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The Moonstone

( 68 )

Overview

Wilkie Collins's tale of romance, theft, and murder inspired a hugely popular genre - the detective mystery. Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.
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Overview

Wilkie Collins's tale of romance, theft, and murder inspired a hugely popular genre - the detective mystery. Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.
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Editorial Reviews

From the Publisher
"The first and greatest of English detective novels." —-T. S. Eliot
William Baker Northern Illinois University
"This superbly edited and richly documented edition of what T.S. Eliot described as 'the first and greatest of English detective novels' is the definitive and indispensible edition of The Moonstone."
Catherine Peters
"The Moonstone, one of Wilkie Collins's most popular and successful novels, has never been out of print since its first publication in 1868. Is another edition needed? The answer, in the case of Professor Farmer's scholarly and impeccably edited text, must be a resounding yes. Invaluable for his survey of past and present reactions to the story, and for his own insights, the edition also includes historical and background material and a well-chosen collection of relevant contemporary documents—always an important feature of Broadview Literary Texts. This Moonstone will surely prove another winner for Broadview's list."
The Wilkie Collins Society Journal
"Steve Farmer's Broadview edition will undoubtedly become the definitive edition of The Moonstone. [It] deserves a five star rating."
Adrian J. Pinnington Waseda University
"Here is a book which anyone with an interest in either Collins or Victorian literature in general will want to buy. The chief reason for this is Broadview's exceptionally generous editorial policy in its series of Literary Texts, and the very good use that Steve Farmer has made of this generosity. In this edition, for a reasonable price, we are given not only a beautifully printed and error-free annotated text of the novel, but also a full introduction and over 150 pages of appendices...This is the first time that Collins' dramatic adaptation of the novel has been reprinted and this text alone is well worth the price of the book."
From Barnes & Noble
One of the first English detective novels, this mystery involves the disappearance of a valuable diamond, originally stolen from a Hindu idol, given to a young woman on her eighteenth birthday, and then stolen again. A classic of 19th-century literature.
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Product Details

  • ISBN-13: 9780140434088
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 6/28/1999
  • Series: Penguin Classics Series
  • Pages: 528
  • Sales rank: 528,474
  • Product dimensions: 5.25 (w) x 7.86 (h) x 0.95 (d)

Meet the Author

Wilkie Collins
Carolyn G. Heilbrun, Avalon Foundation Professor in the Humanities Emerita at Columbia University, has authored scholarly classics such as Writing A Woman's Life. As Amanda Cross she has written numerous bestselling Kate Fansler mysteries including Honest Doubt. She lives in New York City.

Biography

Wilkie Collins has long been overshadowed by his friend and collaborator Charles Dickens -- unfortunately for readers who have consequently not discovered one of literature's most compelling writers. His novels are ceremonious and none too brief; they are also irresistible. Take the opening lines of his 1852 story of marital deceit, Basil: "What am I now about to write? The history of little more than the events of one year, out of the twenty-four years of my life. Why do I undertake such an employment as this? Perhaps, because I think that my narrative may do good; because I hope that, one day, it may be put to some warning use." It's a typical Collins opening, one that draws the reader in with a tone that's personal, but carries formality and import.

With his long, frizzy black beard and wide, sloping forehead, Collins looked like a grandfatherly type, even in his 30s. But his thinking and lifestyle were unconventional, even a bit ahead of his time. His characters (particularly the women) have a Henry James–like predilection for bucking social mores, and he occasionally found his work under attack by morality-mongers. Collins was well aware of his books' potential to offend certain Victorian sensibilities, and there is evidence in some of his writings that he was prepared for it, if not welcoming of it. He writes in the preface to Armadale, his 1866 novel about a father's deathbed murder confession, "Estimated by the clap-trap morality of the present day, this may be a very daring book. Judged by the Christian morality which is of all time, it is only a book that is daring enough to speak the truth."

Collins began his career by writing his painter father's biography. He gained popularity when he began publishing stories and serialized novels in Dickens's publications, Household Words and All the Year Round. His best-known works are The Woman in White and The Moonstone, both of which -- along with Basil -- have been made into films.

