The Last Train to Zona Verde: My Ultimate African Safari

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Overview

"Theroux is at his best when he tells [people’s] stories, happy and sad . . . Theroux’s great mission had always been to transport us beyond that reading chair, to challenge himself—and thus, to challenge us." — Boston Globe

A decade ago, Paul Theroux’s best-selling Dark Star Safari chronicled his epic overland voyage from Cairo to Cape Town, providing an insider’s look at modern Africa. Now, with The Last Train to Zona Verde, he returns to ...

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Overview

"Theroux is at his best when he tells [people’s] stories, happy and sad . . . Theroux’s great mission had always been to transport us beyond that reading chair, to challenge himself—and thus, to challenge us." — Boston Globe

A decade ago, Paul Theroux’s best-selling Dark Star Safari chronicled his epic overland voyage from Cairo to Cape Town, providing an insider’s look at modern Africa. Now, with The Last Train to Zona Verde, he returns to discover how both he and Africa have changed in the ensuing years.

Traveling alone, Theroux sets out from Cape Town, going north through South Africa, Namibia, then into Angola, encountering a world increasingly removed from tourists’ itineraries and the hopes of postcolonial independence movements. After covering nearly 2,500 arduous miles, he cuts short his journey, a decision he chronicles with unsparing honesty in a chapter titled “What Am I Doing Here?” Vivid, witty, and beautifully evocative, The Last Train to Zona Verde is a fitting final African adventure from the writer whose gimlet eye and effortless prose have brought the world to generations of readers.

"Everything is under scrutiny in Paul Theroux’s latest travel book—not just the people, landscapes and sociopolitical realities of the countries he visits, but his own motivations for going where he goes . . . His readers can only be grateful." — Seattle Times

“If this book is proof, age has not slowed Theroux or encouraged him to rest on his achievements . . . Gutsy, alert to Africa's struggles, its injustices and history.” — San Francisco Chronicle

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Editorial Reviews

From Barnes & Noble

"If there were an 'A-List' of living American travel writers," opined The Atlantic, "Paul Theroux's name would be at the top." The review went on to crediting him with revitalizing the travel writing genre with his The Great Railway Bazaar, praise echoed in several other accolades. Fortunately for us, Theroux is not content to sit at home in Cape Cod and Hawaii and rest on his laurels. In fact, in The Last Train to Zona Verde, he's off on what he calls his ultimate African safari. By ultimate, he does not mean luxurious; in fact, by train, bus, and cab, he goes where well-heeled westerners would never tread. (He also offers disarming views of Africans performing to tourists' expectations at luxury safari camps.) In prose both memorable and strikingly honest, Theroux captures a continent in flux and crisis.

The Washington Post - Marie Arana
…thoroughly engrossing…Theroux is his inimitable, delightfully grouchy and incisive self. Alert, questioning, taking pains to ensure that his reader understands Africa's complicated history…If you're thinking The Last Train to Zona Verde is a journey from bliss to sorrow, you wouldn't be wrong. But it's a journey worth taking. At times tragic, often comical and always gorgeously written, this is a paean to a continent, by a writer unafraid to give it some tough love.
Publishers Weekly
The dean of travel writers recoils from southern Africa’s heart of darkness in this disillusioned, heartsick travelogue. Theroux (The Great Railway Bazaar; etc.) recounts his back-roads trip from Cape Town to Angola, a valedictory for happier African sojourns. There are fascinating vignettes of a fallen Eden: hunter-gatherer folkways of San Bushmen enchant him with their primeval authenticity—until he realizes they are just pantomimes for tourists; at a luxury safari camp an elephant takes its revenge for exploitation. But the main action is Theroux’s gradual descent into the urban inferno. By bus and crowded cab he gravitates from the relative cleanliness and order of Namibia into Angola, a hell-hole devoid of wildlife, littered with burnt-out tanks, where sleek kleptocrats lord the oil wealth over desperate, grasping beggars. The lowest circle of the “unfixable blight” of African cities is Luanda, “joyless...hot and chaotic, inhospitable and expensive, grotesque and poor,” a “vibration of doomsday” where children’s laughter sounds “insane and chattering and agonic… an amplified death rattle.” Theroux’s prose is as vividly descriptive and atmospheric as ever and, though a bit curmudgeonly, he’s still wide open to raw, painful interactions between his psyche and his surroundings. (May 7)
From the Publisher
"Thoroughly engrossing—from Cape Town to Namibia to the Okavango Delta, Theroux is his inimitable, delightfully grouchy and incisive self…At times tragic, often comical and always gorgeously written, this is a paean to a continent, by a writer unafraid to give it some tough love." —Washington Post

