The Lifeboat

( 141 )

Overview

Grace Winter, 22, is both a newlywed and a widow. She is also on trial for her life.

In the summer of 1914, the elegant ocean liner carrying Grace and her husband Henry across the Atlantic suffers a mysterious explosion. Setting aside his own safety, Henry secures Grace a place in a lifeboat, which the survivors quickly realize has exceeded capacity. For any to live, some must die.

As the castaways battle the elements and each other, Grace ...

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The Lifeboat: A Novel

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Overview

Grace Winter, 22, is both a newlywed and a widow. She is also on trial for her life.

In the summer of 1914, the elegant ocean liner carrying Grace and her husband Henry across the Atlantic suffers a mysterious explosion. Setting aside his own safety, Henry secures Grace a place in a lifeboat, which the survivors quickly realize has exceeded capacity. For any to live, some must die.

As the castaways battle the elements and each other, Grace recollects the unorthodox way she and Henry met, and the new life of privilege she thought she'd found. Will she pay any price to keep it?

THE LIFEBOAT is a page-turning novel of hard choices and survival, narrated by a woman as unforgettable and complex as the events she describes.

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Editorial Reviews

From Barnes & Noble

Readers still debate about the ethical decisions made by this debut novel's main character, but Charlotte Rogan's The Lifeboat continues to win readers with its intense, well-written recreation of a 1914 ocean liner disaster. A Summer 2012 Discover selection.

Wall Street Journal
"[Grace Winter is] a gratifyingly complex character who narrates this dazzling psychological drama."
Jocelyn McClurg
"Beautifully constructed first novel...Rogan crafts a harrowing, suspenseful tale of survival...Grace is a bold and compelling creation, a female protagonist whose humanity is revealed not through her vulnerability but by a cool pragmatism that could have made her repugnant in the hands of a less skilled, sympathetic writer...The Lifeboat raises these forever fascinating questions without moral posturing or sentimentality."
Richard Eder
"A detailed and chokingly graphic novel...Rogan's vivid, aching detail is delivered through Grace's voice. But something else comes through as well, and this, rather than the story itself, is the novel's undermining and deeply unsettling core...The story [Grace] feeds us is mesmerizing, unquestionably believable for the most part, yet poisoned even in its most casual details. But we don't know just where the poison lodges...Rogan has done something more complex. The veil remains; only hints come through; enough to leave the reader - intrigued, yes, and also frustrated - in doubt somewhere short of certainty. And indeed the writer has performed a fictional equivalent to a phenomenon in sub-atomic physics: that observing a phenomenon can make it slip away and alter."
Mary Pols
"A superb first book...a cunning narrator...A psychological horror story...Rogan paints a vivid picture first of grimly necessary heartlessness...The Lifeboat is a tremendously fast-paced read...in a tantalizing turn, Rogan leaves it up to the reader to decide who deserves to walk the proverbial plank, stirring a diabolically fun internal debate. Rogan is a novelist on her maiden voyage, but she steers The Lifeboat with a remarkably assured hand."
Christina Ianzito
"Rogan manages to distill this drama about what's right and wrong when the answer means life or death into a gripping, confident first novel...Other novels have examined the conscience and guilt of a survivor among the dead, but few tales are as thoughtful and compelling as this."
J. M. Coetzee
"Charlotte Rogan uses a deceptively simply narrative of shipwreck and survival to explore our all-too-human capacity for self-deception."
Emma Donoghue
"The Lifeboat traps the reader in a story that is exciting at the literal level and brutally moving at the existential: I read it in one go."
Jonathan Raban
"The Lifeboat is both an enthralling story of survival at sea and a novel that is satisfyingly concerned with the characters of its own storytelling...[The Lifeboat] bristles throughout with moral and historical dilemmas that arise from events in the text, and will provide argumentative fodder for book clubs...One hell of a debut."
Karen Holt
"Riveting...the narrative stays focused mostly on [Grace's] experience in the boat, the tension deliciously building as the passengers grow hungrier, thirstier, and more desperate."
Tim O'Brien
"The Lifeboat is a spellbinding and beautifully written novel, one that will keep readers turning pages late into the night. This is storytelling at its best, and I was completely absorbed from beginning to end."
Valerie Martin
"The Lifeboat is a richly rewarding novel, psychologically acute and morally complex. It can and should be read on many levels, but it is first and foremost a harrowing tale of survival. And what an irresistible tale it is; terrifying, intense, and, like the ocean in which the shipwrecked characters are cast adrift, profound."
Hilary Mantel
"What a splendid book. . . . I can't imagine any reader who looks at the opening pages wanting to put the book down. . . . It's so refreshing to read a book that is ambitious and yet not tricksy, where the author seems to be in command of her material and really on top of her game. It's beautifully controlled and totally believable."
Helen Rogan
"Rogan has written an eerie, powerful debut you'll want to race through, but try to resist the urge. A slower read reveals a psychological depth that'll leave you thinking."
Sarah Towers
"Impressive, harrowing first novel...[Grace] narrates the book with panache - and a good dose of unreliability...Rogan writes viscerally about the desperate condition of the castaway...But it's her portrait of Grace, who is by turns astute, conniving, comic and affecting, that drive the book...As Rogan proves with this indelible character, there's a profound truth and even beauty in Grace's degree of self-loyalty."
Stephan Lee
"In her assured debut, Rogan has written a layered and provocative tale of survival and impossible decisions. But her biggest achievement is the disarmingly demure yet fiercely shrewd Grace, a narrator as fascinating and unreliable as they come."
From the Publisher
"Impressive, harrowing first novel...[Grace] narrates the book with panache - and a good dose of unreliability...Rogan writes viscerally about the desperate condition of the castaway...But it's her portrait of Grace, who is by turns astute, conniving, comic and affecting, that drive the book...As Rogan proves with this indelible character, there's a profound truth and even beauty in Grace's degree of self-loyalty."—Sarah Towers, New York Times Book Review

