Lost Christmas Eve

Lost Christmas Eve

4.5 24
by Trans-Siberian Orchestra

Composer, producer, and creative guiding light Paul O'Neill is taking his Trans-Siberian Orchestra concept into a new chapter of the Christmas story with The Lost Christmas Eve. In this symphonic rock opera, the screaming guitars, pounding percussion, orchestral crescendos, and wailing vocals tell the story of a group of disparate and desperate New York City…  See more details below


Composer, producer, and creative guiding light Paul O'Neill is taking his Trans-Siberian Orchestra concept into a new chapter of the Christmas story with The Lost Christmas Eve. In this symphonic rock opera, the screaming guitars, pounding percussion, orchestral crescendos, and wailing vocals tell the story of a group of disparate and desperate New York City characters from different walks of life whose fates are intertwined in a Christmas Eve saga that moves from loss to redemption. It's typical, rousing TSO fare, encompassing muscular interpretations of seasonal classics, such as the driving, hard-rock take on "The Last Noel," retitled here as "Faith Noel," and a melodramatic rendition of "What Child Is This," complete with hard-rock guitar chording and an ominous, stuttering string section. Additionally, TSO offers more subtle explorations of other genres ("Christmas Jazz"), Jim Steinman–like anthems ("Christmas Dreams"), and electrifying twists on classical fare such as "Christmas Canon Rock," a rocking approach to the timeless Canon in D by Pachelbel, and "Wish Liszt (Toy Shop Madness)," whose source is obvious. Sometimes these transformations are truly startling: "What Child Is This" builds from a tender reading of the traditional carol into a bruising, soaring meditation on a wasted life, with a thundering arrangement to match the urgency of the vocal reading, only to be followed by a reverent solo acoustic guitar version of "O Come All Ye Faithful." O'Neill's latest seasonal installment is, as usual, a feast for the ears.

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Product Details

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Related Subjects


  1. Faith Noel
  2. The Lost Christmas Eve
  3. Christmas Derams
  4. Wizard in Winter
  5. Remember
  6. Anno Domini
  7. Christmas Concerto
  8. Queen of the Winter Night
  9. Christmas NIghts in Blue
  10. Christmas Jazz
  11. Christmas Jam
  12. Siberian Sleigh Ride
  13. What is Christmas?
  14. For the Sake of Our Brother
  15. The Wisdom of Snow
  16. Wish Liszt (Toy Shop Madness)
  17. Back to a Reason (Part II)
  18. Christmas Bells, Carousels and Time
  19. What Child is This?
  20. O'Come All Ye Faithful
  21. Christmas Canon Rock
  22. Different Wings
  23. Midnight Clear

