The Land of Decoration

The Land of Decoration

3.4 7
by Grace McCleen
     
 

View All Available Formats & Editions

A New York Times Book Review Editors' Choice
Winner of the Desmond Elliott Prize

Judith and her father don't have much—their house is full of dusty relics, reminders of the mother she's never known. But Judith sees the world with the clear Eyes of Faith, and where others might see rubbish, Judith sees possibility. Bullied at school,

…  See more details below

Overview

A New York Times Book Review Editors' Choice
Winner of the Desmond Elliott Prize

Judith and her father don't have much—their house is full of dusty relics, reminders of the mother she's never known. But Judith sees the world with the clear Eyes of Faith, and where others might see rubbish, Judith sees possibility. Bullied at school, she finds solace in making a model of the Promised Land—little people made from pipe cleaners, a sliver of moon, luminous stars, and a mirror sea—a world of wonder that Judith calls the Land of Decoration. Perhaps, she thinks, if she makes it snow indoors (using shaving cream and cotton balls and Scotch tape) there will be no school on Monday. Sure enough, when Judith opens her curtains the next day, the world beyond her window has turned white. She has performed her first miracle. And that's when her troubles begin.

With its intensely taut storytelling and gorgeous prose, The Land of Decoration is a breathtaking story of good and evil, belief and doubt. Grace McCleen is a blazing new talent in contemporary literature.

Read More

Editorial Reviews

From the Publisher

“Gripping…philosophically sophisticated…McCleen never tips her hat. The writing is born of a genuine inquiry into the nature of religious belief, especially as it relates to one's psychological development…The Land of Decoration puts a child at the crux of this interpretive dillema, and our hearts go out to her.” —The New York Times Book Review

“[A] mind-bending, soul-stretching, gloriously realized debut…While end-of-time stories are faddish, UK writer Grace McCleen's novel, The Land of Decoration, is one to heed. The first sentence sets the tone for this rapturous, daringly imaginative tale of love, loss, and salvation…” —Elle magazine

“McCleen skillfully keeps us in a state of suspense; we root for Judith even while we are aghast at her conclusions and actions… [A]s the advice and instruction Judith receives become increasingly dangerous, the book becomes something even the Bible can't always be: a page turner.” —Minneapolis Star Tribune

“This extraordinary tale of one little girl's End Times grabbed me by the throat. The Land of Decoration is part social observation and part crazy mysticism, held together by a brutally real story of parent-child love.” —Emma Donoghue, author of Room

“Loveable, unique and thrillingly uncategorisable… A story about a small person's small antithesis of a small town full of small-minded people, this is a big-hearted novel.” —Chris Cleave, Financial Times

“Gripping, beautiful… [M]akes you gasp with delight…In many ways it's suspense--is Judith going to get hurt?--that keeps you tearing through the pages (be prepared for the complete and total devastation of your social life; once you pick up this novel, you will not be able to do anything until you finish)... This isn't a child like the other children in books--say, the unbelievably smart ones who can lecture on astronomy and rare stamps. This is a regular old child, a loving, confused, tender-hearted little person who is trying, like all of us, to make some sense of out of this life.” —Oprah.com pick for "Book of the Week"

“The novel's best moments offer a profound sense of the existential crisis that any believer eventually faces… McCleen also has a good ear for the blessings of comedy -- the little moments of absurdity that children experience as they try to make sense of religion.” —Ron Charles, The Washington Post

“Grace McCleen's writing is deep, fantastical and powerful, and she really lets us into the heart of this tender, gentle little girl…A wonderful gen of a debut novel.” —The Independent (UK)

“A tremendously affecting novel, skillfully and arrestingly written, and one that packs a big emotional punch.” —The Sunday Times (UK)

“British musician McCleen's debut explores the complexities of love between a widowed father and his daughter…McCleen adroitly combines cinematic momentum with intuitive description in this novel about the consequences of faith and what happens when we believe that we have the power to effectuate change.” —Publishers Weekly (starred review)

