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| Grace Potter & the Nocturnals | Primary Artist |
| Grace Potter | Indexed Contributor, Organ, Guitar, Percussion, Piano, Drums, Keyboards, Tambourine, Vocals, Hand Clapping, Mellotron, Pipe organ, Synthesizer Bass, Wurlitzer, Finger Snapping, Casio, Tack Piano, Hammond B3 |
| Alison Krauss | Background Vocals |
| Willie Nelson | Vocals, Gut String Guitar |
| Mickey Raphael | Harmonica |
| Jacqueline Brand | Violin |
| Pat Buchanan | Electric Guitar |
| Kenny Chesney | Vocals |
| Chad Cromwell | Drums |
| Dan Dugmore | Steel Guitar |
| Larry Franklin | Fiddle |
| Kenny Greenberg | Electric Guitar |
| John Jarvis | Piano |
| Michael Rhodes | Bass |
| Michele Richards | Violin |
| Jim Scott | Percussion, cowbell |
| Josefina Vergara | Violin |
| Natalie Leggett | Violin |
| Nico Abondolo | Bass |
| Matt Burr | Percussion, Drums, Tambourine, Vocals, Hand Clapping, Shaker, Trash Cans |
| Gerry Hilera | Violin |
| Erika Duke | Celli |
| Dan Auerbach | Vocals, Hand Clapping |
| Geoffrey Weiss | Claves |
| Alyssa Park | Violin, Concert Master |
| Andrew Duckles | Viola |
| Steve Richards | Celli |
| Scott Tournet | Acoustic Guitar, Bass, Guitar, Drums, Electric Guitar, Rhythm Guitar, Keyboards, Vocals, Hand Clapping, Noise, Slide Guitar, Lap Steel Guitar, Wurlitzer, Ambience, Echoplex |
| Tamara Hatwan | Violin |
| Mario De Leon | Violin |
| Matthew Funes | Viola |
| Michael Libramento | Bass, Percussion, Drums, Tambourine, Vocals, Hand Clapping, Wurlitzer, Agogo Bell, Moog Bass, Univox |
| Benny Yurco | Acoustic Guitar, Bass, Guitar, Drums, Electric Guitar, Sitar, Vocals, 12-string Guitar, Hand Clapping, Synthesizer Bass, Ambience, Echoplex |
| David Campbell | String Arrangements, String Conductor |
| Buddy Cannon | Producer |
| Butch Carr | Engineer |
| Kenny Chesney | Producer |
| Bob Ludwig | Mastering |
| Brian Reeves | Engineer |
| Jim Scott | Producer, Engineer |
| Jeri Heiden | Art Direction |
| Tony Castle | Engineer |
| Lincoln Wheeler | Marketing |
| Lane Gibson | Engineer |
| Dan Auerbach | Composer, Producer |
| Scott Tournet | Composer |
| Grace Potter | Composer, Producer |
| Bryan Dondero | Composer |
| Nick Steinhardt | Art Direction |
| Collin Dupuis | Engineer |
| Justin Goldberg | Management |
| Nate Erwin | Management |
| Kevin Dean | Engineer |
| Matthew Burr | Composer |
| Sharrin Summers | Publicity |
| Deedee Cheriel | Illustrations |
| Benjamin Yurco | Composer |
| Oliver Gebhardt | Engineer |
Anonymous
Posted June 29, 2012
Saw Grace Potter at the New Orleans JazzFest this year and went out and bought all her cd's the next day! How late was I getting to this party? This latest is the best yet from this incredible band. What a voice and just how good do you have to be to have Alison Krauss singing backup? All gifted musicians and incredible writing. Having Willie Nelson and Kenny Chesney on a couple of duets dosen't hurt either.
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Editorial Reviews
All Music Guide - Thom Jurek
Grace Potter & the Nocturnals' self-titled 2010 album raised the band's profile. It traded heavily on their concert strengths, and while not perfect, it more or less shored up their reputation with fans and spread their rep globally. The Lion the Beast the Beat is a creative leap. With the band having enlisted producer Jim Scott, most tracks were cut live from the floor of his studio with strings, effects, and backing vocals added later. The sound here is big, sometimes bombastic, but never slick; it's wildly varied, too. Collectively, the songs have a very loose thematic link about the gray areas between perception and reality, looking at everything from relationships ...