The Longings of Wayward Girls: A Novel [NOOK Book]

Overview

It’s an idyllic New England summer, and Sadie is a precocious only child on the edge of adolescence. It seems like July and August will pass lazily by, just as they have every year before. But one day, Sadie and her best friend play a seemingly harmless prank on a neighborhood girl. Soon after, that same little girl disappears from a backyard barbecue—and she is never seen again. Twenty years pass, and Sadie is still living in the same quiet suburb. She’s married to a good man, has two beautiful children, and ...
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The Longings of Wayward Girls: A Novel

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Overview

It’s an idyllic New England summer, and Sadie is a precocious only child on the edge of adolescence. It seems like July and August will pass lazily by, just as they have every year before. But one day, Sadie and her best friend play a seemingly harmless prank on a neighborhood girl. Soon after, that same little girl disappears from a backyard barbecue—and she is never seen again. Twenty years pass, and Sadie is still living in the same quiet suburb. She’s married to a good man, has two beautiful children, and seems to have put her past behind her. But when a boy from her old neighborhood returns to town, the nightmares of that summer will begin to resurface, and its unsolved mysteries will finally become clear.
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Editorial Reviews

Library Journal
Opening with a map of the small Connecticut town setting and an old newspaper article about a missing girl, this debut novel by a short story writer (Little Sinners and Other Stories; Pins and Needles) immediately draws the reader into an absorbing story that straddles the line between mystery and coming-of-age tale. One summer, 13-year-old Sadie, who slowly loses her innocence as she uncovers the truth about her glamorous mother, plays a prank with her best friend on a neighborhood girl who later disappears. Two decades later, Sadie is married with children, creating the same life as the mother she disdained. Brown skillfully moves between the teenage Sadie, who uses her newfound knowledge and her scheming mind to turn child's play into something dangerous, and the adult Sadie trying to put her past behind her. VERDICT This haunting and hard-to-put-down novel will stay with readers long after they have finished. Especially disturbing is that Sadie, in both eras, is an unlikable person whose manipulations and need for instant gratification make her more like the mother she tries to forget.—Marianne Fitzgerald, Severna Park H.S, MD
Publishers Weekly
08/12/2013
At the age of 13, Sadie Watkins has always been on the lookout for excitement. She and her best friend Betty fill this desire by causing mischief such as stealing their mothers' cigarettes or sending fake love letters to a neighborhood outcast, a girl who then goes missing. Flash-forward to twenty20 years later, Sadie is married and living a comfortable life as a mother to two young children and wife to an attorney, but her need for adventure still remainshas not left. When her childhood crush Ray Filley returns to town, Sadie is swept up into an affair that disrupts the lives of those around her. Details about her mother's death and the missing girl start to emerge and this is something Sadie is not quite ready to face. In her full-length -novel debut, Brown (Little Sinners and Other Stories) writes from the perspective of Sadie's past and present in alternating chapters. She seamlessly joins the events to create a story full of tension and suspense with an ending that is unexpected. Agent: Samantha Shea, Georges Borchardt, Inc. (July)
The Nervous Breakdown (on Little Sinners and Other Stories)

