Ron Charles
…the most mature and ambitious [novel] she's written during her celebrated 20-year career, but it's also [Kingsolver's] most demanding…a novel of capital-L Liberal ideas—workers' rights, sexual equality, artistic freedom…Nevertheless, this rich novel is certainly bigger than its politics. It resurrects several dramatic events of the early 20th century that have fallen out of public consciousness, brings alive the forgotten details of everyday life in the 1940s, and illustrates how attitudes and prejudices are shaped by political opportunism and the rapacious media. But despite this large, colorful canvas, ultimately The Lacuna is a tender story about a thoughtful man who just wanted to enjoy that basic American right: the right to be left alone.
—The Washington Post
Liesl Schillinger
How can the experiences of a fictional loner merge with those of larger-than-life figures who played a pivotal role in world politics? And what can readers learn from their intersection? Those are the questions answered by this dazzling novel, which plunges into Shepherd's notebooks to dredge up not only the perceptions they conceal but also a history larger than his own, touching on everything from Trotskyism, Stalinism and the Red scare to racism, mass hysteria and the media's intrusion into personal and national affairs…The Lacuna can be enjoyed sheerly for the music of its passages on nature, archaeology, food and friendship; or for its portraits of real and invented people; or for its harmonious choir of voices. But the fuller value of Kingsolver's novel lies in its call to conscience and connection. She has mined Shepherd's richly imagined history to create a tableau vivant of epochs and people that time has transformed almost past recognition. Yet it's a tableau vivant whose story line resonates in the present day, albeit with different players. Through Shepherd's resurrected notebooks, Kingsolver gives voice to truths whose teller could express them only in silence.
—The New York Times
Kirkus Reviews
Unapologetically political metafiction from Kingsolver (Prodigal Summer, 2000, etc.) about the small mistakes or gaps (lacunas) that change history. Set in leftist Mexico in the 1930s and the United States in the '40s and '50s, the novel is a compilation of diary entries, newspaper clippings (real and fictional), snippets of memoirs, letters and archivist's commentary, all concerning Harrison Shepherd. In 1929, Harrison's Mexican-born mother deserts his American father, a government bureaucrat, and drags 11-year-old Harrison back to Mexico to live with her rich lover on a remote island. There Harrison discovers his first lacuna, an underwater cave that leads to a secret pool. As his mother moves from man to man, Harrison learns to fend for himself. His disastrous two-year stint at boarding school back in America is marked by his awakening homosexuality (left vague thanks to the lacuna of a missing diary) and his witnessing of the Hoover administration's violent reaction to a riot of World War I homeless vets. In 1935, Harrison returns to Mexico, where he becomes first a lowly but beloved member of the Diego Rivera/Frida Kahlo household, then secretary to Leon Trotsky until Trotsky's assassination. Kingsolver is at her best in the pages brimming with the seductive energy of '30s Mexico: its colors, tastes, smells, the high drama of Trotsky and Kahlo, but also the ordinary lives of peasants and the working poor. When Harrison returns to the States, however, the novel wilts. His character never evolves, and the dialogue grows increasingly polemic as his story becomes a case study of the postwar anticommunist witch-hunt. Harrison moves to Asheville, N.C., writes fabulously popular novelsabout ancient Mexico, hires as his secretary a widow whom the reader knows already as his archivist, and is then hounded out of the country by the House Un-American Activities Committee, with fateful results. A richly satisfying portrait of Mexico gives way to a preachy, padded and predictable chronicle of Red Scare America.
From the Publisher
Rich…impassioned…engrossing…Politics and art dominate the novel, and their overt, unapologetic connection is refreshing.” — Chicago Tribune
“Masterful…a reader receives the great gift of entering not one but several worlds…The final pages haunt me still.” — San Francisco Chronicle Book Review
“Compelling…Kingsolver’s descriptions of life in Mexico City burst with sensory detail—thick sweet breads, vividly painted walls, the lovely white feet of an unattainable love.” — The New Yorker
“A work that is often close to magic.... Much research underlies this complex weaving...but the work is lofted by lyric prose.” — Denver Post
“Shepherd’s story in Kingsolver’s accomplished literary hands is so seductive, the prose so elegant, the architecture of the novel so imaginative, it becomes hard to peel away from the book” — Pittsburgh Post-Gazette
“[Kingsolver’s] playful pastiche brings to vivid life the culture wars of an earlier era...” — Vogue
“...True and riveting...Barbara Kingsolver has invented a wondrous filling here, sweeter and thicker than pan dulce, spicy as the hottest Mexican chiles, paranoid as the American government hunting Communists ” — Philadelphia Inquirer
“A sweeping mural of sensory delights and stimulating ideas about art, government, identity and history…Readers will feel the sting of connection between then and now.” — Seattle Times
“A sweeping narrative of utopian dreams and political reality…A stirring novel…intimate and pitch-perfect.” — San Diego Union-Tribune
“Kingsolver deftly combines real history and the life of the fictional protagonist…A sweeping tale.” — Atlanta Journal-Constitution
“The most mature and ambitious [novel] she’s written…An absorbing portrayal of American life…A rich novel [with] a large, colorful canvas…A tender story about a thoughtful man.” — Washington Post
“A lavishly gifted writer... Kingsolver [has a] wonderful ear for the quirks of human repartee. The Lacuna is richly spiked with period language... This book grabs at the heartstrings...” — Los Angeles Times
“Breathtaking...dazzling...The Lacuna can be enjoyed sheerly for the music of its passages on nature, archaeology, food and friendship; or for its portraits of real and invented people...But the fuller value...lies in its call to conscience and connection.” — New York Times Book Review
“The novel achieves a rare dramatic power...Kingsolver masterfully resurrects a dark period in American history with the assured hand of a true literary artist.” — Publishers Weekly (starred review)
“[Kingsolver] hasn’t lost her touch...she delivers her signature blend of exotic locale, political backdrop and immediately engaging story line...teems with dark beauty.” — People
“[Kingsolver] stirs the real with the imagined to produce a breathtakingly ambitious book, bold and rich…hopeful, political and artistic. The Lacuna fills a lacuna with powerfully imagined social history — Kansas City Star
Seattle Times
A sweeping mural of sensory delights and stimulating ideas about art, government, identity and history…Readers will feel the sting of connection between then and now.
