The Legend Of Sleepy Hollow (Large Print)

The Legend Of Sleepy Hollow (Large Print)

4.4 49
by Washington Irving
     
 

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This classic large print title is printed in 16 point Tiresias font as recommended by the Royal National Institute for the Blind

Overview

This classic large print title is printed in 16 point Tiresias font as recommended by the Royal National Institute for the Blind

Editorial Reviews

The Barnes & Noble Review
Will Moses, the great-grandson of Grandma Moses, has illustrated this American classic with a liveliness that its creator might have appreciated. This conjuring tale is a Halloween must.
Rosemary Marotta
Publishers Weekly - Publisher's Weekly
THE LEGEND OF SLEEPY HOLLOW Washington Irving, illus. by Michael Garland. Boyds Mills, $8.95 ISBN 1-56397-605-6. Full-page oil paintings illustrate this unabridged edition of the classic spine-tingler. All ages. (Sept.)
Children's Literature - Susie Wilde
Kelley makes a significant contribution to picture books for young adults with his skillful rendition of Irving's classic The Legend of Sleepy Hallow. Kelley drew his inspiration from the painters of the late 18th century. He uses style, color and light to reflect the tones of the Flemish masters and revive the Hudson Valley life of the early Dutch settlers. Green predominates, giving a woodsy feel while creating a strong sense of setting and time. Kelley also adopts the illustrative vision of the 1700's where he depicts a horse galloping with front and back legs extended, as they were in the period (artists didn't have photography to show them that a horse doesn't gallop that way). All these things add to the feeling of the period.
Children's Literature
Even before this spooky tale begins, the illustration on the cover of this book will send a shiver down the spine of most readers. This is the tale of an obnoxious school teacher, Ichabod Crane, and his attempts to win the hand of Katrina, the beautiful daughter of a rich, local farmer. Katrina is already being courted by the handsome and fearless Brom Bones who is famous for his tricks and practical jokes. Ichabod's greed and foolishness eventually lead him on a very long and eventful ride home from a party one night in the company of the headless horseman. Will Moses is the great-grandson of Grandma Moses, the painter famous for her primitive, folk art style and it shows. He has inherited both her style and talent, which are entirely appropriate for this deliciously scary retelling of Washington Irving's 1820 story.
School Library Journal
Gr 5-8-- An unabridged version of the classic tale of Ichabod Crane, his affection for the wealthy and beautiful Katrina Van Tassel, and his confrontation with the Headless Horseman. Despite Irving's outmoded narrative style, this is still an excellent ghost story that combines appropriate amounts of humor and terror while integrating Germanic legend with New England folklore, specifically that of New York State. Garland's realistic oil paintings are either portraitures or landscapes. The former are reminiscent of Barry Moser's work, while the latter resemble those by Thomas Locker. While these illustrations act as a sophisticated balance to Irving's wordy narrative, they do not consistently evoke the mood of Arthur Rackham's interpretation (1990). In her retelling for younger children (1987, both Morrow), Diane Wolkstein avoids the African-American stereotypes that Irving used for ``comic relief'' and concentrates on telling a good story, eliminating the complicated and archaic language of the period. All in all, this new version is useful where additional copies of the unabridged edition are needed. --Andrew W. Hunter, Public Library of Charlotte and Mecklenburg, Charlotte, NC
Booknews
The unabridged text of Washington Irving's classic folktale is illustrated by Gary Kelley's evocative color chalk drawings and b&w gravestone rubbings. 8x13". Annotation c. Book News, Inc., Portland, OR (booknews.com)
Carolyn Phelan
Many folk-art paintings illustrate this simplified retelling of Washington Irving's "Legend of Sleepy Hollow". Varied in size from small vignettes to double-page spreads, the colorful paintings are reminiscent of the works of Moses' great-grandmother, better known as Grandma Moses. A large-format picture book that will fill a need in some libraries.
Kirkus Reviews
Abridged but not rewritten, the classic tale is decorated with a plethora of very small, comically gothic cartoons that add an air of spooky grotesquerie. An overall color scheme of pale browns and oranges adds a properly autumnal air to Sleepy Hollow's knobby woodlands, and the supporting cast includes nearly as many ghosts, toothy imps and the like as it does human figures. Grimly's not much for verisimilitude-party guests at the Van Tassels include African-Americans, and there's a glimpse of a generic Native American earlier on-but burly "rantipole hero" Brom Bones looks rightly massive next to the exaggeratedly gawky figure of Ichabod Crane. The Headless Horseman not only sports a particularly eerie-looking twig between its shoulders but rides a red-eyed, demonic steed, and in three views on the final page the decayed schoolhouse has a decidedly haunted air. Still, this is not a particularly scary rendition, and because its text is chopped into scattered, easily digestible passages tucked between or inside the panels, it may have more appeal to less-able readers than full versions. (Fantasy. 10-12)