"A powerful collection of stories that might be described as suburban noir, because it takes the expected situations, the same old rituals of everyday life and shows us the seedy underbelly, the ways we fail and fall down."
The Tampa Bay Times
"Brown has always been adept at writing about adultery, skillfully evoking its interlocking elements of thrill and threat. In Longings the danger level intensifies as secrets old and new are gradually revealed, and Sadie's comfortable life hangs in the balance. Both the sex and the suspense benefit from how well Brown grounds them in sharply observed reality. The neighborhood, past and present, comes vividly to life with its shifting alliances among girls and grown women, relationships that range from deeply supportive to devastatingly cruel...it may not seem a likely setting for a ghost story, but this novel is haunted."
international bestselling author of The Comfort of Lies and The Murderer’s Daughters - Randy Susan Meyers
"In the time between playing with Barbies and puffing on stolen cigarettes, girl’s games can turn dangerous—and sometimes fall far over the line. In The Longings of Wayward Girls, the past returns to plague the present with a vengeance that can cost a woman her husband and children. Brown’s haunting prose sets the mood for the heartbreaking choices made by mothers and daughters."
internationally bestselling author - M.J. Rose
“A heart-stopping novel of suspense that’s as intelligent as it is compelling, as beautiful as it is disturbing. Brown’s skill, empathy and sensitivity make this debut stand apart, and stand out. The astute observations, evocative atmosphere and bone-chilling scenes make for a moving, provocative read. A star is born.”
author of Stiltsville and Sea Creatures - Susanna Daniel
"An absorbing novel about the misgivings and shortcomings of domestic life, about the confusing intersection of glamour, lust, and self-destruction, and about a woman haunted by a long-ago act of girlhood cruelty."
New York Times bestselling author of Those We Love Most - Lee Woodruff
"The Longings of Wayward Girls caught me by the throat from the first page. The dangling mystery and tale of girlhood friendships reeled me in, and I loved Brown's ability to move the reader fluidly back and forth through time. By the book's end, as the final truths are exhumed, I felt like I'd grown up with these characters. Brown has deftly crafted a first novel that will touch a chord inside anyone who has harbored a haunting secret, or been buffeted by the conflicting crosswinds of coming of age."
author of The Next Time You See Me - Holly Goddard Jones
“Brown intricately weaves together past and present, demonstrating how casual acts of childhood cruelty can linger well into a seemingly stable adult life. But Brown is also a uniquely talented writer, capable of teasing out poignant commonalities between her protagonist’s teen and middle-aged selves. A beautifully written, unbearably tense debut novel."
author of The Unfinished Work of Elizabeth D - Nichole Bernier
“Nothing is as it seems in this psychologically complex story of girls gone missing and mothers who stray. Karen Brown deftly alternates between two generations of parallel drama in a neighborhood of facades and gentle menace. I stayed awake far too late with the rich tension of wondering whether she’d bring her characters in for a safe landing.”
author of Bent Road - Lori Roy
"Through pitch-perfect details and an eloquent voice, Karen Brown delivers a suspenseful and memorable debut. Moving effortlessly between the late 1970s and the present-day, Brown explores what harm may come should we choose to follow the path laid down by those who came before us."
New York Times bestselling author of The Flight of Gemma Hardy - Margot Livesey
The Longings of Wayward Girls is an enthralling account of how a daughter follows in her mother's footsteps...but not too closely. Brown tells a wonderfully suspenseful and eerie story as she goes back and forth between Sadie's childhood and her adult life, and the result is a novel full of mysteries, surprises, and the best kinds of psychological revelations. Once you've discovered this haunted world, you won't want to leave it."
author of Something Red, a New York Times Notable Book of 2010 - Jennifer Gilmore
"The Longings of Wayward Girls is haunting and delicate and beautiful, with the spark and charge of a psychological thriller. Karen Brown writes like an angel, but the shadows of past ghosts linger on every page. I could not put this compelling novel down."
New York Times bestselling author of Sweet Ruin - Cathi Hanauer
"Haunting, sexy, and evocative, The Longings of Wayward Girls features motherhood and daughterhood, marriage and adultery, and the simultaneous coziness and creepiness of New England suburban life, all wrapped up in a page-turning tale of suspense. A gripping debut novel."
starred review Booklist
“Brown explores the hazy edges of memory, the gnawing desire to escape circumstance, and the pervasiveness of one neighborhood’s secrets. The result is a nerve-racking, psychologically complex novel sure to haunt readers—especially those with dark secrets of their own."
From the Publisher
“Brown explores the hazy edges of memory, the gnawing desire to escape circumstance, and the pervasiveness of one neighborhood’s secrets. The result is a nerve-racking, psychologically complex novel sure to haunt readers—especially those with dark secrets of their own."

The Longings of Wayward Girls is an enthralling account of how a daughter follows in her mother's footsteps...but not too closely. Brown tells a wonderfully suspenseful and eerie story as she goes back and forth between Sadie's childhood and her adult life, and the result is a novel full of mysteries, surprises, and the best kinds of psychological revelations. Once you've discovered this haunted world, you won't want to leave it."

"The Longings of Wayward Girls is haunting and delicate and beautiful, with the spark and charge of a psychological thriller. Karen Brown writes like an angel, but the shadows of past ghosts linger on every page. I could not put this compelling novel down."

"Haunting, sexy, and evocative, The Longings of Wayward Girls features motherhood and daughterhood, marriage and adultery, and the simultaneous coziness and creepiness of New England suburban life, all wrapped up in a page-turning tale of suspense. A gripping debut novel."

"The Longings of Wayward Girls caught me by the throat from the first page. The dangling mystery and tale of girlhood friendships reeled me in, and I loved Brown's ability to move the reader fluidly back and forth through time. By the book's end, as the final truths are exhumed, I felt like I'd grown up with these characters. Brown has deftly crafted a first novel that will touch a chord inside anyone who has harbored a haunting secret, or been buffeted by the conflicting crosswinds of coming of age."

"In the time between playing with Barbies and puffing on stolen cigarettes, girl’s games can turn dangerous—and sometimes fall far over the line. In The Longings of Wayward Girls, the past returns to plague the present with a vengeance that can cost a woman her husband and children. Brown’s haunting prose sets the mood for the heartbreaking choices made by mothers and daughters."

“Brown intricately weaves together past and present, demonstrating how casual acts of childhood cruelty can linger well into a seemingly stable adult life. But Brown is also a uniquely talented writer, capable of teasing out poignant commonalities between her protagonist’s teen and middle-aged selves. A beautifully written, unbearably tense debut novel."

“A heart-stopping novel of suspense that’s as intelligent as it is compelling, as beautiful as it is disturbing. Brown’s skill, empathy and sensitivity make this debut stand apart, and stand out. The astute observations, evocative atmosphere and bone-chilling scenes make for a moving, provocative read. A star is born.”

"An absorbing novel about the misgivings and shortcomings of domestic life, about the confusing intersection of glamour, lust, and self-destruction, and about a woman haunted by a long-ago act of girlhood cruelty."

“Nothing is as it seems in this psychologically complex story of girls gone missing and mothers who stray. Karen Brown deftly alternates between two generations of parallel drama in a neighborhood of facades and gentle menace. I stayed awake far too late with the rich tension of wondering whether she’d bring her characters in for a safe landing.”