"He has no illusions about the fact that he is just a passing visitor (a privileged one at that), but that doesn't make his observations, or exquisite writing, any less engaging." —Entertainment Weekly (Best Book of the Year)

"Theroux is at his best when he tells their stories, happy and sad...Theroux’s great mission had always been to transport us beyond that reading chair, to challenge himself—and thus, to challenge us." —Boston Globe

"If this book is proof, age has not slowed Theroux or encouraged him to rest on his achievements…Gutsy, alert to Africa's struggles, its injustices and history." —San Francisco Chronicle

"Everything is under scrutiny in Paul Theroux’s latest travel book—not just the people, landscapes and sociopolitical realities of the countries he visits, but his own motivations for going where he goes…His readers can only be grateful." —Seattle Times

"A rich story often laced with irony, the work of a keen observer, full of colorful encounters…Ever the astute questioner, ever the curious reporter, ever a forthright witness to history and the dilemma of the oppressed, alert to political thuggery, he chronicles the crises facing the sub-Sahara." —New York Journal of Books

"Theroux takes you on a rocky safari across infringed wilds, disenfranchised poverty and coven luxury. He introduces you to a boil of angry indigenous peoples and unsettled migrants you won’t meet on an itinerary tour....Go on, turn the first few pages. Then I dare you to put it down." —Charleston Post-Courier

"As in the best of his many books, Theroux convincingly takes you along for every manic bus ride. His wonderment is yours, whether he’s contemplating eating a flyblown leg of chicken, dealing with a ferocious Angolan border guard, or deciding that this time, he’s had quite enough. It’s a remarkable, teeth-gritting tale" —Everett Potter

"His ability to map new terrain, both interior and exterior, and to report from places that seldom make the news, remains undiminished." —Booklist ( starred review)

"Theroux’s prose is as vividly descriptive and atmospheric as ever and, though a bit curmudgeonly, he’s still wide open to raw, painful interactions between his psyche and his surroundings." —Publishers Weekly (starred review)

"In this intensely personal book, Theroux honestly confronts racism, stigma, privilege and expectations...Reading this enlightening book won’t only open a window into Theroux’s mind, it will also impart a deeper understanding of Africa and travel in general." —Kirkus  (starred review)

Kirkus Reviews
The acclaimed travel writer and novelist chronicles his journey through Africa as tourist, adventure-seeker, thinker and hopeful critic. Theroux (The Lower River, 2012, etc.) is the purest kind of travel writer; he offers no tips, no hotels gems or restaurant recommendations, and very few grand, clichéd this-is-what-my-journey-taught-me-about-myself moments. Instead, the author dissects a place and its inhabitants, luxuriating in its history and confronting its present reality. In what he terms his "ultimate African safari," Theroux manages to incorporate--rather than avoid--the general viewpoints of literature about the continent. He revels in the simple, historical life of the bush but acknowledges its basis in fantasy. He decries the chronic ailments of governments and citizens and still appreciates the vast expanses of beauty, but without the wide-eyed wonder of so many travelers. In this intensely personal book, Theroux honestly confronts racism, stigma, privilege and expectations. He describes both the privilege and the perversity of slum tours and points out Western complicity in what he calls the voyeurism of poverty, which turns poverty itself into a profitable endeavor. After years of travel writing Theroux willingly questions the very relevance of the endeavor. If the narrative occasionally feels repetitive, it is due to the fact that the author is stressing an important point--though his constant ranting about rap music does start to sound like an old man griping. Still, even his age is significant, and Theroux continually demonstrates the wonder and enthusiasm that has led him on so many adventures during his long career. "Show me something new, something different, something changed, something wonderful, something weird!" he writes. "There has to be revelation in spending long periods of time in travel, otherwise it is more waste." Reading this enlightening book won't only open a window into Theroux's mind, it will also impart a deeper understanding of Africa and travel in general.
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Product Details

