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The Last Good Paradise: A Novel

The Last Good Paradise: A Novel

3.0 1
by Tatjana Soli

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From Tatjana Soli, the bestselling author of The Lotus Eaters and The Forgetting Tree, comes a black comedy set on an island resort, where guests attempting to flee their troubles realize they can't escape who they are.

On a small, unnamed coral atoll in the South Pacific, a group of troubled dreamers must face the possibility that the hopes


From Tatjana Soli, the bestselling author of The Lotus Eaters and The Forgetting Tree, comes a black comedy set on an island resort, where guests attempting to flee their troubles realize they can't escape who they are.

On a small, unnamed coral atoll in the South Pacific, a group of troubled dreamers must face the possibility that the hopes they've labored after so single-mindedly might not lead them to the happiness they feel they were promised. Ann and Richard, an aspiring, Los Angeles power couple, are already sensing the cracks in their version of the American dream when their life unexpectedly implodes, leading them to brashly run away from home to a Robinson Crusoe idyll. Dex Cooper, lead singer of the rock band, Prospero, is facing his own slide from greatness, experimenting with artistic asceticism while accompanied by his sexy, young, and increasingly entrepreneurial muse, Wende. Loren, the French owner of the resort sauvage, has made his own Gauguin-like retreat from the world years before, only to find that the modern world has become impossible to disconnect from. Titi, descendent of Tahitian royalty, worker, and eventual inheritor of the resort, must fashion a vision of the island's future that includes its indigenous people, while her partner, Cooked, is torn between anarchy and lust.

By turns funny and tragic, The Last Good Paradise explores our modern, complex and often, self-contradictory discontents, crafting an exhilarating and darkly satirical story about our need to connect in an increasingly networked but isolating world.

Editorial Reviews

From the Publisher

“Soli takes this novel into unexpected places…the novel has smart things to say about the frailty of human relationships, the importance of responsibility to others, and whether it's possible to be truly "off the grid" in modern society.” —Library Journal

“Funny, sad, and hauntingly moving, Soli's brilliant new novel is about fractured dreams, broken people, and our desperate yearning to grab for that elusive second chance, no matter the cost. Drenched in a sunny paradise climate, Soli's novel asks, what's enough in life to be happy, and then delivers an answer that's as spell-binding as it is profound.” —Caroline Leavitt, New York Times bestselling author of Is This Tomorrow and Pictures of You

The Last Good Paradise is at once a study in ambition, and a rollicking entertainment...and a page-turning survey of modern technology. Just when you think you know where this novel is going, Soli fascinates and surprises at every twist and turn.” —Jonathan Evison, author of West of Here

“Hilarious... melancholy... Tatjana Soli's new novel is a wild ride across the ocean and a dangerous dive into desire and greed and revelations about revenge and ultimately, love.” —Susan Straight, National Book Award finalist, author of Highwire Moon

“Daring...haunting.” —Jane Smiley, The New York Times Book Review, on The Forgetting Tree

“A haunting debut novel...quietly mesmerizing.” —Janet Maslin, The New York Times, on The Lotus Eaters

“A splendid first novel . . . Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of The Lotus Eaters.” —Danielle Trussoni on The Lotus Eaters, The New York Times Book Review (cover)

“Steeped in history . . . gorgeous sensory details enliven the prose.” —People on The Lotus Eaters