Kirkus Reviews
Brown (Little Sinners, and Other Stories, 2012) expands her repertoire in her first novel, a psychological suspense that grabs readers from the start but loosens its grip a bit before the conclusion. Back in the '70s, a quiet middle-class neighborhood is rocked by the disappearance of two young girls who vanish five years apart. Sadie Watkins bears a close resemblance to the first, 9-year-old Laura Loomis, and is grudgingly forced to play with the second, Francie Bingham. Francie, with her awkward appearance, unhappy home life and a desire to be liked, makes an easy target for Sadie and her best friend, Betty. They resent Francie's intrusion into their games and conversations but soon turn her presence into a source of cruel amusement. More than 20 years later, Sadie's still living in the same neighborhood and has settled into her own life with a loving husband and two young children. Her past is long buried--or so she thinks--until musician Ray Filley returns to town. As Ray pursues her with single-minded persistence, Sadie's former actions and feelings haunt her, and she finds herself turning into someone she remembers all too well. Brown effectively ensnares the reader in a tangle of gloom, intrigue and drama where family homes and a peaceful, hidden neighborhood attraction might be mere facades for dark secrets and tortured lives that lie hidden somewhere within. Switching between past and present, Sadie's life slowly unravels as she's finally forced to confront past and present actions and determine who she really is and unresolved issues ultimately achieve some semblance of closure. Although the author combines the elements of good suspense writing to achieve an entertaining and nerve-jangling suspense novel, there are a few weaknesses that might bother the reader. The introduction of the pregnant waitress and her husband does little to enhance the suspense and, in fact, detracts from the story. And the ending is a bit too contrived and just doesn't fulfill the promise of Brown's earlier narrative. Even with flaws, Brown's complex and haunting piece is better than average.
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Product Details

  • ISBN-13: 9781476724935
  • Publisher: Washington Square Press
  • Publication date: 7/2/2013
  • Sold by: SIMON & SCHUSTER
  • Format: eBook
  • Pages: 336
  • Sales rank: 150,111
  • File size: 4 MB

Meet the Author

Karen Brown is the author of Little Sinners and Other Stories, which was named a Best Book of 2012 by Publishers Weekly, and Pins and Needles: Stories, which was the recipient of AWP’s Grace Paley Prize for Short Fiction. Her work has been featured in The PEN/O. Henry Prize Stories, Best American Short Stories, The New York Times, and Good Housekeeping. She teaches creative writing and literature at the University of South Florida.
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Read an Excerpt

The Longings of Wayward Girls


  • SADIE WASN’T A BAD GIRL. When she was little she played church, flattening soft bread into disks, singing the hymns from stolen paper missals: Our Fathers chained in prisons dark, were still in heart and conscience free, how sweet would be their children’s fate, if they like them, could die for Thee. She set up carnivals and lemonade stands, collected pennies for UNICEF on Halloween. She bought a tree to be planted in her name in a forest purged by fire. She included everyone in her neighborhood games, even the irritating younger siblings, even the girl, Sally Frobel, who was clearly a boy, and the boy, Larry Schuster, who was clearly schizophrenic. They were cast in roles like the frog in her production of The Frog Prince or the dead boy in her Haunted Woods. She understood, perfectly, what was expected of her—and still, when it came to Francie Bingham, none of this applied. She was feral, unequivocally vicious, like a girl raised by the mountain lions that occasionally slunk out of the wilderness of Massacoe State Forest, between the swing sets and the lawn furniture, into the tended backyards of her neighborhood.

It was May when it all started, and the seventeen-year cicada nymphs (genus Magicicada) emerged from the soil to shed their skins on window screens, in shrubs and trees, and unfold their new wings. The air was still sharp and the forsythia waved its long arms of bright flowers. The bluets opened on the pasture hillsides like white carpets. The apple blossoms dropped petals onto the dark ground like snow. Sadie Watkins was twelve, nearly thirteen, and she and her friend Betty Donahue had begun stealing their mothers’ Salems and Virginia Slims, hiding them in clever places in their bedrooms. Sadie had taken off one brass finial and slipped the cigarettes into her curtain rod. At prearranged times they’d retrieve them to smoke in the woods, but one day they put on the clothes from Sadie’s basement first: her mother’s pleated plaid boarding school skirt, a cocktail dress. They put on her old winter coats, alligator pumps, and black patent-leather sling-backs. They went out walking in the woods behind Sadie’s house, pretending they were someone else. They were too old for dress-up—this was their last fling. They put on the clothes and assumed other personalities with accents.

“Blimey, this is a steep path, I say.”

“Where are we headed? Isn’t that the clearing, darling?”

Two years before, when Sadie had been ten, she’d devised the game of Old-Fashioned-Days House. They’d studied Connecticut history in school that spring, and she’d created a diorama in a shoe box—a scene from the Pequot War that dramatized the Pequot abduction of two girl colonists in a miniature canoe she made out of white birch bark. Her teacher’s mention of the girls’ kidnapping had been the one vivid thing among the names, dates, and details of the lesson, and Sadie knew it had to do with the shadow of Laura Loomis, who had been a year older than Sadie when she disappeared, a girl who resembled her so closely everyone thought they were sisters. In school, Sadie often imagined the empty seat in the sixth-grade classroom that would have been Laura’s. At home, she scrutinized the photo of their Brownie troop lined up on the school blacktop, she and Laura posing at either end like copies of each other—never destined to be friends. For her diorama she’d drawn the girls on the white cardboard that slipped out of her father’s new shirts, their faces etched with terror as they glanced back to their cabin on the shore, their blond hair blowing long and loose behind them. Her teacher had raised her eyebrows at the scene but couldn’t deny her the grade of E for “Excellent” she taped onto the back.