Collins often alludes to fantastic, supernatural happenings in his stories; the events themselves are usually borne out by reasonable explanations. What remains are the electrifying effects one human being can have upon another, for better and for worse. His main characters are often described in terms such as "remarkable," "extraordinary," and "singular," lending their actions -- and thereby the story -- a special urgency. In one of his great successes, 1860's The Woman in White, Collins spins what is basically a magnificent con story into something almost ghostly: The fates of two look-alike women -- a beautiful, well-off woman and a poor insane-asylum escapee -- are intertwined and manipulated by two evil men. One of those is among the best fictional villains ever created, the kill-‘em-with-kindness Count Fosco. Fosco is emblematic of another Collins hallmark -- antagonists who manage to throw their victims off guard by some powerful charm of personality or appearance.

The Moonstone, published in 1868, is regarded by many to be the first English detective novel. Starring the unassuming Sergeant Cuff, it follows the trail of a sought-after yellow diamond from India that has fallen into the wrong hands. Like The Woman in White, the novel is told in multiple first person narratives that display Collins's gift for distinctive and often humorous voices. Whether it is servants, foreigners, or the wealthy, Collins is an equal-opportunity satirist who quietly but deftly pokes fun at human foibles even as he draws nuanced, memorable characters.

Though The Woman in White and The Moonstone are Collins's standouts, he had a productive, consistent career; the novels Armadale, No Name and Poor Miss Finch are worthwhile reads, and his short stories will particularly appeal to Edgar Allan Poe fans. Fortunately in the case of this underappreciated writer, there are plenty of titles to appreciate.

Good To Know

Collins studied law, and though he never practiced as a lawyer, his knowledge of the subject is evident in his fiction. He also apprenticed with a tea merchant in his pre-publication years.

He was addicted to laudanum, a form of opium that he used to treat his pain from rheumatic gout.

Collins never married, but he had a long-term live-in relationship with one woman, and a second romance that produced three children.

He is named after popular artist Sir David Wilkie; both his parents were painters who counted Samuel Taylor Coleridge and William Wordsworth among their friends.

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    1. Also Known As:
      William Wilkie Collins (full name)
      Wilkie Collins
    1. Date of Birth:
      December 8, 1824
    2. Place of Birth:
      London, England
    1. Date of Death:
      September 23, 1889
    2. Place of Death:
      London, England

Read an Excerpt

Part Three of the Prologue The storming of Seringapatam (1799)
Extracted from a family paper III

So, as told in our camp, ran the fanciful story of the Moonstone. It made no serious impression on any of us except my cousin--whose love of the marvellous induced him to believe it. On the night before the assault on Seringapatam, he was absurdly angry with me, and with others, for treating the whole thing as a fable. A foolish wrangle followed; and Herncastle's unlucky temper got the better of him. He declared, in his boastful way, that we should see the Diamond on his finger, if the English army took Seringapatam. The sally was saluted by a roar of laughter, and there, as we all thought that night, the thing ended.

Let me now take you on to the day of the assault.

My cousin and I were separated at the outset. I never saw him when we forded the river; when we planted the English flag in the first breach; when we crossed the ditch beyond; and, fighting every inch of our way, entered the town. It was only at dusk, when the place was ours, and after General Baird himself had found the dead body of Tippoo under a heap of the slain, that Herncastle and I met.

We were each attached to a party sent out by the general's orders to prevent the plunder and confusion which followed our conquest. The camp-followers committed deplorable excesses; and, worse still, the soldiers found their way, by an unguarded door, into the treasury of the Palace, and loaded themselves with gold and jewels. It was in the court outside the treasury that my cousin and I met, to enforce the laws of discipline on our own soldiers. Herncastle's fiery temper had been, as I could plainly see, exasperated to a kind of frenzy by the terrible slaughter through which we had passed. He was very unfit, in my opinion, to perform the duty that had been entrusted to him.

There was riot and confusion enough in the treasury, but no violence that I saw. The men (if I may use such an expression) disgraced themselves good-humouredly. All sorts of rough jests and catchwords were bandied about among them; and the story of the Diamond turned up again unexpectedly, in the form of a mischievous joke. Who's got the Moonstone?' was the rallying cry which perpetually caused the plundering, as soon as it was stopped in one place, to break out in another. While I was still vainly trying to establish order, I heard a frightful yelling on the other side of the courtyard, and at once ran towards the cries, in dread of finding some new outbreak of the pillage in that direction.

