The Madman's Daughter (Madman's Daughter Series #1)
  • The Madman's Daughter (Madman's Daughter Series #1)
  • The Madman's Daughter (Madman's Daughter Series #1)

The Madman's Daughter (Madman's Daughter Series #1)

4.1 91
by Megan Shepherd

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Sixteen-year-old Juliet Moreau has built a life for herself in London—working as a maid, attending church on Sundays, and trying not to think about the scandal that ruined her life. After all, no one ever proved the rumors about her father's gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is

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Sixteen-year-old Juliet Moreau has built a life for herself in London—working as a maid, attending church on Sundays, and trying not to think about the scandal that ruined her life. After all, no one ever proved the rumors about her father's gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true.

Accompanied by her father's handsome young assistant, Montgomery, and an enigmatic castaway, Edward—both of whom she is deeply drawn to—Juliet travels to the island, only to discover the depths of her father's madness: He has experimented on animals so that they resemble, speak, and behave as humans. And worse, one of the creatures has turned violent and is killing the island's inhabitants. Torn between horror and scientific curiosity, Juliet knows she must end her father's dangerous experiments and escape her jungle prison before it's too late. Yet as the island falls into chaos, she discovers the extent of her father's genius—and madness—in her own blood.

Inspired by H. G. Wells's classic The Island of Dr. Moreau, The Madman's Daughter is a dark and breathless Gothic thriller about the secrets we'll do anything to know and the truths we'll go to any lengths to protect.