Sadie had been intrigued by the strife of the colonists—cooking over an open fire, fetching water, growing corn in rocky soil, the threat of animals and untrustworthy Pequots and Narragansetts. She admired the women for accomplishing their daily tasks in long skirts. If they were going to play Old-Fashioned-Days House, she told Betty, they had to dress the part. Sadie’s mother, who had grown up a poor girl with a single mother in New York City, often returned there now to shop lavishly and had the best cast-off clothes—Chanel, Halston, Diane von Furstenberg, evening gowns in satin and chiffon, strapless, layered with tulle, brocaded and beaded, dresses they slipped on over their flowered panties. The gowns dragged the ground, and they had to diaper-pin them around the waist to get them to fit. They held the skirts in their hands and became Colonial women picking their way across Sadie’s muddy backyard.

By that time their parents’ mandate that they stay out of the woods was heedlessly ignored, even though the tragedy of the Loomis girl—who’d lived on a street that did not connect to theirs—was fresh and the questions surrounding her fate still unanswered. The woods had always been a place of imaginative games, the source of legends passed down from their grandparents, who as children might have encountered the old Leatherman, a kindly beggar fed by townspeople who lived his entire life outdoors. The girls wandered the woods behind Sadie’s house in the long dresses, mindless of any threat. They hiked up to the old Latimer cemetery to place flowers on the children’s graves, adopting the names on the stones for themselves: Prudence, Electa, Rebekah, Abigail. They used paths the boys had begun to tame and trample riding their bikes, pulling wagons loaded with stolen plywood intended for forts. When fall arrived and it grew cold, they used Sadie’s basement as their house. Sadie had the little kids bring in large stones, and they stacked them against the wall into the semblance of a fireplace. They had tarnished sterling candelabra, and they stole candles from Sadie’s dining room buffet, matches from the kitchen drawer. They learned to knit, and they sat beside the pretend fire in their dresses, their needles clicking, the pipes rushing water overhead. They’d play out the story of Snow White and Rose Red. From upstairs would come the smell of a roast in the oven.

The last time they’d played the game had been that winter when Sadie was ten, on a gray day threatening more snow, the old snow still on the ground. The game had begun to lose its allure, and the participants had dwindled to Sadie; her best friend, Betty; and that day, Francie Bingham, who’d come to Sadie’s front door to drop off her mother’s Avon brochures. In a rare move Sadie’s mother called Sadie up from the basement and told her to let Francie play. When Sadie widened her eyes and protested, her mother reminded her of how little she asked of her, of her comfortable house, her multitude of friends.

“Some children aren’t as lucky,” her mother said. She wore a nearly floor-length red dress, a gold necklace. Her hair was long and blond, and once Sadie had overheard her teachers talking about her at school.

They’d been in the cafeteria last year during the chaos of a rain-day pickup, and Sadie had missed her bus. Her mother had driven up to school to get her, had walked into the cafeteria and been spotted by the two teachers—one of them Sadie’s teacher, Mrs. Susskey, reviled by the students, and the other her young intern.

“Oh, she’s like Julie Christie in Doctor Zhivago,” the intern said.

Mrs. Susskey glanced over to where Sadie’s mother was making her way through the crowd of children, heading in their direction. Neither teacher knew she was there for Sadie.

“More like Sharon Tate in Valley of the Dolls,” the older one said, her voice filled with resentment.

By the time Sadie’s mother had reached them and taken Sadie by the hand the older woman’s face had reddened and become blotchy with her mistake. “You didn’t tell us this was your mother, Sadie,” she said, her voice falsely sweetened, and for the rest of that year, even though Sadie couldn’t really interpret the woman’s comment, she’d lived in fear of her retaliation.

Standing in the dining room, with Francie Bingham waiting, hopeful, in the foyer, Sadie worried her mother would launch into the lesson of her own childhood—her forced attendance at St. John Villa Academy, a Catholic boarding school for girls, with its stern nuns and cold tile dormitory walls. But instead her mother glared at her and told her she would lose her television privilege if Francie wasn’t included. So, Francie, two years Sadie’s junior, was allowed to be the younger sister, a role that required she remove her glasses and attend to Sadie and Betty like a maid. They’d been knitting, but Sadie had grown tired of it. “Let’s pretend our husbands are out hunting.”

Betty always followed Sadie’s lead. “Oh, I do hope they stick to the paths, Electa,” she said.

Francie Bingham eyed them both. She wore a Halston gown—black sleeveless crepe bodice, chiffon skirt decorated with a spray of pale-colored leaves. Her chest was freckled, and she shivered and tugged her shawl in tighter. Earlier, she had argued and won the dress from Sadie, who’d chosen it first and given in when Francie said she would just go home.

“They know the woods well enough, I daresay,” Sadie said.

Their needles clicked. The basement was dim. The candles flickered.

“You should set the table, sister,” Betty told Francie.

“We don’t yet know what they’ll be bringing,” Francie said.

“Methinks they will bring something,” Sadie said. “Unless they are lost!”