"In her assured debut, Rogan has written a layered and provocative tale of survival and impossible decisions. But her biggest achievement is the disarmingly demure yet fiercely shrewd Grace, a narrator as fascinating and unreliable as they come."—Stephan Lee, Entertainment Weekly

"Rogan has written an eerie, powerful debut you'll want to race through, but try to resist the urge. A slower read reveals a psychological depth that'll leave you thinking."—Helen Rogan, People

"[Grace Winter is] a gratifyingly complex character who narrates this dazzling psychological drama."—Wall Street Journal

"A superb first book...a cunning narrator...A psychological horror story...Rogan paints a vivid picture first of grimly necessary heartlessness...The Lifeboat is a tremendously fast-paced read...in a tantalizing turn, Rogan leaves it up to the reader to decide who deserves to walk the proverbial plank, stirring a diabolically fun internal debate. Rogan is a novelist on her maiden voyage, but she steers The Lifeboat with a remarkably assured hand."—Mary Pols, Time

"Rogan manages to distill this drama about what's right and wrong when the answer means life or death into a gripping, confident first novel...Other novels have examined the conscience and guilt of a survivor among the dead, but few tales are as thoughtful and compelling as this."—Christina Ianzito, Washington Post

"Beautifully constructed first novel...Rogan crafts a harrowing, suspenseful tale of survival...Grace is a bold and compelling creation, a female protagonist whose humanity is revealed not through her vulnerability but by a cool pragmatism that could have made her repugnant in the hands of a less skilled, sympathetic writer...The Lifeboat raises these forever fascinating questions without moral posturing or sentimentality."—Jocelyn McClurg, USA Today

"A detailed and chokingly graphic novel...Rogan's vivid, aching detail is delivered through Grace's voice. But something else comes through as well, and this, rather than the story itself, is the novel's undermining and deeply unsettling core...The story [Grace] feeds us is mesmerizing, unquestionably believable for the most part, yet poisoned even in its most casual details. But we don't know just where the poison lodges...Rogan has done something more complex. The veil remains; only hints come through; enough to leave the reader - intrigued, yes, and also frustrated - in doubt somewhere short of certainty. And indeed the writer has performed a fictional equivalent to a phenomenon in sub-atomic physics: that observing a phenomenon can make it slip away and alter."—Richard Eder, Boston Globe