Pittsburgh Post-Gazette
Shepherd’s story in Kingsolver’s accomplished literary hands is so seductive, the prose so elegant, the architecture of the novel so imaginative, it becomes hard to peel away from the book
Denver Post
A work that is often close to magic.... Much research underlies this complex weaving...but the work is lofted by lyric prose.
The New Yorker
Compelling…Kingsolver’s descriptions of life in Mexico City burst with sensory detail—thick sweet breads, vividly painted walls, the lovely white feet of an unattainable love.
Vogue
[Kingsolver’s] playful pastiche brings to vivid life the culture wars of an earlier era...
San Diego Union-Tribune
A sweeping narrative of utopian dreams and political reality…A stirring novel…intimate and pitch-perfect.
San Francisco Chronicle Book Review
Masterful…a reader receives the great gift of entering not one but several worlds…The final pages haunt me still.
Chicago Tribune
Rich…impassioned…engrossing…Politics and art dominate the novel, and their overt, unapologetic connection is refreshing.
Atlanta Journal-Constitution
Kingsolver deftly combines real history and the life of the fictional protagonist…A sweeping tale.
Philadelphia Inquirer
...True and riveting...Barbara Kingsolver has invented a wondrous filling here, sweeter and thicker than pan dulce, spicy as the hottest Mexican chiles, paranoid as the American government hunting Communists
Kansas City Star
[Kingsolver] stirs the real with the imagined to produce a breathtakingly ambitious book, bold and rich…hopeful, political and artistic. The Lacuna fills a lacuna with powerfully imagined social history
|Los Angeles Times
A lavishly gifted writer... Kingsolver [has a] wonderful ear for the quirks of human repartee. The Lacuna is richly spiked with period language... This book grabs at the heartstrings...
People
[Kingsolver] hasn’t lost her touch...she delivers her signature blend of exotic locale, political backdrop and immediately engaging story line...teems with dark beauty.
Washington Post
The most mature and ambitious [novel] she’s written…An absorbing portrayal of American life…A rich novel [with] a large, colorful canvas…A tender story about a thoughtful man.
New York Times Book Review
Breathtaking...dazzling...The Lacuna can be enjoyed sheerly for the music of its passages on nature, archaeology, food and friendship; or for its portraits of real and invented people...But the fuller value...lies in its call to conscience and connection.
Los Angeles Times
A lavishly gifted writer... Kingsolver [has a] wonderful ear for the quirks of human repartee. The Lacuna is richly spiked with period language... This book grabs at the heartstrings...
Chicago Tribune
Rich…impassioned…engrossing…Politics and art dominate the novel, and their overt, unapologetic connection is refreshing.
Atlanta Journal-Constitution
Kingsolver deftly combines real history and the life of the fictional protagonist…A sweeping tale.
The New Yorker
Compelling…Kingsolver’s descriptions of life in Mexico City burst with sensory detail—thick sweet breads, vividly painted walls, the lovely white feet of an unattainable love.
Washington Post
The most mature and ambitious [novel] she’s written…An absorbing portrayal of American life…A rich novel [with] a large, colorful canvas…A tender story about a thoughtful man.
Kansas City Star
[Kingsolver] stirs the real with the imagined to produce a breathtakingly ambitious book, bold and rich…hopeful, political and artistic. The Lacuna fills a lacuna with powerfully imagined social history
People Magazine
"[Kingsolver] hasn’t lost her touch...she delivers her signature blend of exotic locale, political backdrop and immediately engaging story line...teems with dark beauty."
