The New Countess
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The New Countess

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by Fay Weldon

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England, 1905. Lord Robert and Lady Isobel Dilberne, as well as their entire regal estate, with its hundred rooms, are busy planning for a lavish visit from King Edward VII and his mistress just a few months away. Preparations are elaborate and exhaustive: the menus and fashions must be just so. But even amidst the excitement, not everyone is happy.


England, 1905. Lord Robert and Lady Isobel Dilberne, as well as their entire regal estate, with its hundred rooms, are busy planning for a lavish visit from King Edward VII and his mistress just a few months away. Preparations are elaborate and exhaustive: the menus and fashions must be just so. But even amidst the excitement, not everyone is happy.
Lady Rosina—now widowed and wealthy— insists on publishing a scandalous book despite her mother's objections. Arthur Dilberne and Chicago Heiress Minnie O'Brien's two young sons—the eldest of whom is heir to the estate—are being reared to Lady Isobel's tastes, not Minnie's. After making a shocking discovery, Minnie will take drastic measures for the sake of her children. And when fate deals a hand in the middle of the royal shooting party, the entire Dilberne estate will face upheaval once again.
The New Countess is the final novel in Fay Weldon's outstanding trilogy that began with Habits of the House and Long Live the King. As the bestselling novelist and award-winning writer for the pilot episode of the original Upstairs Downstairs, Weldon magnificently lifts the curtain on early twentieth-century British society, upstairs and downstairs, under one stately roof.

Editorial Reviews

Kirkus Reviews
Weldon (Long Live the King, 2013, etc.) completes her Edwardian trilogy, a lightweight amalgam of Downton Abbey and her own Upstairs Downstairs, as Lord and Lady Dilberne prepare for a visit from King Edward VII. Three years have passed since the last installment. Edward, now king, has invited himself and his entourage, including his mistress, to the Dilberne estate for a hunting weekend, much to Lady Isobel Dilberne's chagrin. Since Lord Robert is actively involved in the government now, not to mention with his new mistress, she is the one who is burdened with installing new plumbing and heating and completely redecorating their large but antiquated home. At the moment, son Arthur, the car enthusiast, is living at the estate with his wife, Minnie, and their two young sons. Arthur married Chicago-born Minnie for love, not the money she stands to inherit from her rich but crude Irish-American parents, and despite knowing she was an "experienced" bride. But, devoted to his auto manufacturing company that has yet to produce a commercially viable vehicle, Arthur now takes Minnie for granted. Lonely, homesick for the United States and oppressed by Lady Isobel's interference in her children's upbringing, Minnie assumes the worst when she walks in on Arthur with a female journalist in an apparent state of undress. Minnie decamps to stay with Arthur's sister Rosina. Recently returned from Australia a wealthy widow, with her finished manuscript on the sexual habits of the Aborigines ready to publish, Rosina has joined the literary and sexually liberated set on Fleet Street, Weldon's satiric swipe at the Bloomsbury crowd. Will Minnie succumb to the temptations of Fleet Street or reunite with Arthur? Will Rosina find passion with her editor's sister? Will Lady Isobel become romantically involved with the handsome, much younger police inspector assigned to arrange security in preparation for the royal visit? Will that visit end in triumph or disaster or both? Funnier and nastier than the two earlier volumes but still lukewarm and without much fizz.
From the Publisher

“Readers will be eager to plunge in…Weldon has deftly capitalized on the Downton Abbey momentum.” —Booklist

“Funnier and nastier than the two earlier volumes.” —Kirkus Reviews

“The novel's conclusion is surprising. With remarkable skill, Weldon reverses the reader's expectations in such a way that the astonishment is followed by an immediate recognition of inevitability.” —The Star Tribune

“Weldon knows her subject and era well, and the last book [The New Countess] in her trilogy is perhaps her best.” —RT Book Reviews

“Weldon amuses with her usual mix of courtly language undercut by snark.” —The Boston Globe