"The Lifeboat is both an enthralling story of survival at sea and a novel that is satisfyingly concerned with the characters of its own storytelling...[The Lifeboat] bristles throughout with moral and historical dilemmas that arise from events in the text, and will provide argumentative fodder for book clubs...One hell of a debut."—Jonathan Raban, New York Review of Books

"Riveting...the narrative stays focused mostly on [Grace's] experience in the boat, the tension deliciously building as the passengers grow hungrier, thirstier, and more desperate."—Karen Holt, O, the Oprah Magazine"Charlotte Rogan uses a deceptively simply narrative of shipwreck and survival to explore our all-too-human capacity for self-deception."—J. M. Coetzee

"The Lifeboat traps the reader in a story that is exciting at the literal level and brutally moving at the existential: I read it in one go."—Emma Donoghue, author of Room

"What a splendid book. . . . I can't imagine any reader who looks at the opening pages wanting to put the book down. . . . It's so refreshing to read a book that is ambitious and yet not tricksy, where the author seems to be in command of her material and really on top of her game. It's beautifully controlled and totally believable."—Hilary Mantel, author of Wolf Hall

"The Lifeboat is a spellbinding and beautifully written novel, one that will keep readers turning pages late into the night. This is storytelling at its best, and I was completely absorbed from beginning to end."—Tim O'Brien, author of The Things They Carried, In the Lake of the Woods, July, July

"The Lifeboat is a richly rewarding novel, psychologically acute and morally complex. It can and should be read on many levels, but it is first and foremost a harrowing tale of survival. And what an irresistible tale it is; terrifying, intense, and, like the ocean in which the shipwrecked characters are cast adrift, profound."—Valerie Martin, author of Property and The Confessions of Edward Day

Christina Ianzito
Charlotte Rogan manages to distill this drama about what's right and wrong when the answer means life or death into a gripping, confident first novel…Other novels have examined the conscience and guilt of a survivor among the dead, but few tales are as thoughtful and compelling as this.
—The Washington Post
Sarah Towers
…impressive, harrowing…Rogan writes viscerally about the desperate condition of the castaway, of what it is like to be "surrounded on four sides by walls of black water" or to be so thirsty your tongue swells to the size of "a dried and hairless mouse." But it's her portrait of Grace, who is by turns astute, conniving, comic and affecting, that drives the book. Like her literary forebear Becky Sharp, Grace wants a great deal from this life and feels justified in using whatever wiles might be necessary to secure her own happy ending.
—The New York Times Book Review
Publishers Weekly
Set at the beginning of WWI, Rogan’s debut follows 22-year-old Grace Winter, a newlywed, newly minted heiress who survives a harrowing three weeks at sea following the sinking of her ocean liner and the disappearance of her husband, Henry. Safe at home in the U.S., Grace and two other survivors are put on trial for their actions aboard the under-built, overloaded lifeboat. At sea, as food and water ran out, and passengers realized that some among them would die, questions of sacrifice and duty arose. Rogan interweaves the trial with a harrowing day-by-day story of Grace’s time aboard the lifeboat, and circles around society’s ideas about what it means to be human, what responsibilities we have to each other, and whether we can be blamed for choices made in order to survive. Grace is a complex and calculating heroine, a middle-class girl who won her wealthy husband through smalltime subterfuge. Her actions on the boat are far from faultless, and her memory of them spotty. By refusing to judge her, Rogan leaves room for readers to decide for themselves. A complex and engrossing psychological drama. Agent: David McCormick, McCormick & Williams. (Apr. 10)
Kirkus Reviews
First-time novelist Rogan's architectural background shows in the precision with which she structures the edifice of moral ambiguity surrounding a young woman's survival during three weeks in a crowded lifeboat adrift in the Atlantic in 1914. The novel begins with Grace back on American soil, on trial for her actions on the boat. Two other female survivors who are also charged, Hannah and Mrs. Grant, plead self-defense. Grace, guided by her lawyer Mr. Reichmann, who has had her write down her day-by-day account of events, pleads not guilty. Rogan leaves it up to the reader to decide how reliable a narrator Grace may be. Newly impoverished after her father's financial ruin and subsequent suicide, New Yorker Grace set her sites on the wealthy young financier Henry Winter and soon won him, never mind that he was already engaged. They sailed together, pretending to be married, to London, where he had business and they legally wed before boarding Empress Alexandra (named for the soon-to-be-assassinated Tsarina) to return home. When an unexplained explosion rocks the ship, Henry gallantly places her, perhaps with a bribe, into a lifeboat already packed to over-capacity. She never sees him again. An Empress crewmember, Mr. Hardie, quickly takes charge of the passengers, distributing the limited rations and organizing work assignments with godlike authority. As hope for quick salvation dims, passengers fall into numb lethargy. Some go mad. There are natural deaths and (reluctantly) voluntary sacrificial drownings. Dissention grows. Mr. Hardie's nemesis is the sternly maternal Mrs. Grant and feminist Hannah, who plant suspicions about his motives and competence. Grace avoids taking sides but eventually helps the other women literally overthrow him into the sea. Is she acting out of frail weakness, numbed by her ordeal, or are her survival instincts more coldblooded? Even she may not be sure; much of her conversation circles morality and religion. The lifeboat becomes a compelling, if almost overly crafted, microcosm of a dangerous larger world in which only the strong survive.
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Product Details