Library Journal
When their plans to open a restaurant are destroyed by the financial problems of their business partner, chef Richard and his corporate lawyer wife, Ann, abscond with their remaining cash and retreat to a remote South Pacific resort. The few other island residents include the terminally ill and alcoholic resort owner Loren; aging rocker Dex and his much younger girlfriend and "muse," Wende; and resort employees Cooked and Titi, members of the native Polynesian community. Relationships among all of these characters twist and evolve over the course of the next several weeks, and each person emerges irreparably changed. VERDICT Though the characters seem somewhat stereotypical at first, Soli (The Lotus Eaters) takes this story into unexpected places, with each character revealing hidden dimensions as the plot progresses. Perhaps Soli tries to do a bit too much here, as the multiple plot threads, especially in the novel's latter half, take the focus away from Ann and Richard's relationship woes, muting the reader's investment in it. Still, the novel has smart things to say about the frailty of human relationships, the importance of responsibility to others, and whether it's possible to be truly "off the grid" in modern society. [See Prepub Alert, 8/22/14.]—Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis
Kirkus Reviews
Escapees of all stripes wash up on a remote South Pacific atoll.If your chef husband's dreams of a new LA fusion restaurant have fallen apart, thanks to a spendthrift partner, and creditors are about to seize your bank account, painstakingly saved over a decade of slaving in a soulless law firm, what would you do? Withdrawing the cash and hopping the first plane to Tahiti is only the start for Ann, the lawyer, and Richard, the chef. Once at a private island resort with no electricity or Internet (which still costs an alarmingly high price), the couple has to contend with their fellow vacationers and the island's staff. The former include fellow Angelenos Dex, an aging, much-married rock star, and his 20-something "muse," Wende. The latter include Tahitians Titi, the cook and housekeeper; her betrothed, all-around handyman and diving coach Cooked; and the manager and island's owner, Loren, a Frenchman who harbors a dreadful secret about the fate of his daughters after he abandoned their mother to an abusive second marriage. This is a promising setup, but Soli's insistence on granting equal voice to every one of these characters results in narrative chaos; Richard and Ann's predicament is dropped as they're caught up in the dramas of these chance acquaintances. Ann's compassion for Loren grows after a few absinthe-soaked afternoons, although she considers his installation of a webcam on the island a betrayal. After contemplating just how many hours of each day go into maintaining her hotness, Wende embraces the revolutionary zeal of Cooked, who wants to expose the horrible toll exacted on the South Pacific by nuclear testing. Jealous, Titi sulks, and Richard takes over the kitchen, learning that food is his primary passion—but we knew that. As progressively less plausible crises proliferate, some very real sharks get jumped. Aside from the exotic setting, Soli's idiosyncratic prose style is the main attraction here.

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The Last Good Paradise

By Tatjana Soli

St. Martin's Press

Copyright © 2015 Tatjana Soli
All rights reserved.
ISBN: 978-1-4668-4230-4


Porca Miseria! Pig of Misery!

(The Sorry State of Things)

All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, ever-present perils of life. And if you be a philosopher, though seated in the whale-boat, you would not at heart feel one whit more of terror, than though seated before your evening fire with a poker, and not a harpoon, by your side.

—Melville, Moby-Dick

A 7.1 tremor had been felt throughout the Southland that morning, the epicenter somewhere out in the hinterlands of Lancaster, unnerving residents, but the offices of Flask, Flask, Gardiner, Bulkington, Bartleby, and Peleg were seemingly immune. Ten floors up in the sybaritic conference room, the air conditioner purred; the air was filtered, ionized, and subtly scented of cedar. Ann looked out the plate-glass windows at the expansive, gaseous hills of West Los Angeles as a contemplative might look out of her meditation temple. Smoke was pouring from a Spanish Colonial Revival house halfway up a nearby manicured hill, and as she watched, toylike candy-colored fire engines curled up the narrow canyon roads to put it out. The glass was proofed; no siren sound reached her. She was protected from the ninety-degree heat outside, the fume-laden gridlock below, the merciless sunlight above that leeched color from the landscape.

"You drowned my twenty-year-old bonsai collection," Mrs. Peters accused the neighbor she was suing.

Her client was blowing it. Catlike, Ann leaned over and whispered in her ear. "Picture where you want to be a year from now."

The client, Mrs. Peters, the fourth wife of a major Hollywood producer, was not hearing no; her husband was a prime client of a senior partner at the firm, Bartleby, and he had told Ann to "nuke the nuisance suit" in arbitration.

Ann, junior partner, was smartly dressed in an expensive, Italian-cut skirt suit, low-heeled Blahnik pumps, and black-framed eyeglasses that she didn't need but used for effect. The firm's philosophy: Big fish eat little fish. The lesson to be derived? Make sure you are a big fish. She meant to exude big-fishness, but she had been mostly silent for the last fifteen minutes of the meeting, causing Mrs. Peters to think she had been handed down to the office dud.

The defendant's attorney, obvious small fish Todd Bligh from his own one-man, eponymously named firm in Marina del Rey, was wearing jeans and flip-flops. He looked like he should be a bartender on a beach somewhere. For the last fifteen minutes, he had been droning on about soil erosion, mudslides, environmental degradation, and acts of God. Blah, blah, blah.

Ann ran a fingernail along the condensation ring of her water glass on the waxed Brazilian rosewood conference table. The endangered species table had been purchased illegally by the Flask brothers precisely because it was politically incorrect, proving how badass and above the law the firm held itself. Out the window, the Spanish Colonial was being delicately licked by flames.

"Acts of God," Ann said dreamily.

"Yes," said Bligh.

