Hip-O Select's triple-disc 2012 set
The Killer Live (1964-1970) fills a bit of a gap in
Jerry Lee's archival discography by rounding up his four officially released live albums for
Smash and
Mercury:
Live at the Star Club, Hamburg and
The Greatest Live Show on Earth, both released in 1964;
By Request: More of the Greatest Live Show on Earth from 1966; and
Live at the International, Las Vegas in 1970.
The Killer Live expands these four LP by adding 16 bonus tracks, ten of which are previously unreleased, all of which are equally as good as the finished albums -- and that means they're terrific, as good as rock & roll music gets. That is particularly true of
Live at the Star Club, by many measures a serious contender for the best live album ever made, and if the other three records aren't quite as galvanizing as this furious set -- so heated that
the Killer berates his backing band
the Nashville Teens for not quite keeping up -- well, that's an unfair comparison as so few sets could measure up. The two
Greatest Live Show on Earth LPs and
Live at the International showcases are different affairs. The
Greatest Live Show LPs are a shade less frenzied but in a similar vein to
Star Club -- they're hard rock & roll albums tempered with a bit of R&B and country. Conversely, the
Vegas LP appropriately showcases a
Killer with a bit more showbiz pizzazz, rooted in country -- his big hits are bypassed in favor of his honky tonk late-'60s hits and his covers, both classic ("San Antonio Rose") and contemporary (
Tom T. Hall's "The Ballad of Forty Dollars"), are country -- but given a slightly splashy rocking spin, all sounding unmistakably like
Jerry Lee, just like the harder-rocking boogie of a few years earlier does. There's not a bad performance here -- it's all on a sliding scale from great to transcendent, so don't let the transportive stuff let you overlook the merely excellent music. Just bask in the glory of
the Killer and enjoy every precious note on this superb set. ~ Stephen Thomas Erlewine