  • ISBN-13: 9780316185912
  • Publisher: Little, Brown and Company
  • Publication date: 1/8/2013
  • Edition description: Reprint
  • Pages: 278
  • Sales rank: 223,142
  • Product dimensions: 5.40 (w) x 8.10 (h) x 0.90 (d)

Meet the Author

Charlotte Rogan

Charlotte Rogan studied architecture at Princeton University, graduating in 1975. She lives in Westport, Connecticut. This is her first novel.

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Read an Excerpt

PROLOGUE

Today I shocked the lawyers, and it surprised me, the effect I could have on them. A thunderstorm arose as we were leaving the court for lunch. They dashed for cover under the awning of a nearby shop to save their suits from getting wet while I stood in the street and opened my mouth to it, transported momentarily back and seeing again that other rain as it came at us in gray sheets. I had lived through that downpour, but the moment in the street was my first notion that I could live it again, that I could be immersed in it, that it could again be the tenth day in the lifeboat, when it began to rain.

The rain had been cold, but we welcomed it. At first it had been no more than a teasing mist, but as the day progressed, it began to come down in earnest. We held our faces up to it, mouths open, drenching our swollen tongues. Mary Ann either could not or would not part her lips, either to drink or to speak. She was a woman of my age. Hannah, who was only a little older, slapped her hard and said, "Open your mouth, or I'll open it for you!" Then she sat with Mary Ann and pinched her nostrils until she was forced to gasp for air. The two of them sat for a long time in a sort of violent embrace while Hannah held Mary Ann's jaws open, allowing the gray and saving rain to enter her, drop by drop.

"Come, come!" said Mr. Reichmann, who was the head of the little band of lawyers hired by my mother-in-law, not because she cares one jot about what happens to me, but because she thinks it will reflect badly on the family if I am convicted. Mr. Reichmann and his associates were calling to me from the sidewalk, but I pretended not to hear them. It made them very angry not to be heard or, rather, not to be heeded, which is a different and far more insulting thing, I imagine, to those used to speaking from podiums, to those who regularly have the attention of judges and juries and people sworn to truth or silence and whose freedom hangs on the particular truths they choose to tell. When I finally wrenched myself away and joined them, shivering and drenched to the bone but smiling to myself, glad to have rediscovered the small freedom of my imagination, they asked, "What kind of trick was that? Whatever were you doing, Grace? Have you gone mad?"

Mr. Glover, who is the nicest of the three, put his coat around my dripping shoulders, but soon the fine silk lining was soaked through and probably ruined, and while I was glad it had been Mr. Glover who had offered his coat, I would much rather it had been the coat of the head lawyer, a handsome, heavy-set man named William Reichmann, that had been ruined in the rain.

"I was thirsty," I said, and I was thirsty still.

"But the restaurant is just there. It's less than a block away. You can have any sort of drink you like in a moment or two," said Mr. Glover while the others pointed and made encouraging noises. But I was thirsty for rain and salt water, for the whole boundless ocean of it.

