Last Warner Woman

Last Warner Woman

5.0 5
by Kei Miller
     
 

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"Miller is a name to watch."—The Independent

"This is magical, lyrical, spellbinding writing."—Granta

Adamine Bustamante is born in one of Jamaica's last leper colonies. When Adamine grows up, she discovers she has the gift of "warning": the power to protect, inspire, and terrify. But when she is sent to live in England, her

Overview

"Miller is a name to watch."—The Independent

"This is magical, lyrical, spellbinding writing."—Granta

Adamine Bustamante is born in one of Jamaica's last leper colonies. When Adamine grows up, she discovers she has the gift of "warning": the power to protect, inspire, and terrify. But when she is sent to live in England, her prophecies of impending disaster are met with a different kind of fear—people think she is insane and lock her away in a mental hospital.

Now an older woman, the spirited Adamine wants to tell her story. But she must wrestle for the truth with the mysterious "Mr. Writer Man," who has a tale of his own to share, one that will cast Adamine's life in an entirely new light. In a story about magic and migration, stories and storytelling, and the New and Old Worlds, we discover it is never one person who owns a story or has the right to tell it.

Born in Kingston, Jamaica, in 1978, Kei Miller is the author of The Same Earth, winner of the Una Marson Prize for Literature; and Fear of Stones, which was shortlisted for the Commonwealth Writers' Prize for Best First Book. His most recent poetry collection has been shortlisted for the Jonathan Llewellyn Rhys Prize, the Bocas Prize for Caribbean Literature, and the Scottish Book of the Year Award. In 2008 he was an International Writing Fellow at the University of Iowa. Miller currently divides his time between Jamaica and Scotland.

Editorial Reviews

Publishers Weekly
Beautifully imaginative and structurally inventive, Miller’s second novel (after The Same Earth) tells the story of Adamine Bustamante, an orphan raised in a leper colony in Spanish Town, Jamaica, whose gift of “warning” leads her to join the Revivalist Church. When Adamine immigrates to England in search of a better life, she is locked up in a mental asylum for preaching her doomsday views. Years later, released from the institution, she meets “Mr. Writer Man,” a young author interested in telling her story. Miller’s narrative alternates between Adamine’s first-person account, told in a colorful and soul-baring patois, and sections recounted, mostly in the third person, by Mr. Writer Man. The two viewpoints at times conflict in illuminating ways, but Mr. Writer Man’s reflections on truth, history, and literature pale next to the plot’s more immediate concerns: spirituality, violence against women, and migration, to name a few. Miller’s talents as a storyteller come to the fore in the book’s climactic final chapters, when previously withheld plot details are revealed, tying the book together. The challenge for the reader is to get through the opening chapters, whose leaps in time and shifts in point of view slow the story. But it’s worth the effort. (Apr.)
From the Publisher

" . . . emotionally absorbing . . ."—O, The Oprah Magazine, Top Ten Titles To Pick Up Now

"Mysticism, magic, tragedy and second changes figure largely in Kei Miller's The Last Warner Woman; heroine Adamine Bustamante is born with a magical skill in a Jamaican leper colony and moves to London, where her gift is not always welcomed."—EBONY, Quick and Good Books Section

"This book – like Ken Kesey’s One Flew Over the Cuckoo’s Nest – interrogates the idea of ‘normality’, but Miller also expects his readers to consider how what seems downright peculiar in one culture (England) is quite normal in another (Jamaica) . . . this is a splendid book and I hope my library has more of this author’s work."ANZ Litlovers

“This is a deceptive spellbinder, a metafiction so disguised as old-time storytelling that you can almost hear the crackle of home fire as it starts. But then it gets you with twists and turns, seduces and shocks you even as it wrestles with the very nature of storytelling itself. Like the best Jean Rhys novel it’s the story of women haunted by women, and of the dangers of both keeping secrets and saying too much.”—Marlon James

“Beautifully imaginative and structurally inventive. . . . Miller’s narrative alternates between Adamine’s first-person account, told in a colorful and soul-baring patois, and sections recounted, mostly in the third person, by Mr. Writer Man. The two viewpoints at times conflict in illuminating ways, but Mr. Writer Man’s reflections on truth, history and literature pale next to the plot’s more immediate concerns: spirituality, violence against women, and migration, to name a few.” —Publishers Weekly

