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The Killer, Volume 1

Overview

A man solitary and cold, methodical and unencumbered by scruples or regrets, the killer waits in the shadows, watching for his next target. And yet the longer he waits, the more he thinks he's losing his mind, if not his cool. A brutal, bloody and stylish noir story of a professional assassin lost in a world without a moral compass, this is a case study of a man alone, armed to the teeth and slowly losing his mind.

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Overview

A man solitary and cold, methodical and unencumbered by scruples or regrets, the killer waits in the shadows, watching for his next target. And yet the longer he waits, the more he thinks he's losing his mind, if not his cool. A brutal, bloody and stylish noir story of a professional assassin lost in a world without a moral compass, this is a case study of a man alone, armed to the teeth and slowly losing his mind.

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Editorial Reviews

Publishers Weekly

A bestseller in Europe, Le Tueurhas finally reached America. A French hit man has long been at the top of his game, but the psychic weight of his crimes is slowly catching up with him, and, after he botches one job and attracts a policeman determined to bring him down, he may be breaking down just when he needs his skills the most. The French have long been masters of moody noir films like Band of Outsidersor Le Samourai, so The Killercarries some heavy expectations. Fortunately, Jacamon's art is more than up to the task. His layouts are exciting, equally adept at choreographing brutal action, placing the "camera" for maximum suspense, and playing with panel borders to convey the protagonist's gradual mental breakdown. His figures are reminiscent of Darwyn Cooke's (The Spirit) cartoony realism, using deceptively simple lines and expressive faces to suggest far greater depth to the characters. Saturating panels with washed-out greens, blues and yellows, he changes palettes to establish shifts in location or flashbacks. The story is slight and a little disjointed, relying too heavily on self-consciously "cool" narration and abrupt flashbacks to pad out a by-the-numbers plot. Fans of Goddard or Melville should enjoy how well Jacamon captures their aesthetic on the page. (July)

Copyright 2007 Reed Business Information
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Product Details

  • ISBN-13: 9781932386448
  • Publisher: Archaia
  • Publication date: 9/26/2007
  • Series: Killer Series , #1
  • Pages: 128
  • Product dimensions: 7.00 (w) x 10.50 (h) x 0.50 (d)

Meet the Author

In 1998, Matz’s hit series, The Killer, with artist Luc Jacamon, made its comic book debut. It became a bestseller that found its way onto the shelves of bookstores in many countries, all the way to the USA with Archaia. It was then optioned by Paramount for a movie that has drawn the interest of director David Fincher ("The Girl with the Dragon Tattoo"). Matz has also created a new line of comic books, Rivages/Casterman/Noir, which are adaptations of noir novels. But Matz’s day job for the last 15 years has been to write for the videogame industry, as he has been an employee at Ubisoft. Now in charge of the writing department, Matz has been involved with games such as “Splinter Cell,” “Ghost Recon,” “Rainbow Six,” “Prince of Persia,” and the “Assassin’s Creed” series.

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