"That's very funny," I said, laughing to think that I was free to choose my drink, when a drink of any sort wasn't something I wanted. I had spent the previous two weeks in prison, and I was only free pending the outcome of a proceeding that was now in progress. Unable to restrain my laughter, which kept lapping at my insides and bursting out of me like gigantic waves, I was not allowed to accompany the lawyers into the dining room, but had to have my meal brought to me in the cloakroom, where a wary clerk perched vigilantly on a stool in the corner as I pecked at my sandwich. We sat there like two birds, and I giggled to myself until my sides ached and I thought I might be sick.

"Well," said Mr. Reichmann when the lawyers rejoined me after the meal, "we've been discussing this thing, and an insanity defense doesn't seem so far-fetched after all." The idea that I had a mental disorder filled them with happy optimism. Where before lunch they had been nervous and pessimistic, now they lit cigarettes and congratulated each other on cases I knew nothing about. They had apparently put their heads together, considered my mental state and found it lacking on some score, and, now that the initial shock of my behavior had worn off and they had discovered that it could possibly be explained scientifically and might even be exploited in the conduct of our case, they took turns patting me on the arm and saying, "Don't you worry, my dear girl. After all, you've been through quite enough. Leave it to us, we've done this sort of thing a thousand times before." They talked about a Doctor Cole and said, "I'm sure you will find him very sympathetic," but they didn't tell me who he was or what a doctor might have to do with my defense.

I don't know who had the idea, whether it was Glover or Reichmann or even that mousy Ligget, that I should try to recreate the events of those twenty-one days and that the resulting "diary" might be entered as some kind of exonerating exhibit.

"In that case, we'd better present her as sane, or the whole thing will be discounted," said Mr. Ligget tentatively, as if he were speaking out of turn.

"I suppose you're right," agreed Mr. Reichmann, stroking his long chin. "Let's see what she comes up with before we decide." They laughed and poked the air with their cigarettes and talked about me as if I wasn't there as we walked back to the courthouse where, along with two other women named Hannah West and Ursula Grant, I was to stand trial for my life. I was twenty-two years old. I had been married for ten weeks and a widow for over six.

