The Last of the Mohicans

The Last of the Mohicans

The Last of the Mohicans

The Last of the Mohicans

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Overview

Angered by the values of his materialistic society, Hawk-eye lives apart from the other white men, sharing the solitude and sublimity of the wilderness with his Mohican Indian friend, Chingachgook. As the savageries of war test these exiled men, they agree to guide two sisters in search of their father through hostile Indian country – even if it means risking everything. An enduring American classic, The Last of the Mohicans is a fast-paced portrait of fierce individualism and courage, set against massacres, raids, battles and a doomed love affair. It is also the unforgettable story of the friendship between two men.

Product Details

ISBN-13: 9780140390247
Publisher: Penguin Publishing Group
Publication date: 07/01/1986
Series: Leatherstocking Tale
Edition description: Reprint
Pages: 384
Sales rank: 44,793
Product dimensions: 5.20(w) x 7.80(h) x 0.80(d)
Age Range: 18 Years

About the Author

James Fenimore Cooper (1789-1851) grew up at Otsego Hall, his father’s manorial estate near Lake Otsego in upstate New York. Educated at Yale, he spent five years at sea, as a foremast hand and then as a midshipman in the navy. At thirty he was suddenly plunged into a literary career when his wife challenged his claim that he could write a better book that the English novel he was reading to her. The result was Precaution (1820), a novel of manners. His second book, The Spy (1821), was an immediate success, and with The Pioneers (1823) he began his series of Leatherstocking Tales. By 1826 when The Last of the Mohicans appeared, his standing as a major novelist was clearly established. From 1826 to 1833 Cooper and his family lived and traveled in France, Switzerland, Italy, and Germany. Two of his most successful works, The Prairie and The Red Rover, were published in 1827. He returned to Otsego Hall in 1834, and after a series of relatively unsuccessful books of essays, travel sketches, and history, he returned to fiction – and to Leatherstocking – with The Pathfinder (1840) and The Deerslayer (1841). In his last decade he faced declining popularity brought on in part by his waspish attacks on critics and political opponents. Just before his death in 1851 an edition of his works led to a reappraisal of his fiction and somewhat restored his reputation as the first of American writers.

Date of Birth:

September 15, 1789

Date of Death:

September 14, 1851

Place of Birth:

Burlington, New Jersey

Place of Death:

Cooperstown, New York

Education:

Yale University (expelled in 1805)

Read an Excerpt

Chapter I
(Continues…)



Excerpted from "The Last of the Mohicans"
by .
Copyright © 1986 James Fenimore Cooper.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Acknowledgements
Maps
Introduction
James Fenimore Cooper: A Brief Chronology
A Note on the Text

The Last of the Mohicans

  • Preface
    Volume I
    Volume II

Appendix A: Illustrations

Appendix B: Cooper’s Historical Sources

  1. From John Gottlieb Heckewelder, History, Manners and Customs of the Indian Nations (1876)
  2. From Jonathan Carver, Travels Through the Interior Parts of North America in the Years 1766, 1767, and 1768(1781)
  3. From Benjamin Silliman, A Short Tour Between Hartford and Quebec (1824)

Appendix C: Recollections and Appraisals of Cooper

  1. From the United States Literary Gazette (May 1826)
  2. From the Literary Gazette and Journal of the Belles Lettres (April 1826)
  3. From W.H. Gardiner, North American Review (1826)
  4. From William Cullen Bryant, “Discourse on the Life, Genius, and Writings of J. Fenimore Cooper” (1852)
  5. From Susan Fenimore Cooper, Pages and Pictures, from the Writings of James Fenimore Cooper (1861)
  6. From Mark Twain, “Fenimore Cooper’s Further Literary Offenses,” The New England Quarterly (c. 1895)

Appendix D: The Cherokee Removal

  1. The United States Congress’s Indian Removal Act (1830)
  2. From Andrew Jackson’s Second State of the Union Address (1830)

Select Bibliography

What People are Saying About This

D. H. Lawrence

In his immortal friendship of Chingachgook and Matty Bumppo [Cooper] dreamed the nucleus of a new society….A stark stripped human relationship of two men, deeper than the deeps of sex. Deeper than property, deeper than fatherhood, deeper than marriage, deeper than Love.

James Franklin Beard

The Last of the Mohicans raises again the question of the efficacy of human effort to control irrational forces at work in individual men, races, and nations. The question has never been more pertinent than now.

From the Publisher

“In his immortal friendship of Chingachgook and Natty Bumppo [Cooper] dreamed the nucleus of a new society….A stark human relationship of two men, deeper than the deeps of sex. Deeper than property, deeper than fatherhood, deeper than marriage, deeper than Love.” –D. H. Lawrence

The Last of the Mohicans raises again the question of the efficacy of human effort to control irrational forces at work in individual men, races, and nations. The question has never been more pertinent than now.” –James Franklin Beard 

Reading Group Guide

1. How do Cooper's characters, specifically Natty Bumppo and the Indian Magua, test the boundary between Indian and white cultures? What happens to these characters? How does the metaphorical racial boundary extend to that between wilderness and cultivated land, if at all?

2. What are the differences Cooper outlines between the Mohicans and the Delawares, and to what end? What role does Uncas play in the conflict between the two tribes? What is the significance of his relationship with Cora?

3. How does Natty Bumppo's view of society oppose Munro's, particularly at the novel's conclusion? How do Natty's views support or contradict his own existence, straddling two worlds as he does? How does this deep-rooted ambivalence about social and racial hierarchy inform the novel?

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