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Album Credits

Performance Credits

Trans-Siberian Orchestra   Primary Artist
Andrew Hill   Choir, Chorus
John Clark   Horn
Joslyn Brown   Choir, Chorus
Joe Cerisano   Choir, Chorus
Peter Day   Choir, Chorus
Tommy Farese   Choir, Chorus
Gary G. Giles   Vocals
James Mingo Lewis   Vocals
Johnny Lee Middleton   Bass
Paul O'Neill   Rhythm Guitar
Jon Oliva   Piano,Keyboards,Choir, Chorus
Pitrelli   Guitar,Rhythm Guitar,Keyboards
Paul Ryder   Choir, Chorus
Alex Skolnick   Guitar
Will Stanley   Choir, Chorus
Dave Wittman   Bass
Garo Yellin   Strings
Angus Clark   Guitar
John O'Reilly   Drums
Chris Caffery   Guitar
Robert Kinkel   Piano,Conductor,Keyboards,Choir, Chorus
Tristan Avakian   Guitar
Jeff Plate   Drums
Sylvia Tosun   Choir, Chorus
Katrina Chester   Choir, Chorus
Benjamin Cole   Choir, Chorus
Hiroko Taguchi   Strings
J. Mark McVey   Vocals
Bart Shatto   Choir, Chorus
Amy Helm   Human Whistle,Soloist
Jill Gioia   Choir, Chorus
Natalie Cenovia Cummins   Strings
Carmine Giglio   Keyboards
David Gold   Strings
Jane Mangini   Piano
Steve Broderick   Choir, Chorus
Latasha Jordon   Choir, Chorus
Daniel "Shaolun" Chen   Choir, Chorus
Michael Lanning   Vocals,Choir, Chorus
Jeff Allegue   Bass
Stephanie Rice Anderson   Choir, Chorus
Jennifer Cella   Vocals,Choir, Chorus
Caleb Eboch   Choir, Chorus
Wendy Eggers   Vocals
Robert Evan   Vocals,Choir, Chorus
Dina Fanai   Choir, Chorus
Martin Flynt   Choir, Chorus
Cedar Georgevich   Choir, Chorus
Kristin Lewis Gorman   Choir, Chorus
Logan Hill   Choir, Chorus
Takeytha Johnson   Choir, Chorus
Mee Eun Kim   Keyboards
Gretchen Kinkel   Vocals,Soloist
Marshall Kock   Choir, Chorus
Danielle Landherr   Choir, Chorus
Guy Lemonnier   Choir, Chorus
Lisa Liu   Strings
David Maliakel   Choir, Chorus
Sanya Mateyas   Choir, Chorus
Bashawn Moore   Choir, Chorus
Takanori Niida   Drums
Daryl Pediford   Vocals
Michelle Satris   Strings
Martin Shedd   Choir, Chorus
Allie Sherudan   Choir, Chorus
Kelsey Surdan   Vocals,Soloist
Jonathan Tetelman   Choir, Chorus
Marilyn Villamar   Choir, Chorus
Tucker Wheatley   Choir, Chorus
Dave Eggar   Strings
Mark Wood   Strings
David Z.   Bass

Technical Credits

Wolfgang Amadeus Mozart   Composer
Paul O'Neill   Composer,Producer
Jon Oliva   Composer
Pitrelli   Composer
Dave Wittman   Engineer,Insert
Robert Kinkel   Composer,Producer,Engineer,String Arrangements,Choir Arrangement
Vincent Metallo   Music Direction
Frederick Oakeley   Composer
Mike Scielzi   Engineer
Tim Ronaghan   Engineer
Mike Zinczenko   Engineer