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Interviews & Essays

A Conversation with Charlotte Rogan
This April marks the 100th anniversary of the sinking of the Titanic. Did the story of the Titanic inspire you to write the book?
The tragedy of the Titanic was that there were not enough lifeboats for everyone, but if you made it into a boat, you were rescued 4-6 hours later. The characters in The Lifeboat were not so lucky. While my essentially story takes up where the Titanic left off, the Titanic was not a major source of inspiration for me.
The thing that caused me to put pen to paper was finding my husband's old criminal law text on the top shelf in my library. I was particularly intrigued by two 19th century cases where shipwrecked sailors were put on trial after being rescued. I was fascinated by the idea that the law of society was being applied to people who found themselves in a situation where everyone could not escape with their lives. Is the only moral course of action for such people to quietly die?
The Titanic was a wonderful resource when it came to researching background details, including lifeboat sizes, launching mechanisms, communication capabilities, shipping routes, etc. But I protected myself from reading about the survivors. I was worried that their stories would contaminate my imagination as I created my own cast of characters.
The people in the lifeboat become concerned with issues of class and gender. Did you set out to write a book about class and gender issues?
I was a member of one of the first Princeton University classes to admit women, and it wasn't unusual for a professor to call on me to give "the women's point of view." I had gone mostly to girls' schools, and this was my first realization that opinions might be gender-based. So my educational experiences, and growing up during the sexual revolution, have given me a life-long interest in gender issues. Since I bring the person I am to my writing, that interest is bound to come out in my work.
As for the question about class, that feeds into my view that a lifeboat is an apt metaphor for many of the problems faced by humanity. The rules of any society invariably favor some people over others, and I have often wondered why people who are not advantaged by those rules nevertheless feel bound by them.
I think many writers sense they are following their story rather than creating it, and it is only in later drafts that intention really kicks in. When you put a diverse group of characters together in any situation, a kind of identity politics is bound to emerge. Once I saw a power struggle developing along gender and class lines, I worked to make it more dramatic and believable.
What would you do to save yourself?
In the past few weeks, readers and journalists have asked me what I would do if I were to find myself in Grace's shoes. Would I kill another person in order to save my own life? My first answer is that I would find it very hard to hurt someone who had not first hurt me. Then the person ups the ante by asking me what I would do if my children were in the lifeboat with me. The bottom line is that I don't know. The wonderful thing about fiction is that it allows us to enter a dilemma we will never face in life. It is also the perfect vehicle for asking philosophical questions, which are basically questions for which there are no answers. If I want answers, I read non-fiction. If I want to confront the edges of the known universe, fiction is my medium of choice.
At the end of the book, it isn't completely clear what Grace has or hasn't done. How did you decide what to reveal and what to leave ambiguous?
What to reveal and what to leave unresolved is a tricky call for a writer. You can frustrate a reader by leaving too much up in the air. But equally frustrating, at least for me as a reader, are books that spend the last chapters or pages tying up everything into a neat package. That approach can serve to undo all of the careful work of engaging the reader in the story that has gone before.
Personally, I am biased against stories that spend too much time in explanation or exposition. I like writers who throw their readers in mid-stream and trust that we can swim. An example of what I mean is Grace's physical appearance. Most readers will come away from the book thinking that she is beautiful, but I say almost nothing about her looks. They get this impression only from the effect Grace has on other people. That, to me, is one way of enlisting the reader's imagination in the creation of the characters.
Another way is by not judging my characters. Even I do not know everything about Grace, and I think that is what keeps me, as the writer, from passing judgment on her. This is what allows each reader to form his or her own interpretation, not only of Grace's actions, but of the book as a whole.
And bear in mind that this is a first person narrative. Since Grace doesn't know everything about what happened to the other characters, it is impossible for her to pass that information on to the reader. Furthermore, she is not completely reliable as a narrator—or completely self-aware—so having her suddenly reveal all at the end of the book would be breaking the conceit of the novel, which is claustrophobic not only because it is set within the confines of a lifeboat, but because it is set within the confines of Grace's mind.
Who have you discovered lately?
I have read a lot of wonderful books lately, but I am going to confine my answer to recent reads that made my "Life List," which also might be titled "Books That Knocked My Socks Off." Recent additions to the Life List include:
The Rehearsal by Eleanor Catton: Brilliant novel about performers and voyeurs; astonishing language and plot.
Zone One by Colson Whitehead: Literary zombie novel; superhuman powers of observation; no plot. [Whitehead's debut, The Intuitionist, was a Discover selection in 1999. -Ed.]
Remainder by Tom McCarthy: A great example of a book that creates a bizarre universe and trusts the reader not to need hand-holding.
The Unlikely Pilgrimage of Harold Fry by Rachel Joyce: Gorgeous at the sentence level, but also has the reader cheering the characters on from the sidelines.
Guns, Germs, and Steel by Jared Diamond: Riveting explanation of the unequal rates of social development on the various continents.

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Customer Reviews

Average Rating 3.5
( 141 )
Rating Distribution

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(33)

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See All Sort by: Showing 1 – 20 of 141 Customer Reviews
  • Posted April 4, 2012

    more from this reviewer

    A gripping tale of survival

    An explosion on a luxury liner sends passengers scrambling for lifeboats. Grace and several other passengers overcrowd a lifeboat where they remain adrift for many days. Treacherous ocean storms, death, hunger, and thirst plague them, forcing life and death decisions and sacrifices. And after all the bittersweet, life and death situations ended, Grace ultimately finds herself on trial for her life, sending the reader swirling into conflict once more.

    With highly detailed, fast paced writing, the author literally made me feel as if I was on that boat. I suffered through the poignant moments, the desperation, and the unfailing determination to survive by the heroine. The Lifeboat had scenes that were so poignant, so tragic, it gripped me from start to finish. This is a story that will make you feel as anguished as the passengers. An unusual, fascinating novel of historical fiction. Absolutely enjoyable!

    18 out of 20 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted April 19, 2012

    I Also Recommend:

    loved the story line, so naturally had to get the this book. It

    loved the story line, so naturally had to get the this book. It did not disappoint!

    17 out of 18 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted April 10, 2012

    Author Charlotte Rogan wisely starts her story in the middle of

    Author Charlotte Rogan wisely starts her story in the middle of the action. Readers meet Grace Winter, twenty two, a bride of ten weeks, and a widow for almost 6 weeks. Grace is being escorted from the courtroom, where she is on trial for murder. As her attorneys lead her to a nearby restaurant for lunch, a rain storm opens up and Grace greedily stands in the downpour, allowing her mouth to open and swallow up the drenching rain, much to the embarrassment of her lawyers. This prologue tells us so much, and yet so little. What Rogan as brilliantly done is make us want to know more.