"I've been to your property, Mrs. Brenner. It's stunning. So well groomed. Your gardener ..."


Ann pretended to check a piece of paper, although she had the gardener's name, immigration status, and driver's license memorized. "Yes. Mr. Avelino Aragon is quite skilled."

Mrs. Brenner perceivably relaxed at this acknowledgment. "He's been working for me for ten years. He's invaluable."

"So skilled and experienced in fact that he advised you it would not be a good idea to remove the cinder block retaining wall that had been in place twenty years, reinforcing the hillside."

Silence in the room, and now Mrs. Peters was the one smiling, albeit tightly. She had insisted on going ahead with her scheduled preholiday chemical peel, and she exuded a bruised, melted beauty, like a middle-aged Barbie.

Ann sighed. "Mrs. Brenner, didn't he also tell you it wasn't a good idea to bring in two truckloads of topsoil, spreading it on top of a clay hillside to plant flowers for an outdoor party? That it would run off in a rain? Straight into my client's patio, choking her prize, exotic plant life. Yes?" Again, the faked note check. "A rare imperial, eight-handed bonsai imported directly from Takamatsu, Japan, replacement value in the five-figure range."

Todd Bligh now had beads of sweat rolling down his face despite the cool air blowing on him.

Ann did not mention the crucial and probable cause of the lawsuit—that her client had been snubbed and not invited to said party. "Just as an aside, when I looked into your tax records, I did not see withholdings for Mr. Aragon. Ten years, plus penalties. Also, in case this goes to trial and is reported in the press, can you confirm or deny your absence from the residence during the landscaping work while staying at Voyages Rehabilitation facility in Malibu for an OxyContin addiction?"

It was a dirty, shower-inducing job, but someone had to do it. No, correction, she was being paid to do it; it was her specialty, to land the eviscerating mortal thrust. As the settlement papers were drawn up in the firm's favor, Bartleby dropped in and shook Mrs. Peters's hand, effectively taking credit for the outcome. "Tell Jerry to call me for tennis this weekend." He gave Ann a terse nod and was gone.

When Todd Bligh left with his client, he refused to make eye contact with Ann. He appeared visibly shaken, smarting from the hardball she had just served. She heard the slapping sound of his defeated flip-flops as he walked down the hallway. He would be happier as a beach bartender.

* * *

After the others had all left the conference room, Ann closed the door, locked it, and turned off the punishing fluorescent lights. Rumor was senior partners from decades before had installed the lock in order to conduct liaisons—the only glass looked outward into the lozenge of golden, poisonous air. A design psychologist claimed that the fishbowl effect so popular in most conference rooms, suggesting openness and transparency, was detrimental in a city of entertainers, who when observed did what came naturally: they acted. Once the walls became concealing solid maple, settlements skyrocketed.

Ann threw off her pumps. She unbuttoned the back of her skirt and unzipped it a few inches, rolled down her control-top panties, freeing her bloated stomach. A small moan of relief like a burp escaped from her diaphragm. Sweat had broken out on her forehead. Bloating, pimples, swollen breasts and feet, and a fine mustache on her upper lip were the fun part.

After the clomiphene failed to induce pregnancy, the doctor had switched her to hormone injections. The drive to the doctor's office was too difficult with an eighty-hours-a-week work schedule, so Richard gave her the painful shots as she bent over the bathroom counter, fighting back tears. This was not what she was supposed to be doing with her husband while bent over the bathroom counter, but even though she must have been dropping eggs like a goose, the effect of the drugs made even the idea of sex horrific in her present crazed, engorged state. Its main effect was to hone her bloodlust at work, as she had just so ably demonstrated (the OxyContin bomb was a scorched earth tactic, but she was tired and wanted a quick kill). Only when she wrote out the monthly exorbitant checks to the fertility clinic, which was not covered by the firm's cut-rate health insurance, did she feel like getting her money's worth. Then Richard and she had sad, porno-inspired sex. Maybe they should have adopted.

Ann opened her briefcase and pulled out her stash of Mars bars, the only food she craved, even though she had promised Richard she would save herself for dinner. She ripped the wrappers off and dropped the bars into her mouth, opening another before she devoured the first, an obscene assembly line of gluttony. Only when her mouth was crammed full of chocolate did she at last feel a glorious calm descend. This was her true shame and infidelity: the sugary, waxy, acrid grocery-bin chocolate she was addicted to. In disgust, Richard threw them into the trash every time he found a stash. Food snobbery was the price to be paid for marrying a professional chef.