  • ISBN-13: 9780544227934
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 5/13/2014
  • Pages: 368
  • Sales rank: 131,741
  • Product dimensions: 5.20 (w) x 7.90 (h) x 1.10 (d)

Meet the Author

Paul Theroux

PAUL THEROUX's highly acclaimed novels include Blinding Light, Hotel Honolulu, My Other Life, Kowloon Tong, and The Mosquito Coast. His travel books include Ghost Train to the Eastern Star, Dark Star Safari, Riding the Iron Rooster, The Great Railway Bazaar, The Old Patagonian Express, and The Happy Isles of Oceania . He lives in Hawaii and on Cape Cod.

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Read an Excerpt

1

Among the Unreal People

In the hot flat bush in far northeast Namibia I crossed a bulging termite mound of smooth, ant-chewed sand, and with just the slightest elevation of this swelling under my foot soles the landscape opened in a majestic fan, like the fluttered pages of a whole unread book.
   I then resumed kicking behind a file of small-bodied, mostly naked men and women who were quick-stepping under a sky fretted with golden fire through the dry scrub of what was once coarsely known in Afrikaans as Boesmanland (Bushman Land) — pouch-breasted women laughing among themselves, an infant with a head like a fuzzy fruit bobbing in one woman’s sling, men in leather clouts clutching spears and bows, nine of us altogether — and I was thinking, as I’d thought for years traveling the earth among humankind: The best of them are bare-assed.
   Happy again, back in Africa, the kingdom of light, I was stamping out a new path, on foot in this ancient landscape, delighting in “a palpable imaginable visitable past — in the nearer distances and clearer mysteries.” I was ducking among thornbushes with slender, golden-skinned people who were the earth’s oldest folk, boasting a traceable lineage to the dark backward and abysm of time in the Upper Pleistocene, thirty-five thousand years or so ago, the proven ancestors of us all, the true aristocrats of the planet.
   The snort of a startled animal out of sight stopped us. Then its hindquarters swishing through brush. Then the leaping clop of its hooves on loose stones.
   “Kudu,” one of the men whispered, bowing to listen to its departure without glancing aside, as though saying the familiar first name of someone he knew. He spoke again, and while I didn’t understand, I listened as if to new music; his language was preposterous and euphonious.
   That morning in Tsumkwe, the nearest town — but not a town, just a sun-scorched crossroads with many hovels and a few shade trees — I had heard on my short-wave radio: World financial markets are in turmoil, facing the worst crisis since the Second World War. The Eurozone countries are approaching near-meltdown as Greece is expected to collapse into bankruptcy, its government having turned down a $45 billion loan to write down its debt.
   The people I was following were laughing. They were Khoisan-speaking, a subgroup of !Kung people who called themselves Ju/’hoansi — a clucking, hard-to-pronounce name meaning “Real People” or “Harmless People.” Traditional hunter-gatherers, they had no history of using money. Even now, pushed to the margins of so-called Bushman Land (they knew this part of it as Nyae Nyae) — and irregularly settled, with some cattle and crops — these people seldom saw money and hardly used the decaying stuff. They still supplemented their diet by hunting and grubbing and foraging — and accepting pitiful handouts. They probably did not think about money, or if they did, they knew they would never have any. As the Greeks rioted, howling against their government, and Italians cried poverty in the streets of Rome, and the Portuguese and the Spanish stared hollow-eyed at bankruptcy, and the news was of failure, worthless currencies, and austerity measures, the Ju/’hoansi were indestructible in all their old ways, or seemed so to me in my ignorance.
   The young woman in front of me dropped to her knees in the sand. She had the lovely, elfin, somewhat Asiatic face — but also suggesting the face of an extraterrestrial — that most San people possess. That is to say, pedomorphic, the innocent and fetching face of a child. She traced her fingers around a threadlike vine sprouting from the sand, crouched, leaned on one elbow, and began digging. With each scoop and handful of sand her eyes brightened, her breasts shook, and her nipples trembled against the earth, one of the minor titillations of this excursion. Within a minute she extracted a finger-shaped tuber from the dark, strangely moist hole she’d made and cradled it in her hand. As she flicked dust from the root, it paled beneath her fingertips. Smiling, she offered the first bite to me.
   “Nano,” she said, and the word was translated as “potato.”