“So memorable…Surprising, affecting, thoughtful and complex, McCleen's novel grows in power the more time you spend with it.” —The Guardian (UK)

“Extraordinary…like Emma Donoghue (whose "Room" was shortlisted for last year's Booker Prize) McCleen has created a voice which rings true and resonates deep. Bursting with tension and tenderness, this novel is a small miracle in itself.” —Daily Mail (UK)

“[A] stunning debut.…At its core, it's about the biggest issues a person can encounter--how to confront the unknown, how to negotiate faith and how to be a decent and loving human being. The fact that Grace McCleen is able to address these matters with such subtlety and delicacy is no small miracle itself.” —Bookpage

“Which of us, when we were small, didn't fervently wish for -- and frankly believe in -- divine intervention? [The Land of Decoration] paints an affecting and often unsettling portrait of pure faith. B+” —Entertainment Weekly

“Debut author McCleen creates a believable, compelling voice for the youthful narrator, and her portrait of a bereaved father is equally affecting…(a) haunting debut.” —Kirkus

“[Grace McCleen] writes with a kind of plaintive lyricism; you ache for Judith, but keep reading, because there's something haunting and addictive about the rhythm of the sentences.” —The Seattle Times

The New York Times Book Review
This novel builds interesting uncertainties into its narrative: Is Judith capable of dark magic, or are the events in her life coincidence? Is the wrathful voice inside her somewhere in the realm of imaginary friendship, or is she schizophrenic? McCleen never tips her hat. The writing is born of a genuine inquiry into the nature of religious belief, especially as it relates to one's psychological development. We know that children are uncomfortable with ambiguity, but so are they, as this novel suggests, uncomfortable with the biblical literalism maintaining that the End really will come, and that all of their neighbors and teachers will be washed away or burned because they did not believe. The Land of Decoration puts a child at the crux of this interpretive dilemma, and our hearts go out to her.
—Amity Gaige
Publishers Weekly
British musician McCleen’s debut explores the complexities of love between a widowed father and his daughter. In her bedroom, 10-year-old Judith McPherson has recreated in miniatures the world she and other believers like her will go to after Armageddon—called the Land of Decoration (named after the biblical Promised Land), there are cookie-carton houses and a sun made of bead-strung wires. Judith is vocal about her beliefs at school; as a result, she incurs the wrath of class bully Neil Lewis. Struggling under the pressures of Neil’s cruelties and an increasingly distant father, Judith decides to try her hand at miracles. According to Judith, miracles are “what you see when you stop thinking, and they happen because someone made them.” Small wonders start to occur—she makes it snow, and she brings a lost cat home, but her newly acquired powers take a toll. Like many child narrators, Judith is precocious, and McCleen prudently avoids cutesiness, choosing instead to concentrate on Judith’s creativity. McCleen was raised in a fundamentalist religion, allowing her to write of a potentially sensational subject with nuance and sensitivity. McCleen adroitly combines cinematic momentum with intuitive description in this novel about the consequences of faith and what happens when we believe that we have the power to effectuate change. Agent: Clare Alexander, Aitken Alexander Associates. (Apr.)
Library Journal
This debut novel takes its title from the book of Ezekiel, in which the biblical prophet describes that place awaiting believers as a "Land of Decoration." In a rundown English factory town, 11-year-old Judith and her father cling to this promise of rapture as their daily lives become increasingly difficult. Judith's mother has died, bullies at school torment Judith constantly, and labor unrest unsettles the factory. As refuge, Judith creates her own "Land of Decoration," a miniature world composed of found objects where peace and happiness preside. When God speaks to her and "miracles" begin occurring, it is unclear whether she is receiving divine guidance or merely hearing voices. Her father, meanwhile, withdraws into a life of austerity and a hope for Armageddon as practiced by their church. When people retreat into alternate realities, it is common for their shaky foundations to crumble; indeed, this happens to Judith and her father. VERDICT As in Stephen Kelman's Pigeon English (2011), a young, likable narrator faces big challenges with perhaps a touch of extra-sensory power. Charming in detail, frustrating in that the bullies are so powerful, and somewhat derivative in plot, this novel does not have a clear audience, unfortunately.—Susanne Wells, MLS, Indianapolis
Kirkus Reviews
The tribulations of a girl who thinks she can work miracles. Ten-year-old Judith McPherson doesn't have an easy time of it at home or in school. Her widowed father belongs to a fundamentalist Christian sect that believes Armageddon is imminent; their weekend forays bringing the good/bad news to their neighbors in a provincial English factory town make her the butt of ruthless bullying by her classmates, in particular the odious Neil Lewis. Judith takes refuge from it all by crafting from trash picked up on the street a miniature world in her bedroom she calls the Land of Decoration, after the paradise flowing with milk and honey described in the Bible. Threatened with a particularly gruesome punishment by Neil, Judith follows the guidance of an internal voice she later identifies as God and places cotton snow all over the Land of Decoration; when an October blizzard closes school the next day, she's convinced she has wrought a miracle, and essays a few more to punish nasty Neil. With the arrival of a kindly new teacher who puts a stop to Neil's bullying, it seems Judith's troubles may be over, but they only get worse. Her father's refusal to participate in a strike ("Caesar's things to Caesar," he explains to Judith) leads to bad feelings with a coworker who happens to be Neil's brutal father. Neil leads a gang of boys in increasingly violent attacks on the McPhersons' house, and her father's furious response ultimately leads to his estrangement from their church. Judith thinks her miracles are to blame for the whole mess and comes scarily close to suicide before she realizes that her sad, distant father really does love her. Debut author McCleen creates a believable, compelling voice for the youthful narrator, and her portrait of a bereaved father is equally affecting, though the novel's claustrophobic atmosphere will not be to everyone's taste. An odd but haunting debut.