“Weldon remains at the top of her game with [Long Live the King]...Fans of Downton Abbey will relish this rich and witty comedy of manners.” —Star Tribune on Long Live the King

“Teeming with tasty tidbits about royals great and small, Weldon's second installment in her Dilberne Court trilogy gives devoted Anglophiles a whirlwind tour upstairs, downstairs, and all around the castle.” —Booklist on Long Live the King

House (2013), gives devoted Anglophiles a whirlwind tour upstairs, downstairs, and all around the castle.” —Booklist on Long Live the King

“Weldon's flair for capturing the grudging envy shared by the British and their colonial counterparts is worth more than its market value in fool's gold.” —The New York Times on Habits of the House

“Before there was Downton Abbey, there was Upstairs, Downstairs, and, having written the first episode of that iconic television series, it is only fitting that Weldon now returns to the scene of the crime to further explore the disparate worlds of 'them that has and those what serve 'em.'...Always a ripe target for mockery and disdain, the British aristocracy comes in for a thorough drubbing in Weldon's snarky send-up.” —Booklist on Habits of the House

“[Habits of the House] succeeds as an opening to a new series.” —Publishers Weekly on Habits of the House

Habits of the House is good fun from start to finish, thanks to its breezy storytelling and witty social observations.” —The Washington Post on Habits of the House

“There is simply no touching Weldon as a writer.” —The Observer (UK) on Habits of the House

“Fay Weldon has always examined the scary parts of what lies beneath the silk cushions and behind the closed gates.” —The Chronicle of Higher Education on Habits of the House

Library Journal
Grand of Weldon to have dreamed up an Edwardian-era story that has held fans in between bouts of Downton Abbey. Here she wraps up the trilogy with Lord Robert and Lady Isobel Dilberne's household preparing for a visit from Edward VII and Queen Alexandra. With a reading group guide.

Product Details

St. Martin's Press
Publication date:
Habits of the House Series, #3
Product dimensions:
6.30(w) x 9.30(h) x 1.30(d)

Read an Excerpt


A Visit to Stonehenge

Midsummer's Day, 22nd June 1905

'RIGHT ON TIME,' said Anthony.

'One should hope so,' said his sister.

They took it as a good omen, though no more than they deserved. At ten to five the rising sun's first rays caught the Friar's Heel monolith: just as they were meant to. The famous stone glowed like a beacon while all around was still undefined, and misty grey. Then all of a sudden there was glorious light, you could see everything bright and clear, and the longest day of the year was upon them.

Then it was time to take the train back to an overcast London. They'd travelled down the night before, snatched a few hours' sleep at the Rose and Crown in Salisbury, travelled the nine miles by cab to Stonehenge, and each paid a shilling's entry. Anthony was not particularly superstitious, but he was now Editor of The Modern Idler, a literary magazine, and needed to keep up with contemporary trends. He had observed an increasing preoccupation with all things occult and semi-occult in both readers and writers. Golden Dawns, the sacred fires of the Druids, the leaping and dancing of the cloven-hoofed Great God Pan and so forth now seemed to interest the progressive world almost as much as the wilder shores of experimental sex. If a man was obliged to earn a living, and Anthony now had no other option, he should at least enter into the spirit of things and do it thoroughly. A chilly Stonehenge dawn and a cavorting assembly of chanting white-gowned Druids - male and female and no telling which was which- would make a good editorial and was no real hardship.

Anthony didn't particularly like going anywhere alone without an audience, so he'd asked his sister to come with him. It happened to be Diana's birthday - she was twenty-eight, surely a rather terrible milestone for an unmarried woman - and no one else he knew was prepared to get up so early. More importantly, he had a proposition to make to her. He put it off until they were on the train back to Waterloo, during the course of a late Pullman-car breakfast. He had porridge and cream, kippers, and eggs, bacon, and sausages; she had grapefruit segments and scrambled egg on toast. Even the coffee was good.

