- Halo
- Mr Haze
- Summer Son
- Say What You Want
- Keep On Talking
- The Conversation
- In Demand
- Would I Lie to You
- Let's Work It Out
- Black Eyed Boy
- Everyday Now
- I Don't Want a Lover
- In Our Lifetime
- Save the Last Dance
5
1
5400863153618
Spooner Oldham Primary Artist,Keyboards
Marie Lewey Vocals (Background)
Sharleen Spiteri Vocals
Cindy Walker Vocals (Background)
Eddie Campbell Keyboards
David Hood Guitar (Bass)
Joe Armon-Jones Keyboards
Venetia Jollands Cello,Viola,Violin
Gamaliel Rendle Traynor Cello,Viola,Violin
Eddie Chacon Composer
Sharleen Spiteri Composer,Lyricist
Ian Dench Composer,Lyricist
Spooner Oldham Composer,Producer
Rab Andrew Management
Robert Hodgens Lyricist,Composer
Doc Pomus Composer,Lyricist
Eddie Campbell Composer,Lyricist
Johnny McElhone Composer,Lyricist,Producer
Dan Grech-Marguerat Mixing
Mort Shuman Composer,Lyricist
Dan Penn Composer
Dallas Austin Composer,Lyricist
Karen Overton Composer,Lyricist
Amanda Ghost Composer,Lyricist
Andy Dean Composer
Ben Wolff Composer
Julian Broad Cover Photo
Kenny Gates Original Idea
Russell Crank A&R
Jack McElhone Composer,Lyricist
Angelica Bjornsson Mixing,Composer,Producer
Clyde Gates Booklet
Mickey McElhone Management


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Overview
Texas share billing with keyboardist Spooner Oldham on The Muscle Shoals Sessions, an album cut at Oldham's old '60s stomping grounds: Alabama's FAME Recording Studios. Oldham was part of the brigade that gave records made at FAME a deep, soulful feeling, one that Texas pointedly doesn't attempt to re-create on their own voyage to the American South. There are no horns heard on The Muscle Shoals Sessions, no gutbucket rhythms or funky guitars. Often, the album feels like a duet album between vocalist Sharleen Spiteri and Oldham; the keyboardist plays the sweet changes, accentuating the chords with fleet but not fancy runs, as Spiteri sings with cautious passion. Apart from the cover of the Drifters' "Save the Last Dance for Me" and "Would I Lie to You," a 1992 nugget by Charles & Eddie, the album is devoted to Texas' greatest hits, which all sound supple in these spare arrangements. While the energy may be reserved, that doesn't mean the record is cautious: witness "Black Eyed Boy," which is effectively stripped of its Motown bounce yet still sounds compelling when delivered with Oldham's wailing organ and empathetic electric piano. Such moments give The Muscle Shoals Sessions a pulse that is felt when the record shifts into slower gear, making it feel warm, intimate, and engaging. ~ Stephen Thomas Erlewine
Product Details
Release Date: | 04/12/2024 |
---|---|
Label: | LE LABEL |
UPC: | 5400863153618 |
Tracks
Album Credits
Performance Credits
Texas Primary ArtistSpooner Oldham Primary Artist,Keyboards
Marie Lewey Vocals (Background)
Sharleen Spiteri Vocals
Cindy Walker Vocals (Background)
Eddie Campbell Keyboards
David Hood Guitar (Bass)
Joe Armon-Jones Keyboards
Venetia Jollands Cello,Viola,Violin
Gamaliel Rendle Traynor Cello,Viola,Violin
Technical Credits
Richard Hynd Lyricist,ComposerEddie Chacon Composer
Sharleen Spiteri Composer,Lyricist
Ian Dench Composer,Lyricist
Spooner Oldham Composer,Producer
Rab Andrew Management
Robert Hodgens Lyricist,Composer
Doc Pomus Composer,Lyricist
Eddie Campbell Composer,Lyricist
Johnny McElhone Composer,Lyricist,Producer
Dan Grech-Marguerat Mixing
Mort Shuman Composer,Lyricist
Dan Penn Composer
Dallas Austin Composer,Lyricist
Karen Overton Composer,Lyricist
Amanda Ghost Composer,Lyricist
Andy Dean Composer
Ben Wolff Composer
Julian Broad Cover Photo
Kenny Gates Original Idea
Russell Crank A&R
Jack McElhone Composer,Lyricist
Angelica Bjornsson Mixing,Composer,Producer
Clyde Gates Booklet
Mickey McElhone Management
From the B&N Reads Blog
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