Read More

Product Details

ISBN-13:
9781250024077
Publisher:
Picador
Publication date:
03/05/2013
Edition description:
First Edition
Pages:
320
Sales rank:
818,134
Product dimensions:
6.10(w) x 9.10(h) x 1.00(d)

Read an Excerpt

The Empty Room

 

IN THE BEGINNING there was an empty room, a little bit of space, a little bit of light, a little bit of time.

I said: “I am going to make fields,” and I made them from place mats, carpet, brown corduroy, and felt. Then I made rivers from crêpe paper, plastic wrap, and shiny tinfoil, and mountains from papier mâché and bark. And I looked at the fields and I looked at the rivers and I looked at the mountains and I saw they were good.

I said: “Now for some light,” and I made a sun from a wire metal cage strung with beads that hung down from above, I made a sliver of moon and luminous stars, and at the edge of the world I made a sea from a mirror, reflecting the sky and the boats and the birds and the land (where it touched). And I looked at the sun and I looked at the moon and I looked at the sea and I saw they were good.

I said: “What about homes?” And I made one from a ball of dry grass and one from a hollow tree stump and one from a barrel that toffees came in and I gave it a fishing line and sail and made space for a blanket and toothbrush and cup, and a stove, and put a gull high on the mast (which was really a broom handle) and launched it out on the sea (which was really a mirror).

I made houses from chocolate-dip-cookie cartons: the plastic scoop where the chocolate was, that was the bedroom, and the round room below, where the cookies had been, that was the living room. I made houses from a matchbox and a bird’s nest and a pea pod and a shell. And I looked at the houses and saw they were good.

I said: “Now we need animals,” and I made paper birds and wool rabbits and felt cats and dogs. I made furry bears, striped leopards, and fire-breathing, scale-crusted dragons. I made glittering fish and cockleshell crabs and birds on very thin wires.

Last I said: “We need people,” and I modeled faces and hands, lips, teeth, and tongues. I dressed them and wigged them and breathed into their lungs.

And I looked at the people and I looked at the animals and I looked at the land. And I saw they were good.

 

Copyright © 2012 by Grace McCleen

Read More

Meet the Author

Grace McCleen studied English Literature at Oxford University and The University of York before becoming a full-time writer and musician. She lives in London. The Land of Decoration is her first novel.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >