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The Last Waltz [Box Set]

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
"The road was our school. It gave us a sense of survival; it taught us everything we know and out of respect, we don't want to drive it into the ground...or maybe it's just superstition but the road has taken a lot of the great ones. It's a goddam impossible way of life" - Robbie Robertson, from the movie The Last Waltz, quoted in the box set. Perhaps Robertson's greatest gift is how he can spin a myth, making the mundane into majestic fables. Outside of his songs, his greatest achievement in myth-making was The Last Waltz, where he doesn't necessarily overstate the amount of time the Band spent on the road, but he sure tried to make it all seem like something ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
"The road was our school. It gave us a sense of survival; it taught us everything we know and out of respect, we don't want to drive it into the ground...or maybe it's just superstition but the road has taken a lot of the great ones. It's a goddam impossible way of life" - Robbie Robertson, from the movie The Last Waltz, quoted in the box set. Perhaps Robertson's greatest gift is how he can spin a myth, making the mundane into majestic fables. Outside of his songs, his greatest achievement in myth-making was The Last Waltz, where he doesn't necessarily overstate the amount of time the Band spent on the road, but he sure tried to make it all seem like something special, both in the amount of time they spent on the road and what they've accomplished. And while he was right on the latter -- the Band did change the course of music, leaving behind records that still sound gloriously rich and out of time -- the former is a bit of a stretch since not only were the rest of the Band not exactly ready to stop touring (they would later reunite without him), it ignores the basic fact that touring is what working musicians do. They make music, they play for audiences, they keep rolling throughout the years, and many of the artists invited to participate in the Band's farewell concert -- Ronnie Hawkins, Dr. John, Muddy Waters, Van Morrison, Neil Young, the Staple Singers, Emmylou Harris, Eric Clapton, and Bob Dylan, who legendarily launched a never-ending tour in the '80s -- lived the life of a working musician, performing live well past 50. The Band was cut from the same cloth as this, but Robertson realized that the group wasn't doing itself any good by staying on the road -- and the accompanying Martin Scorsese-directed film does suggest that the Band was indulging itself way too much -- and that it was the perfect time to draw the curtain on the Band with a lavish concert that turned their entire career into a burnished myth, nearly as ancient and romantic as photographs from the Civil War. Hence, The Last Waltz, a farewell concert on Thanksgiving 1976 promoted by Bill Graham and turned into a timeless documentary by Scorsese, was released as a triple-album set in 1978 and finally reissued as a four-disc box set by Rhino in 2002, on its near-25th anniversary (it's somewhere between 24 and 26, depending if you're counting performance or release, so 25 is a good compromise). Many people call this the greatest rock movie and greatest live performance of all time. They're wrong. It could be argued that the film is among the greatest rock films -- convincingly so, actually -- but the music amplifies not just what was great about the Band, but also their greatest flaws. That is, their effortless virtuosity and wonderful organic sound is a joy to hear, yet it can be undercut by the literary pretensions of Robertson, which gives the songs and sometimes the performances an artificial, academic feel -- something that is accentuated here, since the music is being presented in an artificially romantic setting, where everything was heightened for the cinema; the Band even gives the entire enterprise a theme straight out of The Third Man. This resulted in something equally wonderful and affected, with each track having portions of both in different proportions. On the whole, the sublime outweighs the missteps, particularly since the invited guests are by and large troubadours who enjoy playing: Dr. John hauling out "Such a Night" (such a standard practice, it was later parodied on SCTV), Bobby Charles turning in the happiest performance of the evening with "Down South in New Orleans," Muddy Waters roaring through "Mannish Boy," Paul Butterfield playing mean harp, Van Morrison's joyous set, Dylan performing with an authority that suggests that he always thought he owned the Band. Other good moments are here. Clapton croons his Band-supported album track "All Our Past Times" with appropriate melancholy; Neil Young turns out a sweet "Helpless"; Joni Mitchell's "Coyote" is alluringly allusive; even Neil Diamond's "Dry Your Eyes" -- all are engaging. But it doesn't add up to something transcendent, either in its original triple-album set or in this quadruple-disc box. Part of the problem is that the concert is supplemented by a studio set -- entitled "The Last Waltz Suite," expanded to a full disc here -- that feels entirely out of place, even if it was designed to spotlight influences of the Band that weren't covered in the concert. Perhaps that's the reason why it feels so studied and affected, right down to the Staple Singers' celebrated version of "The Weight." This draws attention to one of the problems of the Band shining a spotlight on their influences -- they are treating their influences with a respective distance, not as if something that is still vital to them, making even appearances by ruffians like Hawkins seem like museum pieces. Much of the Band absorbed these influences, so some of the spirit echoes throughout their own performances, but that distance is still evident -- enough so that this music isn't transcendent, when it should be. This is all evident in spades within the box of The Last Waltz, which is an admittedly handsome, loving production. It's not necessarily historically accurate -- the Band performed a full set before the guests show up, but here their songs are interspersed throughout the first three discs, a couple of songs are left off, and even "The Genetic Method/Chest Fever" doesn't have the latter part of the song. Still, this is as good as an historical release as imaginable, since it is expertly detailed, impeccably mastered, perfectly annotated, and filled with great liner notes and much unreleased material. None of the newly released material is revelatory -- the jams are negligible (everybody sounds like they just ate a bunch of turkey before they played), the rehearsals confirm that Van the Man really clicked with the Band, the studio ideas fall flat, "Don't Do It" is as great as ever, everything inserted into the proper concert is welcome, even if it varies in quality -- but it's all good, all welcome for those that have bought the myth of the Band and, particularly, The Last Waltz. But the box proves that the myth, in regards to the final concert, is not accurate -- for those listeners who didn't grow up with the music, or those that never thought this particular concert pulled the curtain down on a wonderful era, it's easy to wonder what all the fuss was about. Because the thing is, the people who sound the best here -- Dylan, Van Morrison, Dr. John, Levon Helm himself -- are the ones who didn't treat the road as a goddam impossible way of life, but as what a working musician does. The Last Waltz teeters between these two schools of thought, wanting to celebrate the end while blithely ignoring that musicians make music for a living -- and that's what keeps the music from truly captivating, from being essential, even if this set is perfectly assembled.
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Product Details

  • Release Date: 9/24/2013
  • Label: Rhino
  • UPC: 081227973193
  • Catalog Number: 78278
  • Sales rank: 652


Disc 1
  1. 1 Theme from the Last Waltz (3:52)
  2. 2 Up on Cripple Creek (5:31)
  3. 3 The Shape I'm In (4:10)
  4. 4 It Makes No Difference (6:51)
  5. 5 Who Do You Love - Ronnie Hawkins (4:51)
  6. 6 Life Is a Carnival (4:25)
  7. 7 Such a Night - Dr. John (4:41)
  8. 8 The Weight (4:50)
  9. 9 Down South in New Orleans - Bobby Charles (3:10)
  10. 10 This Wheel's on Fire (3:54)
  11. 11 Mystery Train (5:03)
  12. 12 Caldonia - Muddy Waters (6:08)
  13. 13 Mannish Boy - Muddy Waters (6:40)
  14. 14 Stagefright (4:31)
Disc 2
  1. 1 Rag Mama Rag (4:34)
  2. 2 All Our Past Times - Eric Clapton (5:01)
  3. 3 Further on Up the Road - Eric Clapton (5:30)
  4. 4 Ophelia (3:45)
  5. 5 Helpless - Neil Young (5:53)
  6. 6 Four Strong Winds - Neil Young (4:37)
  7. 7 Coyote - Joni Mitchell (5:28)
  8. 8 Shadows and Light - Joni Mitchell (5:45)
  9. 9 Furry Sings the Blues - Joni Mitchell (5:09)
  10. 10 Acadian Driftwood (7:07)
  11. 11 Dry Your Eyes - Neil Diamond (4:16)
  12. 12 The W. S. Walcott Medicine Show (3:39)
  13. 13 Tura Lura Lural (That's an Irish Lullaby) - Van Morrison (4:10)
  14. 14 Caravan - Van Morrison (6:11)
Disc 3
  1. 1 The Night They Drove Old Dixie Down (4:35)
  2. 2 The Genetic Method/Chest Fever (2:41)
  3. 3 Baby Let Me Follow You Down - Bob Dylan (2:55)
  4. 4 Hazel - Bob Dylan (3:41)
  5. 5 I Don't Believe You (She Acts Like We Never Have Met) - Bob Dylan (3:29)
  6. 6 Forever Young - Bob Dylan (5:51)
  7. 7 Baby Let Me Follow You Down (Reprise) - Bob Dylan (2:58)
  8. 8 I Shall Be Released (Finale) (4:49)
  9. 9 Jam #1 (5:32)
  10. 10 Jam #2 (9:10)
  11. 11 Don't Do It (6:19)
  12. 12 Greensleeves (1:37)
Disc 4
  1. 1 The Well (3:33)
  2. 2 Evangeline (3:10)
  3. 3 Out of the Blue (3:20)
  4. 4 The Weight - The Staples (4:35)
  5. 5 The Last Waltz Refrain (1:31)
  6. 6 Theme from the Last Waltz (3:27)
  7. 7 King Harvest (Has Surely Come) (3:51)
  8. 8 Tura Lura Lural (That's an Irish Lullaby) - Van Morrison (3:52)
  9. 9 Caravan - Van Morrison (6:30)
  10. 10 Such a Night - Dr. John (5:24)
  11. 11 Rag Mama Rag (3:52)
  12. 12 Mad Waltz (5:31)
  13. 13 The Last Waltz Refrain (0:49)
  14. 14 The Last Waltz Theme (3:34)
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Album Credits

Performance Credits
The Band Primary Artist
Paul Butterfield Harmonica, Vocals, Background Vocals
Emmylou Harris Acoustic Guitar, Vocals
Neil Diamond Guitar, Vocals, Background Vocals
Dr. John Organ, Synthesizer, Guitar, Piano, Conga, Vocals, Background Vocals
Bob Dylan Guitar, Vocals
Ronnie Hawkins Vocals, Background Vocals
Joni Mitchell Acoustic Guitar, Vocals, Background Vocals
Robbie Robertson Guitar, Piano, Vocals, Soloist, Harp Guitar
Ringo Starr Drums
Steve Stills Guitar
Ron Wood Guitar, Soloist
Neil Young Acoustic Guitar, Guitar, Harmonica, Vocals, Background Vocals
Howard Johnson Tuba, Bass Clarinet, Flugelhorn, Baritone Saxophone
Bobby Charles Vocals, Background Vocals
Rick Danko Bass, Violin, Vocals
John Simon Piano
Bob Margolin Guitar, Soloist
Roebuck "Pops" Staples Guitar, Vocals
Eric Clapton Guitar, Vocals, Background Vocals, Soloist
Levon Helm Mandolin, Drums, Vocals
Garth Hudson Organ, Synthesizer, Piano, Accordion, Horn, Keyboards, Electric Piano, Saxophone, Soprano Saxophone, Tenor Saxophone, Pipe organ, Soloist
Charlie Keagle Clarinet, Alto Saxophone, Soprano Saxophone, Tenor Saxophone
Richard Manuel Organ, Dobro, Piano, Drums, Keyboards, Electric Piano, Vocals, Background Vocals
Van Morrison Vocals, Background Vocals
Muddy Waters Vocals
Larry Packer Electric Violin
Pinetop Perkins Piano, Vocals
Carl Radle Bass
Dennis St. John Drums
Mavis Staples Vocals
Jerry Hay Trumpet, Flugelhorn
Rich Cooper Trumpet, Flugelhorn
Tom Malone Trombone, Euphonium, Alto Flute, Bass Trombone
Jim Gordon Clarinet, Flute, Tenor Saxophone
Technical Credits
Ian Tyson Composer
Neil Diamond Composer
Bob Dylan Composer
Joni Mitchell Composer
Robbie Robertson Composer, Producer, Liner Notes
Neil Young Composer
Howard Johnson Horn Arrangements
Bobby Charles Composer
Rick Danko Composer
John Simon Producer, Horn Arrangements, String Arrangements, Musical Director
Johnnie Wright Composer
Terry Becker Engineer
Joel Bernstein Equipment Manager
Neil Brody Engineer
Hugh Brown Art Direction
Sandy Castle Road Manager
Eric Clapton Composer
Lamont Dozier Composer
Rob Fraboni Producer
Henry Glover Horn Arrangements
Levon Helm Composer
Eddie Holland Composer
Brian Holland Composer
Garth Hudson Arranger, Composer, Horn Arrangements
Elliot Mazer Engineer
Ellas McDaniel Composer
Van Morrison Composer
Wayne Neuendorf Engineer
Don Robey Composer
Larry Samuels Executive Producer
Stuart Taylor Engineer
Ray Thompson Engineer
Allen Toussaint Horn Arrangements
Bradley Hartman Engineer
Mac Rebennack Composer
Jack Anglin Composer
Jim Anglin Composer
Tim Kramer Engineer
Sam Phillips Composer
David Fricke Liner Notes
Ed Thrasher Art Direction
Andy Bloch Engineer
Steven Chean Editorial Research
Steve Vance Art Direction
Paul Sandweiss Engineer
Wray Smallwood Engineer
Dennis Mays Engineer
James Royce Shannon Composer
Bill Graham Producer
Patrick McDougal Engineer
Traditional Composer
Leigh Hall Liner Note Coordination
Ed Anderson Engineer
Tim Scanlin Liner Note Coordination
Jerry Stroud Engineer
Rock Brynner Road Manager
Jerry Caskey Equipment Manager
Ava Megna Production Liason
Taylor Phelps Road Manager
Cliff Crumpler Equipment Manager
Joe Veasey Composer
Herman Parker Jr. Composer
McKinley Morgan Composer
Fleecy Moore Composer
Steve Hall Mastering
Melvin London Composer
Tom Malone Horn Arrangements
Donovan Cowart Engineer
Reverend Gary Davis Composer
Willie Spears Equipment Manager
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