I got to an open door, and saw the bodies of two Indians (by their dress, as I guessed, officers of the palace) lying across the entrance, dead.

A cry inside hurried me into a room, which appeared to serve as an armoury. A third Indian, mortally wounded, was sinking at the feet of a man whose back was towards me. The man turned at the instant when I came in, and I saw John Herncastle, with a torch in one hand, and a dagger dripping with blood in the other. A stone, set like a pommel, in the end of the dagger's handle, flashed in the torchlight, as he turned on me, like a gleam of fire. The dying Indian sank to his knees, pointed to the dagger in Herncastle's hand, and said, in his native language:--The Moonstone will have its vengeance yet on you and yours!' He spoke those words, and fell dead on the floor.

Before I could stir in the matter, the men who had followed me across the courtyard crowded in. My cousin rushed to meet them, like a madman. Clear the room!' he shouted to me, and set a guard on the door!' The men fell back as he threw himself on them with his torch and his dagger. I put two sentinels of my own company, on whom I could rely, to keep the door. Through the remainder of the night, I saw no more of my cousin. Early in the morning, the plunder still going on, General Baird announced publicly by beat of drum, that any thief detected in the fact, be he whom he might, should be hung. The provost-marshal was in attendance, to prove that the General was in earnest; and in the throng that followed the proclamation, Herncastle and I met again.
He held out his hand, as usual, and said, Good morning.'
I waited before I gave him my hand in return.
Tell me first,' I said, how the Indian in the armoury met his death, and what those last words meant, when he pointed to the dagger in your hand.'
'The Indian met his death, as I suppose, by a mortal wound,' said Herncastle. What his last words meant I know no more than you do.'
I looked at him narrowly. His frenzy of the previous day had all calmed down. I determined to give him another chance.
'Is that all you have to tell me?' I asked. He answered, That is all.'
I turned my back on him; and we have not spoken since.

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Table of Contents

Acknowledgments
Introduction
William Wilkie Collins: A Brief Chronology
A Note on the Text
The Moonstone
Appendix A: Early Reviews of The Moonstone
1. Geraldine Jewsbury, The Athenaeum
2. The Spectator
3. Nation
4. The Times
5. Harper's New Monthly Magazine
6. Lippincott's Magazine
Appendix B: Excerpts from Newspaper Accounts of the Constance
1. Kent/Road-house Murder Case of 1860
2. The Times (July 3, 1860 to October 2, 1865)
3. The Sommerset and Wilts Journal (July 21, 1860)
Appendix C: Excerpts from The Times Accounts of the Major Murray/Northumberland Street Case of 1861
Appendix D: Collins on Indians
"A Sermon for Sepoys." Household Words
Appendix E: Letters by Collins Concerning The Moonstone (the Novel and the Play)
Appendix F: The Moonstone (the Play)
Appendix G: Reviews of the Olympic Theatre Performance of Collins's The Moonstone
1. The Times
2. The Illustrated London News
3. The Athenaeum
4. The Spirit of the Times, New York
Select Bibliography

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Reading Group Guide

1. T. S. Eliot called The Moonstone “the first and the best of English detective novels.” What classic elements of mystery are present in this story, and how has the genre of detective fiction evolved from the 1860s to the present day?

2. Discuss Collins’s employment of first-hand accounts to tell the story of The Moonstone. What does each narrator bring to the story, and how skillful is the author in shifting from comedy to pathos, romance to suspense? Is it an effective method of storytelling?

3. According to his 1868 preface, Collins’s stated objective was to trace the influence of character on circumstances. Whose character exerts the strongest influence on the plot of this novel, and how?

4. Drawing on the Prologue, as well as the opinions expressed by characters including Mr. Betteredge and Mr. Murthwaite, what may be determined about Collins’s views on British imperialism? Does he support or defy racial stereotypes in his depiction of the trio of Brahmins?

5. When Penelope suggests to her father that Rosanna Spearman has fallen in love with Franklin Blake, Betteredge bursts out laughing at the “absurdity” of it. What additional examples of class distinctions are evident in The Moonstone?

6. Dorothy L. Sayers, the acclaimed detective novelist, noted that, for his time, Collins was “genuinely feminist” in his treatment of women. Do you agree?

