The Long Fall Back to Earthby Jars of Clay
For all the critical adoration lavished on them over the years, the biggest thorn in Jars of Clay's side continues to be their critics. In the 15 or so years the band has been in operation, CCM scribes have time and again missed the boat and misconstrued them as something they're not: a rock group. Somewhere, somehow, someone once decided to christen them that, and since then everyone has pretty much run with it. A more fitting home for the foursome is in the realm of alternative pop, particularly in light of The Long Fall Back to Earth, their first non-seasonal full-length as an independent, and easily their most fanciful recordings to date. Sure to surprise even the staunchest Jarheads, The Long Fall sees the quartet adopting, in varying degrees, the electronic pop stylings of David Bowie, the Flaming Lips, and MGMT, partially furloughing their live rhythm section in favor of one inspired by the '80s -- keyboardist Charlie Lowell must've had a field day. The bass-drum dynamic was never critical to their method, anyway, so all the electronic gadgetry happens to suit them well, particularly in bouncy, joyful anthems like "Closer" and "Don't Stop," where the synth-tastic nature of the cuts belies the overall somber tone of the entire record. It all makes for an apt, if not a bit harrowing accompaniment to the album's theme -- a stark, honest-to-God look at human relationships, warts and all. Occasionally, the sentiments tend towards the mushy ("There Might Be a Light," "Heart"), but, on the whole, the Jars clan is too cerebral to play it safe with boy-meets-girl pleasantries. Instead, they are at their best when they offer candid snapshots on everything from breaking up ("Headphones") to forgiving oneself ("Boys"), and reconciliation ("Safe to Land"). The endings aren't always happy, much less conclusive, but they're otherwise genuine and true to the messiness of life's interactions. This commitment to authenticity and the band's refusal to not spell everything out for the listener are what makes The Long Fall Back to Earth a rewarding project -- perhaps not their most accessible, but certainly one that grows more meaningful each time around.
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Performance CreditsJars of Clay Primary Artist,Vocals,Choir, Chorus,Track Performer
Ben Shive Vocals,Choir, Chorus
Katie Herzig Vocals
Jeremy Lutito Percussion,Drums,Loops,Sounds
Gabe Ruschival Bass,Percussion,keyboard bass
Joshua V. Smith Vocals
Technical CreditsRon Aniello Producer,Audio Production
Jars of Clay Composer,Producer,Art Direction,Audio Production
Vance Powell Engineer
Tim Parker Art Direction
Mitch Dane Engineer
Jeremy Lutito Composer
Gabe Ruschival Composer
Most Helpful Customer Reviews
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I have always loved Jars of Clay, and personally, I liked the first track that was pretty much all instrumental. They did that quite a few years ago with the song Frail, which I also like. This CD I think had a more rock sound to it and not so much a Christian flair, but I still enjoyed it. Rock works for them.
This project appears to be a lot different when compared to the hit "Good Monsters". Many of the songs deal with relationships. Some of the material (Two Hands, Heaven) has a strong Christian message. It has good musical quality and is enjoyable to listen to. I liked it and would recommend it to others.
Jars of Clay is a favorite of mine, just got this CD, and I'm loving it more every time I listen. Closer, Safe to Land, and Heart are probably my favorites, but it's all good, every single one (except the music, Track One--why?). Their music is so unique, and it's so refreshing that each song sounds different from the last, instead of blending together in one big lump of a CD like other artists do. Their sound is really harmonic, I love the lead singer's voice.