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The Last Unicorn: A Search for One of Earth's Rarest Creatures

The Last Unicorn: A Search for One of Earth's Rarest Creatures

by William DeBuys

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An award-winning author's quest to find and understand a creature as rare and enigmatic as any on Earth

In 1992, in a remote mountain range, a team of scientists discovered the remains of an unusual animal with exquisite long horns. It turned out to be a living species new to Western science--a saola, the first large land mammal discovered in fifty


An award-winning author's quest to find and understand a creature as rare and enigmatic as any on Earth

In 1992, in a remote mountain range, a team of scientists discovered the remains of an unusual animal with exquisite long horns. It turned out to be a living species new to Western science--a saola, the first large land mammal discovered in fifty years.

Rare then and rarer now, a live saola had never been glimpsed by a Westerner in the wild when Pulitzer Prize finalist and nature writer William deBuys and conservation biologist William Robichaud set off to search for it in central Laos. Their team endured a punishing trek up and down white-water rivers and through mountainous terrain ribboned with the snare lines of armed poachers who roamed the forest, stripping it of wildlife.

In the tradition of Bruce Chatwin, Colin Thubron, and Peter Matthiessen, The Last Unicorn chronicles deBuys's journey deep into one of the world's most remote places. It's a story rich with the joys and sorrows of an expedition into undiscovered country, pursuing a species as rare and elusive as the fabled unicorn. As is true with the quest for the unicorn, in the end the expedition becomes a search for something more: the essence of wildness in nature, evidence that the soul of a place can endure, and the transformative power of natural beauty.

Editorial Reviews

Publishers Weekly
Conservation journalist deBuys (A Great Aridness) deftly takes the role of a quiet observer while conveying a sense of immersion and intimacy as he documents a 2011 expedition for signs of the saola (Pseudoryx nghetinhensis), led by field biologist William Robichaud. A phylogenetically distinctive, preternaturally peaceful, reclusive, and nearly extinct ungulate entirely unknown to Western science until 1992, the saola is so rare that it does not even appear in traditional Chinese medicine. In Nakai-Nam Theun, a remote region of Laos on the border of Vietnam, the team drills bits of bone from old antler mounts, places camera traps at salt licks, and scans the forest for evidence of neatly munched vegetation. Showing much admiration for Robichaud and the relationships he has built with the community, deBuys shares stories of the challenging interactions between the locals and Robichaud the outsider, doing so with humor. With a wilderness-loving voice that is lyrical but never saccharine, deBuys elicits a sense of mystery and beauty befitting the creature itself. Maps & photos. Agent: Melissa Chinchillo, Fletcher and Co. (Mar.)
From the Publisher
One of Christian Science Monitor's 10 Best Nonfiction Books of 2015

One of Men's Journal's Best Books of 2015

"The Last Unicorn is a book you simply must read. For one thing Bill deBuys has a real gift for storytelling. And this story, the quest for an animal that was driven to the point of extinction almost as soon as it was "discovered", is a true adventure. Bill's powerful prose leads us deep into the wilderness in an almost unknown part of the world. And it sends out a clarion call bidding us to redouble our efforts to save the last wild places and vanishing animals before it is utterly too late."—Jane Goodall, Ph.D., DBE, Founder, the Jane Goodall Institute & UN Messenger of Peace

"Lyrical... An adventure tale and a meditation, an evocative read that makes clear why wild places matter and how difficult it will be to save them."—Emily Anthes, New York Times

"Simultaneously an adventure story, a melancholy parable of the challenges of conservation in an increasingly crowded world, and an engaging introduction to the biota of a unique ecosystem... However intractable the human tendency to pillage our environments, deBuys and Robichaud show the strength of an opposite impulse -- to approach nature with wonder, knowledge, and a deep appreciation of beauty. DeBuys paints the disappearing landscapes of his journey with beautiful and evocative prose."Nick Romeo, Christian Science Monitor

"Not only a gorgeous adventure in one of the most remote forests on earth, but also a strategy for hope in an age of mass species extinction.... May this beautifully written book inspire a renewed commitment to the work."—Dean Kuipers, Orion Magazine

"The author deftly chronicles both the physical and emotional challenges that come with group travel through an isolated region.... The author's immersive narrative and numerous photos of the unremitting poaching inflicted upon the region's wildlife cause both reader engagement and heartache. A riveting and disturbing account of the clash between the beauty of the wilderness and civilization's unrelenting demands on the natural world."—Kirkus (starred review)

"The Last Unicorn celebrates the marvels of the great forest and its wildlife, and William deBuys enlivens its pages with perceptive accounts of local people and cultures. Inspired and entranced by visions of the saola, DeBuys examines what little is known of its enigmatic life as he searches the landscape for glimpses of what we must hope is an enduring future for the natural treasures surviving in these remote mountains."—George Schaller, author of Tibet Wild; VP, Panthera; and senior conservationist, Wildlife Conservation Society

"This is a great excuse for an adventure--and having taken the excuse, Bill deBuys delivers. What a wonderful account of a 19th century drama in the 21st century, a story the likes of which we may never read again."—Bill McKibben, author of Wandering Home

"Conservation journalist deBuys deftly takes the role of a quiet observer while conveying a sense of immersion and intimacy.... With a wilderness-loving voice that is lyrical but never saccharine, deBuys elicits a sense of mystery and beauty befitting the creature itself."—Publishers Weekly

"The author dives deeper than any ecological treatise, showing readers the beauty of gibbon chatter and "blown-glass waterfalls" and the sheer emotional toil of losing these things. In the tradition of John McPhee and Wallace Stegner, deBuys offers a profoundly personal, richly atmospheric account of a place that the world would be poorer for losing."—Talea Anderson, Library Journal

"It's fortunate that a first-hand account of such a unique voyage exists. That it's written by a storyteller as commanding and reflective as William deBuys, well, that's just plain lucky."—Carson Vaughan, Audubon

"It would be an understatement to call a forest, in all its deep complexity, merely beautiful. The same goes for The Last Unicorn. As he tracks a living myth through the jungles of Laos, deBuys' eyes and ears miss nothing, and his poetic grace conveys everything. I haven't read a journey so epic, lyrical, and meaningful since Peter Matthiessen's The Snow Leopard."Alan Weisman, author of Countdown and The World Without Us

"Read The Last Unicorn. The book is extremely important and reads like a novel. DeBuys brings things to life. He writes beautifully. The image of the saola remains alive in the reader's mind. Saola may be the last unicorn."—Evaggelos Vallianatos, The Huffington Post

"Like Peter Matthiessen's 1978 The Snow Leopard (Viking), this is less an homage to an iconic species than a meditation on our compulsion to harry and hem in the wild."—Barbara Kiser, Nature

"The book will appeal to nonfiction readers who enjoy learning about flora, fauna and people in parts of the world they'll likely never visit. It's comforting to know there are people like Robichaud and writers like deBuys who are committed to sharing their stories. It's even more comforting to know their efforts could result in helping preserve the wildness of this world and the survival of a species."—Rob Merrill, Associated Press

"Gripping and stylish.... DeBuys is an evocative writer."—Dennis Drabelle, The Washington Post

"Imagine Joseph Conrad, Bruce Chatwin, and Paul Theroux writing the most poignant allegory of our time, a quest for the rarest mammal on earth in one of the most hidden places in the world. The newly discovered saola, a zoological will-o'-the-wisp, is being extinguished by poachers before it is known. In a world that grasps for too much, deBuys's austere and tender prose becomes the plaintive voice for the myriad forms of life being monetized and forever extinguished."—Paul Hawken, author of Blessed Unrest

"In a world of space satellites, robots, drones and remote controlled cameras, terrestrial ecosystems around the world are yielding their secrets. Large land animals, especially charismatic ones, cannot evade our prying instruments. With humans occupying most of the planet, could there possibly be a large, beautiful land mammal yet to be documented by Science? This book is a stunning scientific thriller, the story of how researchers, tipped off by hints of a fabulous creature, find the remains of a mysterious animal, tracked this elusive mammal into remote, unforgiving wild land to prove its existence. What a read!"—Dr. David Suzuki, author of The Sacred Balance

"The Last Unicorn is exhaustively researched, and the trip alone would have made for a riveting read. But it is written with such poetry that it comes as a heart-wrenching wakeup. This book is a beautifully told account of the devastating fact that man alone has relentlessly set about destroying the earth's wildness. It should be required reading for the human race."—Ali MacGraw, actress/activist

"A brutal story, told with passion and purpose."—Jane Clayson, WBUR's On Point

"DeBuys highlights these larger concerns for conserving ecosystem services around the world artfully by reflecting on his hunt for an almost mythical species. He uses his literary license well."—Steve Rissing, The Columbus Dispatch

"An exquisitely written true story about a quest to see a wild saola.... Part travel writing, part adventure, and part conservation, the story is captivating and informative."—The Guardian's GrrlScientist

"The book reads like a gripping travelogue, but it also operates at a deeper level, leading us to question how we choose which species to conserve, how growing human populations can fit into a fracturing landscape, and how to value nature in the light of widespread poverty.... Part action adventure, part an exploration of loss, this book is a journey for both the heart and the mind."—David W. Redding, Science

"A plangent account of a disappearing world.... deBuys writes a compelling tale, one rendered beautiful by some of the poetic flourishes that punctuate the book. And when he inserts himself into the story, he adds a further dimension; bringing the human spirit to a story that could, otherwise, have spiraled into a monotone work of science, politics or conservation. The result is an account that offers something to all."—Wayne McCallum, Khmer Times

Library Journal
Award-winning author of books including A Great Aridness and River of Traps recounts his journey to the Nakai-Nam Theun region of Laos in search of the saola, an endangered antelopelike creature that has rarely been seen by man. First discovered by Westerners in 1992, the saola piqued interest because of its genetic linkage to prehistoric bovines. As deBuys notes, the creature recalls the mythical unicorn as it has largely evaded discovery, leaving scientists to piece together information based on bone samples, hunter accounts, and photographic evidence. In this book, deBuys narrates the story of the saola through his own experience, showing how poaching, indifference, climate change, and greed continue to threaten the animals' survival. However, the author dives deeper than any ecological treatise, showing readers the beauty of gibbon chatter and "blown-glass waterfalls" and the sheer emotional toil of losing these things. In the tradition of John McPhee and Wallace Stegner, deBuys offers a profoundly personal, richly atmospheric account of a place that the world would be poorer for losing. VERDICT Recommended for readers of popular science, travel, and autobiography.—Talea Anderson, College Place, WA
Kirkus Reviews
★ 2014-12-14
Dedicated conservationist deBuys (A Great Aridness: Climate Change and the Future of the American Southwest, 2011 etc.) undertakes an arduous trek through the wilds of central Laos in a quest to help save one of the most elusive animals on the planet, the large grazing mammal known as a saola.Following a 2009 lecture in Washington, D.C., in which the author evaluated ongoing efforts to save a forest in central Borneo, he received an intriguing offer. In 1992, the world outside of Southeast Asia became aware of a mysterious mammal when scientists came across a pair of extraordinarily long, tapered horns decorating the wall of a Vietnamese hunter's cabin. Did deBuys have an interest in writing about this reclusive horned animal never seen by Westerners? Two years later, the author traveled to the Annamite mountain range, situated on the border between Laos and Vietnam. He joined an expedition whose immediate goals included studying the animal's habitat, documenting the consistent threat of poaching, and building support for wildlife conservation among the region's inhabitants to "save the saola from extinction." The group traveled through the rugged terrain by car, boat and foot, accompanied by armed guards and porters, to their final destination in a remote forested canyon. The author deftly chronicles both the physical and emotional challenges that come with group travel through an isolated region. He also weaves in abbreviated natural histories of the multitude of indigenous creatures in the area—e.g., the red-shanked douc and ferret badger. DeBuys laments the destruction of the natural environment caused by the illegal harvesting of forest products. The author's immersive narrative and numerous photos of the unremitting poaching inflicted upon the region's wildlife cause both reader engagement and heartache. A riveting and disturbing account of the clash between the beauty of the wilderness and civilization's unrelenting demands on the natural world.

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Read an Excerpt

The Last Unicorn

A Search for One of Earth's Rarest Creatures

By William deBuys

Little, Brown and Company

Copyright © 2015 William deBuys
All rights reserved.
ISBN: 978-0-316-23286-9



February 24

Nam Theun Reservoir

We strike out across the drowned forest in a narrow, battered launch that draws no water except when heavily laden, as it now is with our camp gear and food. A white sky silvers the surface of the water. We squat in silence among the bundles, wrapped like Bedouins against the sun. There is no point in talking. The chainsaw racket of the engine drones tonelessly, incessantly.

Our quarry is an animal known only in a small, remote patch of the planet, an animal known mainly for being unknown. We have no idea if we will find it. The odds, we know, are against us.

The boatman steers through treetops that puncture the surface of the reservoir, down lanes known only to him. We skim the forest at bird level, scraping the edges of canopies whose branches supplicate the sky in a final leafless gesture. We pass a copse of bamboo, its stems arcing upward like antennae. The woody shafts dance and clatter in our wake. Farther along rises a solitary dipterocarp, a hardwood tree considered majestic even by the standards of this timber-rich region. Its thick trunk is charred by fire from years earlier, before the forest was drowned. I shout a question to Robichaud. He yells back, "Not much lightning around here. Probably villagers collecting resin started that one, and it got away from them."

Robichaud sits against a bag of rice in the bow, binoculars at the ready. A rule of expeditions like this one holds that the best observer goes first in line, on water or on land. You never know what you might see. Maybe the next bird in the sky is the last white-winged duck in central Laos. Maybe it's a fish eagle never before reported for this particular place. Maybe you will have no more than a second to bring up the glasses and make the ID. For the habitat where we are headed, you can count on a carpenter's hand the other people in the world who might have a quicker or more knowledgeable eye than Robichaud, and none of them is in the boat. Robichaud has been wandering the forests on the far side of this lake for decades. We are days away from saola habitat, but he is tense with pleasure on this morning of new beginning. Behind him in the boat, I see only his back, but he is sitting as straight and attentive as a bird dog on its way to a hunt.

I am next in line, assigned to a low, bare thwart, vainly seeking comfort among the backpacks and bundles piled fore and aft. There is no extra room and precious little freeboard. The boat is tippy, easily rocked. I am learning that if I stretch out a knee, my back soon complains; if I bring in my leg and lean back, the knee begins to ache. The only thing to do is move the pain from place to place.

We have two, maybe three hours to cross the reservoir and ply our way upstream along a narrow river to Ban Makfeuang. Ban means "place" or "village." Makfeuang, to me, is indecipherable, a mouthful of sound without meaning. I have never been there, nor, I imagine, anyplace like it. From Ban Makfeuang, we will hike some hours to another village, Ban Tong, where we hope to hire other boats to take us up a second river to Ban Nameuy, beyond which we will sleep in the forest. The names of these places sit on my tongue like the seeds of an exotic fruit. I do not know whether to swallow them or spit them out.

Behind me, side by side on another thwart, are the boys, Olay and Touy, both of them Lao. They are not boys, really, but young men, one just out of university, the other in his last semesters, though both are younger than my own children. Jammed together in the narrow boat, they have zipped their rain jackets to the chin, although there is no threat of rain. They are as new to each other as they are to me, and it is good to see in their glances and gestures that they are becoming friends. While Touy hails from a royal family of prerevolutionary Laos, Olay is the son of a man born with no social advantages. Now they pass a small camera back and forth and smile modestly when I twist around to look at them.

Behind the boys is Simeuang—lithe, athletic, and ever smiling. Also Lao, he is nearly as young as they are yet possesses a soft and centered gravitas. His presence makes our journey official—and permissible. Hailing from Pakxe, a city on the Mekong River in the south of Laos, he works for the Watershed Management and Protection Authority, the WMPA, which came into being as part of the colossal hydropower project that inundated the forest and created the reservoir we are traversing. The WMPA decrees what may and may not be done in the forests on the far side of the reservoir, which stretch away to a mountainous, cloud-hung horizon we cannot see, past which lies Vietnam. These forests are rich with wildlife and also with people.

Last of all is the boatman, whose face, shrouded by a towel he drapes beneath his hat, is as grave as Charon's. The din of the engine hammers upon him; the long tiller vibrates in his hand. His work is to ferry people and their freight from the dusty town of Nakai, possessed of electricity and a cacophonous market, across the glassy lake and up its tributaries to villages that perch on sandy riverbanks, their houses built on stilts even where floods are not in prospect. These are the homes of "hill tribes," in the terminology of an earlier time; the people of the villages are nowadays—and no more helpfully—referred to as "ethnics" or "ethnic people."

The boat that carries us is a blunt-nosed pirogue, about twenty-five feet long, with a squared stern, where the engine hangs. In design, it is a direct descendant of the dugout canoe, good for navigating the twists and turns of shallow rivers. Sturdy planks have replaced the tree trunk of the original, and a gasoline engine endows the new creation with speed, commotion, and a name: this kind of craft is called a chak hang, which translates as "motor tail," a term that aptly describes the long driveshaft slanting backwards from the engine, which ends in a two-bladed propeller hardly bigger than your hand. The shallow slant of the driveshaft keeps the propeller only barely submerged, the better to avoid the rocks and sandbars of the riverbeds. When the boatman opens the throttle, the engine screams, and the prop shoots up a gleaming rooster tail of water, which is the first thing you see when you sight a chak hang at a distance.

Once upon a time, certainly years before the dam was closed and the forest flooded, our chak hang sported a handsome coat of royal-blue paint, which age and abrasion have since faded to the color of worn-out jeans. The color seems not so much painted on the boat as infused into the fibers of its wood. Were an artist to paint this scene, with its hard-boiled sky, the mirroring water, and forlorn treetops, the weathered boat would give the canvas its only life. Chased by our rooster tail of spray, we are a lone dash of color advancing into the dissolving distance. Soon we, too, will be absorbed by the hazy land.

* * *

As the trees grow fewer in number, the watery prairie opens. The reservoir has now deepened past the height of even the tallest dipterocarps; or, more likely, the trees that used to grow here were felled and hauled to a sawmill before the waters came. In the shimmering distance, the outline of a wooded shore begins to emerge.

The river that was dammed to form the lake is the Nam Theun. Nam means "water," also "river." Saying "Nam Theun River" is redundant, like saying "Rio Grande River." Theun, in one reading, expresses a wry humor. The word is ancient, coined by some long-vanished ethnic group, and its original meaning may have vanished with them. Among the subsequent connotations that have attached to it over the centuries are "opposite-flowing" and even "wrong way." Nam Theun: Wrong Way River. Before it was drowned, the Nam Theun flowed roughly northwest across the Nakai Plateau, a direction opposite that of the region's other major rivers, which trend southeastward, including the great Mekong, sixty kilometers to the west. The Mekong marks most of the boundary between Thailand and Laos. Or not Laos: officially we are in the Lao People's Democratic Republic—Lao PDR. Along with China, Vietnam, North Korea, and Cuba, it is one of the world's last self-described Communist governments.

Past where the Nam Theun spills from the plateau and bends west to flow into the Mekong, it changes its name. It becomes the Nam Kading. Kading: the sound of a pretty bell, although this is probably another false etymology. Many place names in Laos go deep in time, bringing a sense of romance and lyricism to the present. By no means are all of them, or even a majority of them, derived from the Lao language. Lao PDR's 6.5 million people, by most counts, are divided among more than 150 distinct ethnicities, speaking scores of different languages. As a result, Laos is one of the world's most culturally heterogeneous nations. Perhaps nowhere else on the planet is extraordinary biological diversity so well matched by ethnic and linguistic variety.

Days earlier, on our way from Vientiane, the capital, to the frontier town of Nakai, we stopped just short of the bridge over the mouth of the Nam Kading and visited a roadhouse. It was just Robichaud, the boys, and me; we would rendezvous with Simeuang later in Nakai. The boys got soft drinks, and Robichaud and I bought cans of chilled coffee and bags of Thai snack food. Then Robichaud disappeared next door. He came back with a half dozen oranges that were the size of limes and almost as green. They looked unappetizing, and I wondered why he had bought them. A few hundred meters down the road, as we approached the bridge over the Nam Kading, he passed them out. It is important, he explained, to make an offering to the river spirits as you cross the river. You give them something, and maybe you get good fortune in return. "Try not to hit any fishermen," he added. And so as our vehicle sped across the bridge, we rolled down the windows and pitched the little oranges over the railing. The water—and any fishermen—lay far below. We could not see where our offerings landed, but I confess I did not think about fishermen—the river gods were much more on my mind. I prayed for the kiss of luck. On the trek that lay before us, it would be a welcome thing, perhaps essential.

The Nakai Plateau, now submerged beneath our boat, was once legendary for its beauty and wildlife. Lao princes and the French colonialists who succeeded them hunted its tigers from the backs of elephants. Unspoiled forests of dipterocarps and stately pines resounded with the gabble of monkeys, the ethereal hoots of gibbons, and the chatter of birds of every hue. Rhinos snorted in the wetlands. Herds of elephants and wild cattle—banteng and gaur (which would dwarf an American bison)—and the rare and regal Eld's deer grew fat in the savannas.

Years before the dam was conceived, but still in living memory, the tigers and rhinos were largely hunted out, and the herds of wild cattle had dwindled. Even so, the grand forests and nearly all their lesser denizens remained.

That such a land should be drowned for a tepid reservoir is a function of three things: the thirst of the world (in this case, Thailand) for electricity, the hunger of Laos for foreign currency, and the confidence, questionable though it may be, of the highest echelon of the globe's economic and financial mavens that a defensible balance of loss and gain might be devised. (Flood control, a common rationale for the building of dams, did not apply.) The masters of the global economy determined to trade the wonders of the Nakai Plateau for the commensurate glories of the sprawling mountain slopes that drain into it, sacrificing the former for the assured protection of the latter. Those slopes are the land to which we are headed—the upper watershed of the Nam Theun, which lies beyond the lake and stretches eastward for many kilometers to the crest of the Annamite Mountains and the border with Vietnam. Designated the Nakai–Nam Theun National Protected Area, it is a patch of planet as pristine as any in Southeast Asia, naturally rife with wildlife, rich in aboriginal culture, and dense with undiscovered marvels. At more than four thousand square kilometers (1,544 square miles), the Nakai–Nam Theun watershed is either the largest or among the two or three largest protected areas (depending on who is doing the counting) in all of Laos, Vietnam, and Cambodia—the region the French called Indochina.

Of course, the wonders of Nakai–Nam Theun have existed through the ages. Exchanging development for preservation does not bring them into being. The purpose of the trade was to make possible the actual protection of those wonders, which were otherwise considered doomed by the usual forces of exploitation. Before the dam came along, Nakai–Nam Theun already enjoyed special status as a "national biodiversity conservation area," but it was a park only on paper, like so many others in the developing world. It received little in the way of management or funding to defend it from hunters, chain saws, and bulldozers.

