The Mayor of MacDougal Street [2013 edition]: A Memoir

by Dave Van Ronk, Elijah Wald (With)

Overview

Dave Van Ronk (1936-2002) was one of the founding figures of the 1960s folk revival, but he was far more than that. A pioneer of modern acoustic blues, a fine songwriter and arranger, a powerful singer, and one of the most influential guitarists of the '60s, he was also a marvelous storyteller, a peerless musical historian, and one of the most quotable figures on the Village scene.

Featuring encounters with young stars-to-be like Bob Dylan and Joni Mitchell, The Mayor of MacDougal Street is a vivid evocation of a singular time and place — a feast not only for fans of folk music and blues, but for anyone interested in the music, politics, and spirit of a revolutionary period in American culture.

Product Details

ISBN-13:	9780306822162
Publisher:	Hachette Books
Publication date:	10/15/2013
Edition description:	Second Edition, 2013 edition
Pages:	272
Sales rank:	449,203
Product dimensions:	5.78(w) x 8.20(h) x 0.73(d)

About the Author

Dave Van Ronk (1936-2002) was one of the founding figures of the 1960s folk revival, but he was far more than that. A pioneer of modern acoustic blues, a fine songwriter and arranger, a powerful singer, and one of the most influential guitarists of the '60s, he was also a marvelous storyteller, a peerless musical historian, and one of the most quotable figures on the Village scene. The Mayor of MacDougal Street is a firsthand account by a major player in the social and musical history of the '50s and '60s. It features encounters with young stars-to-be like Bob Dylan, Tom Paxton, Phil Ochs, and Joni Mitchell, as well as older luminaries like Reverend Gary Davis, Mississippi John Hurt, and Odetta.

Elijah Wald wrote the acclaimed study of blues legend Robert Johnson, Escaping the Delta. He also wrote the biography Josh White: Society Blues and Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. He lives in Los Angeles.

Table of Contents

	Acknowledgments	ix
	Foreword: Back in the Day	xi
1	Prehistory: Youth in the Outer Boroughs	1
2	Jazz Days	13
3	Folk Roots and Libertarian Anarchy	27
4	Washington Square and Beyond	41
5	The Guild and Caravan	61
6	Where the Real Money Was	77
7	Friends and Recordings	83
8	Lewis and Clark Revisited	99
9	California	113
10	The Commons and Gary Davis	125
11	The Gaslight	141
12	Changing of the Guard	157
13	The Blues Revival	179
14	The New Song Revolution	195
15	The Waning Days of Babylon	211
16	Last Call	225
	Afterword	227
	Index	233

Editorial Reviews

A music critic dubbed singer/acoustic guitarist Dave Van Ronk (1936-2002) "the Mayor of MacDougal Street" and, if truth be told, this garrulous New Yorker seldom strayed far from his beloved Greenwich Village. He was a key part of the folk music revival, not only as a talented performer, but as an avuncular figure, friend, and, as this memoir demonstrates convincingly, a storyteller. The Mayor of MacDougal Street (which was completed after his death by Elijah Wald) offers an on-the-spot social and musical history of the changing music scene of the fifties and sixties. (P.S. This movie tie-in edition is issued in anticipation of the December release Coen Brothers' Cannes Grand Prix award-winning film Inside Llewyn Davis, which is loosely based on this book.)

Praise for The Mayor of MacDougal Street

NewYorker.com, 9/30/13
“[A] wonderful memoir.”

Slate, 12/2/13
“Your best guide when it comes to Inside Llewyn Davis—apart from what follows, of course—is Van Ronk’s posthumous memoir, The Mayor of MacDougal Street.”

New York Times, 11/30/13
“[A] sharp cantankerous memoir.”

The Culture Trip, 4/1/16
“Gives the play-by-play for a musical movement that was humble in origin, but huge in populous fervor. Woody Guthrie; Joan Baez; Pete Seeger; Richie Havens; Bob Dylan, Peter, Paul and Mary; plus dozens more, they all live and breathe within these pages…One of folk’s unsung heroes, Van Ronk mixes poetry and revolution, rolled into a posthumously released autobiography as much a history of the Village, and the folk venues that made it famous, as the life story of its ‘Mayor.’”

