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A superstitious schoolmaster, in love with a wealthy farmer's daughter, has a terrifying encounter with a headless horseman.
Gr 5 Up- Grimly's interpretation of Irving's classic features quirky, creepy artwork that is strange in all the right ways. Calling to mind R. Crumb's crosshatched, wild-eyed, weirdly proportioned characters, Grimly's Ichabod Crane and the other townspeople are (predictably) grim caricatures. To cast the town in a perpetual twilight, the artist relies on a muted palette of grays, browns, tans, and oranges, which provides ample range and visual variety. The art and the text are not exactly symbiotic; Irving's prose, even with a few modifications, is simply too dense for modern readers. Youngsters may find themselves reading the text and examining the art separately, rather than absorbing both at the same time. More heavily graphic than an illustrated story, but still not quite a graphic novel, and equally at home in juvenile or young adult sections, this inventive but faithful adaptation deserves shelf space in most libraries.-Catherine Threadgill, Charleston County Public Library, SCCopyright 2006 Reed Business Information.
|Preface to the Revised Edition|
|The Author's Account of Himself||3|
|Rip Van Winkle||25|
|English Writers on America||42|
|Rural Life in England||50|
|The Broken Heart||57|
|The Art of Book Making||62|
|A Royal Poet||68|
|The Country Church||81|
|The Widow and Her Son||86|
|A Sunday in London||93|
|The Boar's Head Tavern, East Cheap||96|
|The Mutability of Literature||106|
|The Inn Kitchen||127|
|The Spectre Bridegroom||129|
|The Stage Coach||163|
|The Christmas Dinner||192|
|Traits of Indian Character||242|
|Philip of Pokanoket||252|
|The Pride of the Village||277|
|The Legend of Sleepy Hollow||293|
|Reading Group Guide||357|
1. Why does Iriving call this collection The Sketch Book? What effect is he trying to achieve with the preponderance of visual imagery?
2. How do the stories in The Sketch Book inform one another and function one another and function as a collection? How do the stories set in America--"The Legend of Sleepy Hollow" and "Rip Van Winkle"--distinguish themselves from Geoffrey Crayon's vignettes about his travels in England?
3. Alice Hoffman says in her Introduction that Irving is thought to have created the short-story genre in America. What constitutes a short story, and what are the hallmarks of the American short story? How does it break with its European predecessors yet still work within tradition?
4. Why do you think Washington Irving uses the writing and narration of the fictional Diedrich Knickerbocker (the pen name he used in writing his famous spoof A History of New York) to bookmark "The Legend of Sleepy Hollow"? What effect does this have on the story itself? does it lend credulity or only make it more fantastic?
5. The poem that Irving quotes at the outset of "The Legend of Sleepy Hollow"--"The Castle of Indolence" by James Thomson--recounts the story of an enchanter who deprives all who enter his castle of their free will and their resolve. Why do you think Irving chose this particular poem? How does it inform your reading of the story?
6. How is this story influenced by the gothic literary tradition that preceded it, and how--in its setting, mood, plot, and message--does it embrace the gothic itself?
7. How has the village of Sleepy Hollow been affected or,conversely, unaffected by the American Revolution? In what context does the narrator refer to it?
Posted July 15, 2010
No text was provided for this review.