The Motortown Revue Collection

Editorial Reviews

All Music Guide - Bruce Eder
It's taken a long time for the live portion of the early Motown library to finally get the treatment it deserves on compact disc -- what little of it has shown up was done very early in the CD era, when a lot of the work in finding and choosing source tapes and engineering them properly left a lot to be desired; and the early live albums by the likes of the Miracles and Marvin Gaye have never shown up legitimately, leading one to believe that there are problems finding proper master tapes on them. The four Motortown Revue albums assembled here -- of which the first three, dating between 1963 and 1965, certainly qualify as being representative of the label's classic era -- ...
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Editorial Reviews

All Music Guide - Bruce Eder
It's taken a long time for the live portion of the early Motown library to finally get the treatment it deserves on compact disc -- what little of it has shown up was done very early in the CD era, when a lot of the work in finding and choosing source tapes and engineering them properly left a lot to be desired; and the early live albums by the likes of the Miracles and Marvin Gaye have never shown up legitimately, leading one to believe that there are problems finding proper master tapes on them. The four Motortown Revue albums assembled here -- of which the first three, dating between 1963 and 1965, certainly qualify as being representative of the label's classic era -- show what can be done with this repertory when the sources do exist. There are rough moments, to be sure, as it wasn't easy to record a live R&B show in those days, but the excitement of the performers and the audience overcome most of those technical flaws. The Contours bound right over the technical limitations like acrobats vaulting a not-too-high obstacle, and from there we get the Supremes with Florence Ballard center stage on the lead -- which by itself is worth the price of admission -- followed by Marvin Gaye and Stevie Wonder doing incredible things vocally, and the Marvelettes followed by Mary Wells (rousing the audience with the beautiful, stirring "Bye Bye Baby"). The Miracles close out the show with killer renditions of "You Really Got a Hold on Me" (including their segue into one verse and chorus of Sam Cooke's "Bring It on Home to Me") and "Way Over There," a single that they and Berry Gordy loved so much that they recorded it at least twice, and which here gets a high-octane reading that emphasizes the call-and-response component of the song, an element that was lost on the various studio renditions, amid their instrumental splendor. The work done on the sound for this reissue makes it worth hearing all over again anew, no matter how long one has known this record: the sound may have been on the raw, primitive side, but the engineers have done their best to bring out the nuances of the playing and singing, and retained the visceral energy of the performances, so much so that one easily draws a clear image of what these performances must have looked like as well. The other three volumes -- representing much of the rest of the major history of Motown across the '60s -- feature, in addition to more performances by the Miracles, Marvin Gaye, the Marvelettes, and Stevie Wonder, the work of Martha & the Vandellas, Kim Weston, the Temptations, Earl Van Dyke, the Originals, Blinky, Bobby Taylor, and Gladys Knight & the Pips, all mostly at the top of their respective games -- were recorded under far less challenging technical circumstances, and they fare even better in this setting. Indeed, the last volume, Motortown Revue Live from 1969 -- ironically, the only part of this set to ever have seen an official CD release, for all of about five minutes some 15 years earlier -- is among the finest sounding live soul documents that one is ever likely to hear. The packaging here may seem a little awkward to some onlookers -- the tendency since the late '90s has been to make multi-CD sets like this smaller and more compact, but in this case the producers have put the four volumes into mini-LP-style sleeves (without inner sleeves to protect the CDs, a continuing oversight), and put them inside of an oversized, coffee-table-book-sized package that also includes a booklet that re-creates elements of the original program books for each of the events captured here, and a reproduction of an original tour poster. It's not as cumbersome as it might sound from this description -- in fact, apart from the absence of inner sleeves (come on -- if the Japanese can do it, why can't we?), it's surprisingly handy -- and the three-hours-plus of music is well worth the asking price.
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Product Details

  • Release Date: 11/13/2006
  • Label: Hip-O Select
  • UPC: 602498643112
  • Catalog Number: 000362302
  • Sales rank: 190,576