7. Discuss the role that opium plays in The Moonstone. Is it a believable plot device? Does the fact that the author created the story while under the influence of laudanum lend credibility to his depiction of its effects?

8. Charles Dickens,longtime friend and mentor to Wilkie Collins, edited and published The Moonstone in its initial serialized form. What do these two writers have in common in terms of style, structure, and characterization? How do they differ?

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Customer Reviews

Average Rating 4
( 68 )
Rating Distribution

5 Star

(35)

4 Star

(18)

3 Star

(8)

2 Star

(4)

1 Star

(3)

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See All Sort by: Showing 1 – 20 of 68 Customer Reviews
  • Anonymous

    Posted August 22, 2006

    A Compelling Detective Novel!

    I wanted to read this book because I love mysteries and classics and it seemed to be getting good feedback. However, this is one of the highest level mysteries I have read and I enjoyed it thoroughly. I loved how there were several narrators to keep it flowing and all of them were very different people. It has many twists and turns and I was very surprised at the ending! The only thing that stops me from giving it a 5 is that at times it was very dull and confusing but the rest of the novel makes up for it! I will certainly be reading more from Collins!

    18 out of 19 people found this review helpful.

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  • Anonymous

    Posted January 3, 2006

    Enchanting from the first page.

    I have never read any of Wilkie Collins' books before (although I look forward to doing so) and found this book to be extraordinarily intriguing. He is able to capture the reader's attention from the very first page and continues doing just that throughout the rest of the book. His characters are very well chosen and distinguished and his style of writing is very captivating.

    14 out of 15 people found this review helpful.

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  • Anonymous

    Posted April 12, 2006

    Great Stuff!

    This is really a simple detective story that has been written in a likable manner. Three main protagonists tell the tale of the stolen diamond. Among the three the narrative of Miss Clack is quite enjoyable. This book pokes fun at religious fanaticism, sycophancy and stratified social norms of Victorian England. But what attracted me was the way Indian Characters are treated by the writer. Absence of condescension and racial bigotry marks the writer¿s sympathetic viewpoint of the Indian Characters and even rationalizes their murder of the perpetrator. One is then surprised to note that this novel is way ahead of it¿s time, as Indians characters are still either patronized or vilified albeit couched in innuendoes. Though not exactly in the league of the great classics it is undeniably exquisite piece of work! The writer was a great friend of Dickens ¿ who I believe mistreated him and as a result Collins was often depressed. That could well mean that Dickens was jealous of Collins and rightly so. Except for Tale of Two Cities, Oliver Twist and Nicholas Nickleby, I find Dickens¿ writing boring and unnecessarily convoluted. For instance, one does have a hard time reading Hard Times, especially considering that Emile Zola had taken the same subject in Germinal and made it interesting and a delight to read.

    9 out of 9 people found this review helpful.

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  • Posted February 18, 2010

