The Landscape of History: How Historians Map the Past

by John Lewis Gaddis

Overview

What is history and why should we study it? Is there such a thing as historical truth? Is history a science? One of the most accomplished historians at work today, John Lewis Gaddis, answers these and other questions in this short, witty, and humane book. The Landscape of History provides a searching look at the historian's craft, as well as a strong argument for why a historical consciousness should matter to us today.

Gaddis points out that while the historical method is more sophisticated than most historians realize, it doesn't require unintelligible prose to explain. Like cartographers mapping landscapes, historians represent what they can never replicate. In doing so, they combine the techniques of artists, geologists, paleontologists, and evolutionary biologists. Their approaches parallel, in intriguing ways, the new sciences of chaos, complexity, and criticality. They don't much resemble what happens in the social sciences, where the pursuit of independent variables functioning with static systems seems increasingly divorced from the world as we know it. So who's really being scientific and who isn't? This question too is one Gaddis explores, in ways that are certain to spark interdisciplinary controversy.

Written in the tradition of Marc Bloch and E.H. Carr, The Landscape of History is at once an engaging introduction to the historical method for beginners, a powerful reaffirmation of it for practitioners, a startling challenge to social scientists, and an effective skewering of post-modernist claims that we can't know anything at all about the past. It will be essential reading for anyone who reads, writes, teaches, or cares about history.

Product Details

ISBN-13:	9780195171570
Publisher:	Oxford University Press
Publication date:	04/08/2004
Pages:	208
Sales rank:	116,984
Product dimensions:	5.30(w) x 7.90(h) x 0.50(d)
Lexile:	1360L (what's this?)

About the Author

John Lewis Gaddis is the Robert A. Lovett Professor of Military and Naval History at Yale University. A leading authority on Cold War history, his books include We Now Know, The Long Peace, and Strategies of Containment. He lives in New Haven, Connecticut.

Table of Contents

Preface
1. "The Landscape of History"
2. "Time and Space"
3. "Structure and Process"
4. "The Interdependency of Variables"
5. "Chaos and Complexity"
6. "Causation, Contingency, and Counterfactuals"
7. "Molecules with Minds of Their Own"
8. "Seeing Like a Historian"
Notes
Index

Editorial Reviews

A masterful statement on the historical method by a distinguished Cold War historian. Gaddis makes the case that the past may not be prologue, but it can be explored for lessons to guide human action. Historical knowledge provides the most important way in which society transmits acquired skills and ideas from one generation to the next. Gaddis depicts the historian's craft as akin to cartography — an open-ended process that requires faithfulness to detail, multiple points of view, and a constant eye on the horizon. The past is not unknowable, but neither is it a simple data bank that allows social scientists to derive and test abstract universal laws. Gaddis' most provocative claim is a powerful irony: Social science, with its independent variables and deductive theories, would appear to have more scientific pretensions than does history. But the historical method, which relies on thought experiments and the interplay of inductive and deductive reasoning, more fully shares the methodical logic of such fields as astronomy, paleontology, and evolutionary biology. Gaddis' characterization of the social sciences will surely spark debate even as it illuminates important intellectual connections between the disciplines. Delightfully readable, the book is a grand celebration of the pursuit of knowledge.

