The Man Who Died

The Man Who Died

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by D. H. Lawrence, Leonard Baskin

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In his last novel, published less than a year before his death, D. H. Lawrence takes up the theme of Christ's resurrection and his final days on earth. Lawrence recounts Christ's agonizing journey from death back to life with alarming realism: his initial painful awakening, the utter disillusionment of living beyond his brutal death, his bewildering encounters with…  See more details below


In his last novel, published less than a year before his death, D. H. Lawrence takes up the theme of Christ's resurrection and his final days on earth. Lawrence recounts Christ's agonizing journey from death back to life with alarming realism: his initial painful awakening, the utter disillusionment of living beyond his brutal death, his bewildering encounters with strangers and friends, and finally, his redemptive sexual relationship with the priestess of the pagan goddess Isis. The story expands from its Christian roots to embrace Lawrence's abiding faith in the life-force apparent in every aspect of the natural world. The combination of a pure idealism with a pure physicality enriches these characters both as human beings and as symbols of beliefs too often held in opposition. The language of this book is indulgent for Lawrence - it contains the sharp focus and lyrical intensity of poetry without losing the subtlety of detail that characterizes his prose. For his final work, it seems that Lawrence has encapsulated a lifetime of extraordinary vision into one profound and exquisite parable.

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HarperCollins Publishers
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5.25(w) x 7.50(h) x 0.28(d)

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Chapter One

There was a peasant near Jerusalem who acquired a young gamecock which looked a shabby little thing, but which put on brave feathers as spring advanced and was resplendent with arched and orange neck by the time the fig trees were letting out leaves from their end tips.

This peasant was poor, he lived in a cottage of mud-brick, and had only a dirty little inner courtyard with a tough fig-tree for all his territory. He worked hard among the vines and olives and wheat of his master, then came home to sleep in the mud-brick cottage by the path. But he was proud of his young rooster. In the shut-in yard were three shabby hens which laid small eggs, shed the few feathers they had, and made a disproportionate amount of dirt. There was also, in a corner under a straw roof, a dull donkey that often went out with the peasant to work, but sometimes stayed at home. And there was the peasant's wife, a black-browed youngish woman who did not work too hard. She threw a little grain, or the remains of the porridge mess, to the fowls, and she cut green fodder with a sickle, for the ass.

The young cock grew to a certain splendour. By some freak of destiny, he was a dandy rooster, in that dirty little yard with three patchy hens. He learned to crane his neck and give shrill answers to the crowing of other cocks, beyond the walls, in a world he knew nothing of. But there was a special fiery colour to his crow, and the distant calling of the other cocks roused him to unexpected outbursts.

"How he sings," said the peasant, as he got up and pulled his dayshirt over his head.

"He is good for twenty hens," said the wife.

The peasant went out and looked withpride at his young rooster. A saucy, flamboyant bird that has already made the final acquaintance of the three tattered hens. But the cockerel was tipping his head, listening to the challenge of far-off unseen cocks, in the unknown world. Ghost voices, crowing at him mysteriously out of limbo. He answered with a ringing defiance, never to be daunted.

"He will surely fly away one of these days," said the peasant's wife.

So they lured him with grain, caught him, though he fought with all his wings and feet, and they tied a cord round his shank, fastening it against the spur; and they tied the other end of the cord to the post that held up the donkey's straw pent-roof.

The young cock, freed, marched with a prancing stride of indignation away from the humans, came to the end of his string, gave a tug and a hitch of his tied leg, fell over for a moment, scuffled frantically on the unclean earthen floor, to the horror of the shabby hens, then with a sickening lurch, regained his feet, and stood to think. The peasant and the peasant's wife laughed heartily, and the young cock heard them. And he knew, with a gloomy, foreboding kind of knowledge, that he was tied by the leg.

He no longer pranced and ruffled and forged his feathers. He walked within the limits of his tether sombrely. Still he gobbled up the best bits of food. Still, sometimes, he saved an extra-best bit for his favourite hen of the moment. Still he pranced with quivering, rocking fierceness upon such of his harem as came nonchalantly within range, and gave off the invisible lure. And still he crowed defiance to the cock-crows that showered up out of limbo, in the dawn.

But there was now a grim voracity in the way he gobbled his food, and a pinched triumph in the way he seized upon the shabby hens. His voice, above all, had lost the full gold of its clangour. He was tied by the leg and he knew it. Body, soul and spirit were tied by that string.

Underneath, however, the life in him was grimly unbroken. It was the cord that should break. So one morning, just before the light of dawn, rousing from his slumbers with a sudden wave of strength, he leaped forward on his wings, and the string snapped. He gave a wild strange squawk, rose in one lift to the top of the wall, and there he crowed a loud and splitting crow. So loud, it woke the peasant.

At the same time, at the same hour before dawn, on the same morning, a man awoke from a long sleep in which he was tied up. He woke numb and cold, inside a carved hole in the rock. Through all the long sleep his body had been full of hurt, and it was still full of hurt. He did not open his eyes. Yet he knew that he was awake, and numb, and cold, and rigid, and full of hurt, and tied up. His face was banded with cold bands, his legs were bandaged together. Only his hands were loose.

He could move if he wanted: he knew that. But he had no want. Who would want to come back from the dead? A deep, deep nausea stirred in him, at the premonition of movement. He resented already the fact of the strange, incalculable moving that had already taken place in him: the moving back into consciousness. He had not wished it. He had wanted to stay outside, in the place where even memory is stone dead.

But now, something had returned to him, like a returned letter, and in that return he lay overcome with a sense of nausea. Yet suddenly his hands moved. They lifted up, cold, heavy and sore. Yet they lifted up, to drag away the cloth from his face, and to push at the shoulder bands. Then they fell again, cold, heavy, numb, and sick with having moved even so much, unspeakably unwilling to move further.

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The Man Who Died 5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
Guest More than 1 year ago
Although it is extreamly 'contraversal' it is a brillant statment of human existance by using the most note worthy event in the history of mankind the death and resurection of Jesus Christ. I highly recomend this book for anyone who is intrested in reading a novel of an intense and sensual nature.