Copyright © 2013 J. Sydney Jones
All rights reserved.
ISBN: 978-0-7278-8269-1


CHAPTER 1

Advokat Karl Werthen was surveying his demesne.

Only to himself did he dare think of this smallholding in the Vienna Woods as a manorial estate. Were he to use the word demesne with his wife, Berthe, to describe their summer home, she would of course voice full-throated laughter.

Yet, when she referred to it as their 'cottage', Werthen never thought of chiding her. Cottage was the term given to elegant villas on the edges of the woods by Viennese who identified too much with British understatement.

So, alone behind the old farmhouse in the village of Laab im Walde, Werthen surveyed his 'demesne', appreciating in particular the white and violet lilacs tumbling in natural bouquets of bloom in the overgrown bushes to the rear of the farmhouse. Their scent filled the air though he was a good thirty metres from them.

Behind him, at the limits of his property, which locals called simply 'the farm', he heard the chuffing exertions of Stein, finishing the rolling of the last section of fresh brown earth. A small man, Stein was strong as a mule, pushing the large roller in front of him over the tilled ground. He would plant the seed before leaving.

Stein was steward of Hohelände, Werthen's family estate in Lower Austria. In fact, this tennis court was the gift of Emile von Werthen, a show of approval for his son's purchase of a country home. Werthen's father had sent for special rye-grass seed from the All England Lawn Tennis Club and had also dispatched the invaluable Stein to create the court, or at least see to its planting.

Of course, Werthen's father had never asked if such a gift might be appreciated, or indeed if it were even appropriate. Stein had merely showed up at Werthen's door earlier in the week, his wagon full of hoes, shovels, pick axes, measuring sticks and twine, and the large roller. He'd even brought along a tent to camp out, but Werthen would not hear of that, establishing him in the spare bedroom in the farmhouse instead.

It was as much an embarrassment for Stein as for Werthen that his arrival was unannounced.

Werthen, not one for organized sport, intended to let the grass grow knee deep on the prospective court, to become a wild part of nature again once Stein departed.

A hawk overhead caught Werthen's attention, and then looking down the lane leading to the farmhouse he saw a man approaching. He was a slight figure, dressed all in white on this warm late-spring day. He wore a straw boater and carried a walking stick, using it like a baton as he strolled down the lane — as if keeping time to music. As the man drew nearer, Werthen could hear that he was, indeed, whistling as he walked, at one moment a tuneless mimicry of birdsong, then abruptly transformed to a snippet from Wagner and then one from Mozart.

Another figure now came into view, his daughter, young Frieda, toddling towards the stranger on sturdy legs, with Berthe close behind her. The child was dressed in a white pinafore, but went hatless in the strong sunshine. Her auburn curls were below her ears now.

It was as if his daughter knew this stranger, for she picked up speed on tumbling legs, staggering downhill. She was pulling away from Berthe, who seemed to be amused by this display of independence. As Frieda neared the man in white, Werthen felt a sudden and inexplicable panic. What did he know of this man? What if he were to sweep up Frieda in one arm and abscond with her?

He dropped the secateurs he was carrying and began running round the side of the farmhouse, built in a square around a central courtyard. He wanted to call out to Berthe, to warn her, but he could not find voice. The man in the linen suit was leaning down to one knee, actually beckoning to Frieda, who began giggling insanely as she tottered towards him.

In desperation Werthen leaped over a watering can, catapulted himself over the fence, and found himself face to face with Berthe, who was startled at his arrival.

'What are you on about?' she said as he stood panting in front of her, gesticulating towards Frieda.

'Did you forget?' she said. 'Salten. He's come to see you about a case.'

God! He had forgotten.

He looked at his daughter and now realized that she was not attracted to the man in white, the journalist Felix Salten, at all. Nor was Salten beckoning to Frieda. Both of them were trying to gain the attention of a long-haired dachshund that was happily chasing butterflies and cavorting among the red poppies, pale-blue liverwort and yellow sassafras in the fields.