'Diana,' he said, 'I must talk to you seriously.'

'I feared that was the case,' she said. She was a lively, clever, cheerful girl of the kind men made best friends of rather than wives - or so her brother feared. She was bold, direct, noisy, had too pronounced a chin for beauty, and seemed to him to be without any of the erotic principle that men looked for in a woman. Worse, she was penniless, as he was. Their father, Eric, Lord Ashenwold, had died three months earlier having made only the most meagre provisions for Anthony and Diana - the peerage, the estates and the money going to his eldest son and heir Bevis. Yet Diana's unmarried state did not seem to disconcert her at all.

'The fact must be faced,' said Anthony, after the customary clearing of the throat that went before one of his serious announcements (such as 'We have decided after much deliberation, Mr Kipling- or Haggard, or Benson, or Wells, or Hardy, or whichever wildly successful writer it was - 'that we will publish your next story'). 'You are twenty-eight today, Diana, and as an older woman have reduced marital prospects.'

'Don't be such an old crotchet, Redbreast,' said Diana. 'I daresay someone will come along. Not someone from the peerage, to suit Bevis, not some famous writer, to suit you, but somebody who suits me. Besides, I never want to marry. I don't like children any more than you do.'

'A man is not required to like children,' he said, 'only to do what he can for them. But a woman most properly is.'

'Then perhaps I am not a proper woman,' she said.

'What can you mean?' he said. 'What a pair we are!'

His voice was somehow strangulated, but then many men of his social background spoke in the same manner - as though all statements had to go through some kind of filter before they were released. The Honourable Anthony Robin, a second son, was a tall man with an overhung brow and startlingly blue eyes. He had the commanding and kindly stoop of an old Etonian of the non-sporting kind, but was not, Diana had concluded long ago, necessarily kindly. She suspected he had invited her on this excursion - much as she was enjoying it - not out of altruism, but to forward some devious scheme of his own. She was right.

'Your prospects being as they are,' he went on, 'you have no choice but to earn a living. You can work for me as my housekeeper.'

He waxed lyrical. He had just leased new premises from which to run The Modern Idler. From now on it was to be published monthly. He had found a charming little house in Fleet Street, looking straight into the Law Courts with Chancery Lane beyond. It was an area where journalists came and went and writers had their clubs. It had crooked walls and leaning floors and at night you could hear the death-watch beetle tapping away, though the old oak beams had such hard heartwood he'd been assured all their gnashings were in vain. An eccentric place for a dwelling, perhaps, but a fine one for the editor of a political and literary magazine.

'Oh Anthony, I see,' she said. 'You want me to move in and do all the work? Distemper walls, sand floors, fix lights, buy furniture, I daresay even create a garden where you can drink your coffee while you read your manuscripts and turn down aspiring hopefuls?'

'It sounds divine,' he said.

When the building work was done, he said, she could be his secretary.

'You can type, you can do the layouts, and the pasting up, and you can help with the editing, the subscription lists and, soon.

'Oh thank you, Redbreast,' she said. 'What if you got married and she hated me and threw me out?'

'I am not the marrying sort,' he said. 'You know that. I am a man ofletters. I am the philandering kind. I believe in the Life Force and the odd whiff of opium, draught of cocaine. But you know that too. All is legal, all will come from the Fleet Street pharmacy down the road. But I do have my little ways. You will have to put up with them.'

'I might overlook them,' she said, 'if I have half a page of my own in your Modern Idler once a month. Not about fashion, or recipes, or how to polish a kettle, but about politics.'

'Not under your own name,' he said. 'I don't want to be a figure of fun.'

'Mrs Humphrey Ward publishes under her own name,' Diana protested.

'But she is married. You would be a Miss with no brain or experience. Perhaps you should make a marriage of convenience.'

Diana raised her eyebrows and Anthony Robin said she had until Waterloo Station to think about the advantages of living under his wing. Otherwise he would make alternative plans. They were at Basingstoke, so she had about an hour.

They fell silent. She took honey with her toast. Anthony took marmalade. He opened The Times while she stared out the window at green fields and growing wheat. There was a sudden bark of annoyance from Anthony which quite made her jump.

'Engineering genius, my foot,' he said. 'Bumbling young puppy. Used to be my fag at Eton. How he yelped if I beat him, the crawling little ninny. Couldn't find his way round a tin of boot polish.'

Arthur Hedleigh had entered his new touring model, the Jehu III, for the Isle of Man race in September, and according to The Times, was considered the new white hope of the British automobile industry. The piece seemed to have quite upset Anthony. Asked why, he said that Dilberne was a sleazy rotter, a jumped-up bounder, a silver spooner, a mother's darling, an effete cissy, a rogue, and no gentleman - who with his father the Earl's connivance had once cheated him, Anthony, out of fifty pounds and tried to get him into trouble with the law. A swinish family.

'Oh Anthony, I know his sister Rosina rather well,' said Diana, mildly. 'She went to Australia and I really miss her still.'

'You can keep the sister,' said Anthony. 'At least, having a brain in her head, she took off for the other side of the world. But the brother - I execrate. He married a thin little Roman Papist heiress from Chicago: no virgin she. I say let him tumble into a vat of his own engine oil and choke to death, and drag her with him.'

'Oh Anthony,' she protested, 'people can love each other.' His vehemence took her aback. She poured him another cup from the tall silver coffee pot, without using a napkin, forgetting how hot E.P.N.S. handles could get. Something to do with the specific heat of nickel, she imagined, rather than that of the copper of silver plate. Real silver, of course, the proper stuff, was slow to heat. Diana had studied chemistry at Oxford, along with ethnography. She had not been able to take her degree, women couldn't. It didn't worry her; when was the world anything other than unfair? Anthony, on the other hand, chafed against injustice. Arthur Hedleigh rankled him because he had his picture in the paper, was going to end up an Earl and he, Anthony, would never inherit a title, let alone catch an heiress.

'I speak metaphorically,' said Anthony, 'but it won't last. She's not his type.'

'Oh?' asked Diana, interested. 'What type's that?'

'Round, blonde, fair and stupid.'

Diana was wise enough not to ask how he knew - the sooner he calmed down the better.

They were pulling out of Woking in a great cloud of steam and melancholy hooting. Before long they would be at Waterloo. He was right - her choices were limited. She could live as a spinster sister with her rich boring brother Bevis, or as a housekeeper with her less boring brother Anthony. She was not good at making up her mind.

'Though of course the wife might be the one to stray,' Anthony said, speculatively. 'She has quite a past.'

'Oh Anthony,' said Diana. 'Don't be like that.'

'I hope she's unfaithful and gives him hell,' he said, but she thought he said it as much to punish her, Diana, for not supporting him in his wrath as because he really meant it. Or so she hoped.

'Oh for Heaven's sake, Redbreast,' said his sister.

He wished she would not call him Redbreast: it was a name attached to him in his schooldays when he was young and silly and had edited the Eton Chronicle. And the 'Ohs' with which she peppered her conversation annoyed him, she seemed to be always reproaching him. But then, he supposed, that's what women did. And he was fond of her, and she needed him.

'Will you?' asked Anthony.

'Oh Anthony, of course I will,' she replied.

Minnie Gives a Birthday Party

25th June 1905, Belgrave Square


'My life is perfect,' murmured Melinda, otherwise Minnie, the Viscountess, Lady Hedleigh. But even as she spoke, if to no one in particular, she looked down from the wide windows of No. 17 Belgrave Square and saw a lad, distinctive in the peaked cap and gaiters of the new-style telegraph boy, leaping up the front steps. He had the jaunty air - or so Minnie thought - of someone delivering good, not bad news.