Sadie dropped her knitting—a square of green wool that would never amount to anything—took the candelabra, and stood in front of the sliding glass doors that opened out onto the backyard. It was dusk, and the shadows thickened in the trees. The ground was white, pitted with footprints from the day before when they’d gone sledding and come in the sliding basement door to take off their boots. Brambles dotted with hard, bright berries edged the woods, their barklike stems gray and tangled. “We should go look for them, Rebekah,” Sadie said.

Francie gasped. “Out? Into the wilderness?”

Betty jumped up. “I’ll get our wraps.”

These consisted of Sadie’s mother’s old coats, smelling of mothballs—camel’s hair, tweed, herringbone. They slid the door and the cold air hit their faces, filled with the scent of fires stoked with newspaper and kindling. Spires of smoke marked the sky. Sadie took the candelabra, and she and Betty stepped across the frozen yard, their dresses and coats dragging. Francie remained by the basement doors. Sadie turned to look at her.

“Why aren’t you coming, sister?”

Francie’s face was pinched. Her resolve to follow the parents’ rule made Sadie and Betty all the more aware of it. “We can’t,” she said.

“Our husbands may need our help!” Betty said.

Sadie knew that either prospect—going into the woods or staying in the dank basement alone—was terrifying to Francie, her hesitation a ploy to prevent them from going, and she turned to continue across the yard.

“Never mind her,” Sadie said. “She can stay behind and tend the fire.”

At this, Francie quickly relented, and the three girls headed into the woods, the main path leading up, the smaller paths heading off into an overgrowth of young saplings, and birch, and hemlocks shagged and heavy with snow. Their breath came out in clouds. They wore the pumps in patent leather, snakeskin, and pink satin, the toes stuffed with tissue. The incline proved difficult to manage. The candles flickered and went out. From this vantage spot the lights in the Hamlet Hill houses glowed yellow—desk lamps in bedrooms upstairs where kids did homework, sconces in carpeted stairwells, chandeliers in dining rooms, brass Stiffel lamps in living rooms and dens where fathers read the remaining bits of the Sunday paper and watched football on television, bathroom lights flicking on and then off after some child examined her pimple in the mirror, garage lights where mothers sought a screwdriver to fix a loose high chair. The houses were spacious, made with cedar shingles and painted clapboards and bricks, surrounded by landscaped beds of juniper and rhododendron. Their yards met each other in rolling hills and dips, occasionally marked by lines of shrubs or pine or forsythia. The kitchen windows were steamed up from cooking. The girls could see Mrs. Battinson opening cabinets, taking down plates. They saw the Schuster boys watching television on the couch. Sadie’s house was dark save the one dim bulb over the stove.

“I think I see our husbands,” Betty said.

“That is them, isn’t it?” Francie said. She cupped her hand to her mouth and called out into the woods. “Halloooo!”

Sadie stifled a laugh and glanced at Betty. It wasn’t proper to break character. “Oh, be silent and still,” she chastised. “What if it’s a bear!”

Francie squinted without her glasses. “Is something coming?”

Sadie looked out into the woods, through the brambles, past the big hemlock. There was someone there, a shape, waiting, not moving forward. “It’s a stump,” she said. “Part of an old tree, likely that one hit by lightning a few summers nigh.” She kept her eyes on the shape. It wasn’t a bear. She felt something tense in her, a quickening she would feel only a few times later: when she lost control of the car she was driving at seventeen; when she felt the sharp stab, then the dull slip of her first miscarriage at twenty-six.

The tree stump moved then. It took a step and a branch snapped. The girls huddled together, a bundle of fabric. The shape—not a tree, not a bear—seemed to be moving in their direction. Sadie, clear headed, clever, whispered, “Methinks we should head back.” Betty’s hand tightened on hers. Sadie stared, transfixed, at the moving shape. It lumbered, not in a bear way, but in a tall-man way. She thought, Pequot, but didn’t dare say it. She felt the specter of Laura Loomis urging her to run. Betty tugged her down the path. “Move, move, move,” she said. Francie saw the two of them moving away from her, and she turned to follow them and tripped. The man in the woods wore a camouflage jacket, a brown, broad-brimmed hat.

“Why doesn’t he call to us?” Francie said, her voice bright with alarm. “Why is he walking this way?”

They could hear his footsteps now in the frozen snow, the crack of branches in his path.

Sadie felt the fear rise. She was the first to kick off her pumps and run, and Betty and Francie followed, all of them running, the silent man somewhere behind them. They reached Sadie’s backyard and the sliding glass door, crying now, panicked. They got inside and locked the door and continued on up the basement stairs, and then up the stairs to the second story, where they flung themselves onto Sadie’s bed, Francie repeating, “I told you, I told you.” Her mother came to the door and knocked.

“Girls,” she said. “What’s going on?”

Sadie glared at Francie, who seemed on the verge of telling. “Nothing,” she said. “We’re just playing.”

“We’re sorry, Mrs. Watkins,” Betty said. Her face was smeared with tears, but now she was laughing, giggling. Sadie’s mother made an exasperated sound on the other side of the door.

“Be good,” she said. They heard the ice in her glass and then her footsteps retreating down the carpeted hall.