"How can you?" he'd say, his lips twisted as if forced to taste something fantastically bitter. He gave a tight nod—a tic that drove Ann up the wall—then stoically forgave her. "Sweetheart, you know that crap messes up your palate."

But Ann didn't want his gourmet Felchlin Gastro 58% Rondo Dark Chocolate that puddled on the tongue like silk, that left an aftertaste of cassis. She wanted her nostalgie de la boue, love of the gutter, an attraction to what was unworthy. Exactly.

She rooted around in her briefcase and found the book she had stayed up late into the night reading, The Moon and Sixpence, the story of a Gauguin-like figure who runs off to Tahiti. She rewarded herself for tasks done by sneaking away to read a few pages. Today she deserved a chapter at least for settling the case. She unfastened the top buttons of her blouse to cool off. If only she could get her prickling, rashed skin dry for a second. Soon her blouse was off, and there she stood in her new mom-bra. The polished rosewood beckoned like the glassy face of an ocean. She lay down on it under the wash from the air-conditioning vent till the cold cedar air raised goose bumps on her arms. Her breasts ached, but she wouldn't go so far as to unhook her bra. Her chest size had gone from flat A-cup to grapefruit-sized D-cup, and was just one more thing Richard wasn't getting to enjoy.

Savagely, she ripped open another candy bar wrapper. One of the new age ideas was that failure to conceive was a proactive reaction to the body's not being ready. The prospective mother developed a kind of allergy to the father. What she needed to do was visualize her future baby to make herself user-friendly. Although Ann had thought the idea abysmally simpleminded, she was surprised that this ended up being her favorite fertility activity: she pictured cute baby girls with blond hair and pink cheeks, boys with Richard's brown eyes who bounced on their chubby legs like puppies. The happiness she experienced in these fantasies gave her a wan assurance that she might make an okay mother someday.

Of course she wanted a child, but since it had not happened naturally, she was oppressed by the likelihood that she would have hormone-induced twins at the least, possibly triplets or quintuplets—what were they called when the number went even higher?—while she was daunted by the prospect of even one baby. A biological clock had gone off, but she wasn't sure it was inside her; rather, it seemed outside, in everyone else. Newspapers, magazines, TV talk shows, her girlfriends, her mother, celebrity baby bumps on the covers of tabloids in the grocery store line. Even her gynecologist of twenty years had joined in. Fertility was the new über-lucrative specialty compared with plain-vanilla gynecology or obstetrics. When Ann put her feet in the stirrups—in the early years worrying mostly about STDs, then about trying not to get pregnant—she now was assaulted by pictures stapled to the ceiling of babies dressed like cabbages. The Fertility-Industrial Complex, she joked with Richard until they found themselves inside of it, when it became distinctly less funny. Since when had procreation turned into a job?

A knocking on the conference door shook her out of her reverie. "Ann, are you in there?"

She said nothing, swinging her feet into a nearby leather swivel chair. Candy wrappers littered the table and floor like spent condoms.

She heard another voice. "Maybe she's in there with someone."

"The Scorcher? She's probably playing alone. After devouring her mate. The lady praying mantis. She's ruthless. The Peters case was settled in an hour. The Brenner woman ran out of here crying. Dolan crushed."

"Have fun in there." The smirking voices moved off.

This was why she deserved partnership over the other junior partners—because unlike them, she knew that the seemingly solid, soundproof conference room doors had been specially hollowed out so that private negotiations could be overheard. Yes, she'd won. Her consolation prize. But they were wrong. She wasn't ruthless; she was just trying to be a big fish. Things would get better. They had to. Today was her thirty-eighth birthday.

* * *

Richard was determined to test-run a few new recipes before he baked Ann's cake for dinner that night. It was his favorite time in the kitchen, before Javier and everyone else showed up, and he opened the back door onto the alley, enjoying the whiff of sea breeze. He put on Pavarotti's Neapolitan songs, and set a pot of Yukon Golds to boil. When the phone rang, it was yet another credit collection agency asking for Javier. "He's on vacation," Richard said and hung up. He needed to work on his potato-and-fennel au gratin—he still hadn't gotten the right mix of creamy and sharp cheese. As a substitute for pedestrian Gruyère, he was thinking of maybe a Cantal or Reblochon? Or finding a source for a salty, buttery, earthy L'Etivaz?

The delivery buzzer rang, breaking Richard's thoughts. He slapped at the intercom with floury fingers. It was UPS.

"Where from?"

"Overnight from Lodi."

