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From the Publisher
"The question of how various forms of art, discourse, and structure manage to negotiate the distance between various non-contiguous periods of history is at the heart of all medievalism studies. The contributors to The Medieval Motion Picture confront the issue of temporality by claiming, and demonstrating, for cinematic representations of medieval culture a joyous multimodality of temporal and aesthetic layers apt to adapt medieval artifacts, concepts, and practices to the diverse horizons of expectation postmedieval viewers bring to medievalist movies. From Kurosawa's Ran to HBO's Game of Thrones, the essays in this theoretically sophisticated volume reveal the complex dialogic interplay of pre-modern and (post)modern temporalities." - Richard Utz, Chair and Professor in the School of Literature, Media, and Communication, Georgia Institute of Technology, USA
"This ambitious collection explores the ideas and practices that link medievalism studies, adaptation theory and cinema studies. The 'politics' of adaptation here are institutional and disciplinary: these original and inventive essays show how far medievalism has developed from earlier preoccupations with fidelity to sources or to the historical past. Using the temporal uncertainties of medieval film as a starting-point, many of these essays offer brilliant insights into the nature of cinematic representation." - Stephanie Trigg, Professor of English, University of Melbourne, Australia.