From the Publisher
There’s never a dull moment in Georgia with Karin Slaughter on the literary rampage.” — Washington Post on The Last Widow
“With a well-written, intriguing plot and an edge-of-the-seat ending, this is sure to keep readers up late into the night.” — Library Journal (starred review) on The Last Widow
“With familiar characters, further developed here, and a plot as timely as it is riveting, Slaughter’s latest will enthrall her ever-growing legion of fans. HIGH-DEMAND BACKSTORY: Slaughter’s thrillers have become near-automatic best-sellers, and this is one of her best.” — Booklist (starred review) on The Last Widow
“Vivid characters and rapidly escalating stakes complement the riveting, adrenaline-fueled plot. Along the way, Slaughter examines such topics as misogyny, white nationalism, and the politicization of law enforcement. Thriller fans will devour this visceral, gratifying entry.” — Publishers Weekly on The Last Widow
Booklist (starred review) on The Last Widow
With familiar characters, further developed here, and a plot as timely as it is riveting, Slaughter’s latest will enthrall her ever-growing legion of fans. HIGH-DEMAND BACKSTORY: Slaughter’s thrillers have become near-automatic best-sellers, and this is one of her best.
Washington Post on The Last Widow
There’s never a dull moment in Georgia with Karin Slaughter on the literary rampage.
null Washington Poston The Last Widow
There’s never a dull moment in Georgia with Karin Slaughter on the literary rampage.
Kirkus Reviews
2019-06-17
Pediatrician/medical examiner Sara Linton's path to marrying Will Trent, of the Georgia Bureau of Investigation, runs into apocalyptic obstacles only Slaughter could devise.
To begin with, Sara's mother objects so strenuously to Will that she won't even utter his name. But her opposition can't compete with the carnage that erupts when Sara and Will (The Kept Woman, 2016, etc.), hearing the sounds of a bomb near Emory University, rush to the scene and encounter along the way the aftermath of a three-car collision. Stopping to help, they soon smell something amiss, but not soon enough to prevent them from being overpowered and separated by the supposed victims. Will is beaten to the ground; Sara is whisked off in a car whose occupants include Michelle Spivey, a scientist with the Centers for Disease Control who was abducted from under her young daughter's nose a month ago. Arriving at the mountain encampment of the Invisible Patriot Army, a paramilitary cadre determined to make America white again, Sara is first forced to treat the wounds of the men who kidnapped her and then asked by IPA leader Dash to remain so that she can treat an outbreak of measles that's swept through the children in the camp, including Dash's daughter, whose mother is Gwen Novak, the daughter of Martin Novak, whose history of anti-government bank robberies has made him a high-value federal prisoner. As Will schemes to infiltrate the camp disguised as a new recruit, Sara is dismayed to find that no matter what she does, the children she's tending keep getting sicker and sicker. Even the most ardent fans of Slaughter's white-hot thrillers (Pieces of Her, 2018, etc.) will be shocked and horror-stricken by the outrage Dash has planned.
All the emotional intensity Slaughter's readers expect, now focused on a diabolical domestic terrorist. Don't say you weren't warned.