Salten took three cubes of sugar in his tea, watching with a keen parental eye the antics of Mimi, his beloved dachshund, playing on the flagstones of the kitchen floor with Frieda.

'I do appreciate you letting me meet you like this,' the journalist said.

'Not at all,' Werthen said, though somewhat abstractedly. It was his habit to try to determine the nature of the commission that prospective clients were bringing him, and that was the mental exercise he set himself now.

Theater critic of the Wiener Allgemeinen Zeitung, Salten could have earned himself a number of enemies for the biting satire of his reviews. In fact, several years back he had got into a famous altercation with Karl Kraus at the Café Central that led to Salten giving the other journalist a cuff on the ear. A threatening letter, then?

Or was it a missing person? A lover, perhaps? Werthen, via Berthe, who kept up with such matters, knew Salten had a rather complicated love life. On the other hand, Salten might have come on behalf of his current mistress, the Burgtheater actress Ottilie Metzel.

'Is it appropriate that I speak of business here?' His eyes trailed to the frolicking pair on the floor.

'Shall we finish our tea? Then we can retire to my office.'

Berthe cast her husband a reproachful glance.

'Actually,' Werthen quickly added, 'there's no reason we could not discuss matters here. My wife is part of the agency, you know.'

Salten, small and courtly-looking, sporting a rather jaunty, self-satisfied moustache, nodded at Berthe, who was rearranging glasses in the cupboards. They were still settling in for the summer months when the family would spend more time in the country.

'I didn't know. Quite an unconventional family.'

Werthen was unsure how to take this comment. Was it a compliment or an insult? A man like Salten – part of the Jung Wien group of writers and an up-and-coming literary man who had, the year before, published his first collection of stories – might very well expect Werthen to be a staid old bureaucrat; a wills and trusts lawyer despite his sideline in private inquiries.

'I of course mean no slight with that description,' Salten hastily added, as if sensing Werthen's discomfort.

'None taken,' Werthen said, but he traded glances with his wife once again.

'For me, unconventional is a word of respect. A high compliment, in fact.'

Werthen smiled at the comment.

'I know your work,' Salten said.

'I have had some small successes, to be sure,' Werthen said. 'The Mahler case among others.'

'No, no,' the other interjected. 'I mean your literary work. I edited one of your pieces for An der schönen blauen Donau. I rather liked your boulevardier ... What was his name?'

'Maxim.'

'Right,' said Salten. 'Rather a nice tip of the hat to our friend Schnitzler, I thought at the time.'

'How so?' Werthen asked, feeling suddenly protective of this short story he had written a number of years ago.

'There is a certain resonance to the name,' Salten said, obviously enjoying a discussion of the subject closest to his heart. 'First there is the association with the establishment of that name in Paris. Maxim's restaurant and cabaret caters to the rich and powerful of the world.'

'I hadn't really thought of that,' Werthen said, thinking better now of his character, who was something of a silly skirt-chasing fop.

'But how does Schnitzler come into it?' Berthe inquired.

'Well, there's Schnitzler's beloved Anatol, of course, the subject of his early plays. The constant playboy, forever in love and forever changing partners. You might recall that his best friend and sometimes advisor was named Max.'

Salten leaned back in his chair with a sigh. It was a physical gesture Werthen knew only too well from his years in the courtroom. The prosecution rests, your honor.

'Those are indeed interesting associations, Herr Salten. And I am flattered that you, a well-known writer yourself, should remember the scribblings of an amateur.'

Salten made no immediate reply. He stirred his tea, blowing over the rim of the cup though the contents were long since cooled.

'I am hardly the well-known figure you describe, Advokat Werthen. In my mind's eye I am still poor little unhealthy Siegmund Salzmann from Budapest toiling away in my cousin's insurance office. Those days are not so very far behind me.'

He looked wistfully at his dog and Werthen's daughter. 'It must be wonderful having a child.'

About to respond in the positive, Werthen was silenced by Salten's next remark.

'But enough of socializing. To the matter at hand. I come about murder, sir.'

The word resounded in the cosy kitchen like a blasphemy.

