The Longest Silence: A Life in Fishing

The Longest Silence: A Life in Fishing

by Thomas McGuane

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From the highly acclaimed author of Ninety-Two in the Shade and Nothing but Blue Skies comes this collection of breathtakingly exquisite essays borne of a lifetime spent fishing.

The thirty-three essays in The Longest Silence take us from the tarpon of Florida to the salmon of Iceland, from the bonefish of Mexico to the trout of Montana. They

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From the highly acclaimed author of Ninety-Two in the Shade and Nothing but Blue Skies comes this collection of breathtakingly exquisite essays borne of a lifetime spent fishing.

The thirty-three essays in The Longest Silence take us from the tarpon of Florida to the salmon of Iceland, from the bonefish of Mexico to the trout of Montana. They bring us characters as varied as a highly literate Canadian frontiersman and a devoutly Mormon river guide and address issues ranging from the esoteric art of tying flies to the enduring philosophy of a seventeenth-century angler. Infused with a deep experience of wildlife and the outdoors, both reverent and hilarious by turns, The Longest Silence sets the heart pounding for a glimpse of moving water and demonstrates what dedication to sport reveals about life.

Editorial Reviews

From the Publisher
“Thomas McGuane writes better about fishing than anyone else in the history of mankind.”–Jim Harrison

"McGuane writes with wit, grit and grace; the result is a book as entertaining as any you will find on any subject."–Seattle Times

“A book worth shouting about.”–Tom Brokaw
The Barnes & Noble Review
Thomas McGuane's The Longest Silence features more fly-fishing than A River Runs Through It. Some readers may take this as a warning. Yet when an author mines his obsessions -- as McGuane does in this ode to fishing -- there is always something interesting to learn.

Throughout his life, McGuane has repeatedly gravitated to where the bonefish, mutton snapper, and permits are. He has traveled extensively in the States and abroad: in addition to fishing in the Florida Keys, Montana, and Rhode Island, he has fished desolate sanctuaries in New Zealand, Argentina, Iceland, Russia, and British Columbia. During his travels he has met a succession of anglers, crusty and competitive, who share his undying devotion to the sport and his habit of returning his catches to the river. Anglers are quirky people, and in his 33 essays McGuane recasts some of their touching and humorous stories.

Like most fly-fishers, McGuane enjoys company but prefers the solitude his sport has to offer. He repeatedly expounds upon fly-fishing's bare essentials: the tackle, the fish, and the river. "I subject the reader to my inventory for two reasons," writes McGuane, "First, I myself love to read this sort of thing, sniffing around the author's tackle room; and second, to suggest that what's at work here has nothing to do with necessity but rather with the elaboration of the dream that is fishing." McGuane has mastered the craft of fly-tying, and his knowledge and adoration of fish is obsessive. He suggests there is a correlation between the personalities of fishermen and the fish they stalk: the predator and the prey.

McGuane's physical descriptions of fly-fishing and light philosophical musings are entertaining, but there remains something important and mysterious about the sport that is more difficult to communicate. The driving force behind The Longest Silence is McGuane's attempt to understand and flesh out precisely what it is that he loves. To this end, his tone oscillates. At times he is earnest and reverent, "An undisturbed river is as perfect a thing as we will ever know, every refractive slide of cold water a glimpse of eternity." Elsewhere in the book, McGuane is entirely whimsical. He is most effective when he combines the two: "I try to tie flies that will make me fish better, to fish more often, to dream of fish when I can't fish, to remind myself to do what I can to make the world more accommodating to fish and, in short, to take further steps toward actually becoming a fish myself."

As he struggles to uncover what is closest to his heart, McGuane's recollections are permeated by nostalgia. This is a problem when McGuane mines his own past, giving detailed descriptions of inconsequential actions. This same nostalgia, however, enhances McGuane's dramatic stories of angler friends. One story in particular stands out, of a New Zealand father and son who enjoy a month-long fishing trip. Not long after the best month of their lives, the father passes away.