Foreign Affairs

Entertaining, masterful disquisition on the aims, limitations, design, and methods of historiography. Gaddis (Military and Naval History/Yale; We Now Know: Rethinking Cold War History, 1997) adapts the lectures he gave at Oxford while its George Eastman Visiting Professor (2000-01). Employing a wide range of metaphors (from Cleopatra's nose to Napoleon's underwear), displaying an extensive knowledge of current thinking in mathematics, physics, and evolutionary biology, alluding frequently to figures as disparate as Lee Harvey Oswald, Gwyneth Paltrow, John Lennon, and John Malkovich, Gaddis guides us on a genial trip into the historical method and the imagination that informs it. He begins by showing the relationship between a cartographer and a historian, asserting that the latter must "interpret the past for the purposes of the present with a view to managing the future." He also takes us through a set of principles he believes historians must employ and reminds us that the imagination of the historian must always be tethered to reliable sources. He takes on social scientists (especially economists), observing that as they attempt to become more "scientific" (establishing laws, making accurate predictions), they move in the opposite direction of today's "hard" scientists: "When social scientists are right, they too often confirm the obvious." Gaddis moves to a discussion of variables (declaring irrelevant the distinction between "independent" and "dependent": "interdependent," he says, is the more accurate term), examines chaos theory and explores theories of causation. He ends with an intriguing discussion of the role of the biographer, insisting that historians retain a moral view ofevents, and with a reminder that they must necessarily distort even as they clarify. Historians, like teachers, he says, both oppress and liberate. Provocative, polymathic, pleasurable. (Illustrations throughout)

Kirkus Reviews

"A masterful statement on the historical method by a distinguished Cold War historian.... Gaddis' most provocative claim is a powerful irony: Social science, with its independent variables and deductive theories, would appear to have more scientific pretensions than does history. But the historical method, which relies on thought experiments and the interplay of inductive and deductive reasoning, more fully shares the methodical logic of such fields as astronomy, paleontology, and evolutionary biology. Gaddis' characterization of the social sciences will surely spark debate even as it illuminates important intellectual connections between the disciplines. Delightfully readable, the book is a grand celebration of the pursuit of knowledge."—Foreign Affairs

"A bold and challenging book, unafraid of inviting controversy. It provides a strong statement for our time of both the limits and the value of the historical enterprise."—Alan Brinkley, New York Times Book Review

"Never before have I come across a book that so illuminated the craft of the historian.... Gaddis has a delightful command of language—and a delight in it. He draws on Gertrude Stein, Mark Twain, contemporary movies, Thucydides, Tom Stoppard, Woody Allen and lots more.... He is a distinguished scholar who writes with a clarity and a lack of pedantry that is quite marvelous. Equally impressive, he's not afraid of a rip-roaring fight with his fellow academics."—Michael Pakenham, The Baltimore Sun

"An urbane and eloquent little volume.... Gaddis's learned and graceful reflections on all of these questions are deeply humane, propelled by the conviction that only by sustaining a historical consciousness can we know where we should want to go. They will also never allow either the reader of history or the writer of it to think about the past in quite the same way as before."—Richard Bernstein, New York Times

"Rewarding and readable, with unusual thinking and delightful comparisons that range from art to music to contemporary films such as 'Shakespeare in Love' and 'Being John Malkovich....' Thought-provoking and even funny, challenging but also accessible to amateurs who read history but are ready to think more seriously about its methodology."—Associated Press (in The Chicago Tribune)

"This is another of those books that rewards the effort it requires. Besides providing invaluable insights into how the historian goes about his business, it teaches—like all really good books—of life beyond its boundaries."—Colin Walters, Washington Times

"Entertaining, masterful disquisition on the aims, limitations, design, and methods of historiography.... Employing a wide range of metaphors (from Cleopatra's nose to Napoleon's underwear), displaying an extensive knowledge of current thinking in mathematics, physics, and evolutionary biology, alluding frequently to figures as disparate as Lee Harvey Oswald, Gwyneth Paltrow, John Lennon, and John Malkovich, Gaddis guides us on a genial trip into the historical method and the imagination that informs it.... Provocative, polymathic, and pleasurable."—Kirkus Reviews

"The Landscape of History explores recent, surprising convergences of natural science and human history and does so with clarity, charm and easy erudition. Gaddis's book is a real tour de force: a delight to read, and a light-hearted celebration of the odd, 'fractal' patterns that intellectual and other forms of human and natural history exhibit."—William H. McNeill

"In this landmark study Gaddis brilliantly distills many of his previous analyses of the relationship of historical thinking to the social sciences and the hard sciences as well."—Alexander George, Professor Emeritus, Stanford University

From the Publisher