'Whose murder, Herr Salten? A friend?'

'I represent another in this inquiry.'

'But surely the police —'

'The victim is of too low a status to warrant their concern.'

'And your client?'

'Frau Josephine Mutzenbacher. I am currently engaged in writing her life story.'

'A literary figure?' Werthen asked, not recognizing the name.

Which comment brought a low chortle from Salten. 'Hardly! In point of fact, the woman runs a brothel. Rather high-class, mind you, but a brothel all the same.'

'A madam?' Berthe said, now joining them at the table.

Salten pursed his lips in assent. 'Frau Mutzenbacher is a rather amazing woman. Born in Ottakring, of course. Her father was a saddler. She herself was initiated into the world of Eros at a most tender age.'

He quickly cast his eyes Berthe's way, not wanting to cause embarrassment. Seeing none, he proceeded.

'They called her Pepi. She entered the brothels at the age of twelve, as a licensed prostitute. But by cunning, and sometimes sheer disarming honesty, she worked her way up in her chosen profession. Now, at the age of fifty, she operates one of the finest houses in the Empire. And what is most incredible about the woman is that she has not an ounce of bitterness about her hard life. On the contrary, she is quite humorous in the detailing of her various liaisons.'

'And the victim is therefore one of the good lady's working ménage, one assumes,' said Werthen. 'The person deemed of too low status by the police?'

'Exactly.'

'Does this have anything to do with that unfortunate girl found in the Prater on May Day?' Berthe asked.

The death had made the headlines in an otherwise dull news climate, but had been just as quickly forgotten when supplanted by a much bigger news story: the death of Count Joachim von Ebersdorf several days later, victim of bad shellfish. An absurd way to die, Werthen thought. Eating oysters in land-locked Vienna.

'Very good, Frau Werthen.'

Werthen waited for his wife to correct Salten. Instead, she smiled wanly at his compliment.

'Meisner, actually,' she said after a pause. 'Frau Meisner. I kept my maiden name.'

This made Salten sit up in his chair. 'My apologies, Frau Meisner.'

Werthen was tiring of all this toing and froing. 'The murdered girl, Herr Salten. What is Frau Mutzenbacher's interest in her, other than commercial?'

'You'll have to ask her that, Advokat. That is, if you accept the commission.'

'Frieda, dear,' Berthe said to their daughter. 'Don't pull the doggie's ears. She doesn't like that.'

'Sof ears,' the child said.

'They are that,' Salten said. 'Like silk.'

Frieda, squatting by the rather impatient animal, craned her neck Salten's way.

'Sill,' she said.

'Silk.'

'And how is it you have come to me?' asked Werthen, redirecting the conversation once again.

'Well, it was over a game of Tarock, actually. I enjoy a hand or two at the Café Landtmann now and again, and two days ago my usual partners and I were joined by Gustav Klimt.'

'I would never credit Klimt with the patience for cards,' Berthe said, but her eyes were still on Frieda and the dachshund.

'True,' said Salten. 'It is my considered judgment that he would be better off with a more physical pastime.'

'Such as lifting dumbbells,' Werthen said. 'I mean it quite literally. He is very much the one for exercise.'

'And for cream pastries,' Berthe added. 'Please, Frieda. Not the doggie's ears.'

Salten eyed his beloved Mimi warily. 'Perhaps I should tie her up outside.'

He got up and did so. Meanwhile, Berthe took Frieda to another room.

Once Salten returned, the dog began whining outside.

'Quite a social animal, the dachshund. They don't like being left alone.'

'I'm sure she'll survive,' Werthen said. 'So it was Klimt that put you on to me?'

'I mentioned quite casually the intentions of Frau Mutzenbacher, and he immediately came up with your name.'

'Most kind of him.'

'He also mentioned you are quite zealous in your billing. I don't believe there will be a problem with Frau Mutzenbacher.'

'Did you know the girl in question?'

'Mitzi? I'd seen her about. As I say, I am engaged by Frau Mutzenbacher on her memoirs.'

'I mean in a professional way.'

'You are a direct one, aren't you?'

'I like to know where I am in a case.'

'No. Not that I haven't been known for dalliances. I am, of course, now engaged to Fräulein Metzel of the Burgtheater.'

Werthen nodded at this information, but remained silent.

'She was not my type,' Salten added.

'How is that?'

'I do not know how familiar you are with such establishments as Frau Mutzenbacher's, Advokat.'

'Educate me.'

'Well, there are usually young women to satisfy almost every taste. Including the hard-pressed woman of good birth who takes up the trade to pay off her father's debts.'

'A fabrication?'

'Generally so. At Frau Mutzenbacher's, always. Her premises are the home of illusion. The high-class lady fallen low appeals to the sensitive trade – the talkers rather than doers, if you understand?'

Werthen nodded. He'd had some experience of the trade during his years of criminal law in Graz, but thought it better to let Salten play the magister ludi in this regard. No telling what a fellow might blurt out when in an educative mood.

'Then of course there is the pale young thing who never says a word, the mute of the boudoir. And the tough woman with the heart of gold, the soft woman with the harsh voice and tendency toward discipline. I'm sure you understand.'

'And what was Mitzi's role?'

'The child virgin. Don't get me wrong,' said Salten quickly, seeing Werthen's look of disapproval. 'She was neither. But she was quite young-looking, a diminutive young woman who could and did easily pass for thirteen. In point of fact, she was nineteen.'

'So her clients believed she was a child?'

'I would assume so, though I'm hardly privy to their thoughts. Really, you must put these questions to Frau Mutzenbacher. I only saw the girl in passing a few times. Bringing tea to us as we worked during the day. That sort of thing. She seemed to be a special favorite of Frau Mutzenbacher.'

The whines grew more insistent from outside.

In the end, Werthen, deciding prostitutes also deserve justice, agreed to the commission and set up a time for an interview with Frau Mutzenbacher the following Monday. The case was already over two weeks old, so there seemed no need for undue haste, and Werthen and his family had planned a weekend in the country.

Salten said his goodbyes to Berthe and Frieda and went off down the lane, with Mimi trotting along quite proudly in front.


That evening Berthe experimented with a new spaghetti recipe. They waited for these breaks from Vienna and their housekeeper, Frau Blatschky, and her traditional Austrian cooking, to try more exotic fare. Werthen had noticed that of late his wife had taken more of an interest in cooking. He doubted very much that it was merely a sign of increased domesticity. Instead, he supposed that she was finding variation, and a sense of discovery in whatever way she could, for as a new mother she had been tied more closely to home since Frieda's birth.

Stein, freshly scrubbed after his day's exertion building the tennis court, looked at his plate of pasta with a degree of suspicion. Then, watching Berthe twirl a bit round the tines of her fork, followed suit and was soon slurping along with the rest.

They had moved on to the meat course, veal, which for Stein was more recognizable, when he said, 'The rye grass is experimental at best.'

'Pardon?' Werthen said.

He was watching Frieda, who was lingering over her pasta, busily painting her cheeks a brilliant orange with the sauce.

'We're not really too sure about how well it will do in this loamy soil. Your father and myself, that is.'

'I did not expect you were referring to your own father,' Werthen said with a smile. Stein senior had long since been pensioned off, though still living on the von Werthen estate. 'Young' Stein, as he was called although he was a bit older than Werthen, had taken his place a number of years ago.

'He still misses the work,' Stein said ruefully.

'Why the experiment?' Werthen said at length.

'Well, to see what grass will be best for your father's new place.'

'New place?'

Stein laid down his fork. 'You didn't know he is purchasing land near here?'


(Continues...)

Excerpted from The Keeper of Hands by J. Sydney Jones. Copyright © 2013 J. Sydney Jones. Excerpted by permission of Severn House Publishers Limited.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

J. Sydney Jones is the author of several historical novels, including the critically acclaimed Viennese Mystery series. A long-time resident of Vienna, he currently lives near Santa Cruz, California.

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