- Califia (Stone Rider)
- The Bed
- Sleep in the Grass
- Leather and Lace
- If It's Monday Morning
- The Night Before
- Bye Babe
- Victims of the Night
- Chico
- Hey Cowboy
- No Train to Stockholm
- Won't You Tell Your Dreams
- Nobody Like You
- Trouble Maker
- What's More I Don't Need Her
- Come On Home to Me
- I Just Learned to Run
5
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0826853008419
![The Lhi Years: Singles, Nudes and Backsides 1968-71 [Remastered]](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v12.11.6)
The Lhi Years: Singles, Nudes and Backsides 1968-71 [Remastered]
by Lee Hazlewood
Lee Hazlewood
![The Lhi Years: Singles, Nudes and Backsides 1968-71 [Remastered]](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v12.11.6)
The Lhi Years: Singles, Nudes and Backsides 1968-71 [Remastered]
by Lee Hazlewood
Lee Hazlewood
Vinyl LP(Long Playing Record)
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Overview
One could go off the rails trying to explain the odd genius of Lee Hazlewood. A born wanderer, a natural iconoclast, and a man who simply heard music his own way and was somehow able to sail the shark-infested waters of the music business on his own terms by out-sharking the sharks and doing what he pleased, Hazlewood defied easy definitions. He was a fascinating songwriter with a sort of desert Vegas cowboy vision of life, and he was a subtle, brilliant, and innovative producer in the studio, crafting recordings that had enough echo, space, and surprises that Phil Spector viewed him as a mentor. Hazlewood was every bit as eccentric as Spector, too, and at the close of the '60s, he suddenly moved to Stockholm, started his own label, LHI (Lee Hazlewood Industries), and turned out a fair amount of extremely interesting material, most of which wasn't even remotely aimed at commercial success. Light in the Attic Records has begun an archival reissue series of some of these rare Hazlewood sides, and this set, which covers 1968 to 1971, is the first of these. With a sparse and yet somehow strangely lush production sound full of reverb and echo, spooky strings, and hushed percussion, Hazlewood sounds here like a resigned and weary ex-patriot cowboy version of Leonard Cohen crossed with Sun Records-era Johnny Cash, all of which would make these recordings simply curios if the songs weren't so good -- and they're good. "No Train to Stockholm" is brilliant, and so, too, is the bleak beauty of "If It's Monday Morning" and the weary wisdom of "I Just Learned to Run." Hazlewood manages to sound resigned, lightly disgusted, heartbroken, and deathbed wise as he sings his way through these songs, none of which ever hit anywhere near an AM radio station. It's easy to be excited for more volumes in this series after hearing this one. ~ Steve Leggett
Product Details
Release Date: | 12/15/2023 |
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Label: | Light In The Attic Records |
UPC: | 0826853008419 |
Tracks
Album Credits
Performance Credits
Lee Hazlewood Primary ArtistSuzi Jane Hokom Primary Artist,Featured Artist
Nina Lizell Primary Artist,Featured Artist
Ann-Margret Primary Artist,Featured Artist
Edgar Lustgarten Brass
Jesse Ehrlich Brass
Jack Nitzsche Keyboards
Chuck Berghofer Bass (Upright)
Clarence White Guitar
Curtis Amy Flute
Virgil Evans Brass
Lyle Ritz Bass
John Rotella Brass,Woodwind
Lew McCreary Brass,Woodwind
Jerry Cole Bass,Guitar
Ray Pohlman Bass
Vic Flick Guitar
Nicky Hopkins Keyboards
Mischa Russell Strings
Jerome Reisler Strings
Arthur Maebe Brass
Armand Kaproff Brass
George Kast Brass
Assa Drori Strings
Wilbert Nuttycombe Brass,Strings
Nathan Gershman Strings
Arnold Belnick Brass
Donnie Owens Guitar,Guitar (Rhythm)
James Getzoff Brass,Woodwind
Roy Caton Brass
Robert Barene Strings
Gary Coleman Drums,Percussion
Jack Sperling Drums
Don Randi Organ,Piano
Vincent DeRosa Brass,Woodwind
Jim Gordon Drums
Jim Horn Brass,Woodwind
Plas Johnson Brass
Ralph Schaeffer Strings
Sam Goldstein Drums
Victor Feldman Piano
Alan Estes Percussion
William Hinshaw Brass
Oliver Mitchell Brass,Woodwind
Shari Zippert Strings
Ray Kelley Strings
David Filerman Strings
Anthony Terran Brass,Woodwind
Leonard Malarsky Brass,Strings
Vito Mangano Brass,Woodwind
Gregory Bemko Strings
Stanley Plummer Strings
Henry Sigismonti Brass
Ray Kelly Strings
Harold Bemko Strings
Lou Klass Strings
Murray Adler Strings
Tibor Zelig Strings
Henry Ferber Brass,Strings
Harold Diner Brass,Woodwind
Joe Cannon Guitar
Paul N. Humphrey Drums
Jerome Kessler Strings
Russ Titleman Guitar
Raymond Kelley Brass
William Kurasch Strings
Alton Hendrickson Guitar
Carl LaMagna Strings
David a. Duke Brass,Woodwind
Big Jim Sullivan Guitar
Louis Blackburn Brass
James O'Rafferty Pedal Steel
David Cohen Guitar
Gerald McGee Guitar
Christine Maleveska Strings
Donald Owens Guitar
Igor Heroshevsky Strings
Thomas Holbrook Bass
Technical Credits
Patrick McCarthy Project CoordinatorShel Talmy Composer,Producer
Jack Nitzsche Arranger
Lars Samuelson Arranger
Eddie Brackett Engineer
Charlie McCoy Arranger
David Whitaker Arranger
Lee Hazlewood Arranger,Composer,Producer
Josh Wright Executive Producer
Jimmie Haskell Arranger
Moseley Composer
Brian Kehew Transfers
Donnie Owens Producer
Wyndham Wallace Liner Notes
Billy Strange Arranger
Larry Marks Producer
Damon Lyon-Shaw Engineer
Henry Owings Design
B. Belland Composer
Jim Walters Engineer
Matt Sullivan Executive Producer,Compilation Producer
Joe Nixon Producer
Johnny Arthy Arranger
John Baldwin Remastering
J. Nixon Composer
Big Jim Sullivan Arranger
Jason Grant Proof Reading
D.T. Summerville Composer
Hunter Lea Compilation Producer
From the B&N Reads Blog
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