From the Publisher

"A fascinating look at a pivotal moment in American popular music...A great read."

Creative Loafing Charlotte 7/6/05

"[A] wonderful memoir...Mandatory reading for anybody interested in...the "Great Folk Scare" of the 1960s."

Boston Globe 7/24/05

"This is the best book I've ever read about the folk revival..Engaging and frequently hilarious."

Sing Out! Fall 2005

"[This] book will leave you not merely educated, but enlightened; not merely amused, but delighted. You will want more."

Dirty Linen August/September 2005

"A definitive history of folk's alternate universe...bringing to light the unique voice and story of Dave Van Ronk."

South Florida Sun-Sentinel

"A father to the folk movement in Greenwich Village...[Van Ronk] and co-writer Elijah Wald bring that Village scene back to life."

New York Post

Van Ronk (1936-2002) was one of the most influential guitarists and singer/songwriters in folk music history. A staple of the folk music scene in New York City's Greenwich Village during the late 1950s and early 1960s, he presided over such legendary venues as the Gaslight Cafe and Gerde's Folk City. In this rollicking book that is part memoir and part history of the times, Van Ronk, with the help of coauthor Wald (Josh White: Society Blues), recalls his early fascination with music-he picked up the ukulele at 15 and later graduated to the blues and jazz classics that greatly influenced his music. The narrative is most valuable, however, as a commentary on the folk scene of the early 1960s (the book ends late in the decade). Van Ronk unflinchingly tells the story of this era as he believes it should be told: Beat poets Allen Ginsberg and Gregory Corso were never accepted into the folk music scene, even though many people think of them as predecessors to the movement; Tom Paxton, not Bob Dylan, was responsible for the new direction that folk took in the early 1960s; and Joni Mitchell was "the best writer of the 1960s, a very playful lyricist in the same way that John Donne was." For an insider's guide to the folk movement, one can hardly do better than Van Ronk's book. Highly recommended for all libraries.-Henry L. Carrigan Jr., Lancaster, PA Copyright 2005 Reed Business Information.

Library Journal

Charming, evocative autobiography by one of the key figures in the mid-20th-century folk revival. The charisma, humor and storytelling chops that made Dave Van Ronk (1936-2002) a Greenwich Village legend are abundantly on display in this memoir, assembled after his death by long-time friend and blues historian Wald. A blue-collar boy from the outer boroughs, Van Ronk dropped out of "Our Lady of Perpetual Bingo" at 15 and headed to the Village to hang out with anarchists and Wobblies. He began his musical life as a jazz fanatic convinced that "folk music was irredeemably square." But Harry Smith's paradigm-altering Anthology of American Folk Music in 1951 introduced Van Ronk and a lot of other "neo-ethnics" to the astonishing diversity of traditional American music. They aimed to play it with "authenticity," scorning the bland sounds of pop-folk acts like the Kingston Trio. Nor did they initially have much interest in writing their own material; among Van Ronk's many shrewd observations is the reminder that what we now think of as folk music-a singer-songwriter performing self-penned compositions accompanied by an acoustic guitar-is what it was changed into during the '60s by artists like Tom Paxton, Phil Ochs and Bob Dylan. Big names like Dylan's enter late in Van Ronk's narrative, which focuses on the fruitful, unpublicized early years when everyone scraped by with occasional jobs while playing for tips in all-night coffee shops, doing a lot of drinking and dope smoking on the side. It sounds like wonderful fun, and Van Ronk bestrews his pages with sharp, intelligent asides on such matters as the divide between the Cambridge, Mass., folk crowd, who viewed themselves as "pure guardians ofthe sacred flame" and the more professional singers of the Village, who viewed them as "upper-middle-class kids cutting a dash on papa's cash." A must for those with an interest in the music, and of great appeal as well for anyone who enjoys a roistering life story recounted in a lively narrative voice.

Kirkus Reviews