McGuane's nostalgia extends beyond the boundaries of friendship to inform the theme of the book itself. In The Longest Silence McGuane leaves us with a recurring symbol: that of an unhooked fish swimming to its freedom. The fish McGuane most covets is the permit, yet on the rare occasions that he catches one, he quickly lets it go. To the uninitiated, McGuane's and other fly-fishers' actions are seemingly unexplainable. Yet, as McGuane teaches us, that is the way it is with fly-fishing. It is a sport with sturdy emotional underpinnings, where the ability to recapture what has been lost is constantly replayed against the wisdom of letting go. (Brenn Jones)

Publishers Weekly - Publisher's Weekly
Novelist McGuane (Nothing but Blue Skies, etc.) celebrates everything about angling in this collection of 33 essays, which is certain to entertain fellow enthusiasts and fans of his writing. Any notion that fishing is humdrum is dispelled when McGuane describes eloquently his lifelong love affair with the sport, from the joys of tying flies and testing different rods, to sharing ghost stories and observational gems with fellow anglers, to absorbing quietly life's mysteries. He puts into historical and literary context the classic fishing writings of Izaak Walton and Roderick Haig-Brown. Throughout, McGuane's awe at nature's splendor shines in his prose. Releasing a trout after catching it becomes a moment of reverence: "Suddenly the fish was there, its spotted back breaking the surface, then up showering streamers of silver from the mesh of the net.... I stood in the river for a long while, holding him into the current and feeling the increasing strength in a kicking tail I could barely encompass with my grip. To the north, the Aurora Austral raised a curtain of fire in the cold sky. My trout kicked free and continued his journey to the Andes." Such moments emphasize McGuane's call for preserving the world's rivers from overdevelopment. Whether he's fishing for trout in a beaver pond in Michigan, salmon in Iceland or tarpon in Key West, McGuane casts not only his fishing line, but also his magic at turning a precise phrase and evoking a delightful image. (Nov.) Copyright 1999 Cahners Business Information.
Library Journal
From Michigan to Key West to Russia--33 essays on why novelist McGuane is obsessed with fishing. Copyright 1999 Cahners Business Information.
Algis Valiunas
[A] bewitching collection...Those not interested in the sport need not fear; McGuane has more in mind then fishing when he writes about fishing...Nowhere else in McGuane's writings is his self—indeed his soul—more triumphantly resonant than in this book.
American Spectator
Kirkus Reviews
An outlaw spirit moves through these fish stories. It flashes like the glint of a knife or the back of a trout holding in a pool, and marks these tales from novelist McGuane (Some Horses, p. 699, etc.) as his iconoclastic, unpredictable own. McGuane is a serious angler. He watches and listens to the whole nine yards: from rigging up to the birdsong, the cut of the trees along the horizon line, the fluid dynamics, those heavenly fish. His approach is vivid, focused, and intense, as he plays hard and gets dirty in his "willingness to deepen the experience at nearly any personal cost." For the payoff is sublime: "I could feel glory all around me," he says after one of those times when it all came together. He attends to the most minute details, knowing, for instance, that in Ireland, "you would have to be born not only among these lanes to find our aperture of unguarded water but also among its rumors," and acknowledging when he is tinkering with his fly selection that "the deep voodoo of salmon is something I am unready to disturb." All the narratives are instantaneous, as if your attention had been momentarily diverted and McGuane were reporting what had just transpired, but not all is skittish esoterica. He allows notes of sentiment when revisiting favorite haunts ("universal irony might just have to eat hot lead for the moment"), and readers will take him at face value when he says, "If the trout are lost, smash the state," in a classic piece that is included here among stories that range from early more-outrageous-than-thou fishing high jinks to recent fishing in remote venues, the fury of his pursuit now in his head rather than on his sleeve. "Of course, it's all in myhead; that's the point." It's a daring head, too, audacious and unrepentant and wild for the type of experience you could write about.

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Knopf Doubleday Publishing Group
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5.12(w) x 8.00(h) x 0.79(d)

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Small Streams in Michigan

The first fly rod I ever owned was eight feet of carpet beater made by a company whose cork grips were supplied by my father. My father worked for a Portuguese cork company whose owners swam at Estoril and supplied our family with innumerable objects of cork, including cork shoes, cork boxes, cork purses, and unidentified flying cork objects that my brother and I threw at each other. In our living room we had large cut-glass decanters of Burgundy, long soured, and my brother and I would have a couple of hits of that vinegar and head for the cellar to throw cork.