   It had the crunch, the mouthfeel, the sweetish earthen taste of raw carrot. I passed it back and it was shared equally, a nibble each, nine bites. In the forests, deserts, and hillsides across the world, foraging people like the Ju/’hoansi are scrupulous about sharing food; it is this sharing in their communal life that binds them together.
   Ahead of us, kneeling on scattered nut shells and the leaf litter of a thornbush, two of the men, facing each other on the ground, were taking turns spinning a two-foot-long stick between their palms — chafing this spindle which, very shortly, raised a puff of smoke from the friction of its bottom end in a darkening piece of soft wood. The stick they call male; the dimpled wood block on the bottom, female. Sparks glowed from the hot drilled block, and one of the men coaxed more sparks, lifting the glowing, gently smoking wood, blowing on it with lips framed in a kissing expression. He scattered shells and dead leaves on it, then a handful of twigs. We had fire.
   Strikes in Greece have cut off power in many cities, and the government is expected to default on its debt, plunging Europe into deepening uncertainty, putting the fate of the euro in doubt. The ripple effect could endanger the viability of American banks. Rock-throwing mobs protesting mounting austerity measures have begun looting shops in Athens . . .
   It was like news from another planet, a dark, chaotic one, not this dazzling place of small mild people, smiling in the shadows of low bush, the women unearthing more roots with their digging sticks, one reclining in a patch of speckled shade, nursing her contentedly suckling baby.
   They were spared the muddled and weirdly orphic metaphors of the failing market — The subprime crisis was only the tip of the iceberg for an economic meltdown and Loans could not stop the hemorrhaging of stock prices and The red ink in Spain’s regional governments surged 22 percent to almost $18 billion and New York City’s economy faces an extreme downside risk from Europe’s debt crisis, because its banks hold over $1 trillion of assets — and the mocking realization that money was just colorful crumpled paper, hardly different from a candy wrapper, the market itself little more than a casino. For the tenth straight day . . . The panic, the anger, the impotence of the people confined in stagnating cities like caged monkeys. Should Greece default on its debt, it will find itself in a death spiral.
   As the fire crackled, more roots were passed around.
   “Look, Mister Bawl . . .”
   One crouching man with homemade twine of split and twisted vines had fashioned a snare, pegging it to the spring of a bent-over branch, and with tiptoeing fingers on the sand he showed me how the snare snatched at the plodding feet of a unwary bird, a guinea hen perhaps — they were numerous here — one that they would pluck and roast on the fire. They indicated the poisonous plants and talked about the beetles they crushed and applied to their arrowheads to make them deadly, the leaves they used to ease their stomachs, the twigs for purifying a wound, for soothing a rash.
   These Real People, the Ju/’hoansi, had been persecuted, harried, massacred, and driven off from the moment the first whites came ashore in Africa in 1652. The whites were Jan van Riebeeck, his wife and child, and his small party of Dutchmen, who named the land Groot Schur, Good Hope, where they settled to plant vegetables for a “refreshment station” to provision Dutch ships heading to East Asia.
   Finicky on the subject of race, with the Dutch temperament for fine distinctions, they created a taxonomy to describe the indigenous people, designating the goat-herding Khoikhoi as “Hottentots” (mimicking the alveolar clicks in the way they spoke), the Bantu as “kaffirs” (unbelievers — the Dutch had gotten the word from the early Portuguese, who’d heard Arab traders use it), and the !Kung San as “Bushmen,” for their preferred habitat. It was the pastoral Khoikhoi who named the San — their belittling word for “cattleless” (with the sense of being backward). All were pushed aside in the land grab by the Dutch, and though each group fought back, the so-called !Kung San fairly quickly withdrew, but not fast enough. They were hunted for sport into the late nineteenth century by the Boers. But these supposedly benighted people — self-sufficient foragers and hunters, city haters, apparently living outside the world economy — would, I believed, have the last laugh.
   Even later, when these Ju/’hoansi I was visiting had plucked off their beads and laid down their bows and arrows and digging sticks, exchanging the pretty skins they wore for ragged Western clothes — torn trousers, faded T-shirts, rubber flip-flops, skirts and blouses; castoffs sent in bales from Europe and the United States — even then the curtain did not come down. The Ju/’hoansi still seemed ancient and indestructible and knowing, thoroughly habituated to their life in the bush, dealing with the outer world by quietly smiling at its foolishness and incompetence.
 