Minnie listened but couldn't hear the bell over the noise of infant revelry. No doubt bells jangled appropriately in the servants' quarters. The party had turned noisy, in spite of the subduing presence of nannies and nursemaids. Little children swarmed recklessly from table to floor, shrieked and threw jelly and cake. Isobel, Countess of Dilberne, who had invited her daughter-in-law Minnie plus her two small children to London for the week, winced slightly as greasy hands endangered the pale-yellow chintz of the new upholstery of the morning room, but said nothing. Today was to do with celebration.

'Ah,' said Isobel generously, 'let them have fun. Birthdays are only once a year.' So the nannies held back and the six little guests and Edgar and his little brother Connor rolled about on the floor and laughed and giggled and kicked one another.

Minnie's eldest son Edgar was three years old today, and could do no wrong. Connor Hedleigh, born a year to the day after Edgar, could do quite a lot of wrong, at least in the eyes of his English grandparents, not having the saving grace of being the first-born. Minnie had tried to explain to her parents, the O'Briens of Chicago, the necessary complexity of names and titles in the English aristocracy but without success.

'Mother of God!' Tessa had protested, when her daughter brought the children over to the stockyards of God's Own Country for inspection. 'Why is Edgar a Dilberne and Connor only a Hedleigh? They're full brothers, aren't they?'

'You have to be English to understand,' Minnie had replied.

'At least neither one of them's a bloody Turlock,' their grandfather Billy O'Brien, the pork baron, had said - fortunately not in Arthur's hearing. The last thing Minnie wanted was her past raked up; and least of all her doubtful liaison with the deranged American artist Stanton Turlock. Her father liked to speak plainly, but it could be an embarrassment.

Both her sons were fine, brawny, straight-backed lads, of whom their father Arthur was pleasingly proud. Minnie loved them both equally, but perhaps Connor a little bit more, since he was always in trouble and second in line.

Edgar the heir would inherit the title. Connor was the 'spare'. Even Arthur sometimes called him that- 'the spare' - as in 'Tell the spare to stop that noise and be a man' - although she wished he wouldn't. She was sensible enough not to say so. Life with her father had taught her that if you asked a man not to do something he was the more likely to do it again.

Now, as the noise level rose, Arthur spoke. He had been sitting at a distance and silent, though smiling indulgently, if perhaps a little fixedly, in his effort not to mind the mayhem. He had a deep voice: it was very male, cutting through the squeaks and squeals of women and children. Minnie loved him.

'Risus abundat in ore puerorum,' Arthur said.

'Oh, Arthur,' said her mother-in-law, 'another Latin tag. Just like your father. You are so clever. What does it mean?'

'Laughter is plentiful in the mouths of small boys,' said Arthur. 'But enough is surely enough. The nursery world can be very noisy and annoying. No wonder Father's found a pressing engagement.'

'Very well,' said Isobel. 'Let there be an end to misrule,' and she nodded to the bank of nannies who swooped into action as they had been longing to do, and quick as a flash the little ones were back on their chairs again, too startled to object, hands and mouths wiped clean, neat and sweet like the little lambs they were on a good day, little lions no more.

Arthur smiled and caught Minnie's hand. He had his father's long straight nose, square jaw and thick blond hair and seemed to gain in gravitas by the year - no longer the boy but very much the man. He had come up to London with Minnie and the boys to spend the day with their grandparents, for once delegating the care of his motor-car workshops to others. Four years and more into the marriage and she found she still thrilled to the sound of his voice, the touch of his hand. She was very lucky.

A pity that the Earl, Grandfather Robert, couldn't be with them after all. He had been called away as ever by affairs of State - the occasion was genuine enough - some kind of insurrection in Russia that demanded the Privy Council's attention even though it was a Sunday. With the modern world proceeding at the pace it did, politics was becoming a full-time job, not the diversion of a wealthy and patriotic man. Robert was not one to shirk his duties.