Everyone in our family had a huge brown fly rod with a Portuguese cork handle and identical Pflueger Medalist reels of the size used for Atlantic salmon. As I look back, I am touched by my father's attempts to bring us to sport, en famille.

I remember when he and my mother canoed the Pere Marquette in that early phase. Passing underneath the branches of streamside trees, my mother seized one of them in terror. The branch flexed; the canoe turned sideways in the current and began to go under. My father bellowed to let go of the branch. My mother did and the branch shot across the canoe like a longbow, taking my father across the chest and knocking him overboard.

With his weight gone, one end of the canoe rose four feet out of the water and my mother twirled downstream until my father contrived to race along a footpath and make the rescue.

When it was done, two rods with Portuguese cork grips were gone. The canoe was saved until the time my brother and I used it as a toboggan in snow-filled streambeds and beat the bottom out of it.

At that time, we lived down on Lake Erie, where I conducted a mixed-bag sporting life, catching perch and rock bass on worms, some pike on Daredevils, some bass on a silver spoon. In the winter, I wandered around the lake on the ice and shot crows, a painful memory.

But when we went up north with our Portuguese cork handle fly rods, I knew the trout were there. And so I spurned worms, owned a fly box, and espoused purist attitudes in the traditional burst of posturing common to new fly fishers.

There was a lake near the cabin, and I would paddle out upon it trailing all my fly line and a Mickey Finn streamer. Then I would paddle around the lake, trolling that fly until I caught a trout. This is about the minimum, fly-wise. But I do remember, with a certain finality, what those trout looked like lying between the canoe's varnished ribs, and how it felt to put the trout and jackknife on the dock in the evening, pull the canoe up on the beach, and clean my catch.

I don't doubt that for many fine anglers the picture of what fishing could be begins with a vision of worm gobs lying in dark underwater holes, the perfect booby trap. The casters I used to see, throwing surface plugs in flat arcs up under the brushy banks, made that kind of fishing seem a myth. And once I could even see the point of fishing with outriggers. But now trout seem to be everything that is smart and perfect in fish, and their taking of a floating fly or free-drifting nymph is a culmination in sport comparable to anything. But what interests me is how I came to believe that.

I recall grouse hunting near the Pere Marquette when I was very young. It had just snowed, and I had killed one bird, which bulged warm in the back of my coat. I kicked out a few more birds in a forgotten orchard and couldn't get a shot, then walked down a wooded hill that ended in a very small stream, perhaps two feet wide, but cut rather deeply in mossy ground. A short distance above where I stood, the stream made a pool, clear and round as a lens. In the middle of that pool a nice brook trout held in the cold current. With a precision that still impresses me, it moved from one side to the other to intercept nymphs, always perfectly returning to its holding position in the little pool.

Not long after that, during trout season, I waded the Pere Marquette one hot day on which not a single rising fish was to be found. I plodded along, flicking wan, pointless casts along the bank.

The river at one point broke into channels, and one channel bulged up against a logjam, producing a kind of pool. I had always approached this place with care because trout soared around its upper parts and if a cast could be placed very quietly on the slick bulge of water, a take was often the result. I crept up, but no trout grazed under its surface waiting for my Lady Beaverkill to parachute in.

Salvation, though, was around the corner. The deep, shadowy color of the pool seemed to hold a new glint. I stood erect. There was nothing near the top of the pool for me to spook, but clearly trout were deep within it, moving enough to send up their glints.

I remembered the brooky in the minute fissure of stream when I'd been grouse shooting, and I recalled how steadily he had held except to intercept a free-swimming nymph in the icy water. It occurred to me that something like that sudden lateral movement and return must be what was sending these messages to me from this large pool in the Pere Marquette.

I tied on an indeterminately colored nymph and shot a cast up to the head of the pool. The nymph dropped and sank, and the point of my floating line began its retreat back toward me at current speed. About a third of the way back, the line point stopped. I lifted and felt the weight. A couple of minutes later, I trapped a nice brown trout against the gravel at the foot of the pool with my trembling hands.

This was before I had learned the thrill of the release, of a trout darting from your opening hands or resting its weight very slightly in your palms underwater, then easing off. So three nice trout went from the pool into my creel and then, after a decent interval, into my mouth.