That is what I saw. Or was it an illusion? Perhaps what they were showing me was a persuasive reenactment of the old ways, like Mohawks in a modern pageant, wearing beaded deerskin jackets and paddling birch-bark canoes on the Hudson River. Anyone who took the Ju/’hoansi behavior as typical, as some anthropologists had written, was perpetuating a myth that had been affectionately invented, a travesty in the real sense of the word, a mere change of clothes, romanticizing a life that was antique and lost forever.
   It is true that the Ju/’hoansi had been scattered and resettled, had been plagued by alcoholism, and many of them degraded by town life. But the Ju/’hoansi had kept some of their culture. Their language was intact; they still had their folktales and their cosmology; they had retained and passed on their strategies for bush survival. Many still tracked game, still hunted, though not with poison-tipped arrows; some still supplemented their diet with roots; and they could make a fire by rubbing sticks together. Their kinship system — family, relationships, dependencies — remained unbroken.
   Clothed in rags rather than skins, they seemed no less the Real People. But perhaps I saw what I needed to see. Their traditional skills intact, their heads (I guessed) buzzed with the old ways. They even had their own peculiar manner of walking. Unlike the city dweller, that slouching, foot-dragging person grinning into the middle distance, the Ju/’hoansi were alert. They never sauntered or sloped; they moved fast but silently, bodies erect, listening as they flew along, treading lightly on the balls of their feet, balletic in their flight, in what was less like walking than dancing through the bush.
   They were temperamentally suited to dealing with the stern austerity of the semidesert climate and had a sympathetic understanding of the animals they hunted. But they had never been a match for the people who persecuted them, including the !Kung San and the Herero people as well as the whites. Some !Kung San who had the misfortune to live near towns had been poisoned and neutralized with bubbly oshikundu, the home-brewed beer that Namibians made from fermented sorghum and sold in villages and shebeens. (Shebeen, an Irish word meaning “bad ale,” was brought to southern Africa by migrants from Ireland and is used to describe the poorest drinking places.)
   For their apparent gentleness, the complexity of their beliefs, and their ancient pedigree, foreign agencies and charities had taken a shine to the !Kung San. And so had anthropologists: the !Kung San were among the most intensively studied of Africa’s peoples. But those who patronized them had much more to learn from these people than they could teach them. They were above all a peaceable, egalitarian people who had thrived because of their tradition of sharing and living communally. Historically, they had withdrawn deeper into the bush rather than face being exterminated in a futile war. They were notably patient and consequently a contented people. They were here before anyone else — catching game, making fire, digging roots — and I was convinced that they would be here after the rest of the world destroyed itself.
   They had always lived at the margin. Could any outsider in a charity-minded, money-collecting, old-clothes-dispensing organization, and the benevolent well-wishers who gave them material support, show them a better way to live? Circumstances — politics mainly — determined that the Ju/’hoansi be confined to one place, and though they were by custom nomadic they’d had to acquire farming and animal-rearing skills. But if they were historically hunter-gatherers, with a connection to the land they regarded as the living mother, wouldn’t they prevail that way?
   Many Africans are people of regressed cultures, the scattered remnants of ancient realms that were demolished or subverted by slavers from Arabia and Europe — the kingdoms of Dahomey and the Congo, the vast fifteenth-century empire of southern Africa known as Monomatapa. Like the peasant folk of old Europe, a great number of Africans have lost or abandoned their traditional skills of thatching, iron-forging, wood-carving, food-gathering, farming, and the greatest skill of all, the mutual respect and fairness that help people rub along together in a congenial way. Within a few decades the majority of Africans will live in cities. Today, two hundred million people in sub-Saharan Africa live in slums, the highest number of slum dwellers in the world, according to UN-Habitat’s State of African Cities 2010 Report. And “slum” is a rather misleading word for these futureless places — as I was to see — of stupefying disorder.