Development offered an alternative. With cash from a giant hydropower project to fund the watershed's defense, all that would change. Nakai–Nam Theun, it was promised, would be actively patrolled and protected. A dedicated stream of revenue—roughly one million dollars a year, adjusted for inflation—taken from the sale of the electricity would be directed to protecting the environment and to improving the social and economic well-being of people living in the affected area. A new agency, the Watershed Management and Protection Authority—Simeuang's employer—would come into being to achieve those goals.

This time around—and by many reckonings, for the first time ever—a large-scale, internationally funded hydropower project would be done right. Multiple levels of checks and balances would assure quality and accountability, making the project corruption-free, compassionate to native people, and environmentally conscious. The World Bank and its peer agencies were acutely aware that virtually all the large hydropower projects they had funded in the past had produced environmental and cultural calamity. In the wilds of central Laos, they would start afresh and produce a new model for the world. In funding one of the largest construction projects then under way on the planet, they would demonstrate how economic development and environmental protection might be made not just compatible but synergistic.

The construction cost of the Nam Theun 2 Hydroelectric Project, or NT2, as it came to be known, ultimately reached $1.3 billion. Construction began in 2005 and involved as many as eight thousand workers on-site. NT2's army of laborers built two main dams and fourteen saddle dams (to keep water from spilling off the side of the plateau), plus two power stations, ten bridges, six kilometers of tunnels and shafts, and 140 kilometers of roads. They also erected 180 kilometers of high-voltage transmission lines, batched half a million cubic meters of concrete, and installed ten thousand tons of steel. The gates of the dam finally closed in 2008.

NT2 has a capacity of 1,070 megawatts, which puts it in the big leagues of world hydroelectric generation but not at the highest level. (Hoover Dam, on the Colorado River, for example, has a capacity almost twice as great, and the largest individual projects in India, Brazil, and China are five times larger than Hoover.) NT2 exports 95 percent of its power to Thailand, with the remaining 5 percent consumed at home in Laos. Its gross annual sales approach $240 million. No one can doubt the project's value to the Lao economy: NT2 accounts for roughly 5 percent of Lao PDR's gross domestic product.

Motor howling, sun glaring, we leave the expanse of the lake and enter what appears to be a cove. But it is not a cove: the water narrows between encroaching stands of flooded trees and winds into the forest. We follow. This is the channel of the Nam Theun, carving its way eastward. Soon we pass a checkpoint maintained by the WMPA, part of the security apparatus for the watershed. A speedboat is tied to the crude dock, but no one is visible in the shack it serves. We neither stop nor slow down.

Raptors perch in a high treetop. Crested serpent eagles. Commonplace. Like red-tailed hawks at home. Robichaud gives them a sidelong glance, no more. Then a shrill call pierces even the drone of the engine. We scan the shoreline eagerly but cannot locate the source and so keep going. Minutes later, Robichaud waves urgently to the boatman to stop. He has seen two birds, nearly as big as pigeons, in trees on the left bank. The boatman cuts the clamorous motor, and the breeze of movement stops. Heat pools around the boat. An insect whine rushes out from the forest to embrace us. The birds Robichaud has spotted have reddish bills and a suggestion of white on the wings. Possibly dusky broadbills, new to the protected area. But no, he says, lowering his binoculars. Just dollarbirds. No big deal.


Excerpted from The Last Unicorn by William deBuys. Copyright © 2015 William deBuys. Excerpted by permission of Little, Brown and Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

William deBuys is the author of eight books, including River of Traps, a New York Times Notable Book of the Year and a Pulitzer Prize nonfiction finalist; Enchantment and Exploitation; The Walk (an excerpt of which won a Pushcart Prize in 2008); and A Great Aridness. An active conservationist, deBuys lives in New Mexico.

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