The hems of the dresses were torn, snagged with brambles, filled with snow that melted onto Sadie’s bedroom floor. Their feet were raw and red and Sadie gave them pairs of the woolen socks she wore ice-skating. They were afraid to go back down into the basement for their clothes, but then Sadie went, flipped on all the lights, and grabbed everything, her anger canceling out her fear. In the light from the overhead bulb the basement world was transformed: the old couch with its doilies and torn upholstery; the warped drop-leaf table and mismatched chairs; the books, their spines broken and boards faded. They had dropped the candelabra on the path, left the shoes somewhere up there, too. When the snow finally came—a big storm that had them home from school for three days—she imagined these things buried under the weight of it, and then later, in the spring, when everything melted, she would picture moss growing over the shoes, the pink satin becoming part of the ferns, the pokeweed, the green world inhabited by salamanders and cottontails and the occasional snake. She would remind herself to look for the items they’d left on the path but become distracted by other things—the romance novel she was writing (The Governess), guitar lessons at the community center (“Greensleeves,” “I’m Leaving on a Jet Plane”), a job as a mother’s helper (i.e., indentured servant). Two years passed in this way, and she forgot about the game, about Francie, the difference in their ages making her too young to bother with.

At least until that May, when, bored and nostalgic, Sadie and Betty once again donned the old dresses and slipped out the basement door. They stayed off the main path and picked their way through the woods, by then a familiar place composed of young and old trees. A brook ran through it parallel to the houses, filled with brownish-looking foam that may have been the result of the DDT misted over them each summer. The planes would drone overhead while their parents sipped whiskey sours, and the children lay on their backs in front-yard grass like unsuspecting sacrifices.

“Oh, lovely, I’ve gotten my shoe wet,” Sadie said.

“Look at that, the hem of your skirt is muddy.”

“Jesus, Mary, and Joseph.”

They walked along the brook’s bank, and Sadie slid down the side in her high-heeled shoes and toppled into the water. The brook wasn’t very deep, but it was fast-moving, its bottom a variety of smooth stones, and Sadie struggled to stand. Betty watched from the bank, strands of her long, chestnut-colored hair covering her face, doubled over laughing with her hand between her legs. Pee streamed down onto the trampled jack-in-the-pulpit, wetting her chiffon skirt, probably dribbling into her pumps. Sadie felt the icy water soak into her coat. They were too busy laughing and peeing to notice anyone nearby. If it had been a boy they’d have been embarrassed. But it was only Francie, with her doughy cheeks, and her intelligent eyes dark behind her glasses. She looked at them laughing, and Sadie sensed a sort of yearning in her face. But her watching only made them laugh harder.

“You’re going to catch something from that water,” Francie said matter-of-factly.

When they’d first met Francie in elementary school, she had been consigned to the kindergarten playground. She’d carried a blue leather pocketbook and was always alone. Drawn to her oddness, Sadie and Betty often broke the rules to sneak over to talk to her.

“What’s in your pocketbook?” Sadie would say.

Francie’s lips would tighten with wariness. “None of your business.” Her hair was cut short in the pixie style mothers foisted on girls too young to have sense enough to refuse. Francie was thinner then, dollish looking, the tortoiseshell glasses heavy on her face. Sadie and Betty laughed at nearly everything she said, most of it mimicked from a grown-up and strange coming from her mouth.

“Why can’t you just be nice and show us?” Sadie said.

Francie knew that she should be nice, and she did like the attention. Finally, one day she undid the snap of the pocketbook and opened it up. The girls looked into its depths. There was a small change purse, the kind they made during the summers in recreation craft class when they were little—an imitation leather heart, stitched together with plastic thread. Hers was blue to match her pocketbook. She also had a handkerchief, a tiny pink one, and a bottle of Tinkerbell perfume. Sadie reached her hand in quickly and grabbed the change purse before Francie could snap the pocketbook shut. Francie’s face hardened like Sadie’s mother’s would when Sadie forgot to make her bed.

“Give it back,” she said.

“I’m not taking it,” Sadie said, dancing off a ways. “I’m just looking. I’ll give it back in a minute.” She opened it up and looked inside. Francie had quite a bit of change in the purse—silver, not all pennies. Sadie and Betty glanced at each other. This would buy a few packs of gum, or the little round tin of candies they loved, La Vie Pastillines, in raspberry or lemon. So they talked Francie into giving them the money. They would bring her a tin of the candy, they said. For weeks after, Francie would stand at the low fence that separated the playgrounds, small and resolute, waiting for them. That, too, had become a game. “She’s there, she’s there again,” Betty would say. They became practiced at avoiding her, except for those rare times she showed up at the door of one of their houses and their mothers told them to include her.

Sadie climbed out of the brook and stood dripping on the bank.

“Why are you wearing dress-up clothes?” Francie asked.

Sadie would admit later that the question annoyed her. For a moment, standing there in the wet coat, she felt as if she and Francie had switched places, and Francie had become the older girl entitled to make disparaging comments. If Francie hadn’t seen Sadie fall into the brook, if she hadn’t asked about the dress-up clothes, spring would have simply progressed into summer, and nothing of the business would have ever transpired. Maybe Sadie would have seen her riding her purple bike in lazy circles at the end of the street, but that shapeless figure of her wobbling on her Schwinn, those annoying plastic streamers spraying from each handlebar grip, wouldn’t have prompted it. While Francie’s appearance at the brook that day was purely accidental, Sadie’s desire for revenge was not, and the plan to retaliate sprang from her surprise at the younger girl’s ability to guess at her own shameful longing for childhood.

