The Napoleon of Notting Hill

by G. K. Chesterton

Overview

A comical futurist fantasy, first published in 1904, about a tradition-loving suburban London community of the 1980s at war with its modernizing neighbors. Chesterton's splendid storytelling gifts and his sympathies for the plight of small nations trying to remain independent are strongly in evidence. 7 illustrations by W. Graham Robertson. New Introduction by Martin Gardner.

Product Details

ISBN-13:	9780486265513
Publisher:	Dover Publications
Publication date:	02/01/1991
Series:	Dover Literature: Satire
Edition description:	Reissue
Pages:	208
Product dimensions:	5.38(w) x 8.50(h) x (d)

About the Author

Widely known as the "Prince of Paradox," G. K. Chesterton was one of the most influential English writers and thinkers of the 20th century. Chesterton's prodigious talents embraced a wide range of subjects, from philosophy and religion to detective fiction and fantasy. And while his writings are light and whimsical, they are filled with direct and honest truths.

Table of Contents

Series Foreword ix
Introduction: Dystopias Are Problems Plus Time xv
Madeline Ashby

Book I
I Introductory Remarks on the Art of Prophecy 3
II The Man in Green 9
III The Hill of Humor 31

Book II
I The Charter of the Cities 43
II The Council of the Provosts 55
III Enter a Lunatic 69

Book III
I The Mental Condition of Adam Wayne 87
II The Remarkable Mr. Turnbull 103
III The Experiment of Mr. Buck 115

Book IV
I The Battle of the Lamps 135
II The Correspondent of the "Court Journal" 151
III The Great Army of South Kensington 163

Book V
I The Empire of Notting Hill 189
II The Last Battle 205
III Two Voices 215

What People are Saying About This

From the Publisher

“Whimsically expressed criticism… with a suspicion of gallimaufry and hints of the cap-and-bells here and there.”
—New York Times (1904)

“As irresponsibly ludicrous as a modern burlesque, as quaintly serious, at last, as a medieval morality.”
—The Bookman (May 1904)

Editorial Reviews

"Unquestionably a satirical masterpiece."
—Los Angeles Review of Books

“A strange social satire. . . . [and] a fascinating study of arrogance and folly, of progress and tradition and, oddly, of human nature itself.”
—Fortean Times

From the Publisher