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Editorial Reviews

Publishers Weekly
Drawing liberally from The Island of Dr. Moreau, Shepherd debuts with a dark novel, the first in a planned trilogy, which explores many of the themes of the Wells book, including the ethics of scientific experimentation, progress, and civilization. Several characters have parallels in the original—Moreau, the disgraced physiologist; his assistant, Montgomery; and a rescued castaway named Edward. Assuming the role of narrator is 16-year-old Juliet Moreau, who has eked out a living in London following her father’s downfall and mother’s death. When Juliet learns her father is possibly alive, she sets off for the island he escaped to, along with Montgomery, who is recast as a dashing former childhood friend of Juliet’s. At times, the horrors of Moreau’s experimentations take a backseat to the romantic passions that engulf Juliet (“Being so close to a half-naked man—to Montgomery—made me breathless”), as her affections vacillate between Montgomery and the mysterious Edward. Nonetheless, Shepherd’s atmospheric interpretation ought to pull readers in, with unexpected twists and a cliffhanger ending that should leave them craving more. Ages 13–up. Agent: Josh Adams and Quinlan Lee, Adams Literary. (Feb.)
ALA Booklist
“Anyone who doesn’t pick up the next volume is mad!”
Carrie Ryan
“A deft twist on a familiar classic, THE MADMAN’S DAUGHTER has the best of everything: beautiful writing, breakneck pacing, a pulse-pounding mystery, and an irresistible romance.”
Veronica Rossi
“Romantic, haunting, and full of spine-tingling thrills, THE MADMAN’S DAUGHTER kept me reading late into the night.”
Kirkus Reviews
H.G. Wells' The Island of Doctor Moreau, as seen through the eyes of the doctor's daughter. Abandoned by her father and mourning the death of her mother, tough yet prissy Juliet Moreau lives in near-poverty working as a medical school scullery maid in Victorian-era London. When she learns that her father inhabits an island far, far away, where he performs horrific experiments on animals via vivisection, Juliet makes her way there along with Montgomery, her father's assistant, and Edward Prince, a castaway they meet along the way. Naturally, sparks fly among Juliet and the gents, but danger lurks on the island in the form of humanlike creatures--some more ridiculously rendered than others--built from the body parts of animals, the results of Dr. Moreau's experiments. Shepherd takes several liberties in her interpretation of Wells' work, including the insertion of Juliet and the naming of Moreau's creations using Shakespearean characters. The plot moves quickly; in some instances it goes too fast, especially during the voyage from London to the island, when accelerated action forces readers into mental gymnastics. Shepherd excels at worldbuilding in the historical London setting but has trouble fully realizing the landscape of the island. While the chemistry between Juliet and Montgomery spikes instantaneously and believably, the attraction between Prince and Juliet feels more contrived. An unessential but entertaining interpretation. (Science fiction. 13 & up)
Children's Literature - Annie Laura Smith
Sixteen-year-old Juliet Moreau's new life in London falls apart when she hears horrible rumors about her father, a respected London doctor. He flees the city for a tropical island, where he performs gruesome experiments that make animals look and act like humans. Her father's rationale is acknowledged to be unclear, and perhaps unknowable: "Whatever it was—his new discovery—it had consumed him enough to abandon everything else in his life. It was more important than his reputation, his wife, even his daughter." Still, Juliet travels to the island in an attempt to determine if her father is a monster as rumored, or a brilliant scientist. If he is the former, she hopes to put an end to his horrific experiments. Juliet's feelings about her findings are strong: "Dead flesh and sharpened scalpels didn't bother me. I was my father's daughter, after all. My nightmares were made of darker things." A love triangle develops between Juliet, her father's servant-turned-assistant Montgomery, and Edward, a castaway they rescue en route to the island. The love triangle is a distraction to a story that should focus more on the horrors Juliet encounters and her relationship with her father. An intriguing plot twist brings the story to a close. H.G. Wells' The Island of Dr. Moreau is the inspiration for The Madman's Daughter. This novel is part of a trilogy which includes Her Dark Curiosity and a third story yet to be released. The Madman's Daughter is a compelling gothic thriller, although the scenes of animal cruelty are quite explicit. Film rights have been optioned by Paramount Pictures. Reviewer: Annie Laura Smith
School Library Journal
Gr 9 Up—Based on H.G. Wells's The Island of Dr. Moreau and told from the point of view of the mad doctor's 16-year-old daughter, this dark novel blends the basic premise of the original with new insights, characters, and terror. Dr. Moreau fled London to escape scandal and possible arrest, leaving his wife and daughter destitute. When her mother dies, Juliet has just enough money to survive until she is fired from her hospital cleaning job for rebuffing the advances of one of the doctors. She runs into her old friend and her father's assistant, Montgomery, and convinces him to take her to her father's island. The perilous trip on a pirate ship and the rescue of Edward, a castaway, ends with a very cold welcome from her father, who grudgingly allows her to stay. Over time, Juliet realizes that everything she has heard about him creating strange semi-human creatures is true. The teen must face dangers, uncover the secrets behind her origin, and unravel her feelings about Moreau's experiments. The fast-paced book is rife with excitement, romance, and intrigue. Juliet is both a strong heroine who can take charge and a young woman who is beset by doubts and rash acts. Dr. Moreau is thoroughly detestable and Montgomery and Edward are handsome, flawed, and mysterious. The surprising ending is satisfying. While knowledge of Wells's novel would perhaps lead to a more satisfying reading experience, this title stands alone.—Janet Hilbun, Texas Women's University, Denton, TX

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Product Details

HarperCollins Publishers
Publication date:
Madman's Daughter Series, #1
Sales rank:
Product dimensions:
5.92(w) x 8.32(h) x 1.33(d)
HL640L (what's this?)
Age Range:
13 - 17 Years

Read an Excerpt

The Madman's Daughter

By Megan Sheperd

HarperCollins Publishers

Copyright © 2013 Megan Sheperd
All rights reserved.
ISBN: 978-0-06-212802-7



The basement halls in King's College of Medical Research were dark, even in the daytime. At night they were like a grave.

Rats crawled through corridors that dripped with cold perspiration. The chill in the sunken rooms kept the specimens from rotting and numbed my own flesh, too, through the worn layers of my dress. When I cleaned those rooms, late at night after the medical students had gone home to their warm beds, the sound of my hard-bristle brush echoed in the operating theater, down the twisting halls, into the storage spaces where they kept the things of nightmares. Other people's nightmares, that is. Dead flesh and sharpened scalpels didn't bother me. I was my father's daughter, after all. My nightmares were made of darker things.