    Not For Teenagers

    For her 18th birthday Rachel Verinder is given the dazzling Moonstone, an enchanting diamond stolen from an Indian temple. In the dark, the diamond has an eerie glow, making it subject to stories of curses and superstition. It was gifted by her infamous late uncle, only to be stolen that very night. When Sergeant Cuff is brought in to investigate, he realizes that no one in Rachel's household is above suspicion. This mystery is exciting, but it's aimed at a middle aged audience. For any teenager the plot is too slow and the language difficult to understand. It's a brilliant read if you're patient. A classic mystery story, and one of the very first mystery novels.
    Wilkie Collins was born in 1824 and died in 1889. He was one of the most popular novelists of his day, and wrote many great mystery stories. You could call him a mystery expert because the way he wrote this book showed a deep understanding of the way mysteries are solved. A good mystery novel should have suspense, crime, and a enticing detective . The Moonstone covered them all. Near the start of the book there is already some foreshadowing. As the narrator Mr. Betterage tells us, "If I could only have looked a little was into the future, I would have taken Rosanna Spearman out of the house, then and there, with my own hand." Also, throughout the story the people around Sergeant Cuff, including the readers begin to get 'detective fever'. This is when you get an urge to continue reading, and you desperately want to find out what is going to happen next.
    In many detective novels, the object of the story was to trace the influence of circumstances upon the character of the people. In other words, use how the people behaved to find out who committed the crime. Collins has reversed this process. The attempt in this story is to figure out the character of the people using the circumstances. In a lot of ways, it is a physiological experiment. Another one of the story's assets was that the story of the diamond is not entirely fiction. The inspiration for the moonstone was actually the stone that sits on top of the Russian Imperial Scepter, which was once the eye of an Indian idol. The idea of the curse came from the famous Koh-i-Noor, another sacred gem of India. It is prophesied to bring certain misfortune to the people who divert it from its ancient uses. It was these realistic objects, along with a new way of solving mysteries and the intricate patterns of character's lives, that made the book so unique. I have read no other mystery books that are as complicated as this one. In a book like The Orient Express by Agatha Christie the mystery story follows the pattern that most mystery stories do. The crime is committed, the detective solves the mystery, the criminal is caught. Still an enjoyable read, but it doesn't have the kind of depth that the Moonstone has. In the Moonstone you not only find out about the crime being solved, but you get the opportunity to observe the nature of human activity. It tries to explain what makes people tick.
    In conclusion, the Moonstone was a long but unique read, most suitable for anyone from the late thirties up. The story's high points were the suspense, the detective fever, and the realistic approach in the setting. The book would not appeal to a teenager because of the complexity and consideration put into the details of the story. This book is highly recommended to anyone who likes a challenge and a game of wits.

    6 out of 6 people found this review helpful.

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  • Anonymous

    Posted August 2, 2008

    deathly boring

    it starts off really really really slow.. but after a few hundred pages it picks up pace and gets into the plot.

    5 out of 9 people found this review helpful.

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  • Posted October 25, 2011

    Victorian sleuthing done right.

    Wilkie Collins is great fun to read. His philosophies are somewhat (and refreshingly) liberal for his time, particularly those in regard to servants, foreigners and women. His stories are sprinkled with just a dash of wit and satire, yet his characters and their motives are crystal clear and believable. In this, arguably one of the first mystery novels, (Poe began it all, after all, did he not?) the plot revolves around a stone, a great gem that has been stolen from an Indian idol. A birthday present to our heroine, it is stolen the same night it is given, and through a series of changing narratives the mystery is uncovered. It's a clever twist of plotting to make the hero the villain and then the hero again, but how it comes about I will not say. No one likes to have a mystery spoiled. The Moonstone is a thoroughly enjoyable read. I highly recommend it.

    3 out of 4 people found this review helpful.

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  • Anonymous

    Posted January 13, 2007

    Wonderful

    It is incredible!!! I never guessed who it was, a must.

    3 out of 3 people found this review helpful.

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  • Posted March 13, 2010

    Excellent Read

    Fun, thrilling, and utterly captivating from beginning to end.

    2 out of 2 people found this review helpful.

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  • Posted February 8, 2010

    more from this reviewer

    GREAT!!!

    I READ WILKIE COLLINS'S "WOMAN IN WHITE" AND I LOVED IT, BUT THIS BOOK IS EVEN BETTER, THE ACTION AND MYSTERY FROM THE FIRST PAGE TO ALMOST THE END OF THE BOOK.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted April 13, 2009

    Moonstone--Better to Stick w/ Sherlock Holmes

    Bought for Book Club; found hard to read author's circuitous style; planned to serialize in newspaper; kept waiting for plot to get better, but it didn't.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted September 14, 2005

    A great classic that entertains the modern reader

    I highly recommend Collins' The Moonstone. It kept my attention throughout with a storyline that was both interesting, entertaining, and a quick read. It reads like a combination of Indiana Jones, Sherlock Holmes, and Edith Wharton...part mystery, part romance, and part social commentary.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted February 25, 2013

    Awesome

    So cool!,

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 27, 2012

    Thorn

    Because. Its kind of hard to explain.

    1 out of 2 people found this review helpful.

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  • Posted February 23, 2012

    Wonderful Mystery Novel-A must read!

    In The Moonstone, Collins introduces us to a variety of characters, situations, and a great mystery. I found the novel to be so absorbing, that I was hardly able to put the book down. Even when he unravels a part of the mystery, Collns only makes the story more mysterious(an amazing feature)! After reading The Moonstone, I decided that I had to buy The Woman in White to get more of Collins distinctive writing style.