“Go away,” Sadie said. “We’re meeting someone and we don’t want you around.”

She took out the cigarette she’d hidden in her coat pocket. Only a bit of it was wet, and she straightened it out and lit it up. She held the lighter up to Betty, who took out her own cigarette and leaned in to the flame.

Francie’s eyes widened. “Who are you meeting?” She took a careful step closer, pretending their smoking wasn’t anything out of the ordinary.

Sadie put her hands on her hips. Her coat opened, revealing the shape of her new breasts beneath the dress’s bodice. “A boy,” she said.

They held the cigarettes out in the vees of their fingers.

“What boy?” Francie asked, suddenly wary.

“Hezekiah,” Sadie said. “You don’t know him.”

Hezekiah, a name she’d seen on an old cemetery stone, one used for the husbands in their games (Hezekiah, dearest, bring home a nice fat rabbit for stew).

“He lives on the farm there, over the hill,” Betty said, catching on quickly, flipping her long hair back over her shoulder.

Francie’s eyes narrowed to where Betty pointed beyond Foothills Road, to the rise of Filley Farm’s pasture. Francie had been young when Laura Loomis disappeared, but Sadie felt sure that like all children in the neighborhood, she’d been warned. In the intervening years they’d reclaimed the woods and pastures—the parents’ vigilance, and the punishment for infractions, had lessened. The curving asphalt streets that cut through the countryside, their slate roofs and storm doors, their porch lights and decorative landscaping, were, to the parents, all reassuring aspects of safety. Instead, Sadie knew Francie was remembering that winter day and the man in the woods, the crunch of his footsteps, his anonymous menace.

“How do you know him?” Francie asked.

“We found his letter,” Sadie said.

“A letter?” Francie asked, well aware that this was something mailed from one house to another with the proper postage. A letter had requirements they mastered in penmanship class: heading, salutation, body, complimentary close, signature. Sometimes, a postscript. A note was hastily scribbled, passed between popular girls in the dull hour of American history. And then Sadie told her it was none of her business. “Isn’t that your mother calling?” she said. “Are you supposed to be here?” She and Betty continued on through the woods, taking the path along the brook. They could hear Francie behind them, following them, wanting to believe what they told her was true.

Sadie knew that this was typical human behavior. She remembered the UFOs that circled the neighborhood one summer evening, flashes of silver and iridescent violet panning across the night sky, bringing them out of their houses to marvel—parents with cocktails and cigarettes, children in cotton pajamas, everyone poised on their own wide sweep of perfect grass. Francie crept behind them and they pretended they didn’t notice her. They put out their cigarettes on a rock, and they saw her bend down and retrieve the butts, like evidence or talismans. She followed them up to the next road, and then to the dead end where a strip of old barbed wire separated their neighborhood from the farmer’s field, where beyond the asphalt curb Queen Anne’s lace bloomed and twirled its white head, and cows lowed and hoofed through muddy grass, around stones covered with lichen. There at the foot of the cedar post was one of these stones, and Sadie pretended to lift it, to pocket something in her mother’s heavy coat that she carried slung over her arm. Francie took it all in at a distance, her white face round with pleasure, while they pretended they didn’t see her.

Years later, Sadie would not be able to say what made them revel in deceit. She might have blamed it on something pagan and impish, the fields and woods surrounding them a sort of pastoral landscape. There was the farmer riding his tractor; the newly planted corn emerging to shake its tassels, all pleasant and bountiful; the smell of manure seeping through window screens into kitchens and bedrooms, awakening in them a sort of misplaced disgust. But mostly, it was easy, because Sadie wanted the deceit to be true. She wanted there to be some mysterious boy—some Hezekiah—who had been watching her, in love with her from a distance. She’d imagine that out beyond the bay window, on the street that wound higher up the hill than hers, a boy with sweet wispy hair and lips that were always half smiling was watching. He saw her walk up the driveway to catch the school bus. He saw through the new spring growth of foxglove and pokeweed and fern, through those bright little shoots on the elms. From the fallow fields, white-sprayed with bluets, she could almost hear his sigh, his gentle breathing, and smell his sweat—coppery, the mineral smell of turned earth.

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Customer Reviews

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Sort by: Showing all of 8 Customer Reviews
  • Posted July 2, 2013

    more from this reviewer

    Dark, Thought provoking

    Did you ever wonder what happened to the kids you went to school with? Were you part of the “in crowd,” a leader, a follower, or maybe you were the outcast, the one that others saw as fodder for cruelty for any number of reasons. No matter where you stood in the social pecking order, our youth and our actions, reactions or lack of action, affects our adulthood, if we try to bury it. Sadie is now a troubled adult, rightfully depressed by a recent miscarriage, but her problems go much deeper, and as her past resurfaces, memories and guilt of a long ago summer come back to haunt her as she continues to make self-destructive choices.

    The Longings of Wayward Girls by Karen Brown is a dark, psychological mystery that spans three time periods, each involving Sadie, each leaving a mark on her emotionally and mentally. Current Sadie’s “perfect” façade is crumbling. Like a raw onion, the layers of her life and the events of her past are painfully peeled back. Karen Brown has re-created the 70s with vivid detail, like climbing into a time capsule and going back. Her characters are not always likeable, but as the timelines converge, they do become understandable, making this an intriguingly thought-provoking, often disturbing read!