My brush paused against the mortar, frozen by a familiar sound from down the hall: the unwelcome tap-tap-tap of footsteps that meant Dr. Hastings had stayed late. I scrubbed harder, furiously, but blood had a way of seeping into the tiles so not even hours of work could get them clean. The footsteps came closer until they stopped right behind me.

"How's it coming, then, Juliet?" His warm breath brushed the back of my neck.

Keep your eyes down, I told myself, scouring the bloodstained squares of mortar so hard that my own knuckles bled.

"Well, Doctor." I kept it short, hoping he would leave, but he didn't.

Overhead the electric bulbs snapped and clicked. I glanced at the silver tips of his shoes, so brightly polished that I could see the reflection of his balding scalp and milky eyes watching me. He wasn't the only professor who worked late, or the only one whose gaze lingered too long on my bent-over backside. But the smell of lye and other chemicals on my clothes deterred the others. Dr. Hastings seemed to relish it.

He slipped his pale fingers around my wrist. I dropped the brush in surprise. "Your knuckles are bleeding," he said, pulling me to my feet.

"It's the cold. It chaps my skin." I tried to tug my hand back, but he held firm. "It's nothing."

His eyes followed the sleeve of my muslin dress to the stained apron and frayed hem, a dress that not even my father's poorest servants would have worn. But that was many years ago, when we lived in the big house on Belgrave Square, where my closet burst with furs and silks and soft lacy things I'd worn only once or twice, since Mother threw out the previous year's fashions like bathwater.

That was before the scandal.

Now, men seldom looked at my clothes for long. When a girl fell from privilege, men were less interested in her ratty skirts than in what lay underneath, and Dr. Hastings was no different. His eyes settled on my face. My friend Lucy told me I looked like the lead actress at the Brixton, a Frenchwoman with high cheekbones and skin pale as bone, even paler against the dark, straight hair she wore swept up in a Swiss-style chignon. I kept my own hair in a simple braid, though a few strands always managed to slip out. Dr. Hastings reached up to tuck them behind my ear, his fingers rough as parchment against my temple. I cringed inside but fought to keep my face blank. Better to give no reaction so he wouldn't be encouraged. But my shaking hands betrayed me.

Dr. Hastings smiled thinly. The tip of his tongue snaked out from between his lips.

Suddenly the sound of groaning hinges made him startle. My heart pounded wildly at this chance to slip away. Mrs. Bell, the lead maid, stuck her gray head through the cracked door. Her mouth curved in its perpetual frown as her beady eyes darted between the professor and me. I'd never been so glad to see her wrinkled face.

"Juliet, out with you," she barked. "Mary's gone and broken a lamp, and we need another set of hands."

I stepped away from Dr. Hastings, relief rolling off me like a cold sweat. My eyes met Mrs. Bell's briefly as I slipped into the hall. I knew that look. She couldn't watch out for me all the time.

One day, she might not be there to intercede.

The moment I was free of those dark hallways, I dashed into the street toward Covent Garden as the moon hovered low over London's skyline. The harsh wind bit at my calves through worn wool stockings as I waited for a carriage to pass. Across the street a figure stood in the lee of the big wooden bandstand's staircase.

"You awful creature," Lucy said, slipping out of the shadows. She hugged the collar of her fur coat around her long neck. Her cheeks and nose were red beneath a light sheen of French powder. "I've been waiting an hour." "I'm sorry." I leaned in and pressed my cheek to hers. Her parents would be horrified to know she had snuck out to meet me. They had encouraged our friendship when Father was London's most famous surgeon, but were quick to forbid her to see me after his banishment.

Luckily for me, Lucy loved to disobey.

"They've had me working late all week opening up some old rooms," I said. "I'll be cleaning cobwebs out of my hair for days."

She pretended to pluck something distasteful from my hair and grimaced. We both laughed. "Honestly, I don't know how you can stand that work, with the rats and beetles and, my God, whatever else lurks down there." Her blue eyes gleamed mischievously. "Anyway, come on. The boys are courtyard to a redbrick building with a stone staircase. Lucy banged the horse-head knocker twice.