    Whew! Let me start by saying that I read this in two sittings. Over two days. I was so hooked on Grace Winter that my "real world" was put on "pause" so I could read this brilliant first novel! I won't give anything away that the publisher doesn't reveal in the synopsis or prologue.

    We know that Grace and others do survive the explosion and subsequent sinking of the luxury liner, the Empress Alexandra, taking place two years after the loss of the Titanic. We know some in her lifeboat do not survive. What we will find out - is who and why some do not survive.

    As we meet the passengers in the over crowded lifeboat, we see the struggle for life over death. And of death to bring life.

    Break out author Charlotte Rogan has crafted a story so simple, but with so many layers that you are hypnotized by its telling.

    Not a miss step that I could find in this story, and I will add that I think it's interesting that we know a lot more about the women passengers than we do about the men. Rogan gives us what we need as far as character development. Not too much, just enough to care and to keep us turning the pages.

    A HUGE 5 out of 5 stars!!

    This e-galley was provided to me by the publisher through NetGalley and that in no way affected my honest review.

    12 out of 15 people found this review helpful.

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  • Posted May 11, 2012

    I Also Recommend:

    Wonderful book with great characters and an amazing story. loved

    Wonderful book with great characters and an amazing story. loved it!

    11 out of 15 people found this review helpful.

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  • Anonymous

    Posted April 15, 2012

    Sending out an SOS

    The book starts in a lifeboat, we know nothing about the passengers or how they came to sail on the ill fated ship we come to know as the Empress Alexandria. I found the writing offered lots of trivial details but failed to reveil their relevance to the predicament, the survival, or the rescue of those on the lifeboat. I finished the book feeling disapointed about buying this book and the time I lost reading it.








    10 out of 17 people found this review helpful.

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  • Anonymous

    Posted April 13, 2012

    Compelljng talif surviv e Compelling tale of survival

    This debut is a thought-provoking page turner that will have you wondering how far you would go to survive--and how far one should go. Not ti be missed.

    8 out of 8 people found this review helpful.

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  • Posted May 10, 2012

    Starts out great.....

    It started out great, very engaging, and I was immediately interested in the story. As the story continues, it seems like the author lost interest. The end is awkward and disappointing.

    7 out of 8 people found this review helpful.

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  • Anonymous

    Posted April 24, 2012

    Enjoyable

    This book took two days to read. I found the story to be somewhat historical and u feel u are in the life boat trying to survive.

    7 out of 8 people found this review helpful.

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  • Anonymous

    Posted April 19, 2012

    An Unreliable Narrator Tries Too Hard to Be Reliable

    The novel starts out well enough - very Titanicesque. Fallen socialite is rescued by a dashing rich man who secretly marries(?) her and takes her on a doomed honeymoon. Ship sinks. 32 are forced to fight for survival on a lifeboat. And that is about all the reader can be sure of. Our dear Grace is obviously hiding something throughout the novel, causing the reader to doubt everything. While it's kinda fun at first, for me it ends up getting annoying. Had I written such a novel, I would have used several 1st person narrators - for varying perspective.

    7 out of 12 people found this review helpful.

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  • Anonymous

    Posted April 22, 2012

    Enjoyable

    An enjoyable read from start to finish.

    5 out of 6 people found this review helpful.

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  • Posted June 17, 2012

    more from this reviewer

    The Lifeboat By Charlotte Rogan In the summer of 1914 Grace Win

    The Lifeboat
    By Charlotte Rogan

    In the summer of 1914 Grace Winter is on her way across the Atlantic with her new husband to meet her new in-laws. Though in the middle of the voyage there is a mysterious explosion that leaves the ship she was on at the bottom of the ocean, with half of the lifeboats engulfed in flames people rush to the ones remaining only to realize that the plaque stating a capacity for forty passengers is a lie, if they are to survive others must perish but how does one decide such a thing?

