The Marketplace of Ideas: 20 Years of Cardozo Arts and Entertainment Law Journal

The Marketplace of Ideas: 20 Years of Cardozo Arts and Entertainment Law Journal

by Peter K. Yu
     
 

ISBN-10: 9041188819

ISBN-13: 9789041188816

Pub. Date: 10/01/2002

Publisher: Kluwer Law International, BV

Founded in 1981, the Cardozo Arts & Entertainment Law Journal is one of the first student-edited entertainment law journals in the United States. Over the course of the years, it has grown to be one of the most widely-subscribed journals in the field
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Overview

Founded in 1981, the Cardozo Arts & Entertainment Law Journal is one of the first student-edited entertainment law journals in the United States. Over the course of the years, it has grown to be one of the most widely-subscribed journals in the field

Product Details

ISBN-13:
9789041188816
Publisher:
Kluwer Law International, BV
Publication date:
10/01/2002
Pages:
1110
Product dimensions:
6.14(w) x 9.21(h) x 2.25(d)

Table of Contents

Preface
Introduction: The Distant Drumbeat: Why the Law Still Matters in the Information Era
The Widening Gyre: Are Derivative Works Getting Out of Hand?1
The Compulsory License Redux: Will It Survive in a Changing Marketplace?26
The Impact of Berne on United States Copyright Law40
Telephone Companies Have First Amendment Rights Too: The Constitutional Case for Entry into Cable59
An Antitrust Paradox for the 1990s: Revisiting the Role of the First Amendment in Cable Television110
Contradiction and Context in American Copyright Law124
On the Author Effect: Contemporary Copyright and Collective Creativity208
Author/izing the Celebrity: Publicity Rights, Postmodern Politics, and Unauthorized Genders236
The Interdisciplinary Future of Copyright Theory267
Comparing Broadcast Structures: Transnational Perspectives and Post-Communist Examples282
Fair Use Misconstrued: Profit, Presumptions, and Parody320
Alienability Restrictions and the Enhancement of Author Autonomy in United States and Continental Copyright Law373
Moral Rights Protection and Resale Royalties for Visual Art in the United States: Development and Current Status451
Architect as Artist: Artists' Rights and Historic Preservation472
Campbell v. Acuff-Rose: Justice Souter's Rescue of Fair Use507
The Exclusive Right to Read515
Will the Copyright Office Be Obsolete in the Twenty-first Century?541
Charting the Collapse of the Patent-Copyright Dichotomy: Premises for a Restructured International Intellectual Property System555
The Precarious Balance: Moral Rights, Parody, and Fair Use601
Copyright and the Legislative Process: A Personal Perspective649
Cyberlaw and Social Change: A Democratic Approach to Copyright Law in Cyberspace663
Copyright Without Borders? Choice of Forum and Choice of Law for Copyright Infringement in Cyberspace744
An Introduction to the Law and Economics of the V-Chip767
The Personality Interest of Artists and Inventors in Intellectual Property840
Future Directions in International Copyright941
The 1996 Federal Anti-Dilution Statute955
Yet Another Fox in the Hen House: Government Protection of Artistic Expression Within Privately Owned Public Spaces969
Art and the Marketplace of Expression976
New Lyrics for an Old Melody: The Idea/Expression Dichotomy in the Computer Age981
Software as Discourse: The Power of Intellectual Property in Digital Architecture994
Cultural Property, International Trade and Human Rights1044
E-commerce, Business Method Patents, and the USPTO: An Old Debate for a New Economy1061
Contributors1077

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