The door swung open, and a young man with thick chestnut hair and a fine suit appeared. He had Lucy's same fair skin and wide-set eyes, so this must be the cousin she'd told me about. I timidly evaluated his tall forehead, the helix of his ears that projected only a hair too far from the skull. Good-looking, I concluded. He studied me wordlessly in return, in my third-hand coat, with worn elbows and frayed satin trim, that must have looked so out of place next to Lucy's finely tailored one. But to his credit, his grin didn't falter for a moment. She must have warned him she was bringing a street urchin and not to say anything rude. "Let us in, Adam," Lucy said, pushing past him. "My toes are freezing to the street."

I slipped in behind her. Shrugging off her coat, she said, "Adam, this is the friend I've told you about. Not a penny to her name, can't cook, but God, just look at her." My face went red, and I shot Lucy a withering look, but Adam only smiled. "Lucy's nothing if not blunt," he said. "Don't worry, I'm used to it. I've heard far worse come out of her mouth. And she's right, at least about the last part." I jerked my head toward him, expecting a leer. But he was being sincere, which only left me feeling more at a loss for words.

"Where are they?" Lucy asked, ignoring us. A bawdy roar spilled from a back room, and Lucy grinned and headed toward the sound. I expected Adam to follow her. But his gaze found me instead. He smiled again.

Startled, I paused a second too long. This was new. No vulgar winks, no glances at my chest. I was supposed to say something pleasant. But instead I drew a breath in, like a secret I had to keep close. I knew how to handle cruelty, not kindness.

"May I take your coat?" he asked. I realized I had my arms wrapped tightly around my chest, though it was pleasantly warm inside the house.

I forced my arms apart and slid the coat off. "Thank you." My voice was barely audible.

We followed Lucy down the hall to a sitting room where a group of lanky medical students reclined on leather sofas, sipping glasses of honey-colored liquid. Winter examinations had just ended, and they were clearly deep into their celebration. This was the kind of thing Lucy adored - breaking up a boys' club, drinking gin and playing cards and reveling in their shocked faces. She got away with it under the pretense of visiting her cousin, though this was a far step from the elderly aunt's parlor where Lucy was supposed to be meeting him.

Adam stepped forward to join the crowd, laughing at something someone said. I tried to feel at ease in the unfamiliar crowd, too aware of my shabby dress and chapped hands. Smile, Mother would have whispered. You belonged among these people, once. But first I needed to gauge how drunk they were, the lay of the room, who was most likely not to laugh at my poor clothes. Analyzing, always analyzing - I couldn't feel safe until I knew every aspect of what I was facing.

Mother had been so confident around other people, always able to talk about the church sermon that morning, about the rising price of coffee. But I'd taken after my father when it came to social situations. Awkward. Shy. More apt to study the crowd like some social experiment than to join in. Lucy had tucked herself on the sofa between a blond haired boy and one with a face as red as an apple. A half empty rum bottle dangled from her graceful fingers. When she saw me hanging back in the doorway, she stood and sauntered over.

"The sooner you find a husband," she growled playfully, "the sooner you can stop scrubbing floors. So pick one of them and say something charming."

I swallowed. My eyes drifted to Adam. "Lucy, men like these don't marry girls like me."

"You haven't the faintest idea what men want. They don't want some snobbish porridge-faced brat plucking at needlepoint all day."

"Yes, but I'm a maid."

"A temporary situation." She waved it away, as if my last few years of backbreaking work were nothing more than a lark. She jabbed me in the side. "You come from money. From class. So show a little."

She held the bottle out to me. I wanted to tell her that sipping rum straight from a bottle wasn't exactly showing class, but I'd only earn myself another jab.

I glanced at Adam. I'd never been good at guessing people's feelings. I had to study their reactions instead. And in this situation, it didn't take much to conclude I wasn't what these men wanted, despite Lucy's insistence.

But maybe I could pretend to be. Hesitantly, I took a sip.