“Wonderfully weaving together realism and fantasy . . . [Miller] shows us that magic is inherent in humanity. . . . Perhaps Miller’s greatest feat is the incorporation of the decorous yet often unused second person; sparingly used, it draws in the audience and demonstrates the special relationship between Adamine and Mr. Writer Man as well as the relationship between Miller and his readers. This poetic and enchanting work will appeal to readers of Caribbean literature and literary fiction.”—Library Journal

"[The Last Warner Woman] is about the inconsistencies between what we say, what we hear, and what we do with what we say and hear. . . . Miller portrays intriguing characters with perfect pitch in both narrative nuance and Adamine's colorful patter."—Booklist

"Miller's well-crafted prose and the originality of his subject make this an entirely gratifying novel. I didn't want to stop reading: from the very first sentence I was fascinated and knew that I was in the hands of a gifted writer. In the finely portrayed characters of Pearline and Adamine and the vivid details of the rural setting Kei Miller illuminates and gives voice to a neglected piece of Jamaican and, indeed, human history. In addition, the skillfully handled shift in voices, the presence of " Mr. Writer Man," the poignant displacement of Adamine and the narrative's resonant movement between the Caribbean and England combine to make this a notable addition to the postcolonial literary tradition, a work reminiscent of Jean Rhys and George Lamming. This novel is a rare pearl, one that I will cherish and delight in for a long time."—Margaret Cezair-Thompson

“A novel for those who are prepared to be teased, willing to roll their tongues around the colorful
patois and willing to suspend disbelief, relinquishing their need for things to turn out as they
ought to, in exchange for exploring things as they might be.”—Scotland on Sunday

“Miller isn’t just a writer . . . he is a true alchemist, and he has produced a thing of beauty here.”—Herald (UK)

"The Last Warner Woman is a 'splendocious' story, told 'crossways.' . . . Miller, who is also a poet, circles around his truths, teases out just-right words to hint at elusive meanings, and ends the novel by acknowledging that in every book 'the story within breathes its own breath.' [W]onderfully evocative images and Jamaican words dot Miller's mesmerizing novel, which enthralls, even as it confronts its readers."—The Star Tribune

"To enter the dream of this story is to get caught up in a wonderful web."—NewPages

"Miller handles these various narrators with finesse by maintaining a firm grasp on their voices; he knows his characters well, and like a Warner, their messages boom forth clearly. . . . And magically, despite the repetition and the misery and hardship within, you're compelled to stand beside the characters throughout because each voice is real and present, each take honest in its own way."—Baltimore City Paper

"The Last Warner Woman features compelling settings, masterful storytellers, a mystery, colorful characters, and language that resonates with beauty."—World Literature Today

"The Last Warner Woman ranks as one of the best things I've read so far this year. It had drama, intrigue, characters to love, characters to hate."—Insatiable Booksluts

Library Journal
Born in one of Jamaica's last leper colonies, Adamine Bustamente is raised by Mother Lazurus before leaving for England, where she is met with fear when she shares her gift of warning. Now older, she seeks to tell her story to "Mr. Writer Man," for no one person ever owns a story or has the right to tell it. Prize-winning Jamaican author Miller (The Same Earth)—wonderfully weaving together realism and fantasy as he shares the story of Mr. Mac, the taxi driver, or Adamine's stubborn yet loving grandmother—shows us that magic is inherent in humanity. Each character is portrayed as a real person, not someone to be forgotten as we move on to the next. Perhaps Miller's greatest feat is the incorporation of the decorous yet often unused second person; sparingly used, it draws in the audience and demonstrates the special relationship between Adamine and Mr. Writer Man as well as the relationship between Miller and his readers. VERDICT This poetic and enchanting work will appeal to readers of Caribbean literature and literary fiction.—Ashanti White, Univ. of North Carolina, Greensboro

Product Details

ISBN-13:
9780753828083
Publisher:
Phoenix
Publication date:
04/28/2011

What People are saying about this

From the Publisher
" . . . emotionally absorbing . . ."—O, The Oprah Magazine, Top Ten Titles To Pick Up Now

"Mysticism, magic, tragedy and second changes figure largely in Kei Miller's The Last Warner Woman; heroine Adamine Bustamante is born with a magical skill in a Jamaican leper colony and moves to London, where her gift is not always welcomed."—EBONY, Quick and Good Books Section