Product Details

ISBN-13:
9781846372780
Publisher:
Echo Library
Publication date:
01/02/2006
Edition description:
Large Print
Pages:
68
Product dimensions:
6.00(w) x 9.00(h) x 0.16(d)
Age Range:
8 - 12 Years

Read an Excerpt

The Author's Account of Himself

I am of this mind with Homer, that as the snaile that crept out of her shel was turned eftsoones into a Toad, and thereby was forced to make a stoole to sit on; so the traveller that stragleth from his owne country is in a short time transformed into so monstrous a shape that he is faine to alter his mansion with his manners and to live where he can, not where he would.

I was always fond of visiting new scenes and observing strange characters and manners. Even when a mere child I began my travels and made many tours of discovery into foreign parts and unknown regions of my native city; to the frequent alarm of my parents and the emolument of the town cryer. As I grew into boyhood I extended the range of my observations. My holy day afternoons were spent in rambles about the surrounding country. I made myself familiar with all its places famous in history or fable. I knew every spot where a murder or robbery had been committed or a ghost seen. I visited the neighbouring villages and added greatly to my stock of knowledge, by noting their habits and customs, and conversing with their sages and great men. I even journeyed one long summer's day to the summit of the most distant hill, from whence I stretched my eye over many a mile of terra incognita, and was astonished to find how vast a globe I inhabited.

This rambling propensity strengthened with my years. Books of voyages and travels became my passion, and in devouring their contents I neglected the regular exercises of the school. How wistfully would I wander about the pier heads in fine weather, and watch the parting ships, bound to distant climes. With what longing eyes would Igaze after their lessening sails, and waft myself in imagination to the ends of the earth.

Further reading and thinking, though they brought this vague inclination into more reasonable bounds, only served to make it more decided. I visited various parts of my own country, and had I been merely a lover of fine scenery, I should have felt little desire to seek elsewhere its gratification, for on no country have the charms of nature been more prodigally lavished. Her mighty lakes, like oceans of liquid silver; her mountains with their bright aerial tints; her valleys teeming with wild fertility; her tremendous cataracts thundering in their solitudes; her boundless plains waving with spontaneous verdure; her broad deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies kindling with the magic of summer clouds and glorious sunshine-no, never need an American look beyond his own country for the sublime and beautiful of natural scenery.

But Europe held forth the charms of storied and poetical association. There were to be seen the masterpieces of art, the refinements of highly cultivated society, the quaint peculiarities of ancient and local custom. My native country was full of youthful promise; Europe was rich in the accumulated treasures of age. Her very ruins told the history of times gone by, and every mouldering stone was a chronicle. I longed to wander over the scenes of renowned achievement-to tread as it were in the footsteps of antiquity-to loiter about the ruined castle-to meditate on the falling tower-to escape in short, from the commonplace realities of the present, and lose myself among the shadowy grandeurs of the past.

Meet the Author

Washington Irving is considered by many to be the father of American literature. He died in 1859.