Tracks

Disc 1
  1. 1 Introduction (0:33)
  2. 2 Whole Lotta Woman - The Contours (3:25)
  3. 3 Let Me Go the Right Way - The Supremes (3:41)
  4. 4 What Kind of Fool Am I - Marvin Gaye (4:07)
  5. 5 Stubborn Kind of Fellow - Marvin Gaye (2:57)
  6. 6 Strange I Know - The Marvelettes (1:53)
  7. 7 Someday, Someway - The Marvelettes (2:47)
  8. 8 Don't You Know - Stevie Wonder (3:40)
  9. 9 Two Lovers - Mary Wells (4:11)
  10. 10 Bye Bye Baby - Mary Wells (5:02)
  11. 11 You've Really Got a Hold on Me - The Miracles (5:16)
  12. 12 Way Over There - The Miracles (2:41)
Disc 2
  1. 1 Introduction (0:23)
  2. 2 Dream Come True - The Temptations (4:00)
  3. 3 I Want a Love I Can See - The Temptations (3:33)
  4. 4 Love Me All the Way - Kim Weston (2:54)
  5. 5 He's Alright - Kim Weston (3:42)
  6. 6 Just Loving You - Kim Weston (2:56)
  7. 7 Medley: Please Mr. Postman/Playboy/Strange I Know/Someday, Someway - The Marvelettes (4:05)
  8. 8 You Lost the Sweetest Boy - Mary Wells (2:37)
  9. 9 What's Easy For Two is Hard For One - Mary Wells (2:57)
  10. 10 Pride and Joy - Marvin Gaye (3:41)
  11. 11 Days of Wine and Roses - Marvin Gaye (3:25)
  12. 12 Quicksand - Martha & the Vandellas (2:50)
  13. 13 It's Alright - Martha & the Vandellas (3:06)
  14. 14 Heat Wave - Martha & the Vandellas (2:47)
  15. 15 I Call It Pretty Music But the Bold People Call It the Blues - Stevie Wonder (2:42)
  16. 16 Moon River - Stevie Wonder (4:49)
  17. 17 Mickey's Monkey - The Miracles (5:11)
Disc 3
  1. 1 Introduction (0:18)
  2. 2 Too Many Fish in the Sea - Earl Van Dyke & the Soul Brothers (2:36)
  3. 3 Stop! In the Name of Love - The Supremes (2:56)
  4. 4 Baby Love - The Supremes (3:10)
  5. 5 Somewhere - The Supremes (2:47)
  6. 6 Ooo Baby Baby - The Miracles (4:18)
  7. 7 Mickey's Monkey - The Miracles (5:24)
  8. 8 If I Had a Hammer - Martha & the Vandellas (4:02)
  9. 9 Nowhere To Run - Martha & the Vandellas (2:54)
  10. 10 Dancing in the Street - Martha & the Vandellas (4:01)
  11. 11 High Heel Sneakers - Stevie Wonder (3:10)
  12. 12 Funny How Time Slips Away - Stevie Wonder (4:03)
  13. 13 Fingertips - Stevie Wonder (6:05)
Disc 4
  1. 1 Introduction (0:12)
  2. 2 Sing a Simple Song - The Originals (3:40)
  3. 3 I Can't Turn You Loose - Blinky (2:26)
  4. 4 I Wouldn't Change the Man He is - Blinky (3:24)
  5. 5 Who's Making Love - Bobby Taylor (3:13)
  6. 6 Does Your Mama Know About Me - Bobby Taylor (3:11)
  7. 7 Malinda - Bobby Taylor (2:57)
  8. 8 Cloud Nine - The Temptations (3:40)
  9. 9 Ain't No Sun Since You've Been Gone - Gladys Knight & the Pips (2:27)
  10. 10 I Wish It Would Rain - Gladys Knight & the Pips (2:49)
  11. 11 Monologue - Gladys Knight & the Pips (1:29)
  12. 12 (I'm Afraid) the Masquerade is Over - Gladys Knight & the Pips (1:11)
  13. 13 I Heard It Through the Grapevine - Gladys Knight & the Pips (4:37)
  14. 14 For Once In My Life - Stevie Wonder (3:30)
  15. 15 Shoo-Be-Doo-Be-Doo-Da-Day - Stevie Wonder (4:38)
  16. 16 Uptight (Everything's Alright) - Stevie Wonder (3:07)
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Album Credits

Performance Credits
Clarence Paul Accompaniment
Technical Credits
Leonard Bernstein Composer
Willie Nelson Composer
Henry Mancini Composer
Pete Seeger Composer
Ray Charles Composer
Marvin Gaye Composer
Curtis Mayfield Composer
Otis Redding Composer
Smokey Robinson Composer
Mary Wells Composer
Barrett Strong Composer
Nick Ashford Composer
Tom Baird Composer
Homer Banks Composer
Tommy Chong Composer
Al Cleveland Composer
Henry Cosby Composer
Don Davis Composer
Lamont Dozier Composer
Berry Gordy Jr. Composer, Producer
George Gordy Composer
Lee Hays Composer
Eddie Holland Composer
Brian Holland Composer
Ivy Jo Hunter Composer
Terry Johnson Composer
Herbert Magidson Composer
Johnny Mercer Composer
Ronald Dean Miller Liner Notes
Anthony Newley Composer
Clarence Paul Composer
Valerie Simpson Composer
William "Mickey" Stevenson Composer, Producer
Sylvester "Sly Stone" Stewart Composer
Norman Whitfield Composer
Stevie Wonder Composer
Allie Wrubel Composer
Ron Miller Composer
Vartan Art Direction
Georgia Dobbins Composer
Billy Gordon Composer
Raymond Jackson Composer
Barney Ales Composer
Bettye Crutcher Composer
William Garrett Composer
Orlando Murden Composer
Robert Bateman Composer
Sylvia May Composer
Henry Crosby Composer
Bernard Yeszin Cover Design
Pat Lawrence Executive Producer
Ryan Null Photo Coordination
Michele Horie Art Direction
Andrew Skurow Tape Vault Research
Lily Salinas Vault Research
Jenny Shapiro Licensing
Freddie Gorman Composer
Billy Hoggs Composer
Leslie Briscusse Composer
John Van Allen Composer
Scott St. James Liner Notes
Wallace Mead Cover Design
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