“This is a deceptive spellbinder, a metafiction so disguised as old-time storytelling that you can almost hear the crackle of home fire as it starts. But then it gets you with twists and turns, seduces and shocks you even as it wrestles with the very nature of storytelling itself. Like the best Jean Rhys novel it’s the story of women haunted by women, and of the dangers of both keeping secrets and saying too much.”—Marlon James

“Beautifully imaginative and structurally inventive. . . . Miller’s narrative alternates between Adamine’s first-person account, told in a colorful and soul-baring patois, and sections recounted, mostly in the third person, by Mr. Writer Man. The two viewpoints at times conflict in illuminating ways, but Mr. Writer Man’s reflections on truth, history and literature pale next to the plot’s more immediate concerns: spirituality, violence against women, and migration, to name a few.” —Publishers Weekly

“Wonderfully weaving together realism and fantasy . . . [Miller] shows us that magic is inherent in humanity. . . . Perhaps Miller’s greatest feat is the incorporation of the decorous yet often unused second person; sparingly used, it draws in the audience and demonstrates the special relationship between Adamine and Mr. Writer Man as well as the relationship between Miller and his readers. This poetic and enchanting work will appeal to readers of Caribbean literature and literary fiction.”—Library Journal

"[The Last Warner Woman] is about the inconsistencies between what we say, what we hear, and what we do with what we say and hear. . . . Miller portrays intriguing characters with perfect pitch in both narrative nuance and Adamine's colorful patter."—Booklist

"Miller's well-crafted prose and the originality of his subject make this an entirely gratifying novel. I didn't want to stop reading: from the very first sentence I was fascinated and knew that I was in the hands of a gifted writer. In the finely portrayed characters of Pearline and Adamine and the vivid details of the rural setting Kei Miller illuminates and gives voice to a neglected piece of Jamaican and, indeed, human history. In addition, the skillfully handled shift in voices, the presence of " Mr. Writer Man," the poignant displacement of Adamine and the narrative's resonant movement between the Caribbean and England combine to make this a notable addition to the postcolonial literary tradition, a work reminiscent of Jean Rhys and George Lamming. This novel is a rare pearl, one that I will cherish and delight in for a long time." —Margaret Cezair-Thompson

“A novel for those who are prepared to be teased, willing to roll their tongues around the colorful patois and willing to suspend disbelief, relinquishing their need for things to turn out as they ought to, in exchange for exploring things as they might be.” —Scotland on Sunday

“Miller isn’t just a writer . . . he is a true alchemist, and he has produced a thing of beauty here.”
—Herald (UK)

"The Last Warner Woman is a 'splendocious' story, told 'crossways.' . . . Miller, who is also a poet, circles around his truths, teases out just-right words to hint at elusive meanings, and ends the novel by acknowledging that in every book 'the story within breathes its own breath.' [W]onderfully evocative images and Jamaican words dot Miller's mesmerizing novel, which enthralls, even as it confronts its readers." —The Star Tribune

"To enter the dream of this story is to get caught up in a wonderful web."NewPages

"Miller handles these various narrators with finesse by maintaining a firm grasp on their voices; he knows his characters well, and like a Warner, their messages boom forth clearly. . . . And magically, despite the repetition and the misery and hardship within, you're compelled to stand beside the characters throughout because each voice is real and present, each take honest in its own way." Baltimore City Paper

"The Last Warner Woman features compelling settings, masterful storytellers, a mystery, colorful characters, and language that resonates with beauty." World Literature Today

"The Last Warner Woman ranks as one of the best things I've read so far this year. It had drama, intrigue, characters to love, characters to hate." Insatiable Book Sluts

Meet the Author


Born in Kingston, Jamaica, in 1978, Kei Miller is the author of The Same Earth, winner of the Una Marson Prize for Literature, and Fear of Stones, which was shortlisted for the Commonwealth Writers’ Prize for Best First Book. His most recent poetry collection has been shortlisted for the Jonathan Llewelyn Rhys Prize, the Bocas Prize for Caribbean Literature, and the Scottish Book of the Year Award. In 2008, Miller was an International Writing Fellow at the University of Iowa. Miller currently divides his time between Jamaica and Scotland.

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The Last Warner Woman 5 out of 5 based on 0 ratings. 5 reviews.
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Anonymous More than 1 year ago
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