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| Louis Jordan | Primary Artist, Alto Saxophone, Vocals |
| Budd Johnson | Baritone Saxophone, Tenor Saxophone |
| Jerome Richardson | Saxophone |
| Irving Ashby | Guitar |
| Ernie Royal | Trumpet |
| Jackie Davis | Organ |
| Mickey Baker | Guitar |
| Lowell Hastings | Saxophone, Tenor Saxophone |
| Ernie Hayes | Piano |
| Thurber Jay | Bass |
| John Kirkwood | Drums, Saxophone |
| Chester Lane | Piano |
| Dave McRae | Saxophone |
| Rafael Miranda | Percussion, Bongos |
| Bert Payne | Guitar |
| Maurice Simon | Saxophone |
| Francisco Pozo | Percussion, Bongos |
| Sam Taylor | Tenor Saxophone |
| Robert Mitchell | Trumpet |
| Frank Cirillo | Drums |
| Lowell 'Count' Hastings | Tenor Saxophone |
| Johnny Kirkwood | Saxophone |
| Jimmy Clevaland | Trombone |
| Dorothy Smith | Vocals |
| Austin Powell | Tenor Saxophone |
Editorial Reviews
All Music Guide - Thom Jurek
The 56 cuts collected on this JSP set contain all but a few of Louis Jordan's singles and albums recorded for Decca, Aladdin, RCA's "X" imprint, and Mercury between 1953 and 1957 (the missing sides were recorded in 1958). Many of these cuts were recorded as singles, ultimately singles that found little success due to the changing nature of the swinging jump blues and jazz jive -- pioneered by Jordan in the 1940s -- which were shifting toward R&B and early rock & roll. While Jordan was still a large concert draw, his fortunes as a recording artist began to dry up, despite the fact that the quality of the music here is stellar. The electric guitar plays a much more ...