Anyway, the connection was complete. And even if I couldn't always put it together, I saw how it was with nymphs. Years of casting and retrieving made it difficult to slackline a tumbling nymph — the forms of manipulation in trout fishing are always so remote — but I realized that fishing a nymph invisible under the pools and runs on a tensionless line was not inferior in magic to fishing a dry-fly.

Later we found a long beaver pond covering many acres of ground in a dense mixed forest of pine and conifer. I had a hunch that good-sized brook trout had migrated down from the stream and into the pond.

Beaver ponds are a mixed blessing, providing only a few years of good fishing. After that the standing water turns sour and the size of the average fish gets smaller as his head grows proportionately larger. But this pond was only a couple of years old, with a soft bottom covered with drowned leaves.

I had some trouble locating the pond but ended up tracking its source through the cedars. It was almost evening when I got there, and huge columns of light came down through the forest. There was a good hatch of mayflies in progress along the stream, with small trout rising to them and cedar waxwings overhead hovering in the swarm.

The pond was perfect. Some dead trees stood ghostlike in its middle, and the pond itself inundated small bays around the water-tolerant cedars. Best of all, big, easy rises were in numerous places, slow takes that produced an actual sucking noise.

I cautiously waded for position. The pond was so smooth that I anxiously anticipated the fall of line on its surface. I had a piece of inner tube in my shirt and I used it to thoroughly straighten my leader.

Every time I moved on the soft bottom, a huge cloud of mud arose, carried behind me and then filtered down through the beaver dam. It was a cool summer evening and I was wearing a flannel shirt; I shivered a little and tried to keep from looking up when one of the big rises opened on the pond.

I tied on my favorite fly, the Adams, a pattern that exemplifies my indecisive nature. The Adams looks a little like all bugs. It's gray and speckly and a great salesman. My fly box is mainly Adamses in about eight different sizes. In the future, I mean to be a fine streamside entomologist. I'm going to start on that when I am much too old to do any of the two thousand things I can think of that are more fun than screening insects in cold running water.

Making a first cast on delicate water can be a problem. You haven't warmed up and it may be your most important cast. I had the advantage on this glassy pond of being able to see a number of widely separated rises, and I felt that, at worst, I could blow off one fish and still keep my act alive for one or two more.

I looked around, trying to find a place for my backcast, stripped some line, and false-cast carefully until the instant a rise began to open on the surface. I threw and dropped the fly much closer than I deserved. I poised myself not to break the light tippet on the strike and held that attitude up to the descending moment I realized the fish wasn't going to take. Another fish rose and I covered him, waited, and got no take.

I let the line lie on the water and tried to calm down. My loop was turning over clean and quiet; the leader was popping out straight. The Adams sat cheerily on its good hackle points. I refused to believe the fish were that selective. Then I hung up a cast behind me, trying to cover a fish at too new an angle, and a lull set in.

You never know about lulls. You ask, Is it my fault? Do the trout know I'm here? Have they heard or felt my size-twelve tread on this boggy ground? Is my casting coarse and inaccurate? Where can I buy a drink at this hour?

It was getting dark. I didn't have a fish. The rises kept appearing. I kept casting and never got a take. There is a metallic loss of light one feels when it is all over. You press to the end but it's kaput. I left in blackness. A warm wind came up and gave the mosquitoes new hope. I lit a cigar to keep them out of my face and trudged through the forms of the big cedars along the stream, trying not to fall. I snagged my suspenders on a bramble and snapped myself. The moon was full and I was thinking about the TV.

The next evening I was back earlier. This time I crawled to the edge of the pond with the light at my back and had a good look. The first thing I saw was the rises, as many as the night before. I remembered how they had failed to materialize then and checked my excitement. As I watched, I caught a rise at the moment it opened, then saw the fish drop beneath the ring and continue cruising until it was beyond my view. The next rise I caught, I saw another cruiser, moving immediately away from the place of the rise and looking for another insect. I began to realize my error of the night before. These were cruising fish, waiting for something to pass through their observation lane. There were a good number of them traveling about the pond, hunting for food.

I retreated from my place beside the pond, circled around below the dam and waded into my position of the night before. I tied on another Adams, this time a rather large one. I cast it straight out into the middle of the pond and let it lie.

Rises continued to happen, picking up a little as evening advanced and the cedar waxwings returned to wait, like me, for the hatch. My Adams floated in place, clearly visible, and I could see the curves of my leader in the surface skin of the water. I waited for a trying length of time. I had to see my theory through because, like many a simpleminded sportsman, I see myself as a problem solver.