    1 out of 1 people found this review helpful.

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  • Posted July 2, 2011

    An underrated masterpiece.

    I have a couple small flaws with this book, but they're insignificant compared to the genius within it. The first is the length of it; the book is over 500 pages long, and for over 400 of them, the Diamond (being The Moonstone) is lost. This leaves a reader such as myself plowing through the thick of the book wanting the Diamond to reappear just so it is over with. But that is a selfish laziness of mine. The second flaw with the book has to do with the narrative style; I found myself wanting Betteridge to write the entirety of it. After reading his entire piece, and noticing that it was the first part (and approximately half of the story), the other ten narrators paled in comparison. In addition, the descriptive styles in which they wrote rarely differed from one another. We as an audience felt as if Collins were simply filling their mouths with words as they spilled them out. Overlooking those two flaws, the book itself is incredible. Keeping in mind throughout the entire story that it was the foundation of the entire mystery genre help make us realize just how incredibly well the story is written. Collins gives us multiple false leads and red herrings on the journey, and leaves us wondering exactly how the sacred Diamond escaped from Miss Verinder's drawer that fateful night. The remainder of this review contain easily conceived spoilers, and it is recommended that those wishing to read this novel ignore it. I will say that my conclusion is The Moonstone is an absolute must read for anyone who enjoys detective novels. As we slowly but surely piece together solid evidence of the path of the Diamond following its disappearance, we suddenly are jilted back to the fateful night; who exactly did the deed? We find out this critical turning point, and shortly after, the puzzle, assembled in reverse, comes to a close. Throughout it all, we grow to dislike the Indians, who are actually the rightful owners, and are finally snapped back into this correct focus and given a satisfactory ending. Incredibly well-constructed plot and a happy, restorative ending make The Moonstone to be an absolute must read for anyone who enjoys detective novels.

    1 out of 1 people found this review helpful.

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  • Posted February 23, 2010

    more from this reviewer

    Courtesy of Mother Daughter Book Club.com

    A diamond is stolen from the English country estate of Lady Verinder and the renowned Sergeant Cuff is brought in from London to help solve the case. The diamond, said to bring bad luck to its owner because it was stolen from a temple in India, was given to Lady Verinder's daughter, Rachel, on her 18th birthday. It was bequeathed to Rachel from her uncle (who stole it when he was a young soldier) on his death. The story unfolds through several narrators, all of whom know a piece of what happened. As each of them writes his or her side of the story, the reader gets just a little more information that helps to solve the mystery.

    Considered to be the first detective mystery, The Moonstone by Wilkie Collins offers a glimpse into the times it was written-the 1860s. It was published serially, with new pieces of the story unfolding one section at a time for around six months. It reveals the understandings held about English ladies and gentleman, especially the thought that no well brought up young man or woman could ever commit a crime. It touches on a common occurrence at the time, the looting of jewels by English soldiers from temples in India. And, it's fun to read once you get into the rhythm of Collins's writing style (writers at the time were paid by the word, so you won't find sparse descriptions and conversations here).

    Each narrator brought a different perspective and style that was refreshing, and each break kept the story moving in unexpected ways. My daughter and I both found it fun to guess what had happened the night of the theft and in the days following it. My guesses were invariably wrong, but that didn't stop me from developing new theories as the story progressed. My daughter's guess about the culprit was right, although neither of us anticipated some of the twists and turns The Moonstone took before the mystery was actually resolved.

    The Moonstone is longer reading for mother-daughter book clubs, but it is easily divided into two separate sections that can be discussed at two different meetings. Groups could read The Loss of the Diamond, then gather to discuss their theories about what happened. They could also write predictions down and compare them to what actually happened during the rest of the book when they meet again. I recommend The Moonstone for reading groups with girls aged 14 and up.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 5, 2014

    Ry

    Vic, deliver this. I need to get to camp. *With another glare at Alec, he left.*

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  • Anonymous

    Posted October 5, 2014

    Hepheastus

    Nods then speaks Greek to Alec.

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  • Anonymous

    Posted October 5, 2014

    Wayne

    *he forges a sword*

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  • Anonymous

    Posted October 5, 2014

    Alec

    Shut up Kyle

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