    An ARC edition was provided by NetGalley and Atria Books in exchange for my honest review.

    2 out of 2 people found this review helpful.

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  • Posted September 4, 2013

    more from this reviewer

    Most of the big review publications love this book, using such


    Most of the big review publications love this book, using such terms as nervewracking, haunting, absorbing, tension, suspense. I’m sorry to say none of these words come to mind when I think about The Longings of Wayward Girls. It’s not that it’s a bad book—it really isn’t—but to say it’s full of suspense and tension is miles apart from what most mystery readers are looking for.

    We know from the jacket copy that two children have gone missing but getting to any real information about those disappearances is a chore. The second instance, which is the real focus, doesn’t actually happen until more than two thirds through the story and that is simply far too long for the mystery reader to wait. In essence, the only real tension is caused by wondering when on earth we’ll be told anything about this second disappearance beyond the fact that it happened. To make matters worse, there’s no real resolution to that second crime because we’re left wondering whether it really was a crime or rather jealousy gone out of control leading to unintended consequences.

    On the other hand, as a look at a woman’s life and how her adulthood is so heavily influenced by her childhood, this hits the mark. Speaking personally, I couldn’t like Sadie very much—she’s remarkably self-centered as a child and as an adult—but she has some reason to be that way. If I had thought this would be a personality study that happens to include a couple of mysteries, I might have enjoyed it very much because Ms. Brown is a fine writer, particularly when it comes to evoking a sense of setting. Unfortunately, the description makes it sound much more like suspense is the overriding theme and that just isn’t the case. The publisher should come up with a more accurate description for future editions to prevent disappointing readers looking for a solid crime drama.

    1 out of 1 people found this review helpful.

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  • Posted July 22, 2013

    more from this reviewer

    The woods were a place of imaginative games and innocent wandere

    The woods were a place of imaginative games and innocent wanderers. The swampy area was a harmless place until nine-year-old Laura Loomis went missing in 1974. The search continued for days with no clues found. A few years later, Sadie and her best friend are playing a harmless prank on a girl from the neighborhood. The result...the neighborhood girl disappears like Laura Loomis did.
    Fast forward to 2002 and Sadie Watkins is used to being mistaken for one of the missing girls. In fact, saying "I'm not Laura Loomis" has become second nature to her. A boy from her old neighborhood comes to town sparking all of Sadie's old memories. The unsolved mystery and summer prank resurfaces.
    The Longings of Wayward Girls had so much potential. The guilt of a grown woman over the disappearance of a girl, possibly her fault. The same grown woman grieving over a miscarriage while figuring out what really happened that summer. I really wanted to like this book. I realize I am in the minority with not caring for it. The premise sounded really good but it fell flat. There was no climax. My reaction to the ending was, "Oh." -___- Reiterating, this is just my opinion that does not mirror the majority. I longed for a better story line to The Longings of Wayward Girls but others may enjoy it.
    Literary Marie of Precision Reviews

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 16, 2013

    Meh

    I didnt finish this book i found that with only 50 pages left that i really did not care how it ended

    1 out of 2 people found this review helpful.

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  • Posted July 15, 2013

    What can I say about this book? It was brilliant in its subtleti

    What can I say about this book? It was brilliant in its subtleties, but a little clumsy in its presentation. I thoroughly appreciated the way Ms. Brown unwrapped the characters by unwrapping their relationships, but the back and forth between time periods, between characters, and between events made it difficult to follow at times. I found myself going back a few times to figure out which girl/woman/man I was reading about.

    Ms. Brown masterfully SHOWED us reasons for characters' behavior without TELLING us - she leaves it up to the intelligence of the reader to put the puzzle pieces together.

    Yes, I'd recommend this, but I would suggest setting aside time to sit and read this without too many distractions.

    This book was given to me for the purpose of this review.

    1 out of 1 people found this review helpful.

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  • Posted July 8, 2013

    more from this reviewer

    Sadie grew up differently, her mother often "sick" or

    Sadie grew up differently, her mother often "sick" or "too tired" to drag herself out of bed. in 1979 a young girl that looked startlingly like her disappeared. She had a fairly normal childhood otherwise, playing for long hours with her friends, until the day her mother left permanently.

    In present day, 2002, Sadie is a Mom herself. Her husband loves her, her children need her, but after the loss of her baby girl, perfect, but stillborn, she feels disconnected from her life. She meets up with a man from her past, a boy that featured in many of her girlish fantasies, now grown and just as enticing. The story bounces back and forth between the girl and woman as we learn more about the dark places in hidden corners of her mind. She finds some surprising and painful connections to her mother. The last person she ever wanted to be like. A darkly interesting tale.

    1 out of 2 people found this review helpful.

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  • Posted August 3, 2013

    Check out the full review at Kritters Ramblings A different tak

    Check out the full review at Kritters Ramblings

    A different take on small town life, by having the main character stay in town and tell the story both in the past and in the present and the changes and similarities in the town and its people.  I loved the concept and the overall plot of the book.  I love small town books and I loved the mystery and intrigue about girls going missing in this small town.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 21, 2013

    Great book from an amazing writer, one of the best books I have

    Great book from an amazing writer, one of the best books I have read in years!

    0 out of 2 people found this review helpful.

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