The Nature of the Beasts: Empire and Exhibition at the Tokyo Imperial Zoo
It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan’s emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution—at once museum, laboratory, and prison—of the zoological garden. In this eye-opening study of Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan’s rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation’s capital—an institutional marker of national accomplishment—but also as a site for the propagation of a new “natural” order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan’s unraveling and subsequent Allied occupation. Today it remains one of Japan’s most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet’s resources.
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The Nature of the Beasts: Empire and Exhibition at the Tokyo Imperial Zoo
It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan’s emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution—at once museum, laboratory, and prison—of the zoological garden. In this eye-opening study of Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan’s rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation’s capital—an institutional marker of national accomplishment—but also as a site for the propagation of a new “natural” order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan’s unraveling and subsequent Allied occupation. Today it remains one of Japan’s most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet’s resources.
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The Nature of the Beasts: Empire and Exhibition at the Tokyo Imperial Zoo

The Nature of the Beasts: Empire and Exhibition at the Tokyo Imperial Zoo

The Nature of the Beasts: Empire and Exhibition at the Tokyo Imperial Zoo

The Nature of the Beasts: Empire and Exhibition at the Tokyo Imperial Zoo

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Overview

It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan’s emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution—at once museum, laboratory, and prison—of the zoological garden. In this eye-opening study of Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan’s rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation’s capital—an institutional marker of national accomplishment—but also as a site for the propagation of a new “natural” order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan’s unraveling and subsequent Allied occupation. Today it remains one of Japan’s most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet’s resources.

Product Details

ISBN-13: 9780520271869
Publisher: University of California Press
Publication date: 07/19/2013
Series: Asia: Local Studies / Global Themes , #27
Edition description: First Edition
Pages: 352
Product dimensions: 6.20(w) x 9.00(h) x 1.10(d)

About the Author

Ian Jared Miller teaches Japanese history at Harvard University.

Table of Contents

Figures
Foreword by Harriet Ritvo
Acknowledgements
Note on Transliteration

INTRODUCTION
Japan’s Ecological Modernity

I. Animals in the Anthropocene
II. Ecological Modernity in Japan
III. The Natural World as Exhibition

PART ONE
The Nature of Civilization

CHAPTER ONE:
Japan’s Animal Kingdom: The Origins of Ecological Modernity and the Birth of the Zoo

I.  Bringing Politics to Life
II.  Sorting Animals Out in Meiji Japan
III.  Animals in the Exhibitionary Complex
IV.  The Ueno Zoo
V. Ishikawa Chiyomatsu and the Evolution of Exhibition
VI. Bigot’s Japan

CHAPTER TWO:
The Dreamlife of Imperialism: Commerce, Conquest, and the Naturalization of Ecological Modernity

I. The Dreamlife of Empire
II. The Nature of Empire
III. Nature Behind Glass
IV. Backstage at the Zoo
V. The Illusion of Liberty
VI. Imperial Trophies
VII. Imperial Nature

PART TWO
The Culture of Total War

CHAPTER THREE:
Military Animals: The Zoological Gardens and the Culture of Total War

I. Military Animals
II. Mobilizing the Animal World
III. The Eye of the Tiger
IV. Animal Soldiers
V. Horse Power

CHAPTER FOUR: 
The Great Zoo Massacre

I. Tokyo, 1943
II. A Strange Sort of Ceremony
III. Mass-Mediated Sacrifice
IV. The Taxonomy of a Massacre
V. The Killing Floor
VI. And Then There Were Two

PART THREE
After Empire

CHAPTER FIVE: 
The Children’s Zoo: Elephant Ambassadors and Other Creatures of the Allied Occupation

I. Bambi Goes to Tokyo
II. Empire After Empire
III. Neo-Colonial Potlatch
IV. “Animal Kindergarten”
V. Occupied Japan’s Elephant Mania
VI. Elephant Ambassadors

CHAPTER SIX: 
Pandas in the Anthropocene: Japan’s “Panda Boom” and the Limits of Ecological Modernity

I. The “Panda Boom”
II. The Science of Charisma
III. Panda Diplomacy
IV. “Living Stuffed Animals”
V. The Biotechnology of Cute

EPILOGUE: 
The Sorrows of Ecological Modernity

Notes
Bibliography
Indext
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