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Anna Mundow…elegant, hypnotic…Mandel brilliantly modulates the heightening suspense in a novel that remains, above all, an elegy for lost—and perhaps only imagined—innocence.
—The Washington Post
Canadian-born author Emily St. John Mandel established herself as a talent to watch with the release of Last Night in Montreal, a finalist for ForeWord magazine's Book of the Year Award. Here Mandel crafts an intricate tale about love, loss, and the consequences of seemingly mundane actions. After being fired from his job, New York journalist Gavin Sasaki reluctantly returns to his hometown of Sebastian, Florida. There Gavin's world is turned upside down when he learns that his high school girlfriend—who went ...
Canadian-born author Emily St. John Mandel established herself as a talent to watch with the release of Last Night in Montreal, a finalist for ForeWord magazine's Book of the Year Award. Here Mandel crafts an intricate tale about love, loss, and the consequences of seemingly mundane actions. After being fired from his job, New York journalist Gavin Sasaki reluctantly returns to his hometown of Sebastian, Florida. There Gavin's world is turned upside down when he learns that his high school girlfriend—who went missing 10 years earlier— had a daughter.
“The mystery surrounding the two percolates with suspense — the friends are hiding something — but the most interesting aspect of Ms. St. John Mandel’s novel, her third, is how aggressively unglamorous it is, starting with Gavin himself. But he’s hardly the only one with a “fallen-down life” in a world of weed-fringed cul-de-sacs, 7-Elevens and ‘Cinnabon-scented’ mall air.” New York Times
“[An] elegant, hypnotic novel .engrossing .Mandel brilliantly modulates the heightening suspense in a novel that remains, above all, an elegy for lost — and perhaps only imagined — innocence.” —The Washington Post
". . . the book, like its brilliant predecessor, “The Singer’s Gun,” virtually trumpets its author’s talents: her charismatic verbal grace and acuity, the rich atmosphere she creates, and the thoughtful way she tries to tease meaning out of the collateral damage her characters, in screwing up, have wrought."—The Boston Globe
“A remarkable morality play. Perhaps all novelists can be said to wrestle with morality; Mandel seems to wrestle with it at greater length and in greater depth than most novelists, a statement that applies to her previous novels, Last Night in Montreal and The Singer’s Gun .Reared in the Canadian province of British Columbia, a student of dance in Toronto and eventually a resident of Brooklyn, Mandel gained insights into human nature that promise more first-rate fiction.”—The Dallas Morning News
“The Lola Quartet is a decade-spanning, well-compressed novel with a pared-down style . . . deft . . . riveting . . .
What makes this book memorable is . . . the meditation of these characters, who are not otherwise criminals, on their complicity in real crime.”
The Cleveland Plain Dealer
“This adrenaline-fuelled tale is hard to put down.” —The Globe and Mail
"This ingeniously structured literary thriller begins in sunlight before slipping deeper and deeper into crime and moral darkness. ...All I can tell you about the novel's resolution is that it involves a shooting, an impersonation and a murder. Summarized, the plot twists sound improbable, but Emily St. John Mandel is so sure-footed in her invention and so good at delineating her cast, that I went along trustingly and with bated breath."
—Minneapolis Star Tribune
. Evocative, intriguing, and complex, this novel is as smooth as the underbelly of a deadly, furtive reptile. Mandel’s substantial fan base will rejoice; word of mouth will bring new fans on board.”
—Library Journal, Starred Review
“The author again melds mystery plotting with literary techniques like shifting points-of-view, resulting in both sophistication and suspense . . . Mandel’s novel excels as a character study that considers the slow degradation of hopes, dreams, and expectations of people who are only in their late 20s but already feel ancient.”
“ gut-wrenching .After last year’s superb, twisty The Singer’s Gun, Mandel wouldn’t be faulted if she eased up and wrote something more straightforward, but she didn’t. Subtlety in the midst of chaos is her forte, and as the action slowly ramps up to murder, her tone is controlled, her artistic vision flawless.”—Mystery Scene
“Mandel offers up her unique blend of literary character studies mixed with crime fiction in her third novel
“The noir-ish storyline will hook you from the first page, but you’ll stay for the well-drawn relationships and all-too-familiar grown-up angst.”
—Flavorwire in their article on 10 New Must Reads for May
“Each of her books is a winning combination of gorgeous, unique imagery and nail-biting, page-turning narrative....Mandel’s novels perfectly blend beautiful language and suspenseful mystery to investigate human behavior and relationships.”
Excerpted from The Lola Quartet by Emily St. John Mandel Copyright © 2012 by Emily St. John Mandel. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Posted May 2, 2012
I really enjoyed Emily St. John's first book, Last Night in Montreal, and her second, The Signer's Gun, was just okay. This third novel is somewhere between the two.
The first thing I noticed was that like her first book, this was again about a mysterious girl and a man out to find her. Oh how I love stories like this! I just can't get enough of guys tortured by the girl that got away. The pain of wanting and having loved these women is completely romantic. The second thing I noticed is Emily's signature calm and poetic writing. Her sentences always seem to lure me into a sense of peacefulness, even with tense scenes. Reading her work is very comfortable!
The book is divided into three parts, and where the first part caught my full attention, the middle began to lose me a bit. I was still interested in the fate of the characters I was reading about (especially Gavin and Anna) but I think too many other characters were the focus of the second section and didn't appeal to me. The ending was both rewarding and shocking. I wished the climax had actually happened earlier in the book, so that we could watch the characters move forward with their lives afterward longer than we did. In this case, that was the more intriguing element for me.
Emily St. John is proving herself to be a master of writing about people pushed to the brink by desperation. I look forward to seeing what she has for us next.
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Posted June 18, 2012
If you like mysteries, detective novels, or a splash of noir, then this book should definitely be on your list. Mandel doesn’t write this novel with linear thinking. She jumps back and forth between past and present, allowing you to understand each character, their drives, and their decisions. This makes everyone involved come alive and you feel for them, whether you want to or not. Mandel takes Gavin, as well as the other characters, through a difficult journey that will have you questioning your own decisions and make you wonder the ultimate question: what would you do?Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.