    This was such an interesting novel it starts with a trial and you have no clue as to what the trial is for except that it had to do with the main character’s time spent trapped on the lifeboat. The events that occur during this book bring a strange light to the survival instinct. The author manages to write a beautiful and terrifying novel without using ghosts or goblins but simple human behavior and survival instinct. This is definitely an interesting read as the survivor’s minds begin to become the true monster of this story the more immersed we become with the tale. I just wish there had been more to the epilogue but that is simple greed on my part.

    4 out of 4 people found this review helpful.

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  • Anonymous

    Posted March 16, 2013

    This book was a real waste of time and money. The characters nev

    This book was a real waste of time and money. The characters never developed, they were wooden with no depth, the it was hard to differentiate between them. Opening was weak, and by the final chapters when you got to the the trial part you really didn't care how it ended because the characters were dull and all too much alike. The bigger moments in the book were lost, too much detail was given to "thoughts" that really just rambled on. Sorry, but this book was a read dud. Would not recommend to anyone when so many other good books are out there to read. Sad disappointment.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted February 15, 2013

    Interesting

    Interesting idea for a book, but i couldnt connect w the characters

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted August 5, 2012

    Kept waiting for something to happen...

    There seemed to be many underlying plot lines which were never developed.

    3 out of 4 people found this review helpful.

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  • Posted May 25, 2012

    I Also Recommend:

    With as many depths as the sea, The Lifeboat is a multifaceted j

    With as many depths as the sea, The Lifeboat is a multifaceted jewel of a debut novel. This is no flimsy story following the opportunistic marketing trend that seems to currently crowd the library book shelves. The Lifeboat stands alone and shatters the mold to create a worthy novel for those readers who may crave a psychological realistic examination of the dark side of human nature with a fictional disaster as the perfect catalyst.


    The reader will be drawn immediately to Ms. Rogan’s ability to capture the late Edwardian era with her attention to research, dialogue and description. With only a few words, the reader will be transported and captivated by the narrator Grace Winter, who reminded this reviewer of the cunning and tragic Lily Bart from Edith Wharton’s beautifully crafted The House of Mirth. The characters were multidimensional and represented a cornucopia of human personalities and emotions from the passive-weak heartened to the paranoid and detached, and finally to the cunning and manipulative. Historical details were evenly dispensed throughout and added to the well constructed imagery, a dose of ancient theories are sprinkled in that may surprise the potential reader and finally add a minute touch of religion (but not overly preachy or intrusive); everything falls into its own niche and equals to a perfect consistency.


    In the end, I was extremely surprised with my response when I reached the final page. I honestly loved it and highly recommend The Lifeboat. Even with the greatest literary works, there were a few wanting or bothersome particulars that normally would cause me to deduct a star but The Lifeboat supplied me with the major morsels I crave when I invest my time and attention in a Historical fiction novel. The book ultimately caused reflection, stayed with me days after and illustrated sublime research pertaining to major and minute historical details (that are usually frustratingly overlooked by new authors) and that is what warrants 5 stars. I look forward to reading more from Ms. Rogan and hope she stays in the Edwardian era or researches the Victorian period for her next work, her voice and talents can certainly carry either.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted January 21, 2014

    The Lifeboat

    The story line was great, but there was things I could not get past. The main thing was the characters because there was so many of them I could not keep them straight in the beginning. I eventually made a list so I could keep track since several people were bound to die and I wanted to make sure I knew how many people were left. There was at least 12 characters without offical names. Plus I had to reread over parts because I could not figure out what it meant in several places. In all it was hard for me to get through because I was confused probably because of the main characters mental state was all over the place. Not to mention the time line kept jumping. In all it was true to its plot in how the characters interacted and a new twist to a survival story in the main character ending up on trial.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted August 10, 2012

    Painful!

    Painful read with few moments of excitement.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted April 22, 2012

    Disappointing.

    I bought this book due to the high ratings in People. I regret the waste of my time. Boring.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted June 1, 2013

    Just ok

    This book was good for the first 2/3, but then it changed and the author seemed to write about things that i felt were not related to the main topic of the plot. Many unanswered questions.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 13, 2013

    The story started out strong and grabbed my attention, the middl

    The story started out strong and grabbed my attention, the middle was weak and the end was a total flop. I was very disappointed.

    1 out of 1 people found this review helpful.

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