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The Lost Christmas Eve 4.5 out of 5 based on 0 ratings. 25 reviews.
Guest More than 1 year ago
I've listened to The Lost Christmas Eve (TLCE) several times now, and I'm definitely impressed. This album is the finale to the Christmas trilogy by TSO. As with the previous albums, TSO presents an eclectic mix of styles ranging from hard-rock to classical to Broadway to jazz and a whole lot in between. For most bands, it would be impossible to pull off such variety with conviction, but TSO manages it expertly by employing a large and diverse range of performers. A quick look at the album credits shows you that this is no ordinary band-- there are four guitarists, four bassists, multiple singers (male and female), a children's choir, an orchestra... you get the idea. Fans of TSO's first Christmas album, "Christmas Eve and Other Stories" will be glad to know that the agressive instrumentals are back in full force. As much as I enjoyed "The Christmas Attic" (TSO's second album), I felt some of the energy had been depleted. That's definitely not a problem this time. Actually, this is the most agressive TSO has ever been. "Wizards In Winter" is an incredible instrumental track with flying guitar and keyboard lines, and "Wish Liszt" is one of the best hard-rock covers of classical music I've ever heard... whoever thought anyone would feel the urge to mosh to Franz Liszt? "Christmas Jam" and "Siberian Sleigh Ride" are also both highly energized instrumentals. Overall, it feels like the musicians were allowed a bit more freedom on these instrumentals. On the previous Christmas album, I got the feeling that they felt restricted to playing the notes as written, whereas here it feels like they had more fun. On the quieter side, the title track "The Lost Christmas Eve" is a dark, haunting (yet somehow Broadway-esque) piece that features great lyrics and sets the scene for the story. "Christmas Dreams" is a moderately paced track, starting with a simple piano line, and building, eventually reaching a steady beat reminiscent of "Vienna" from "Beethoven's Last Night." There's also a really great version of "What Child is This." It starts with the familiar melody we all know (Greensleeves), but then drifts into something totally new serves as an optimistic and fitting closing to the main storyline of the album. "Christmas Canon Rock" is a reworked version of "Christmas Canon" from TSO's second Christmas album. At the moment, I prefer this version-- electric guitars and a piano replace the orchestra, and a solitary woman's voice replaces the children's choir. Drums were also added. "Back To A Reason Part 2" is odd because it's taken from the Savatage album "Poets and Madmen." Savatage, for those who don't know, is TSO's alter ego heavy-metal band, and "Back To A Reason" was one of their best ballads. In this rendition, it gets a slightly more Broadway feel, so it fits well with the other tracks, and the hard-driving middle section from the original song has been replaced with an all new part that's better suited for a Christmas album. I don't think it outdoes the original version, but it's nice to hear a new version of one of my favorites. There is one downside to this album. Near the beginning, there is a bit of a lull where a few skippable tracks are lumped together. "Remember" features a children's choir, and while it's not a bad song, it simply doesn't compare to "Promises To Keep," (the children's choir track from the first album.) "Anno Dominae" features an adult choir, and is also merely okay, but I could easily do without it. "Christmas Concerto" is rather pointless, lasting just about one minute and never really going anywhere. "Chrismtas Jazz" is listenable, but I'm not much of a jazz fan, so it wasn't my taste. (although I really enjoy "Christmas Nights In Blue," which is sort o
Guest More than 1 year ago
I am a metal head and I like TOS. One main reason is because Alex Skolnick has been a part of the music. He is very talented, as well as the rest of the orchestra.
A_Corner_Of_My_Mind More than 1 year ago
I love it! I've a LOT of Christmas music, classical, classic, big band, pop, etc., and this is one of my favorites. If you love rock and roll and want something different than everything that gets played during the holiday season than this album may be for you. I would also recommend a guitar instrumental Christmas album by Alturas "CHRISTMAS IN THE HEIGHTS", but, B&N doesn't carry it.
RobbieBobby44 More than 1 year ago
The Christmas Attic was a big letdown for me. But with the conclusion of the Christmas trilogy, the TSO is back to their very best - and they'll be playing the entire album this winter (2012) instead of their usual set list. Another brilliant concept album featuring several styles of music. I can't wait until the TSO reaches Dallas!
Guest More than 1 year ago
AWESOME is the only word that is appropriate!
Guest More than 1 year ago
this cd is absolutely amazing. i didn't think anyone could be THAT creative with blending styles of music. one of the first times i heard them was at their concert. i was completely blown away... AND i got to meet them!
Guest More than 1 year ago
I have been in love with TSO for about four years. all of their stuff is amazing!
Guest More than 1 year ago
I have all the TSO CD's and play them for several months before and after Christmas. Christmas music can get so repetitive. TSO has a whole new sound. And, if you think this is good, you should see their peformances.!!!!Nothing like it.
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Lilo02 More than 1 year ago
I first heard about Trans Siberian Orchestra on the radio when I was like in 6th grade or something. That was when they completely transformed the song Carol of the Bells which boosted up their sales for that album. I of coarse fell in love w/ that song and wanted to hear some more of their stuff. This album came out about 2 years ago from now and its probably one of their, strange but good albums. A great compilation of Christmas music mixed into rock. These guys are amazing at what they do and you can see why their shows sell out every year.
Anonymous More than 1 year ago
I love this music. It is so cool. The Trans-Siberian Orchestra ROCKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Guest More than 1 year ago
I have never heard anything so utterly and completely hysterical in my entire life.
Guest More than 1 year ago
So...I can't figure out what the deal is with the Trans-Siberian Orchestra. A combination of eighties-sounding guitars, Queen-esque harmonies along with hair metal vocals, bells, keyboards, angel choirs, all of it chronicling a Christmas tale of redemption-it sounds like it should be a joke, right? But this is presented without any irony, despite it's over the top nature. What gives?