Michael Garland has made an indelible mark on the world of children's literature. His rich,colorful artwork captures the flavor of Washington Irving's classic The Legend of Sleepy Hollow, Elizabeth Friedrich's Leah's Pony, Corinne Demas Bliss's Electra and the Charlotte Russe, and Ann Tompert's Saint Patrick and Saint Nicholas.

Mr. Garland wrote and illustrated Angel Cat, Dinner at Magritte's, Circus Girl, and My Cousin Katie, which was named an ALA Booklist Editors' Choice and a NCSS-CBC Notable Childrens Trade Book in the field of social studies. One of his paintings from The Legend of Sleepy Hollow was included in the 1992 Society of Illustrators' Annual Show, and the entire book was selected for the organization's "Original Art of Children's Books" exhibit also in 1992.

Mr. Garland was awarded Certificates of Merit in the Society of Illustrators' Annual Shows from 1981-1988 and in 1990-1992. A native New Yorker, Michael Garland earned a bachelor of fine arts degree from the Pratt Institute in 1974. An avid landscape painter in his leisure time, Mr. Garland lives with his wife and three children in Patterson, New York, not far from the scene of Washington Irving's great American folktale.

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The Legend of Sleepy Hollow 4.4 out of 5 based on 0 ratings. 49 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Barry0 More than 1 year ago
Perfect story for Halloween time.
Anonymous More than 1 year ago
Love this story! Jms
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Shrugged, seeing no threat*
Anonymous More than 1 year ago
Walks in* Does anyone know who I am?
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I honestly loved this book. It captures the moment and it's like putting that moment in front of you. The only problem was that it was not a chapter book/novel. I was expecting to be reading it for the next few days, however, it's only forty something pages. I still HIGHLY RECOMMEND IT!!!!!!!!!!!!!!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
The Legend Of Sleepy Hollow has always been, and always will be, my favorite story. The rich imagery, Irving's incredible writing style, the unforgetable character of Ichabod Crane and the timeless image of him being chased by the Headless Horseman...simply the best!
Guest More than 1 year ago
Ever since I was a kid, 'The Legend Of Sleepy Hollow' has been my all-time favorite story. It has stood the test of time and will continue to enthrall readers for generations to come. The image of the Headless Horseman chasing Ichabod Crane through the spooky forests of Sleepy Hollow...it just doesn't get any better than this! A must-have for any Halloween get-together, or for anyone who just enjoys great literature!
Anonymous 7 months ago
-Blake
Anonymous 8 months ago
She watchs everyone from the shadows
Anonymous 8 months ago
I love Lindsey stirling, shes amazing.
Anonymous 9 months ago
Walked in. He had a raven on his shoulder, and a black sword on his back. (In case you are wondering, this character looks and acts like Karl from 'the law of talos' on youtube. However, for the purpose of this rp, he is an ordinary human, rather than the statue that he is in the youtube thing.)
Anonymous 9 months ago
Clomp clomp the gun was geting heavy and her feet where on fire but she had to run the govermen was after her and the north side was in war with her side she jummped behind a bush and crouched waiting this was for her mother and father and 5 year old brother she waited then BAM BAM BAM 2 guys down ... and 2 less governers to kill
Anonymous 9 months ago
He wiped the brow from his face as he scurried up a tree in silence. Luke hugged his knees, and leaned against the tree, slowly exhaling. He gripped his guns, and closed his eyes, daring not to experience this. Too much has happened. This was his home. He didn't want to believe it
Anonymous 9 months ago
She stepped out of the barren forest but quickly stepped back in after hearing foot steps. She climbed the tree carfully and waited at the top...
Anonymous 9 months ago
The 18-year-old girl crept through the wasteland that she used to call her home. It had been burnt down by a hoard of Statists when she was 16, two years ago, when the government had become this bad.
Anonymous More than 1 year ago
Nice read. Enjoyed it
Anonymous More than 1 year ago