Shit. The rabbits. Richard and Javi's brainchild. Hardly a restaurant in the LA basin served rabbit—just hole-in-the-wall ethnic places in the Valley—yet in Europe it was a well-respected staple. He would explain on the menu that rabbit was lower in fat and higher in protein than chicken. The challenge was overcoming the bad image. Richard's solution was to substitute it in some well-known recipes. He would transform coq au vin to lapin au vin. Rabbit Abruzzi in a sauce of tomatoes, olives, and artichokes. Then he would feature one French classic such as lapin aux pruneaux, rabbit with prunes. But the delivery—a box of fryers for experimenting—wasn't supposed to be till tomorrow, overnighted on dry ice from a free-range rabbit farm in Northern California. Should he dare try making a dish for tonight?

Richard took delivery and put the box on the counter, grabbing a pair of bone shears to cut the plastic binding. His palms were just the slightest bit sweaty. When he took off the lid of insulating dry ice, the sight that met his eyes set him back years. Not anonymous, cut-up fryer pieces sanitized in plastic but four whole, furry white bodies funereally laid out in the interior. Unskinned. Was this a joke? Was the supplier some kind of sadist? He put the Styrofoam lid back on, spinning away and stumbling over a chair, his shirt soaked in flop sweat.

A throbbing engine stopped in the alley. Richard staggered toward the door to close it to keep the fumes out. It was Javi behind the wheel of a new silver Corvette convertible.

"What are you doing in that?"

"Leased it."

"With what?"

"Almost the same as the Honda." Which in Javi-speak meant double what the Honda cost.

"Creditors have been calling all morning. Not about my gnocchi."

"Want to take a ride?"

Richard thought of the leporid sarcophagus and the unpleasant task ahead of him. "Give me a minute." He shoved the box in the walk-in refrigerator and fled.

* * *

It was way past noon by the time Richard and Javi made their way back to the restaurant, arms fraternally around each other. They'd gone up the coast highway, the day so spectacular they had decided to continue all the way to Malibu, and once in Malibu they couldn't not stop off for a quick seafood lunch of fritto misto and beer on the pier, and then they ran into a chef friend who staked them to a round of reposado tequila. The only blip in the afternoon occurred after Richard bought yet another round of drinks for the group and his card was declined, but he laughed it off as having overspent for the restaurant and paid in cash.

It was late by the time they returned, and he went to check messages in his office—electric company, credit card company, linen supplier, bank. The only call he returned was from the car dealership verifying Javi's employment and a salary that was more wishful thinking than reality. When he arrived back in the kitchen, Javi had the box of rabbits out, butcher paper spread, with a splayed white body in the center.

"Looks like the Easter Bunny arrived early."


Excerpted from The Last Good Paradise by Tatjana Soli. Copyright © 2015 Tatjana Soli. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

TATJANA SOLI is a novelist and short story writer. Her New York Times bestselling debut novel, The Lotus Eaters, was the winner of the James Tait Black Prize, a New York Times Notable Book, and a finalist for the LA Times Book Award. Her critically acclaimed second novel The Forgetting Tree was also a New York Times Notable book . Her stories have appeared in Zyzzyva, Boulevard, and The Sun, and have been listed in Best American Short Stories. She lives with her husband in Southern California.

Tatjana Soli's short stories have been widely published, nominated for the Pushcart Prize, and twice cited in the 100 Distinguished Stories in Best American Short Stories. The Lotus Eaters, her debut novel, was a New York Times bestseller and Editors Choice and a finalist for the L.A. Times Book Award. Born in Salzburg, Austria, Soli attended Stanford University and the Warren Wilson M.F.A. program. She lives in Orange County, California.

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The Last Good Paradise: A Novel 3 out of 5 based on 0 ratings. 1 reviews.
KrittersRamblings More than 1 year ago
A couple who have fighting an uphill battle - opening a restaurant with an untrustworthy friend, in a job that makes her feel soulless, doing anything to conceive a child; and then something happens where there future is in jeopardy and they have to take their future in their own hands and escape to "paradise." The best thing I can say is this one is interesting.  When they escape to "paradise" this book took a turn and it became just ok for me.  With some interesting characters on the island I enjoyed the interactions between them, but their quirks where quite quirky!  Sometimes the book got a little too outlandish for me, but when it came back to Ann and Richard I felt like it got back to an honest place.  I liked the concept of running from your troubles but not sure I loved the island completely. I still want to read Tatjana Soli's two other books and am still intrigued by this author.