The Mollusk [Explicit Lyrics]

( 3 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
On the surface, The Mollusk is a return to the panoramic, multi-genre extravaganza of Chocolate and Cheese, but in its own way, it's as much of a concept album as 12 Golden Country Greats. It just isn't as explicit about its intentions. Nearly every song on The Mollusk has a nautical theme, buoyed by a heavy progressive rock influence. Several songs deviate from the theme -- the synthetic new wave pulse of "I'll Be Your Jonny on the Spot" and the frenzied pseudo-country of "Waving My Dick in the Wind" are neither seafaring nor prog -- but there's an unmistakable watery undertow to the record. Perhaps the loose concept is the reason why The Mollusk is the most ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
On the surface, The Mollusk is a return to the panoramic, multi-genre extravaganza of Chocolate and Cheese, but in its own way, it's as much of a concept album as 12 Golden Country Greats. It just isn't as explicit about its intentions. Nearly every song on The Mollusk has a nautical theme, buoyed by a heavy progressive rock influence. Several songs deviate from the theme -- the synthetic new wave pulse of "I'll Be Your Jonny on the Spot" and the frenzied pseudo-country of "Waving My Dick in the Wind" are neither seafaring nor prog -- but there's an unmistakable watery undertow to the record. Perhaps the loose concept is the reason why The Mollusk is the most concise album in Ween's canon, but it's not what makes the record so impressive. Like Chocolate and Cheese, The Mollusk could seem like a comedy record to outsiders, but the songwriting and performances are so remarkably accomplished that it is just as listenable after the shock of the humor has faded away. "The Mollusk," "Mutilated Lips," "The Golden Eel," and "Buckingham Green" are all startlingly accurate send-ups of prog-rock, and they are better written than many of their inspirations. Similarly, the vulgar shanty "The Blarney Stone," the faux-Richard Thompson tragedy "She Wanted to Leave," and the sunny, Caribbean-flavored "Ocean Man" are terrific songs offering evidence that Ween are improving as songwriters and musicians with each record. Ironically, this array of silly jokes and musical parody is a richer and more diverse listen than most of its alternative rock contemporaries.
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Product Details

  • Release Date: 6/24/1997
  • Label: Elektra / Wea
  • UPC: 075596201322
  • Catalog Number: 62013
  • Sales rank: 28,232

Album Credits

Performance Credits
Ween Primary Artist
Dean Ween Guitar, Vocals
Gene Ween Vocals
Technical Credits
Sam Brooks Cover Design
Kirk Miller Sound Effects
Andrew Weiss Producer, Engineer
Dean Ween Engineer
Gene Ween Engineer
Mean Ween Contributor
Storm Thorgerson Cover Design
Claude Coleman Jr. Engineer
Peter Curzon Artwork
Finlay Cowan Cover Design
Matt Kohut Contributor
Traditional Composer
Jason Reddy Contributor
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Customer Reviews

Average Rating 4
( 3 )
Rating Distribution

5 Star

(1)

4 Star

(1)

3 Star

(1)

2 Star

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1 Star

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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Why haven't I been told of this band earlier?

    What beatific sounds this album has to offer. The Mollusk is somewhat remiscent of a Moody Blues album, it is creepy how they can come up with the classic tracks that have unmistakable simliarity to ''authentic'' prog-rock. Ho mercy

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  • Anonymous

    Posted January 4, 2010

    No text was provided for this review.

Sort by: Showing all of 2 Customer Reviews