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| Syd Barrett | Primary Artist, Guitar, Vocals |
| Roger Waters | Bass |
| Robert Wyatt | Drums |
| David Gilmour | Bass, Guitar |
| Hugh Hopper | Bass |
| Mike Ratledge | Keyboards |
| Vic Seywell | Horn |
| John Wilson | Drums |
| Syd Barrett | Composer, Producer |
| Roger Waters | Producer |
| James Joyce | Lyricist |
| Tony Clark | Engineer |
| David Gilmour | Producer |
| Jeff Jarratt | Engineer |
| Peter Jenner | Producer |
| Malcolm Jones | Producer |
| Phil McDonald | Engineer |
| Peter Mew | Engineer |
| Mike Sheady | Engineer |
| Brian Hogg | Liner Notes, Author, Story |
| Tim Chacksfield | Author |
| Angela Rogers | Illustrations |
| Golden Hair | Poetry |
Editorial Reviews
All Music Guide - Stewart Mason
Wisely, The Madcap Laughs doesn't even try to sound like a consistent record. Half the album was recorded by Barrett's former bandmates Roger Waters and Dave Gilmour, and the other half by Harvest Records head Malcolm Jones. Surprisingly, Jones' tracks are song for song much stronger than the more-lauded Floyd entries. The opening "Terrapin" seems to go on three times as long as its five-minute length, creating a hypnotic effect through Barrett's simple, repetitive guitar figure and stream of consciousness lyrics. The much bouncier "Love You" sounds like a sunny little Carnaby Street pop song along the lines of an early Move single, complete with music hall piano, until ...