Publishers Weekly
Bell (The Little Mermaid) renders Andersen's story with painful vividness, resisting the urge to draw attention to her own prose. Instead Pacovsk 's stark expressionist plates dominate the pages. An eminence grise among European illustrators, she fully exploits the media in which she works. Collages overlaid with pastel and felt-tip pen, printed on heavy, glossy stock, represent elements of the Little Match Girl's story. Her life unfolds as bold red-scribbling, terrifying chaos. Her frozen feet are white lines on black, while smaller drawings experiment with other deceptively simple ways of drawing feet and matches. A little red "WHoosh!" taped into a narrow gap between blocky, steel-gray apartment buildings indicates where she sits; later, a shooting star foretells her death. The star falls across a full-bleed spread, its path on the left page stenciled into shiny silver foil, like a lake or a mirror; the right-hand page depicts a series of pastel smudges arranged in a grid that seem to stand for the tears and dirt on the Little Match Girl's face, but also resemble an artist's palette. With smaller fragments of silver, the star strikes the heroine. Every page contains a similar shock, a moment of alienation, and yet viewers will likely feel the rightness of these images for one of Andersen's most disturbing stories. This rendering will be best suited to those who know the tale well and can appreciate this intellectual, abstract presentation. All ages. (Sept.) Copyright 2005 Reed Business Information.
Publishers Weekly - Publisher's Weekly
A faithful retelling of a classic tale, dramatic snow-speckled street scenes and luxuriantly thick pages all earmark this picture book as a volume to be cherished. Pinkney (Going Home) transports the eponymous protagonist from Andersen's European setting to the bustling city streets and crowded tenements of early 1920s America. Aching with cold and desperate to earn money for her impoverished family, the young ragamuffin vendor will surely call to mind the plight of homeless people, familiar to so many contemporary children. The warm, comforting visions (a sumptuous feast, a twinkling Christmas tree, her late grandmother's loving face) that appear to the girl as she slowly burns through her wares shine bright as day in Pinkney's vividly detailed ink-and-watercolor compositions, as finely wrought as his admirers expect. The girl's cherry-red babushka and the fancy garb of harried passersby offer contrast to the stark gray sidewalks and brick buildings. The story's haunting death imagery--the girl slumped and frozen, her spirit soaring toward peace--may disturb the very young, but ultimately Pinkney's vision proves as transcendent as Andersen's. Ages 5-up. (Oct.) Copyright 1999 Cahners Business Information.
School Library Journal
Gr 1-4-An internationally renowned Czech artist brings her avant-garde perspective to Andersen's timeless fable. Pacovsk 's playful art is challenging and experimental, featuring childish scrawls, bright smudges of color along with silver inlays, and whimsically amorphous figures. One illustration depicts the girl's eyes, nose, and cupped hands scribbled across what appears to be a financial balance sheet. One spread consists of squares of color smudges facing a shiny silver page on which readers find their own reflection. The two pages are linked by a multicolored paintbrush/matchstick form. The image of the matchstick recurs throughout in all colors and shapes, singly or in groups, some leaning at angles, some resembling picket fences. Though the art challenges, it is appropriately childlike and whimsical, and opens this classic tale to new interpretations. Thoughtful students of folktale will welcome Pacovsk 's brilliantly innovative vision.-Marilyn Taniguchi, Beverly Hills Public Library, CA Copyright 2005 Reed Business Information.
Kirkus Reviews
The familiar tale is paired with startling modernist illustrations that strip the sentimentality so often associated with it in favor of a more purely intellectual response. The text, in the form of Bell's graceful translation, appears on the left-hand page, with Pacovska's stark collages filling up the page opposite-and frequently interposing one or more wordless double-page spreads in between pages of text. The result is not a conventional picture book, or even an illustrated story, but more of a narrative that dances back and forth between text and image, rarely allowing the reader to experience both at the same time. Many images rely on the visual similarity between a book of matches and a packet of crayons, their many-colored heads translating to spots or scribbles on the page. Foil is used sparingly and effectively, forming windows and cutlery as the Match Girl imagines herself inside and warm, and the night sky as a shooting star-cum-paintbrush streaks across the page. Young readers will find themselves challenged by these highly unconventional images, which will in turn help them to challenge their understanding of a highly conventional tale. (Picture book/fairy tale. 6+)
Midwest Book Review
"Exquisite artistry...A beloved and ultimately inspiring Christmas tale presented in a simply beautiful edition, The Little Match Girl is an extraordinary and unreservedly recommended addition to family, elementary school, and community library Christmas themed picture book collections."