The fly dropped out of sight. I didn't respond until the ring had already started to spread, and I lifted the rod and felt the fish. The trout darted off in a half-dozen chugging didoes in the dark water over drowned leaves. I landed him a moment later, a brook trout of a solid pound. I studied him a moment and thought what a bright, lissome, perfect fish this little American char is.

Brook trout are cheerfully colored in deep reds, grays, and blues, with ivory leading edges and deep moony spots on their fins. They are called squaretails elsewhere, after the clear graphics of their profiles. I reached for my Adams and felt the small teeth roughen the first knuckles of my thumb and forefinger. Then I let him go. He sank to the leaves at my feet, thought for a minute, and made off.

I rinsed the fly carefully. That long float required a well-dried fly. Then I false-cast the fly a moment to dry it, applied some Mucilin dressing, which I kept smeared on the back of my left hand, and cast again. This time I stared at the fly for ten or fifteen minutes, long enough to notice the Adams changing its waterline. But then it sank suddenly and I had another fish.

Since casting was nearly eliminated from this episode, the fishing did not seem fast. But at the end of a couple of hours, I had taken seven fish. The takers were all solid, confident, and deep. I released all the fish, and by the time I'd hiked out of the boggy forest that night, I could feel glory all around me.

One might say, pragmatically, that in still or nearly still waters, feeding trout cruise; and that in streams and rivers they tend to take a feeding lane and watch a panel of moving water overhead, elevating to eat when something passes; and that the repeated rises of a holding trout in a stream are as unlike the disparate rises of my beaver pond as they are unlike the deep glintings of nymphing trout. But the fact is, these episodes are remembered as complete dramatic entities, whose real function, finally, is to be savored. It is fine, of course, to escalate them toward further successes. But in the end, angling has nothing whatsoever to do with success.

Nevertheless, by the time the aforementioned nymphing trout had been met and dealt with, I had come to think of myself as a pretty smart fisherman. I had a six-cylinder black Ford, a mahogany tackle box, two split-cane rods, and Adamses in eight sizes. I had cheap, clean lodgings within quick reach of the Pigeon, Black, and Sturgeon rivers, where I ate decently prepared food with the owner, one or two other fishermen, and perhaps a young salesman with a line of practical shoes and a Ford like mine.

From here, I'd pick a stretch of the Pigeon or the Black for the early fishing, wade the oxbow between the railroad bridges on the Sturgeon in the afternoon. Then, in the evening, I'd head for a wooden bridge over the Sturgeon near Wolverine.

Below the bridge was a large pool deeply surrounded by brush and inhabited by nearly nocturnal brown trout. A sandy bottom shelved off into the undercut banks and it was a rarity to find a feeding fish here in the daytime. But shortly after dinnertime in the summer, when the hatches seemed to come, the trout would venture out into the open pool and feed with greater boldness.

I stood on the bridge and rigged my rod with a relatively short, heavy leader. The fish were not leader-shy this late. I tied on a fly known locally as a "caddis," though it was anything but an actual caddis. This was a huge, four-winged fly with a crosshatched deerhair body. Lying in your open hand, it covered the palm, and when cast, its wings made a turbulent noise like the sound of a bat passing your ear.

The trout liked it real well. What I appreciated was that I could fish from this wooden bridge in the black of night without fear of falling in a hole, filling my waders, and passing on. I'd cast that big baby until two or three in the morning, guessing at the rate at which I should retrieve to keep up with the fly backing down on the current toward me. I had to strike by sound every rise I heard. Five out of six rises I struck would just snatch the fly and line into a heap at my feet. But that one out of six would be solid to a trout, and some of those trout were big by my small-stream standards.

Finally, something would end the fishing — an especially baleful frog in the swamp, a screech owl or a train a couple of miles away — and I'd reel up for the evening. I'd take my trout and lay them out in the headlights of the Ford and think how sweet it was. Then I'd clean them with my pocketknife, slitting them to the vent, separating the gills at the point of jaw and shucking those fastidious entrails. I'd run out the black blood along the spine with my thumbnail so it wouldn't change their flavor, restack them in the creel, and head back to my lodgings.

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