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Table of Contents

Contents

1. Among the Unreal People 1
2. The Train from Khayelitsha 14
3. Cape Town: The Spirit of the Cape 40
4. The Night Bus to Windhoek 59
5. Night Train from Swakopmund 79
6. The Bush Track to Tsumkwe 102
7. Ceremony at the Crossroads 118
8. Among the Real People 134
9. Riding an Elephant: The Ultimate Safari 160
10. The Hungry Herds at Etosha 180
11. The Frontier of Bad Karma 200
12. Three Pieces of Chicken 222
13. Volunteering in Lubango 242
14. The Slave Yards of Benguela 268
15. Luanda: The Improvised City 297
16. “This Is What the World Will Look Like When It Ends” 320
17. What Am I Doing Here? 333

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Customer Reviews

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Sort by: Showing all of 5 Customer Reviews
  • Posted September 1, 2013

    I have read every non-fiction that Theroux has written. He has a

    I have read every non-fiction that Theroux has written. He has allowed me to go places i will never get to travel to, partly because of the world situations now. I loved this book! It is honest and raw and an eye opening account of modern South African and Angola. The travel brochures I view are sanitized by the companies. As the author said, his books will be and are already historical accounts of worlds past. All I can say is wow!!

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted May 20, 2013

    Another wonderful Paul Theroux story. Great insight into Namibi

    Another wonderful Paul Theroux story. Great insight into Namibia and Angola.

    2 out of 2 people found this review helpful.

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  • Posted July 8, 2013

    Paul Theroux is my favorite travel writer so this was a tough on

    Paul Theroux is my favorite travel writer so this was a tough one to read. Though he has toured Africa many times before, he muses that this may be his last and that alone was a sad thing to read. The subject matter was also heart rending in its detail of crushing soul destroying poverty. The greed of the dictators running the countries he traveled was also very sad to read. All and all a sad book but touching.

    1 out of 1 people found this review helpful.

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  • Posted July 9, 2013

    Theroux started out as a Peace Corp volunteer in Africa, teachin

    Theroux started out as a Peace Corp volunteer in Africa, teaching in schools there for six years so he already knew the place but it has changed. He is seeing the country side empty creating massive slums on the edge of towns. He is appalled by the conditions while the politicians bilk the resources of the mineral rich countries and live luxurious lives. This is one of his most poignant travelogues and is one not to miss. 




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  • Anonymous

    Posted May 14, 2013

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