The blond boy tugged Lucy to the sofa next to him. "You must help us end a debate, Miss Radcliffe. Cecil says the human body contains two hundred ten bones, and I say two hundred eleven."

Lucy batted her pretty lashes. "Well, I'm sure I don't know."

I sighed and leaned into the door frame.

The boy took her chin in his hand. "If you'll be so good as to hold still, I'll count, and we can find our answer." He touched a finger to her skull. "One." I rolled my eyes as the boy dropped his finger lower, to her shoulder bones. "Two. And three." His finger ran slowly, seductively, along her clavicle. "Four." Then his finger traced even lower, to the thin skin covering her breastbone. "Five," he said, so drawn out that I could smell the rum on his breath.

I cleared my throat. The other boys watched, riveted, as the boy's finger drifted lower and lower over Lucy's neckline. Why not just skip the pretense and grab her breast? Lucy was no better, giggling like she was enjoying it. Exasperated, I slapped his pasty hand off her chest.

The whole room went still.

"Wait your turn, darling," the boy said, and they all laughed. He turned back to Lucy, holding up that ridiculous finger.

"Two hundred six," I said.

This got their attention. Lucy took the bottle from my hand and fell back against the leather sofa with an exasperated sigh.

"I beg your pardon?" the boy said.

"Two hundred six," I repeated, feeling my cheeks warm. "There are two hundred six bones in the body. I would think, as a medical student, you would know that." Lucy's head shook at my hopelessness, but her lips cracked in a smile regardless. The blond boy's mouth went slack.

I continued before he could think. "If you doubt me, tell me how many bones are in the human hand." The boys took no offense at my remark. On the contrary, they seemed all the more drawn to me for it. Maybe I was the kind of girl they wanted, after all.

Lucy's only acknowledgment was an approving tip of the rum bottle in my direction.

"I'll take that wager," Adam interrupted, leveling his handsome green eyes at me.

Lucy jumped up and wrapped her arm around my shoulders. "Oh, good! And what's the wager, then? I'll not have Juliet risk her reputation for less than a kiss."

I immediately turned red, but Adam only grinned.

"My prize, if I am right, shall be a kiss. And if I am wrong -" "If you are wrong" - I interjected, feeling reckless; I grabbed the rum from Lucy and tipped the bottle back, letting the liquid warmth chase away my insecurity - "you must call on me wearing a lady's bonnet."

He walked around the sofa and took the bottle. The confidence in his step told me he didn't intend to lose. He set the bottle on the side table and skimmed his forefinger tantalizingly along the delicate bones in the back of my hand. I parted my lips, curling my toes to keep from jerking my hand away. This wasn't Dr. Hastings, I told myself. Adam was hardly shoving his hand down my neckline. It was just an innocent touch.

"Twenty-four," he said.

I felt a triumphant swell. "Wrong. Twenty-seven."

Lucy gave my leg a pinch and I remembered to smile. This was supposed to be flirtatious. Fun.

Adam's eyes danced devilishly. "And how would a girl know such things?"

I straightened. "Whether I'm right or wrong has nothing to do with gender." I paused. "Also, I'm right." Adam smirked. "Girls don't study science."

My confidence faltered. I knew how many bones there were in the human hand because I was my father's daughter. When I was a child, Father would give physiology lessons to our servant boy, Montgomery, to spite those who claimed the lower classes were incapable of learning. He considered women naturally deficient, however, so I would hide in the laboratory closet during lessons.

Excerpted from The Madman's Daughter by Megan Sheperd. Copyright © 2013 by Megan Sheperd. Excerpted by permission of HarperCollins Publishers.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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What People are saying about this

Carrie Ryan

“A deft twist on a familiar classic, THE MADMAN’S DAUGHTER has the best of everything: beautiful writing, breakneck pacing, a pulse-pounding mystery, and an irresistible romance.”

Veronica Rossi

“Romantic, haunting, and full of spine-tingling thrills, THE MADMAN’S DAUGHTER kept me reading late into the night.”

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