Minnie still found her father-in-law intimidating; but she liked the feeling of being at the centre of things, and sometimes he would regale the assembled company with what was going on abroad or at the Colonial Office, which was one of the reasons she so enjoyed coming up to Belgrave Square. Arthur's interests were increasingly confined, she was beginning to find, to the insides of automobiles, the beauty of the Arnold Jehu III, the virtues of air-cooled engines as compared to water-cooled. She did her best to stay enthusiastic, but sometimes late at night she would fall asleep on the pillow while Arthur talked.

She'd said something of the sort to Tessa when her parents were over. 'Better that he's besotted by an automobile,' Tessa had retorted briskly, 'than by some chorus girl.' And Minnie could see that it was true.

Tomorrow Minnie would go with Isobel to Heal's to inspect their newly arrived range of bamboo furniture to see if any was suitable for the Belgrave Square back bedrooms - out of the question of course for Dilberne Court, with its massive four-posters, settles and cedar linen chests: the staff would just have to go on heaving and straining and polishing ancient oak - and then perhaps the ladies would go on to Bond Street to look at the new circular skirts from Paris, tiered and braided but two inches shorter than oflate, so they cleared the ground and did not require the endless brushing that took up so much of the parlourmaids' time. There was a great deal in modern life to be thankful for. The form and shape of furniture interested her. Once, she vaguely remembered, she had had dreams of becoming a sculptress. Stanton Turlock had even spoken ofher as being a Camille Claude to his Rodin - not that he had ever got beyond paint on canvas. She liked the touch, feel and colour of fabric, but Isobel's obsession with fashion eluded her. All the same, for Isobel's sake she would pretend a deep interest. You opened your eyes wide, looked intent and thought of other things.

Minnie had forgotten all about the telegram, when Reginald the head footman arrived with it on a silver tray. He had taken his time, having no doubt steamed open the thin brown envelope, read its contents, then hastily resealed it. He was a villain, if an amiable one. Isobel opened the telegram, read it, and nodded to Reginald to leave the room.

She had the same stunned and unbelieving expression on her face as little Edgar had when suddenly snatched up from the floor and sat in his chair.

Reginald backed but did not leave the room. He would not be reprimanded, Minnie knew. He never was.

'A good-looking feller, quite the swank,' Billy had said of him the previous year when the in-laws were over for Wimbledon. 'Gets away with anything. You bet he knows more than he should.' Which Minnie thought was probably the case. It was one of the problems with living with servants. Not that the others seemed to notice, let alone worry about that.

Isobel let the envelope drop from her hand as if it was of little account.

'It's your sister Rosina,' she said to Arthur, in what was almost a tone of accusation. 'The steam ship Ortona docks at Tilbury tomorrow afternoon. Rosina will be on it. No explanation, no information, nothing. She just announces her arrival. How very rude, how very Rosina.'

'Rosina! But how wonderful!' cried Minnie into a silence which fell on the whole party. Even the little children stopped their clatter. Minnie hesitated. Rosina was disapproved of. But why? Rosina was difficult, and moody, true, and had left peremptorily for Australia, married suddenly under some kind of cloud, but she was family, only daughter of the house. Some show of enthusiasm was surely allowed? Back home in Chicago there'd have been shrieks of joy and everyone embracing, and tears shed, and a rushing out to tell everybody the good news. The prodigal sister returned. But this was Belgrave Square and spontaneity was not the way of things.

'Dear Rosina,' said Arthur, casually and calmly. 'The mischief maker!' And then, with a glance at Minnie, 'Though naturally one's jolly glad to hear from her after so long. How long, eh? Three years?'

'Your sister embraces silence,' said Isobel. 'Only ever the briefest of letters and there's been nothing for a good six months.'

'No news of the husband or a child?'

'Nothing. Not even that courtesy.'

'How about her parrot?'

His mother ignored him and turned to Reginald.

'The Ortona docks at Tilbury. Is it the Orient Pacific line?'

'I'm afraid it is, my lady. An immigrant ship, returning half empty.' He seemed rather amused.

'How very uncomfortable for her,' said her Ladyship.

'Why always this perverse nostalgie de la boue - this desire to play the bedraggled?'

'Even so, it's our Rosina!' protested Minnie. 'It's such good news! Someone to talk to!' This sounded a little ungracious. Isobel looked at her rather strangely. So did Arthur. Minnie always tried very hard not to blurt things out and for the most part she succeeded, but today she had failed.

'I have you to talk to, my dear, of course I do,' she said to Arthur, to make amends, 'at least I do when you are at home but you are so often in your workshop.' She had made matters worse. Why did life have to be so difficult?

'And I am sure you are busy enough with our children,' he said, sensing an accusation. 'You hardly have time these days to give me a second look.'

'Well, well,' said Isobel, fearing there was the making of a squabble in the air. 'We will send Reginald to meet the Ortona tomorrow. Rest assured, Minnie, Rosina shall have a prodigal daughter's welcome home. Though she could at least have given one proper notice.'

'You could hardly expect that. A parrot doesn't change its feathers, eh?' said Arthur.

Minnie giggled, as she should not have.

Rosina had departed to Western Australia, with almost no warning, some three years before, in the company of a new husband, a Mr. Frank Overshaw, theosophist and landowner. He was no catch for an Earl's daughter, but Rosina was unmarried, past thirty, tall and ungainly, too clever for her own good and hardly in a position to be particular. Even so, the speed of the engagement and her departure had been unseemly, even scandalous, especially since Rosina had sailed on a ticket reserved for her own cousin Adela, Frank's first choice of bride. It had been assumed there'd been the normal reason for haste but it had proved not to be the case. At any rate there had been no mention of a baby in the few briefletters Rosina had sent home: just descriptions of a land hot and dangerous beyond belief where the mail was bad and servants non-existent, and some requests for reference books: Emile Durkheim's Rules of the Sociological Method, his treatise on suicide in aboriginal culture, and any of Max Weber's early publications.

'But Mama,' said Minnie now - it was at Isobel's request that Minnie called her 'Mama' - 'someone from the family must be there to meet her. She has been away for three whole years - for all we know she may be ill.'

'But the Ortona!' said Isobel. 'Tilbury, not even Liverpool,' as if that settled the matter. But she put no difficulty in Minnie's way, and even said their shopping trip to Heal's could be delayed until Tuesday well enough: Minnie must certainly go and meet Rosina if she'd like to. One could only hope the boat got in reasonably on time, and poor Minnie didn't have to wait around all day. Meeting boats was better left to the servants - but if it was what Minnie wanted ... Isobel for one would spend the day with Robert at the House.

Then Arthur said that alas, he couldn't go with Minnie: the Jehu III was at a critical stage: he had decided air cooling was a mistake, he must get back by the morning but Minnie was to wish Rosina very well and he would see her before long. He assumed she would be staying at least for a while at Belgrave Square.

So all was well, but Minnie wished she hadn't thought, 'My life is perfect,' so loud and clear in her head. She had a niggling feeling the Gods had overheard and the ring of the front door bell, so close upon the thought, had been a sign of their displeasure. But how could Rosina coming home be bad?

Meet the Author

FAY WELDON is a novelist, playwright, and screenwriter who, at the age of 16, lived in a grand London townhouse as the daughter of the housekeeper. In addition to winning a Writers' Guild Award for the pilot of Upstairs Downstairs, she is a Commander of the British Empire whose books include Praxis, shortlisted for the Booker Prize for Fiction; The Heart of the Country, winner of the Los Angeles Times Fiction Prize; Worst Fears, shortlisted for the Whitbread Novel Award; and Wicked Women, which won the PEN/Macmillan Silver Pen Award. She lives in England.

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The New Countess 3.3 out of 5 based on 0 ratings. 3 reviews.
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Anonymous More than 1 year ago
Much is devoted to the politics of the day, which I found extremely boring . Not as good as the 2 previous books.